Adnan Rajeh – Appreciating Hajj #07

Adnan Rajeh
AI: Summary © The speaker discusses the Hadith collection and the importance of narrating the shu homework hadith. They also mention a picture of the deceased's final visit to the Kaaba, where the body is found. The theory that the artist's final visit is when he will be seen by his grandfather is discussed, along with the feeling of loss and need that comes with the belief that the artist's final visit is when he will be seen. The video also describes the artist's actions, which are described as physical and spiritual.
AI: Transcript ©
00:00:07 --> 00:00:09

So the hadith of anay collection in my

00:00:09 --> 00:00:11

Ubud Awud, actually, I'm I was gonna continue

00:00:11 --> 00:00:13

the hadith of last night, but I'm do

00:00:13 --> 00:00:15

that tomorrow, on Thursday, and and tonight will

00:00:15 --> 00:00:16

be a little bit different. Still within the

00:00:16 --> 00:00:18

theme of appreciation of Hajj, obviously, we're we're

00:00:18 --> 00:00:20

still in that until until Eid.

00:00:21 --> 00:00:23

Amr ibn Shoaib, this is his name. His

00:00:23 --> 00:00:25

name is just so I understand, this is

00:00:25 --> 00:00:27

a known, the Hadith, they know this issue

00:00:27 --> 00:00:28

and they have a difference of opinion on

00:00:28 --> 00:00:30

on a hadith narrated by by this, within

00:00:30 --> 00:00:31

this,

00:00:32 --> 00:00:35

chain. So Amur ibn Shoaib, ibn Muhammad,

00:00:36 --> 00:00:37

ibn Abdulah ibn Ahmad.

00:00:38 --> 00:00:39

Right? So

00:00:40 --> 00:00:42

Amur ibn Shoaib, he narrates from his father,

00:00:43 --> 00:00:45

who was Shoaib ibn Muhammad, right, who usually

00:00:45 --> 00:00:47

narrates from his grandfather,

00:00:47 --> 00:00:49

Abdullah ibn Ahmed.

00:00:50 --> 00:00:52

And the Muhaddiddin always have an issue with

00:00:52 --> 00:00:54

the strength of narration of Shu'aib from his

00:00:54 --> 00:00:56

grandfather because he, you know, he was young

00:00:56 --> 00:00:58

during his time. So they always, some scholars

00:00:58 --> 00:01:01

see his hadith to be authentic. Some of

00:01:01 --> 00:01:02

them see them to be reasonable. Some of

00:01:02 --> 00:01:04

them see to see them to be weak,

00:01:04 --> 00:01:06

and they judge that based on when he

00:01:06 --> 00:01:07

narrated it. Like, how old was he when

00:01:07 --> 00:01:08

he actually told the narration? This one here

00:01:08 --> 00:01:10

is one of the authentic ones or reasonable

00:01:10 --> 00:01:11

ones because of the timing.

00:01:12 --> 00:01:14

So Amr ibn Sharay was narrated from his

00:01:14 --> 00:01:16

father, from his father, Sha'aib ibn Muhammad,

00:01:17 --> 00:01:19

something about his grandfather, which is I'm going

00:01:19 --> 00:01:21

to tell you, which is which is Abdullah

00:01:21 --> 00:01:22

ibn Amr ibn Al's the great Sahabi who,

00:01:22 --> 00:01:24

you know, he learned a lot from the

00:01:24 --> 00:01:26

prophet alayee salatu wa sallam. And this is

00:01:26 --> 00:01:27

you've heard me narrate this hadith before.

00:01:28 --> 00:01:29

And if you're, like, listening to it and

00:01:29 --> 00:01:30

in your mind,

00:01:31 --> 00:01:33

is is run out of things to say

00:01:33 --> 00:01:34

and you're gonna pray somewhere else, feel free.

00:01:34 --> 00:01:36

I love it. I absolutely love this hadith.

00:01:36 --> 00:01:36

It's one of my favorite.

00:01:37 --> 00:01:39

I love to I I I actually I

00:01:39 --> 00:01:41

literally wait for a Hajj time because it

00:01:41 --> 00:01:44

gives me a reason to narrate it again.

00:01:44 --> 00:01:45

Like, I wait every year and when Hajj

00:01:45 --> 00:01:46

I I have to I have to insert

00:01:46 --> 00:01:47

it. I have to I have to tell

00:01:47 --> 00:01:48

it because I just I just absolutely adore

00:01:48 --> 00:01:50

it. And and and just something about it

00:01:50 --> 00:01:52

is just very sentimental. You'll understand what I

00:01:52 --> 00:01:53

what I mean in a moment.

00:02:10 --> 00:02:10

Yeah. So

00:02:18 --> 00:02:20

Shoaib ibn Muhammad, saying I I did towa

00:02:20 --> 00:02:21

with my grandfather.

00:02:22 --> 00:02:23

And when we be when we were doing

00:02:23 --> 00:02:25

towa, we went behind the Kaaba. Right?

00:02:25 --> 00:02:27

The front of the Kaaba being where the

00:02:27 --> 00:02:29

Hajar al Aswud is. Right? That's how we

00:02:29 --> 00:02:30

kinda look at it. So behind the Kaaba,

00:02:30 --> 00:02:32

I told my to my grandfather,

00:02:32 --> 00:02:34

as a grandson being a, you know, a

00:02:34 --> 00:02:36

smart act guy, just saying, why don't you

00:02:36 --> 00:02:38

make tau wood? Why don't you why don't

00:02:38 --> 00:02:38

you lose?

00:02:39 --> 00:02:41

Is, seeking for protection and a lot from

00:02:41 --> 00:02:43

something. You know, he's a grandson. He wants

00:02:43 --> 00:02:46

to say something smart to his grandfather and

00:02:46 --> 00:02:47

see me on the intelligence. So he said

00:02:47 --> 00:02:50

to his grandfather. So his grandfather said, now

00:02:50 --> 00:02:51

we seek refuge in Allah from the whole

00:02:51 --> 00:02:52

fire. And

00:02:52 --> 00:02:53

here's the point of

00:02:56 --> 00:02:58

And he goes and he

00:02:58 --> 00:03:00

goes to the to the Hajar, as went

00:03:00 --> 00:03:02

to the black rock, and he and he,

00:03:02 --> 00:03:04

puts his hand on it. He kisses

00:03:05 --> 00:03:06

it.

00:03:08 --> 00:03:10

So if you go to the Kaaba and

00:03:10 --> 00:03:12

and on Saturday when we do the, like

00:03:12 --> 00:03:13

the journey of Hajjal, I'll show you some

00:03:13 --> 00:03:15

of the pictures the Kaaba. Between the Hajj

00:03:15 --> 00:03:17

al Eswat and between the door of the

00:03:17 --> 00:03:19

Kaaba, it's not very wide. It's a it's

00:03:20 --> 00:03:22

there's a little piece. It's called the Mu'tazim.

00:03:22 --> 00:03:24

Right? And the reason it's called the Multasm

00:03:24 --> 00:03:25

is because of the story I'm gonna tell

00:03:25 --> 00:03:27

you now as far as we can tell.

00:03:27 --> 00:03:29

There are other reasons or there's other opinions

00:03:29 --> 00:03:31

of why it's called that, but this is

00:03:31 --> 00:03:32

why I think it's called that.

00:03:36 --> 00:03:37

He stood there.

00:03:47 --> 00:03:49

So he went to the area between the

00:03:49 --> 00:03:50

door and the

00:03:50 --> 00:03:52

and he stuck his chest

00:03:52 --> 00:03:54

and his face, and he puts his arms

00:03:54 --> 00:03:56

up like this, and he puts his hands

00:03:58 --> 00:03:59

opened them up.

00:04:01 --> 00:04:03

And then his grandfather looked at him and

00:04:03 --> 00:04:03

said,

00:04:07 --> 00:04:08

This is what I saw the prophet

00:04:09 --> 00:04:10

do.

00:04:10 --> 00:04:12

I want you to imagine the prophet. Forget

00:04:12 --> 00:04:14

about that. Imagine the prophet, alayhis salatu wa

00:04:14 --> 00:04:15

sallam.

00:04:15 --> 00:04:17

When did he see this? Abu'l alhamur was

00:04:17 --> 00:04:19

too young for him to see this. He

00:04:19 --> 00:04:20

saw this during Hajjatulwada.

00:04:21 --> 00:04:23

There was no other time for Amr Abdullah

00:04:23 --> 00:04:25

ibn Amr to see this happen because he

00:04:25 --> 00:04:27

wasn't around in Mecca in the early years,

00:04:27 --> 00:04:30

and he wasn't there for, Amr Hudaybia. He

00:04:30 --> 00:04:31

was only there for Hajjat al Wada. That's

00:04:31 --> 00:04:34

when he was there. So he there's no

00:04:34 --> 00:04:36

possibility of Abdullah ibn Amr seeing this from

00:04:36 --> 00:04:38

the prophet, alayhi salatu wa sama, except

00:04:41 --> 00:04:42

when he did. There was no there's no

00:04:42 --> 00:04:43

other possibility.

00:04:43 --> 00:04:45

So I want you to imagine the prophet

00:04:46 --> 00:04:48

in his Hajjat and his final Hajj, his

00:04:48 --> 00:04:50

farewell Hajj. When he does his, he comes

00:04:50 --> 00:04:52

to the Hajjal. He he

00:04:53 --> 00:04:54

and then he just

00:04:55 --> 00:04:57

puts his face and his just goes like

00:04:57 --> 00:04:59

he just he just sticks his face and

00:04:59 --> 00:05:00

his body to it.

00:05:02 --> 00:05:03

Making dua

00:05:04 --> 00:05:05

When I imagine this,

00:05:05 --> 00:05:07

it's just the beaut most beautiful thing I

00:05:07 --> 00:05:09

can ever imagine. It's just

00:05:09 --> 00:05:11

it gets so poetic,

00:05:11 --> 00:05:13

you know, and it's just so majestic

00:05:13 --> 00:05:14

to imagine the

00:05:15 --> 00:05:18

prophet just in a moment of true

00:05:18 --> 00:05:20

humbleness, true

00:05:20 --> 00:05:23

true closeness to Allah, someone who knows that

00:05:23 --> 00:05:24

this is the last time he will see

00:05:24 --> 00:05:26

the Kaaba, someone who knows that within a

00:05:26 --> 00:05:28

couple of months he will leave this world,

00:05:29 --> 00:05:31

He just goes and just sticks his whole

00:05:31 --> 00:05:31

body.

00:05:32 --> 00:05:34

You know, it's it's an expression of just

00:05:34 --> 00:05:35

complete,

00:05:35 --> 00:05:37

yeah, the loss of sense of self for

00:05:37 --> 00:05:39

a moment. Right? Because this is something a

00:05:39 --> 00:05:41

child would do. Like, it's when your kid

00:05:41 --> 00:05:43

is is upset, he just comes and just

00:05:43 --> 00:05:46

throws his just they throw this full body

00:05:46 --> 00:05:47

on you. Like, that's how they do it.

00:05:47 --> 00:05:48

And and after a while, when they get

00:05:48 --> 00:05:50

older, you start getting any of the you

00:05:50 --> 00:05:52

let them fall flat. You step away and

00:05:52 --> 00:05:52

let them

00:05:53 --> 00:05:54

get up. Get up. What is this? This

00:05:54 --> 00:05:56

is ridiculous. When they're a year or something,

00:05:56 --> 00:05:58

you you let them do it. And and

00:05:58 --> 00:05:59

this is the action. The prophet

00:06:00 --> 00:06:02

is going to the Kaaba and just applying

00:06:02 --> 00:06:02

himself

00:06:03 --> 00:06:05

in a way of just this feeling of

00:06:05 --> 00:06:07

of loss and this feeling of

00:06:07 --> 00:06:09

of of of need.

00:06:09 --> 00:06:11

This feeling of that

00:06:11 --> 00:06:13

I I have I am nothing, and

00:06:15 --> 00:06:19

and I have nothing without you. And I

00:06:19 --> 00:06:22

just that image of him doing it is

00:06:22 --> 00:06:24

just, to me, one of the most beautiful

00:06:24 --> 00:06:26

things you can imagine. And Abdullah ibn Nawar

00:06:26 --> 00:06:27

taught us by just saying, this is what

00:06:27 --> 00:06:29

this is what he did. And whenever you

00:06:29 --> 00:06:30

go to Amura and if you go at

00:06:30 --> 00:06:32

a time where it's when it's, it's

00:06:33 --> 00:06:35

not it's not too busy and you're able

00:06:35 --> 00:06:36

to do it, just just do it, and

00:06:36 --> 00:06:39

you'll and you'll understand why. Understand that there's

00:06:39 --> 00:06:39

that

00:06:39 --> 00:06:41

feeling inside each and every one of us

00:06:41 --> 00:06:42

that we are absolutely

00:06:43 --> 00:06:45

we are children deep inside, and he is

00:06:45 --> 00:06:46

our lord, and we have no one else

00:06:46 --> 00:06:49

to throw our our pain and our agony

00:06:49 --> 00:06:52

and our fear and our sense of

00:06:52 --> 00:06:53

of just

00:06:54 --> 00:06:57

insecurity and uncertainty except upon him, subhanahu wa

00:06:57 --> 00:06:59

ta'ala. And this was him, alayhi, s salam,

00:06:59 --> 00:07:01

doing that physically because he did it he

00:07:01 --> 00:07:02

did it spiritually all his life. But just

00:07:02 --> 00:07:04

for a moment, it's just the spiritual and

00:07:04 --> 00:07:06

the physical, they just they just kinda clicked

00:07:06 --> 00:07:08

and came together in a a moment of

00:07:08 --> 00:07:10

of of just extreme beauty

00:07:10 --> 00:07:10

and

00:07:15 --> 00:07:15

profoundness.

Share Page

Related Episodes