Abdur Rahman ibn Yusuf Mangera – Qasida Burda (The Mantle Ode) Part 2

Abdur Rahman ibn Yusuf Mangera
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The segment discusses the concept of love and uses various language to describe emotions and relationships, including the "irational eye" of Islam and how it can affect people in a negative way. The speaker describes a dream he had when he met a woman with love, and describes a feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling of the feeling

AI: Summary ©

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			Bismillah al Rahman al Rahim, Al
hamdu lillahi. Mohamad who want to
		
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			start, you don't want to stop here
who are not going to be here one
		
00:00:06 --> 00:00:10
			at our karate, and arugula image
surely and fusina Amin see Dr.
		
00:00:10 --> 00:00:13
			Molina where you have the la
oferta Mattila OMA ugreen HuFa
		
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			yella watershed Illa il Allahu wa
the hula should equal when I
		
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			should do an essay you're gonna
want to learn more hammer than
		
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			water soda some of Allah with
either or Li You are either early
		
00:00:25 --> 00:00:27
			he will be here you are the
Recover seldom at the Sleeman
		
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			cathedral and you will be Dean and
buried quite a lot with the
		
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			Bhagavata Allah what a foreigner,
deca, DECA rock.
		
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			So the Kola will just going to
summarize what your mumble CD has
		
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			said in this first part that we
covered last week. Just to get us
		
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			back into this and to understand
where he's coming from.
		
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			What I would say is that this
entire section, this first section
		
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			before he moves into the next
section, which is which is about
		
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			the knifes, this first section is
actually about love.
		
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			And
		
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			I think the commentaries that I'm
using as well, they're providing a
		
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			major lesson in terms of the
concepts of love, the reality of
		
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			love what it's all about, and it's
quite interesting
		
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			because as human beings, we
		
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			are creatures that have an
inclination to love. And if we can
		
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			understand the different stages of
love, and the nature of love, then
		
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			inshallah we can try to focus on
the correct type of love that a
		
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			person should have. So it does
seem kind of far removed from the
		
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			normal lectures that you'll hear
and the normal gurus, but I think
		
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			it's actually very important
because at whatever level anybody
		
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			is, those who are listening.
		
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			There's a sense of love, love for
Allah subhanaw taala love for your
		
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			spouse, love for your parents love
for friends love for anything. So
		
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			how far can you take that love?
What does love do? What are the
		
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			pitfalls in this regard? What are
the challenges in this regard?
		
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			That's what this entire thing is
about. And mashallah ignore it,
		
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			but he's got an amazing, amazing
commentary on it. So let me just
		
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			read the first part here again.
		
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			You will see it he says, I mean,
there's a good eg Iran in BV
		
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			cerami message that the manager
AMI McCullough team with me, I'm
		
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			happy to rehome in tilcon Iike
limited, we're all muddled barcoo
		
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			Phil Vollmer Elomi family acre in
Caltech fufa hamata. Whatever they
		
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			call beaker in Malta, in Costa
stuffier clear he me. Yeah, Cebu,
		
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			Cebu and El Huberman Kutiman
Malbay. naman Sejima Minh who are
		
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			McDreamy Lola lava lamp to the man
Allah Tada Lin wala reputability
		
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			krill burn you will either me will
either me for K for Tokyo Hogben
		
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			dama Shahida be an acre I do them
or he was circling me will tell
		
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			which do have the ability in watan
mythical Buhari wider fatigue well
		
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			enemy
		
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			was better always do worse battle
which do hotter yeah Beratan
		
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			Wattana missile Buhari Isla Daga
will enemy na Surah T foreman for
		
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			Ronnie will help you Yeah, Toledo
Le t Bill LME yada me Phil Hawa a
		
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			little three year mark the rotten.
Mini ileka Wallow on softer lambda
		
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			Lumi
		
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			are the Karela celery mustard in
Andalusia Tijuana? II wala e
		
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			Beeman. Damon Hashimi. Yeah, I
think up to them. So the first
		
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			part of it, if you remember, it
was that Allah mobile city is
		
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			starting this off as a imaginary
dialogue between two individuals.
		
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			And it's all about himself. But
he's just kind of projecting
		
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			outside and creating this dialogue
between two imaginary beings, one
		
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			asking the other or actually
exerting and censoring the other
		
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			one. About why are you crying so
much? Why are you crying to such a
		
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			level? What's your problem? Are
you trying to hide something and
		
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			the other person is trying the
other it seems as if the other
		
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			person is actually trying to hide
his love. But this person is
		
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			really pushy. The questioner is
extremely pushy, very aggressive.
		
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			And he's saying no, no, no.
There's there's no way there has
		
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			to be something what is it? Is it
this is it that is it this what is
		
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			it that make you crying? And then
when the person when the person
		
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			when the other person keeps
refusing and saying nothing? Then
		
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			he starts to bring evidences and
he says, Look at the amount of
		
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			tears. These are witnesses against
you. There's no way you can, you
		
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			can hide this. So that's what this
is all about. Then the other
		
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			person finally starts to speak.
		
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			And it's quite beautiful what he
says
		
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			And then after that it will go
into the rest of it. So it's not
		
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			just a poem of Syrah, but it's
actually a poem of teaching people
		
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			lessons about how human nature
works. And it's actually very deep
		
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			in that regard. So, the first
person is asking the second one,
		
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			meaning the love nonperson. He's
asking the love loan person, is it
		
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			from remembering your past
neighbors that lucidum that you
		
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			mingle with blood? tears shed from
your eyes? So is it for that
		
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			reason? Or has the wind blown from
the side of Kadima? And the
		
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			Lightning has flashed in idioms
rank. So is it because of those
		
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			two things that have happened,
that you're crying so much? What
		
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			else your eyes that when you bid
them sees they still read more?
		
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			What else your heart that when you
bid it, to wake it wonders. So, in
		
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			that regard,
		
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			the reason why he's mentioning
this, as I mentioned last week,
		
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			just summarize that, you know,
when he says has the wind blown
		
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			from before Kadima, as I
explained, this is just poetic way
		
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			of trying to say that if the wind
is blown from that side where your
		
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			beloved lives, then maybe it's
carrying a fragrance, it's
		
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			carrying the fragrance of that
person. So is that because you're
		
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			Is that why you're crying? Now?
You've just got a whiff of the
		
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			fragrance. So suddenly, you've
started crying? Or is it because
		
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			the Lightning has flesh and a
fleshed from idioms dark? So it
		
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			was dark there before where your
beloved is? It was dark, then
		
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			Madina? Munawwara. Right. So he
keeps it very general keeps people
		
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			guessing what is this about? And
the reason he's keeping people
		
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			guessing and making this like, an
introduction to a love poem,
		
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			because most poems had this same
kind of introduction is called
		
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			aniseed. It's the first part, like
the first opening chapter. And
		
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			it's to create, it's just to tug
at your heart to peoples peoples
		
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			is to talk, you know, the, the
chords of the heart, just to get
		
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			your mind focused, then he'll
start saying the right thing. So
		
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			this is just his way of doing it.
It's just very eloquent way of
		
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			doing it. So he says, Is it
because it's flushed from Edom,
		
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			the Lightning has flashed from
there. And that that was another
		
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			reason as well. So now, where this
all comes from is, you know, face
		
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			the marginal Lailah marginal
tastes. I've never really been
		
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			into his story. But his story
period plays a big part in this.
		
00:07:32 --> 00:07:36
			So this is the modulator. He's
actually name a space. That was
		
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			his name.
		
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			So he used to keep looking at the
moon.
		
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			At nighttime, what else is he
going to do? He keeps looking at
		
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			the moon. Why is he looking at the
moon? Because in those days,
		
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			didn't have street lights and so
on. So you can't look at her
		
00:07:49 --> 00:07:51
			house. So he looks at the moon.
		
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			Somebody said, Why do you keep
doing that? He says Allah Leila
		
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			tanto la. Maybe Leila is also
looking at it.
		
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			For delta can never return. Some
and maybe both of our gazes with
		
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			me, we'll meet at the moon
achieve.
		
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			So he used to satisfy himself like
that. This is what people do this
		
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			is. This is the example of what
people do in their love. They do
		
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			these weird things. They satisfy
themselves with the smallest
		
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			amount. That's what the poet's a
lover is willing to give so much
		
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			from their selves, and they will
actually think that they're doing
		
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			nothing. Basically sacrifice
themselves. And even a small thing
		
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			comes from the beloved, they'll be
more than happy with it, they will
		
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			make it they'll treat it as
something extremely significant.
		
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			That's the net. That's what Nate
That's what love does for you.
		
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			That's why we have to be very
careful what you love and who you
		
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			love. Otherwise, if it's for the
wrong thing, you will sacrifice
		
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			your life for the wrong thing.
Then when he said family if you
		
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			know why he said that you're
shedding such tears that I'm mixed
		
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			with blood. I explained last week
that That's an impossibility that
		
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			if you cry so much that you'll
actually shed tears I said that
		
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			was a specific type of illness
condition that some people have,
		
00:09:07 --> 00:09:09
			but they must have seen it in some
people so that he's just using
		
00:09:09 --> 00:09:15
			that as an exaggeration. But there
is a Hadith about it. There's a
		
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			hadith about it, which mentions
that
		
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			in the hellfire, this will happen
for people when they will become
		
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			in Sahih al Bukhari facility Al
Anon. He says that people in the
		
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			Hellfire will cry so much until
their tears will cease. And then
		
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			after that, they will start to cry
blood
		
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			so that there's a reality in the
hereafter in this regard. So why
		
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			is he doing this? The same? You
know, you might think some people
		
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			who are listening to this they
might think this is better
		
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			to use this type of an opening.
		
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			But you know, who used it Khabib
used to hate you used it. Garbage.
		
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			No. So hey, you used it? In the
beginning of his
		
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			poem a similar kind of thing in
front of Rasulullah sallallahu
		
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			alayhi wasallam. And the Prophet
awesome did not prohibit him. He
		
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			said Bernard so I don't
		
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			you know, so I saw this as is
separate. So he talks about that
		
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			in the beginning and then he goes
into praise of Zulu allah
		
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			sallallahu sallam, it's just a way
of capturing attention. So that
		
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			when people are Yeah, that sounds
nice. That sounds right. You know,
		
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			let they get in, you know, because
love is those that kind of thing.
		
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			So, as a cannibal goes ahead, he
did this exactly the same thing in
		
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			front of Rasulullah sallallahu
alayhi wasallam to do the same
		
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			thing. That's why in music What do
they do? The singer doesn't start
		
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			singing straightaway doesn't.
There's a music first. Right?
		
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			It's, there's a warm up in
everything just to capture
		
00:10:47 --> 00:10:50
			everybody's attention. You don't
just jump into it straight you
		
00:10:50 --> 00:10:53
			capture the attention. You put
your feet in the pool, you feel
		
00:10:53 --> 00:10:55
			the water first you get used to it
and then you start swimming.
		
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			Then he says the next part was I
suppose Cebu reckons the love lon
		
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			man. Does the love loan man, the
person who's like totally besotted
		
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			and in engrossed in this love.
		
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			Does he reckon that his love is
concealed? That it's going to stay
		
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			hidden? When a torrent
		
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			Medina moon, Medina, Moon surgeon,
men who told me when there's a
		
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			Toram flowing from his eyes, his
eyes are full of tears, and his
		
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			heart is burning.
		
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			Right? How can he? How can he
hide? So in this regard, what the
		
00:11:37 --> 00:11:42
			other might explain is the word
hood burn. Is means loving Arabic,
		
00:11:42 --> 00:11:46
			the word hobo means loving Arabic.
Where does the word herbal comes
		
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			from come from? There's another
word in Arabic called hub button,
		
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			which means a seed.
		
00:11:52 --> 00:11:57
			Right hub button means seed. So
have been has been taken because
		
00:11:57 --> 00:11:59
			the word Habib comes from hub
boom.
		
00:12:00 --> 00:12:06
			So the we're hoping comes from is
hub button. So the fee was still
		
00:12:06 --> 00:12:06
			called,
		
00:12:07 --> 00:12:14
			this is a black spot, a black seed
in the middle of the heart. Right,
		
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			this is like a black element,
whatever it is, I haven't looked
		
00:12:17 --> 00:12:20
			at I haven't looked at this cardio
logically, right or biologically.
		
00:12:21 --> 00:12:25
			But what what, what the content is
explaining here, that it's this
		
00:12:25 --> 00:12:31
			black seed in the heart right in
the middle, from which controls
		
00:12:31 --> 00:12:35
			every aspect of the body in terms
of how it feels, and so on. So you
		
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			can say it's probably the
essential element of the heart.
		
00:12:38 --> 00:12:42
			And what is the sign of love. The
sign of love is what I just said
		
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			earlier, that you will give from
yourself abundant amounts, and
		
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			you'll think you haven't done
anything, you're willing to do
		
00:12:49 --> 00:12:53
			everything you can. And if you
receive even the smallest amount,
		
00:12:53 --> 00:12:57
			you will think it's great. So
that's why sometimes somebody from
		
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			their shake or from the somebody,
or from a pious individual, or
		
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			from some famous individual, they
received something small, you
		
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			know, they'll keep it
		
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			even though it's seems
insignificant for anybody else,
		
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			but they will keep it because for
them, it just seems like there's
		
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			so much sentimental value to it.
That's the way this love works.
		
00:13:21 --> 00:13:23
			The words he's using from an
Arabic perspective, they're very
		
00:13:23 --> 00:13:27
			complex, very complicated, very
elaborate. The vocabulary is
		
00:13:27 --> 00:13:30
			choosing to it's not very easy.
For somebody who just knows
		
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			Arabic, then they're not gonna be
able to just work this out like
		
00:13:32 --> 00:13:35
			that. It's just like English
poetry. It's very complicated.
		
00:13:35 --> 00:13:39
			Like for example, muy bien, Aman
said Jimmy minha, Matauri. Me, in
		
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			surgeon, and Iran. I mean, these
are not normal words that I used.
		
00:13:44 --> 00:13:45
			This is very deep vocabulary.
		
00:13:47 --> 00:13:52
			Among the poets, you know, when
they have this dialogue, and one
		
00:13:52 --> 00:13:55
			person is censoring somebody else
complaining about somebody else?
		
00:13:56 --> 00:14:00
			Should he complain about his?
Should he direct the complaint at
		
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			his eyes? Or should he direct the
complaint? At his heart? Who
		
00:14:05 --> 00:14:09
			should he make the criminal the
eyes of the heart? To understand?
		
00:14:10 --> 00:14:14
			Because that's what complex poetry
is about? It's not about just what
		
00:14:14 --> 00:14:17
			do you call it criticizing the
individual to get really deep? Are
		
00:14:17 --> 00:14:21
			you going to criticize an aspect
of him? Right could be really
		
00:14:21 --> 00:14:26
			refined. So among the Shuara among
the poet's some recommend that you
		
00:14:26 --> 00:14:31
			should it's more forceful, it's
more impactful to criticize the
		
00:14:31 --> 00:14:34
			eyes, and the other say no, it's
the heart. So
		
00:14:35 --> 00:14:38
			why? Because they say that
		
00:14:39 --> 00:14:44
			the crime or the sin is generally
the arguing is it created from the
		
00:14:44 --> 00:14:47
			heart or is the eye the culprit
that then takes it to the heart?
		
00:14:47 --> 00:14:50
			Or is it the heart which takes
from any side? So those who say
		
00:14:50 --> 00:14:54
			the eyes, they say that that is
the one that gets you into the
		
00:14:54 --> 00:14:56
			shower because it's your eyes
which are more greedy? You know,
		
00:14:56 --> 00:14:59
			you've heard the concept that is
very greedy when you like to take
		
00:14:59 --> 00:14:59
			more food than
		
00:15:00 --> 00:15:03
			You can actually eat, especially
when you're hungry, if the worst
		
00:15:03 --> 00:15:06
			time to go shopping is when you're
hungry when you're fasting, in
		
00:15:06 --> 00:15:10
			fact, that's the worst time to go
shopping. Right with Rosa. Because
		
00:15:10 --> 00:15:12
			you buy all sorts of stuff because
you want this, you feel like this
		
00:15:12 --> 00:15:16
			is the eyes. Of course the heart
is behind it, but the eyes, the
		
00:15:16 --> 00:15:21
			satellite to it. Some say no, it's
the heart, because the heart is
		
00:15:21 --> 00:15:25
			going to be affected not just from
the eyes. But even by just purely
		
00:15:25 --> 00:15:28
			listening to something, the heart
will become affected. That's why
		
00:15:28 --> 00:15:33
			the Prophet sallallahu alayhi wa
sallam has mentioned that a person
		
00:15:34 --> 00:15:40
			should not know a woman should not
describe another woman to her
		
00:15:40 --> 00:15:45
			husband, a woman should not
describe to her husband, any other
		
00:15:45 --> 00:15:48
			woman, or she looks like this,
she's like this, she's like this.
		
00:15:48 --> 00:15:50
			Because just by listening,
		
00:15:51 --> 00:15:58
			she is creating a, an association,
a inclination towards this other
		
00:15:58 --> 00:15:59
			person.
		
00:16:00 --> 00:16:03
			And when you say description, a
nice description. Clearly, it's,
		
00:16:04 --> 00:16:05
			it's not considered to be very
good to do that.
		
00:16:07 --> 00:16:10
			Even though the person has never
seen him, but now what does man do
		
00:16:10 --> 00:16:13
			you start to think about this, he
starts to picture in the mind to
		
00:16:13 --> 00:16:17
			envision, envisage and visualize
these things. So don't do this.
		
00:16:17 --> 00:16:20
			It's mentioned to women that don't
do that mean, most women won't do
		
00:16:20 --> 00:16:24
			that. But some do. For whatever
reason, she has a different
		
00:16:24 --> 00:16:26
			reaction of why she may be doing
it.
		
00:16:27 --> 00:16:30
			She may be doing it for a
different reason. But men process
		
00:16:30 --> 00:16:35
			these things differently. That's
how men are women, as one of the
		
00:16:35 --> 00:16:39
			scholars said, men, men will go
into women will go into a room.
		
00:16:39 --> 00:16:41
			There'll be lots of other women
there, but they won't really
		
00:16:41 --> 00:16:44
			notice much about them, except
some very jealous women while he's
		
00:16:44 --> 00:16:47
			looking at what other people are
wearing. But generally weird. But
		
00:16:47 --> 00:16:50
			any man you take it as soon as he
goes into a room, he'll register
		
00:16:50 --> 00:16:53
			everything, how tight somebody's
clothing, or how revealing
		
00:16:53 --> 00:16:57
			somebody's what is it what color
etc, etc, then he has to challenge
		
00:16:57 --> 00:17:00
			himself not to if he sees it,
that's how men are.
		
00:17:01 --> 00:17:05
			That's how men are made. That's
the challenge. That's why the
		
00:17:05 --> 00:17:06
			problems that don't look
		
00:17:07 --> 00:17:11
			and don't keep looking, even if
you guys if your gaze this fall,
		
00:17:12 --> 00:17:15
			men process these information
different because that's the
		
00:17:15 --> 00:17:20
			inclination. Now, the Prophet
sallallahu alayhi wa sallam
		
00:17:22 --> 00:17:27
			has, so generally the eyes are
considered to be if you look at it
		
00:17:27 --> 00:17:30
			from a different side, the eyes
are considered to be the bigger
		
00:17:30 --> 00:17:34
			culprit though, because that
hearing is going to have a less
		
00:17:34 --> 00:17:37
			profound effect than seeing
something. That's why in the
		
00:17:37 --> 00:17:40
			Sharia, the Prophet sallallahu
alayhi wa sallam said another.
		
00:17:40 --> 00:17:44
			That's where the postal awesome
said that. Don't follow up your
		
00:17:44 --> 00:17:47
			gaze with another gaze if your
gaze was too far on something that
		
00:17:47 --> 00:17:49
			you're not supposed to be looking
at. So the President specifically
		
00:17:49 --> 00:17:52
			spoke about that. And then it's
also mentioned another two sad
		
00:17:52 --> 00:17:58
			moments Sahami shaytaan, that the
gaze is an arrow from the arrows
		
00:17:58 --> 00:18:02
			of shaytaan. And then the practice
allows him to encourage one he
		
00:18:02 --> 00:18:04
			said, Look, it's from the
shakedown so you should avoid it
		
00:18:04 --> 00:18:08
			anyway. But then he said Furman
Taraka Hoffman Allah Allahu Allahu
		
00:18:08 --> 00:18:12
			Eman and usually to Halawa.
Goofy's convey that the person who
		
00:18:12 --> 00:18:16
			does avoid it, despite this
challenge of wanting to look, he
		
00:18:16 --> 00:18:20
			does avoid looking then Allah
subhana who have in fear of Allah
		
00:18:20 --> 00:18:24
			subhanho wa taala. If he does it
for the right reason, he does it
		
00:18:24 --> 00:18:27
			out of fear for Allah subhanho wa
taala, Allah subhanaw taala will
		
00:18:27 --> 00:18:31
			then give him such Iman. Allah
will give him such Iman
		
00:18:32 --> 00:18:34
			the sweetness of which he will
feel in the heart.
		
00:18:35 --> 00:18:38
			This is one of the things in which
it's promised that you will be
		
00:18:38 --> 00:18:41
			given sweetness in your heart, if
you can stop doing it.
		
00:18:43 --> 00:18:46
			And you know, to look at it
positively in the West, where
		
00:18:46 --> 00:18:51
			there's so much you can say,
*, nakedness, etc. We could
		
00:18:51 --> 00:18:54
			have a lot of sweetness in our
faith. If we look at it
		
00:18:54 --> 00:18:57
			positivity, we could have a lot of
huge amount of sweetness, we've
		
00:18:57 --> 00:19:01
			got so much possibility, and
that's why our shakey says that if
		
00:19:01 --> 00:19:05
			you want to become Mr jab without
words, if you want to become a
		
00:19:05 --> 00:19:09
			person who's every door is
accepted, then when this situation
		
00:19:09 --> 00:19:13
			approaches you, turn away purely
for the sake of Allah subhanaw
		
00:19:13 --> 00:19:17
			taala out of fear for him and make
a dua at that point. And Allah
		
00:19:17 --> 00:19:18
			will accept your DUA.
		
00:19:19 --> 00:19:24
			And anytime that happens, which
Subhan Allah is many times, then
		
00:19:24 --> 00:19:27
			keep making your DUA and every
dollar of us will become accepted,
		
00:19:27 --> 00:19:31
			because it's a big challenge. And
the problem we have is that you
		
00:19:31 --> 00:19:35
			look up down left right center, it
doesn't make a difference. It's
		
00:19:35 --> 00:19:35
			everywhere.
		
00:19:36 --> 00:19:41
			Then he said, LOL al Hawa Alam
today, Pauline Juana rectally, the
		
00:19:41 --> 00:19:46
			grill Bernie will either me if it
wasn't for passion, you see
		
00:19:46 --> 00:19:49
			because the other person keeps
saying no, I don't. There's no
		
00:19:49 --> 00:19:53
			love. He doesn't confess to it. So
now this person is getting more
		
00:19:53 --> 00:19:56
			aggressive. And he's saying that,
you know if it wasn't for passion,
		
00:19:57 --> 00:19:59
			if you didn't have this issue, you
didn't have this love
		
00:20:00 --> 00:20:05
			And then you, you wouldn't weep at
an abandoned camp, no lie awake at
		
00:20:05 --> 00:20:09
			night recording the willow and the
mount. You're not gonna, you're
		
00:20:09 --> 00:20:13
			not gonna cry and stay awake for
no reason, there must be a reason.
		
00:20:14 --> 00:20:18
			And the way I've translated it
doesn't give it any significance.
		
00:20:18 --> 00:20:22
			It's just like he's making a
simple point. But again, it's just
		
00:20:22 --> 00:20:26
			full of poetic richness in what
he's saying and what he has. And I
		
00:20:26 --> 00:20:30
			mean, I'll try to open up some of
this but it's, it's difficult. Now
		
00:20:30 --> 00:20:35
			the other thing here is in Arabic
Subhanallah
		
00:20:36 --> 00:20:40
			I don't know in English, but in
Arabic, you have levels of
		
00:20:41 --> 00:20:45
			attachment of the heart,
essentially, levels of love. And
		
00:20:45 --> 00:20:46
			they all have a different name.
		
00:20:47 --> 00:20:49
			The first level is called our
		
00:20:51 --> 00:20:54
			just the desire, right? It starts
off with just the desire our
		
00:20:54 --> 00:20:58
			that's the first level, we'll have
a word of morality will hope it's
		
00:20:58 --> 00:21:00
			the first level of love.
		
00:21:02 --> 00:21:03
			After that, it's called a law.
		
00:21:05 --> 00:21:10
			So the second stage of love is
called a lotta Association, you
		
00:21:10 --> 00:21:13
			see, it's getting stronger, right?
The first one is just kind of like
		
00:21:13 --> 00:21:18
			a desire, maybe a fleeting desire,
then it becomes a an association
		
00:21:18 --> 00:21:23
			ala commons are the means to
stick. So a locker means a sticky
		
00:21:23 --> 00:21:25
			Association, it's getting stronger
		
00:21:27 --> 00:21:30
			then by the whole issue after that
comes
		
00:21:32 --> 00:21:34
			right. So this gets stronger.
		
00:21:35 --> 00:21:40
			Right so the heart is now really
getting filled with this, then is
		
00:21:40 --> 00:21:46
			shut off. And this the space this
Majnoon he actually used is he
		
00:21:46 --> 00:21:49
			uses the word shut off in his
poems that you know when he used
		
00:21:49 --> 00:21:53
			to go around touching the walls.
So he says my hope with the Orisha
		
00:21:53 --> 00:21:58
			coffin, Appleby is not the love of
these buildings that has Sheriff
		
00:21:58 --> 00:21:59
			Nickleby, that has, like
		
00:22:01 --> 00:22:05
			you can say, captured my heart
with this love. But it's man
		
00:22:05 --> 00:22:09
			second at the era. It's the one
who lives in those houses. She's
		
00:22:09 --> 00:22:12
			the one who's done this way. So
you use the word shut off. So
		
00:22:12 --> 00:22:16
			you've got her Rayleigh then
you've got ish, then you got shut
		
00:22:16 --> 00:22:17
			off.
		
00:22:18 --> 00:22:24
			Right? And what is is is shut off
comes from she's off its
		
00:22:24 --> 00:22:27
			biological hug bushes off, the
love has reached the shield off
		
00:22:27 --> 00:22:32
			the she loves the skin outside of
the heart. Right so it's the skin
		
00:22:32 --> 00:22:34
			closest to the heart. So the love
has got you all the way down there
		
00:22:34 --> 00:22:37
			now. And then is she if
		
00:22:38 --> 00:22:43
			she asked after that, so these are
the different levels of of
		
00:22:43 --> 00:22:48
			muhabba. And these words here wala
political Bernie will add me
		
00:22:48 --> 00:22:50
			you're not gonna lie awake at
night recording the willows and
		
00:22:50 --> 00:22:55
			amount. This is like poem poets
use this term for saying there
		
00:22:55 --> 00:22:57
			must be something more than that.
You're not going to just cry for
		
00:22:57 --> 00:23:00
			this reason for this mountain. And
for this willow trees, you're
		
00:23:00 --> 00:23:03
			gonna cry more than that. So it's,
it's a specific reason he's used
		
00:23:03 --> 00:23:07
			that. Yeah. So you know, this
tastes this is what he said. A
		
00:23:07 --> 00:23:09
			Motorola Dre. Dr. Elena
		
00:23:10 --> 00:23:14
			will compete with LG dari with LG
Daraa from our hub with Dr.
		
00:23:14 --> 00:23:17
			Schaffner Appleby, well, I can
boom and second Dr. Dre. He says
		
00:23:17 --> 00:23:22
			that I passed by these buildings
these these inhabitation right,
		
00:23:22 --> 00:23:26
			which are the in habitations of
Leila, I kissed that wall. And
		
00:23:26 --> 00:23:28
			then sometimes I go and kiss her.
And that's what he used to do is
		
00:23:28 --> 00:23:31
			go and kiss this wall sometimes.
And that will sometimes and then
		
00:23:31 --> 00:23:35
			he's saying that it's not the love
for these walls that is captured
		
00:23:35 --> 00:23:39
			my heart, but it's actually the
one who lives in these in these.
		
00:23:39 --> 00:23:42
			There's a number of other points
which I'm not going to I'm not
		
00:23:42 --> 00:23:49
			going to mention today. Right.
Then he says the next point was
		
00:23:49 --> 00:23:52
			for K for turnkey to hook them
back the machete that bionic eye
		
00:23:52 --> 00:23:55
			do to them and he was suffering is
getting very aggressive. This one,
		
00:23:56 --> 00:23:59
			this one individual in this
dialogue. So how can you deny your
		
00:23:59 --> 00:24:04
			love when witnesses have tears and
sickness tears? And we can tell
		
00:24:04 --> 00:24:07
			you're sick? Right has testified
to it against you and these are
		
00:24:07 --> 00:24:12
			upright witnesses. So that's quite
simple. I mean, there's a lot of
		
00:24:12 --> 00:24:15
			other stuff without I'm not going
to mention that then. Then he says
		
00:24:17 --> 00:24:20
			what and then he provides another
evidence he says worth battle
		
00:24:20 --> 00:24:24
			which do have the ability modernen
mythical Buhari Allah Hardacre
		
00:24:24 --> 00:24:30
			well enemy and lovesick passion
has written upon your cheeks to
		
00:24:30 --> 00:24:35
			tear lines like yellow spice and
red and fruit. So the signs are on
		
00:24:35 --> 00:24:37
			your cheeks. You've been crying so
much that it's like you've got to
		
00:24:37 --> 00:24:42
			streaks down your face. So how can
you still deny it? So as you can
		
00:24:42 --> 00:24:45
			see, it's just really pushy is not
very polite. Izzy is extremely
		
00:24:45 --> 00:24:51
			pushy. He wants to make him
confess. So they become how does
		
00:24:51 --> 00:24:57
			how does it become red? Tears
acidic. Have you noticed when you
		
00:24:57 --> 00:25:00
			have tears they actually start to
burn slightly
		
00:25:00 --> 00:25:03
			So if you've got constant tears
running down your face, what's
		
00:25:03 --> 00:25:07
			going to happen is going to
eventually become sore. So you've
		
00:25:07 --> 00:25:11
			got these two sore streaks down
your face that look like red and
		
00:25:11 --> 00:25:12
			fruit.
		
00:25:14 --> 00:25:18
			Hit shake up the Hakeem translates
as red and I'm fruit. But then, if
		
00:25:18 --> 00:25:22
			not a Jeeva, he actually says that
no, this annum is due to ug to
		
00:25:22 --> 00:25:26
			filma. It's this red insect that
is found in water. I mean, it
		
00:25:26 --> 00:25:29
			could be like coaching you that
they using, you know, to color it,
		
00:25:29 --> 00:25:33
			it could be anything like that.
It's just an expression anyway. So
		
00:25:33 --> 00:25:37
			there's two things here. One is
that you've got these are red.
		
00:25:37 --> 00:25:40
			Then the other thing that you've
got is,
		
00:25:41 --> 00:25:44
			so they're like yellows, red and
fruit, and then your color has
		
00:25:44 --> 00:25:48
			become yellow, because of the
emaciation you're going through
		
00:25:48 --> 00:25:50
			because of the weakness you're not
eating. So you can tell from your
		
00:25:50 --> 00:25:54
			physical weakness, your physical
state, and then these lines on
		
00:25:54 --> 00:25:58
			your face, that there must be
something more than that. And then
		
00:25:58 --> 00:26:03
			after that, finally, the other
person confesses. So in this
		
00:26:03 --> 00:26:07
			dialogue now, after he's been so
pushy, and so impolite, as such,
		
00:26:07 --> 00:26:13
			the other person suddenly says
Now, yes, Sarah, the foreman for
		
00:26:13 --> 00:26:18
			rock money. Well, here we are.
$30.30 Bill, enemy of you, I also
		
00:26:18 --> 00:26:21
			noticing that every last letter of
this of the second one is a meme,
		
00:26:22 --> 00:26:28
			because this is a Mimi poem. So he
says, yes, okay, fine. My loves my
		
00:26:28 --> 00:26:31
			loved one spirit has haunted me.
		
00:26:32 --> 00:26:33
			So brief.
		
00:26:34 --> 00:26:40
			So that's what he's saying. That
it's subtle, subtle means to come
		
00:26:40 --> 00:26:45
			at night to travel at night.
SubhanAllah. The SRB update is so
		
00:26:45 --> 00:26:49
			subtle, this thing is haunting me
at night. And thief.
		
00:26:50 --> 00:26:53
			It means clear, no maboob
		
00:26:54 --> 00:27:00
			Just the thought of Your Beloved.
So the thought of my beloved is
		
00:27:00 --> 00:27:03
			haunting me keeps bothering me at
night, especially if it's the
		
00:27:03 --> 00:27:07
			worst time in daytime, your active
daytime, you can distract
		
00:27:07 --> 00:27:10
			yourself. But at nighttime. That's
the worst time you can't wait
		
00:27:10 --> 00:27:14
			until the morning. Right? And
generally people sleep with their
		
00:27:14 --> 00:27:18
			beloved and that this person is
completely isolated.
		
00:27:19 --> 00:27:20
			So
		
00:27:21 --> 00:27:22
			he says
		
00:27:24 --> 00:27:27
			now I'm sort of the foreman our
the
		
00:27:28 --> 00:27:29
			as he said, Here,
		
00:27:30 --> 00:27:35
			my loved one Spirit keeps haunting
me at night denies me my sleep for
		
00:27:35 --> 00:27:39
			a rock and he denies me mice keeps
me awake. The word rock, honey, I
		
00:27:39 --> 00:27:41
			mean, most people aren't gonna
know what that means. But it means
		
00:27:41 --> 00:27:44
			it keeps me awake. Right? So it's
a very high level of Arabic here.
		
00:27:46 --> 00:27:49
			And then he starts explaining
Himself. He says, Well, who? Yeah,
		
00:27:49 --> 00:27:53
			3030 bill Bellamy. This is a he's
giving a rule.
		
00:27:54 --> 00:27:58
			Right? He knows what love is. He
knows what love does. So he says
		
00:27:58 --> 00:28:03
			for love, ever obstructs pleasures
with pain. Subhanallah this is
		
00:28:03 --> 00:28:06
			this is when he starts getting
serious. This is when it starts
		
00:28:06 --> 00:28:10
			moving away from just kind of this
normal love pouring to a divine
		
00:28:10 --> 00:28:14
			power, a divine love point.
Because now he's taking attention
		
00:28:14 --> 00:28:19
			away. He's saying that, you know,
love. And what is the love here
		
00:28:19 --> 00:28:23
			we're talking about, we're talking
about worldly love. Any love you
		
00:28:23 --> 00:28:28
			have in the world will eventually
end in some kind of distress. If
		
00:28:28 --> 00:28:31
			nothing in this world, eventually
there'll be death. So there's love
		
00:28:31 --> 00:28:34
			of anything of this world because
of the nature of this world of
		
00:28:34 --> 00:28:41
			being temporary. And being
transient and eventually ending.
		
00:28:41 --> 00:28:46
			You will always follow up love of
this world with some kind of
		
00:28:46 --> 00:28:51
			setback, the only love that will
be 100% permanent and eternal will
		
00:28:51 --> 00:28:55
			be love of Allah subhana wa Tada.
So that's where he makes a very
		
00:28:55 --> 00:28:59
			important point. He says, Well,
who? Yeah, there you don't love
		
00:28:59 --> 00:29:03
			that he will allow me love ever
obstructs pleasures with pain it's
		
00:29:03 --> 00:29:06
			going to happen is the nature of
love. So he knows this, but he's
		
00:29:06 --> 00:29:10
			still in it is still in that
state. Right? So what the
		
00:29:10 --> 00:29:14
			commentary says is that when it
when all the deals were put in
		
00:29:14 --> 00:29:16
			front of him, all the proofs are
put in front of him, and then he
		
00:29:16 --> 00:29:19
			could not deny any more. He
decided to reveal it all. And then
		
00:29:19 --> 00:29:23
			he decided to speak. So he agreed.
He says yes, okay, fine. And then
		
00:29:23 --> 00:29:27
			he began to make make these, he
began to express himself.
		
00:29:29 --> 00:29:32
			And he started saying, Why is he
crying? Because I had this love,
		
00:29:32 --> 00:29:35
			but I'm separated right now. I
can't have it right now. So yes,
		
00:29:35 --> 00:29:39
			that's the way love is. That's
what love does. So he's trying to
		
00:29:39 --> 00:29:43
			build up a case that you've got no
right to criticize me, because
		
00:29:43 --> 00:29:46
			this is what love does to
everybody. That's what he's
		
00:29:46 --> 00:29:49
			saying. But in that he's also
giving certain Naseeha is giving
		
00:29:49 --> 00:29:52
			giving these pearls in there as
well. So essentially, what he's
		
00:29:52 --> 00:29:54
			saying is that, you know, when
this thought came to me, I
		
00:29:54 --> 00:29:58
			thought, Yes, I'm going to now be
seeing my beloved, wherever this
		
00:29:58 --> 00:30:00
			beloved is right. I'm going to be
seeing my bill
		
00:30:00 --> 00:30:04
			Have, but then after it didn't
come certainly kept me awake. And
		
00:30:04 --> 00:30:08
			then it took me a long time.
Right. And it kept bothering me
		
00:30:08 --> 00:30:12
			like this for a long time. So then
I stayed awake, and I couldn't see
		
00:30:12 --> 00:30:17
			anything. So then that just
really, really bothered me. And it
		
00:30:17 --> 00:30:18
			made me cry for such a long time.
		
00:30:20 --> 00:30:23
			Because, you know, they think that
they have a chance, they're going
		
00:30:23 --> 00:30:26
			to feel good about it, and then
suddenly they don't get it. So
		
00:30:26 --> 00:30:29
			then they start crying. That's
what it is. The other thing you
		
00:30:29 --> 00:30:31
			could also refer to is that, you
know, you see him in your dream,
		
00:30:31 --> 00:30:34
			your beloved comes to you in your
dream, and then suddenly you wake
		
00:30:34 --> 00:30:36
			up thinking it's a reality, and
then it's not there. There's no
		
00:30:36 --> 00:30:40
			reality there. And that really is
bad. That really makes you feel
		
00:30:40 --> 00:30:45
			bad. That's why again, it all goes
back to the transient nature of
		
00:30:45 --> 00:30:49
			this world. That's why this poet
he says, Well, I mean Yama, duniya
		
00:30:49 --> 00:30:56
			li che in you see Rahu for sofa,
Omri and Caribbean yellow Musa is
		
00:30:56 --> 00:31:01
			at Bharat Corona Anil murky Hazara
has rotten, we're in a cupboard
		
00:31:01 --> 00:31:03
			cabinet. Cathy, you're on Hulu
Maha.
		
00:31:04 --> 00:31:08
			This is the nature of this dunya
he says, Whoever praises the dunya
		
00:31:09 --> 00:31:12
			for anything that is going to
please him of the dunya some new
		
00:31:12 --> 00:31:17
			products, some new love whatever
it is, then he swears by his life.
		
00:31:17 --> 00:31:21
			He says soon by my life, he will
be criticized for it.
		
00:31:22 --> 00:31:27
			He will be blameworthy and
disregard when it comes not when
		
00:31:27 --> 00:31:30
			it goes away. Whenever whatever
this is the love of the world when
		
00:31:30 --> 00:31:35
			it goes away is going to leave you
in a state of loss. You're going
		
00:31:35 --> 00:31:38
			to feel really bad it's going to
keep you in a state of loss. When
		
00:31:38 --> 00:31:43
			it comes even then it occupies you
and you have to look after it. So
		
00:31:43 --> 00:31:46
			there's a lot of concern in how
you have to deal with it doesn't
		
00:31:46 --> 00:31:49
			come just like that doesn't. You
have to manage it. You have to go
		
00:31:49 --> 00:31:52
			behind it. You have to do things
for it. That's why
		
00:31:53 --> 00:31:58
			he said Happy dunya to Sarchu
Ilica f1 Elisa Masirah DECA Illa
		
00:31:58 --> 00:32:04
			Zawadi Wamba dunya, aka Illa Miss
Lou Zelin of Allah Katha Madonna
		
00:32:04 --> 00:32:09
			BLT hottie that's what dunya is,
this is what a poet says. He said,
		
00:32:09 --> 00:32:12
			Just think that maybe some parts
of the dunya just pretend that
		
00:32:12 --> 00:32:15
			some part of some great thing of
the dunya is brought to you at
		
00:32:15 --> 00:32:17
			your feet, it's given to you,
		
00:32:18 --> 00:32:21
			eventually, isn't it going to end
eventually isn't going to
		
00:32:21 --> 00:32:26
			disappear? He loves the world
isn't going to disappear. And then
		
00:32:26 --> 00:32:30
			he said the dunya is literally
just like a shade.
		
00:32:31 --> 00:32:33
			It will give you shade. And then
after that it will start to
		
00:32:33 --> 00:32:34
			announce
		
00:32:35 --> 00:32:36
			its journey.
		
00:32:37 --> 00:32:39
			That's what it does, doesn't it?
It gives you shade and then
		
00:32:39 --> 00:32:42
			suddenly you have to move around
with it. Otherwise, it will move
		
00:32:42 --> 00:32:44
			from you. And then you start
you're in the heat again and they
		
00:32:44 --> 00:32:49
			say Let's Move. Let's Move
Subhanallah that's what you call
		
00:32:49 --> 00:32:49
			poetry.
		
00:32:51 --> 00:32:54
			That's what you call poetry. When
you use this kind of metaphor.
		
00:32:55 --> 00:32:59
			Hopefully we'll get some points
out of this. It's related that
		
00:32:59 --> 00:33:05
			there was a person that was
following a janazah when suddenly
		
00:33:05 --> 00:33:09
			this old kind of dignified looking
individual came in front of him.
		
00:33:09 --> 00:33:14
			And he was saying, Mara Ito
Mithila, masa, Willa, what ashadha
		
00:33:14 --> 00:33:19
			il M words says I've never seen
anybody go this way, be overcome
		
00:33:19 --> 00:33:24
			this way. And he was indicating
towards the dead people. What are
		
00:33:24 --> 00:33:27
			mythos of flirty, ha hula, and
neither the heedlessness of these
		
00:33:27 --> 00:33:30
			people. And then he was pointing
to the people to the living
		
00:33:30 --> 00:33:35
			people. I've never seen he was
essentially saying that I've never
		
00:33:35 --> 00:33:39
			seen you know how people will be
overcome both these and these
		
00:33:39 --> 00:33:43
			these ones out of the heedlessness
and these ones do
		
00:33:44 --> 00:33:47
			Yeah, these ones are heedless. And
this one because they've they've
		
00:33:47 --> 00:33:50
			been overcome. Now, these people
don't know they're going to come
		
00:33:50 --> 00:33:54
			to the same thing. So and then he
said Allahumma for resume
		
00:33:54 --> 00:33:59
			mahogany, Allah. Oh, Allah, make
me just make me just totally free
		
00:33:59 --> 00:34:04
			to do what you have created me
for? What is that? Worship, just
		
00:34:04 --> 00:34:07
			make me free for what you have
created me for while at the
		
00:34:07 --> 00:34:10
			howdini one has a look. And don't
deprive me when I asked you
		
00:34:11 --> 00:34:15
			whether to leave anyone stuck. And
don't punish me. When I seek your
		
00:34:15 --> 00:34:19
			forgiveness as I continue to seek
seek your forgiveness. So then
		
00:34:19 --> 00:34:22
			this individual who's watching who
was listening to all of this, he
		
00:34:22 --> 00:34:26
			must have thought this is some
some very deep individual. So he
		
00:34:26 --> 00:34:29
			said I became close to I drew
close to him and I said to him,
		
00:34:29 --> 00:34:33
			You're shaking. I literally had a
Dora O'Shea teach me this for
		
00:34:33 --> 00:34:38
			Alemany he taught it to me and
then I said months who are you?
		
00:34:38 --> 00:34:41
			And he said Anil Hodder, I am
hydrolase Allahu Allah.
		
00:34:42 --> 00:34:45
			Allah knows best. This is one of
those Whitner, one of those
		
00:34:45 --> 00:34:48
			encounters with Haider Ali salaam
that numerous people have.
		
00:34:50 --> 00:34:54
			Have have related but whatever
you're saying, it's a lot of
		
00:34:54 --> 00:34:54
			wisdom.
		
00:34:55 --> 00:34:59
			If Allah subhanaw taala gives us
that thought about the dunya then
		
00:35:00 --> 00:35:05
			and that means it's a sign that He
loves us. Because that's the
		
00:35:05 --> 00:35:10
			nature of the dunya. He's like
that. Okay, then that's the end of
		
00:35:10 --> 00:35:15
			the first section. The second
section then is from here, which
		
00:35:15 --> 00:35:15
			is
		
00:35:16 --> 00:35:20
			we in which he starts to speak
about the wholeness, the desires
		
00:35:20 --> 00:35:24
			of the heart. So it totally
switches it around. He says, Yeah,
		
00:35:24 --> 00:35:28
			hola me, Phil. How old are three
Matthew rotten. Minnie alayka
		
00:35:28 --> 00:35:32
			wallow and softer lamp to the lamp
lamp Telhami Linda Rumi
		
00:35:34 --> 00:35:38
			added kaha de la serie B mustard
in Andalusia tea while other EMA
		
00:35:38 --> 00:35:42
			Monosomy will just do this one
today. He says you who blame me
		
00:35:42 --> 00:35:46
			for this chase love. You think
it's some kind of dirty love,
		
00:35:46 --> 00:35:51
			haram love. This is Chase love.
And he explains he'll explain what
		
00:35:51 --> 00:35:56
			it is. I seek Your pardon. Forgive
me. Right. But had you judge
		
00:35:56 --> 00:36:01
			fairly, you would not have blamed
me at all. If you were munsif If
		
00:36:01 --> 00:36:04
			you were just you would not be
blaming me at all. So listen to
		
00:36:04 --> 00:36:09
			listen to what I have to say. Now
this is he says here yeah hola me,
		
00:36:09 --> 00:36:14
			oh person who is criticizing me,
Phil How old are three, how an
		
00:36:14 --> 00:36:19
			earthly This is a Mosul civets.
This is a noun, an adjective.
		
00:36:19 --> 00:36:24
			There are three is a is a
description of the love. And rule
		
00:36:24 --> 00:36:30
			three is very interesting. Or
three refers to Vanuatu era, there
		
00:36:30 --> 00:36:34
			was a tribe called Benoit Hara.
And they were known for the deep
		
00:36:34 --> 00:36:38
			love when they love something.
That's it. They were known for
		
00:36:38 --> 00:36:43
			that. See today as well. If you go
into villages and places like
		
00:36:43 --> 00:36:46
			that, they're known for certain
things, these people are known to
		
00:36:46 --> 00:36:50
			be very vicious, these people are
known to be very generous, these
		
00:36:50 --> 00:36:53
			people are known to be very
beautiful. These people are known
		
00:36:53 --> 00:36:57
			to be very intellectual. So you've
got that, why we don't see that
		
00:36:57 --> 00:37:02
			around us anymore is because of
the massive in cosmopolitan nature
		
00:37:02 --> 00:37:07
			of where we live into marriages
all mixed up now. So that kind of
		
00:37:07 --> 00:37:12
			restriction of certain tribes
having a certain distinction, it's
		
00:37:12 --> 00:37:16
			kind of lost. There's parts of it
that remain, you'll see it in
		
00:37:16 --> 00:37:18
			certain people. You know, like,
for example, in Pakistan, they
		
00:37:18 --> 00:37:23
			say, the Rajputs the very brave.
Right. And you'll you'll know that
		
00:37:23 --> 00:37:26
			about other tribes and things like
that, you know, Rajput.
		
00:37:27 --> 00:37:29
			Okay. So
		
00:37:30 --> 00:37:32
			in the time of Rasulullah,
sallAllahu, in time the Arabs
		
00:37:32 --> 00:37:35
			there, each tribe was known for
something like that. And that's,
		
00:37:35 --> 00:37:39
			that's, so he uses that he says,
so he's trying to describe his
		
00:37:39 --> 00:37:43
			love that my love is like the love
of the tribe of blue Hazara.
		
00:37:44 --> 00:37:48
			So just in that one using that one
word, look how deep he looked out
		
00:37:48 --> 00:37:51
			the disk, how he describes his
love, just in one word, and he
		
00:37:51 --> 00:37:54
			just clinches it. And the person
who's listening understands, but
		
00:37:54 --> 00:37:58
			again, he's just creating this
dialogue, to express his own love.
		
00:37:59 --> 00:38:00
			So
		
00:38:01 --> 00:38:05
			it was well known this band was
rather well known for this IgA
		
00:38:05 --> 00:38:08
			levels of the BIS, when they would
be they wouldn't give it up.
		
00:38:09 --> 00:38:11
			Right? There's some crazy stories
that are mentioned as well, I'll
		
00:38:11 --> 00:38:15
			tell you a few of them. But it was
just out of the norm. Once a
		
00:38:15 --> 00:38:18
			person loves something, you can
take him away from it. So I jeep.
		
00:38:19 --> 00:38:23
			In fact, they say that even from a
young age, if a young boy or a
		
00:38:23 --> 00:38:27
			girl began to love something at
the age hardass that was it, they
		
00:38:27 --> 00:38:30
			wouldn't marry anybody else. They
would kill themselves, they will
		
00:38:30 --> 00:38:33
			marry anything else, if they if
they got if they became if they
		
00:38:33 --> 00:38:35
			love their cousin or something
like that. And there's numerous
		
00:38:35 --> 00:38:38
			stories about that. That was the
thing about the Allah had given
		
00:38:38 --> 00:38:43
			them this ajeeb sense of love that
was like beyond the norm.
		
00:38:44 --> 00:38:48
			So in that time, the different
tribes they had, they had these
		
00:38:48 --> 00:38:51
			different kinds of
characteristics, qualities, if you
		
00:38:51 --> 00:38:54
			can say, sometimes it could be
weaknesses as well, these things
		
00:38:54 --> 00:38:58
			could be weaknesses, depending on
how you use them. So the blue
		
00:38:58 --> 00:39:04
			30,000 They were known to be very
good marksman arrows. They were
		
00:39:04 --> 00:39:08
			very good at firing. The whole
tribal, you know, from a young
		
00:39:08 --> 00:39:11
			age, they were probably taught
this stuff. They're just very good
		
00:39:11 --> 00:39:17
			at, you know, getting the mark,
but no Asad Subhan. Allah. They
		
00:39:17 --> 00:39:21
			were known for having the evil
eye. They could
		
00:39:23 --> 00:39:27
			they could they could put anybody
down. I'll explain. I'll explain.
		
00:39:29 --> 00:39:32
			Blue lip. They were known to be
extremely critical. They will
		
00:39:32 --> 00:39:37
			always admonishing somebody who
has a negative, negatively
		
00:39:37 --> 00:39:41
			admonishing negatively criticizing
somebody, The ban will let him lip
		
00:39:41 --> 00:39:45
			it comes from flame. So he's kind
of that attitude.
		
00:39:46 --> 00:39:50
			Right. So Ben will let him is for
this kind of censoring attitude.
		
00:39:50 --> 00:39:55
			Balu Thal is for rehmeyer which
means good firing, but who acid
		
00:39:55 --> 00:39:59
			for the iron right for the evil
eye and
		
00:40:00 --> 00:40:03
			Then you had been on Moodle, which
they were known for chaophraya,
		
00:40:03 --> 00:40:08
			which is a very, it was a very
valuable quality, right to alpha,
		
00:40:08 --> 00:40:12
			which was that they could look at
two feet, to anonymously, they
		
00:40:12 --> 00:40:14
			don't have to look at the whole
person, you could cover them with
		
00:40:14 --> 00:40:17
			a cloth and just show their feet.
And he can tell you this is this
		
00:40:17 --> 00:40:20
			person is related to the other
person just by the feeds, just by
		
00:40:20 --> 00:40:25
			looking at the feed. So he wants
some are the Allahu Anhu and Zaid,
		
00:40:25 --> 00:40:28
			his father, they were sleeping
together. They were covered, but
		
00:40:28 --> 00:40:32
			the feet were expose and this guy,
he comes along, and he said this
		
00:40:32 --> 00:40:36
			is his son, and the browser hasn't
got really happy. Why did he get
		
00:40:36 --> 00:40:41
			happy is because some are the
Allahu Anhu was was not dark. His
		
00:40:41 --> 00:40:44
			sorry, was dark and his father was
not dark because his father was
		
00:40:44 --> 00:40:45
			married to
		
00:40:47 --> 00:40:51
			OMO Amon, right who was dark, and
people used to say that this is
		
00:40:51 --> 00:40:56
			not his son. So the prophets Allah
son, this was his, his freed
		
00:40:56 --> 00:41:00
			slave, who he kept like a son. And
that was kind of like his grandson
		
00:41:00 --> 00:41:03
			he loved to some of the Allahu
Anhu. It wasn't his grandson, but
		
00:41:03 --> 00:41:08
			it was like his adopted son, son.
Right. So when this person from
		
00:41:08 --> 00:41:10
			this tribe came along and made
this observation, Royce Ross was
		
00:41:10 --> 00:41:13
			very happy, because he knew that
this was very effective in
		
00:41:13 --> 00:41:17
			clarifying and, you know,
confirming that for others, and
		
00:41:17 --> 00:41:21
			they used to criticize that way.
So the blue mood ledge, they were
		
00:41:21 --> 00:41:24
			known for that. So you know,
nowadays you have a would you call
		
00:41:24 --> 00:41:28
			that the DNA tests? In those days,
if there was ever a problem of
		
00:41:28 --> 00:41:30
			the, you know, the adult, they
will take him to the bundle?
		
00:41:30 --> 00:41:34
			neglige Can you please work this
one out for us? And they'd say yes
		
00:41:34 --> 00:41:36
			or no, and then they will take
their word for it. So they would
		
00:41:36 --> 00:41:39
			like the DNA, the balloon
Woodridge with the DNA testers,
		
00:41:40 --> 00:41:45
			right. So now, Amara, the Allahu
Anhu. He did this Hutch towards
		
00:41:45 --> 00:41:50
			the end of his life. And, yeah,
Allah, you know, when you're by
		
00:41:50 --> 00:41:54
			the Jamara, and you're pelting the
shaytaan, if you're close, you
		
00:41:54 --> 00:41:59
			will get these people who try to
throw from a mile away. I remember
		
00:41:59 --> 00:42:02
			I was in Hajj this year, and
bitchery, this old woman, she's
		
00:42:02 --> 00:42:04
			there and she's just like, bang,
bang, bang, bang, bang, right from
		
00:42:04 --> 00:42:08
			like, 10 meters away, and it's not
going anywhere. He's just falling
		
00:42:08 --> 00:42:11
			like two meters in front of her,
and she's 10 meters away. And I
		
00:42:11 --> 00:42:14
			said to color you need to lega you
have to go in front and do it.
		
00:42:14 --> 00:42:17
			You're not gonna like the bank,
bank managers move. Because, you
		
00:42:17 --> 00:42:22
			know, it's not going to work that
way. So anyway, a stone hit him. A
		
00:42:22 --> 00:42:27
			stone hit him. So this guy from
Blue lib, very negative. He took
		
00:42:27 --> 00:42:31
			he made a very negative statement.
He says, Sure. Ameerul Momineen.
		
00:42:32 --> 00:42:39
			No, push Ameerul Momineen Ameerul
Momineen has been okay, marked,
		
00:42:39 --> 00:42:43
			yes, has been branded. See,
because you know, the animal that
		
00:42:43 --> 00:42:47
			you would take with you for
sacrifice, they would brand it in
		
00:42:47 --> 00:42:50
			a particular way so that even if
it got lost, nobody would eat it
		
00:42:50 --> 00:42:53
			knowing that this one had to be
sacrificed for the hottie for the
		
00:42:53 --> 00:42:57
			for the Hajj. So he made the
statement that Ameerul Momineen
		
00:42:57 --> 00:43:02
			has now just been marked jinxed in
another word, and SubhanAllah.
		
00:43:03 --> 00:43:06
			That was his last hedge. Now. He
never did another hedge
		
00:43:06 --> 00:43:11
			afterwards. Of course, other it's
called the right. But it was
		
00:43:11 --> 00:43:13
			towards the end of his life. But
these guys were known to make
		
00:43:13 --> 00:43:16
			these kinds of observations and
statements. And
		
00:43:17 --> 00:43:21
			you can say, the these kinds of
statements. But no, I said
		
00:43:22 --> 00:43:25
			they were known for the evil eye.
		
00:43:27 --> 00:43:29
			If he wanted to,
		
00:43:31 --> 00:43:36
			if he wanted to effect somebody,
any one of them, they would keep
		
00:43:36 --> 00:43:39
			themselves hungry for three days.
He only worked when they were
		
00:43:39 --> 00:43:39
			hungry
		
00:43:41 --> 00:43:45
			right now. But they used to stay
away from food for three days.
		
00:43:46 --> 00:43:50
			For three days, stay away from
food. And then after that, he
		
00:43:50 --> 00:43:53
			would say whatever he wanted, and
that is the effect that would
		
00:43:53 --> 00:43:53
			happen.
		
00:43:54 --> 00:43:58
			Now, this is what's related. We
weren't there to see this. But of
		
00:43:58 --> 00:44:01
			course there must be some truth to
this in the sense that because the
		
00:44:01 --> 00:44:04
			evil eye is a truth and there are
certain individuals who have it
		
00:44:04 --> 00:44:08
			more than others. Sheikh Yunus you
as you know him having the hula he
		
00:44:08 --> 00:44:12
			is extremely wary of people he I
think he reckons he can actually
		
00:44:12 --> 00:44:15
			tell. So let's get this guy out.
Get this guy out of here he is
		
00:44:15 --> 00:44:20
			skee ball. Rob nigga used to
constantly say that I used to
		
00:44:20 --> 00:44:22
			really feel sorry for the guy used
to say it for and then used to
		
00:44:22 --> 00:44:25
			explain that there are some people
who are like that they can't help
		
00:44:25 --> 00:44:30
			and you know what the I mean? You
can give it to your own kid, just
		
00:44:30 --> 00:44:35
			by being so affectionate to them.
You it's not a bad intention all
		
00:44:35 --> 00:44:38
			the time. Yes, some people do with
a bad intention. But some people
		
00:44:38 --> 00:44:40
			they don't do with a bad
intention. It just happens because
		
00:44:40 --> 00:44:43
			they've got this effect that Allah
has given them.
		
00:44:44 --> 00:44:48
			Do you understand? So that's why
it's kind of strange that one
		
00:44:48 --> 00:44:51
			thing I want to mention from that
though, is that we agree with that
		
00:44:51 --> 00:44:53
			because it's mentioned in the
Hadith Allah you know how can
		
00:44:55 --> 00:44:59
			now you know, when we say that,
certain show you our occur, Masha
		
00:45:00 --> 00:45:01
			When they look at somebody,
		
00:45:02 --> 00:45:05
			and they give them what they call
a spiritual outpouring and attend
		
00:45:05 --> 00:45:08
			spiritual attention as such, and
it helps to change their life,
		
00:45:08 --> 00:45:12
			sometimes it benefits them
positively. If this evil can
		
00:45:12 --> 00:45:15
			happen with the evil eye and the
price law, some said it, then why
		
00:45:15 --> 00:45:18
			can't you be? Why can't certain
people who are powerful hearts
		
00:45:18 --> 00:45:21
			that are connected to Allah have
that kind of a powerful effect on
		
00:45:21 --> 00:45:25
			people, we see it, it happens, you
suddenly you sit in somebody's
		
00:45:25 --> 00:45:27
			company, and you're going to be
affected that way. And you're
		
00:45:27 --> 00:45:30
			like, what hit me Subhanallah when
I sit with them, I just feel like
		
00:45:30 --> 00:45:33
			different and I'm okay for a few
days, and then I lose it
		
00:45:33 --> 00:45:36
			afterwards, and I go to that much
less, that's what happens to me,
		
00:45:36 --> 00:45:39
			these kinds of things do effect
you and the proof of it is aligned
		
00:45:39 --> 00:45:42
			or outcome. If it can be
negatively effective, why can't it
		
00:45:42 --> 00:45:44
			be positively effective?
		
00:45:45 --> 00:45:48
			So keep that in mind. So yeah,
this person would keep away from
		
00:45:48 --> 00:45:50
			food for three days, and then he
would say whatever he wanted, and
		
00:45:50 --> 00:45:56
			that would effect this blue shell.
Right? They were known, as I said,
		
00:45:56 --> 00:45:59
			for the, you know, good firing,
that's why the Prophet sallallahu
		
00:45:59 --> 00:46:03
			alayhi wa salam used to say, it
removed but who shall for in a
		
00:46:03 --> 00:46:07
			bircham, Colonel army and you say,
gone Fire, fire, you know, in the
		
00:46:07 --> 00:46:10
			battles and so on, because your
forefathers, they were army, they
		
00:46:10 --> 00:46:15
			will, they will also fire us as
such good sharpshooters, the burn
		
00:46:15 --> 00:46:19
			or other and their level, we'll
talk about that soon. So now in
		
00:46:19 --> 00:46:24
			this poem, he's saying, you know,
oh, the person who is blaming me
		
00:46:24 --> 00:46:29
			for this, this kind of out of, you
can say this extreme love, that is
		
00:46:29 --> 00:46:32
			like the love of the Rosary,
people like the love of the bamboo
		
00:46:32 --> 00:46:36
			other. You shouldn't do that.
Because if you were, if you had
		
00:46:36 --> 00:46:40
			Insaaf, and you were just then you
wouldn't do that, because the hut
		
00:46:40 --> 00:46:41
			is something I don't have control
over.
		
00:46:43 --> 00:46:46
			Right? He says, Well, you know, I
don't have I don't have
		
00:46:47 --> 00:46:50
			control over my heart. So
		
00:46:51 --> 00:46:55
			it's all from Allah subhanho wa
taala. Now, you know, Arabic is
		
00:46:55 --> 00:46:59
			such a rich language, and his
poets can use it to deliver.
		
00:47:00 --> 00:47:04
			You know, if there's somebody
who's besotted with love, love
		
00:47:04 --> 00:47:09
			lone person, depending on why
you're criticizing him, or why
		
00:47:09 --> 00:47:13
			you're censoring him, there's a
different word. So Ya Allah, me,
		
00:47:13 --> 00:47:17
			are the one who's criticizing me
for blaming me. So Allah is the
		
00:47:17 --> 00:47:19
			One who is
		
00:47:20 --> 00:47:24
			trying to prevent trying to help
somebody out of compassion that
		
00:47:24 --> 00:47:30
			what is your brand? Why you saw
like that? He's got nothing to do
		
00:47:30 --> 00:47:33
			with who you love or who you don't
love. He's not interested in that
		
00:47:33 --> 00:47:36
			he just worried about you. So it's
kind of this positive concern? Why
		
00:47:36 --> 00:47:41
			he censoring you that's called
love him. Right? And if it's
		
00:47:41 --> 00:47:43
			somebody who's doing out of
jealousy, then he's called a
		
00:47:43 --> 00:47:44
			Hassett
		
00:47:45 --> 00:47:50
			or a Wirsching. Do you understand?
Cisco has it awash in that
		
00:47:50 --> 00:47:54
			somebody who's criticizing you for
personal gain, whereas Allah is
		
00:47:54 --> 00:47:56
			somebody who's not doing it for
personal gain, he's just doing it
		
00:47:56 --> 00:47:58
			out of concern for you yourself.
		
00:47:59 --> 00:48:03
			Arabic is an extremely, extremely
rich language when it comes to
		
00:48:03 --> 00:48:04
			that. In fact,
		
00:48:05 --> 00:48:06
			the washy
		
00:48:08 --> 00:48:12
			is the one who is going to come
and talk to you. And then he's
		
00:48:12 --> 00:48:14
			going to talk to your beloved and
he's going to try to separate
		
00:48:14 --> 00:48:16
			between you he does an amoeba.
		
00:48:17 --> 00:48:21
			So he's a tail bearer. He
exercises calumny.
		
00:48:22 --> 00:48:25
			He's going to try to create a
separation between you that's what
		
00:48:25 --> 00:48:30
			you call a washy, not Allah him,
let him is positive.
		
00:48:31 --> 00:48:33
			And then you have Rocky.
		
00:48:34 --> 00:48:35
			Right? Rocky is the one
		
00:48:36 --> 00:48:41
			who is like, just besotted with
getting you separate. So that his
		
00:48:41 --> 00:48:44
			day and night job to bus separate
between you that's what you've got
		
00:48:44 --> 00:48:49
			to repeat, like somebody who's
totally left everything to do
		
00:48:49 --> 00:48:49
			that.
		
00:48:51 --> 00:48:55
			So you have washi, which is more
than Advil, and but he's better
		
00:48:55 --> 00:48:56
			than the rocky
		
00:48:57 --> 00:49:00
			that, you know, the poets,
whenever they would describe
		
00:49:00 --> 00:49:04
			intense love, they would use the
metaphor of Benoit era, because
		
00:49:04 --> 00:49:06
			they had this intense love. So
they will say My love is like
		
00:49:06 --> 00:49:09
			that. That's the kind of love I'm
talking. So that's why he says he
		
00:49:09 --> 00:49:12
			has well. Now the thing about the
boudoir era
		
00:49:13 --> 00:49:14
			bowfin in terms of
		
00:49:16 --> 00:49:18
			pure morality,
		
00:49:19 --> 00:49:24
			right, very particular about
morality, fulfillment of the
		
00:49:24 --> 00:49:30
			promise and fulfillment of a
covenant. They were known to be
		
00:49:30 --> 00:49:33
			and be very being very
compassionate in that regard. It's
		
00:49:33 --> 00:49:37
			all kind of a soft kind of love.
very particular kind of people
		
00:49:37 --> 00:49:40
			tend the kind of people they were
known for that they were like, out
		
00:49:40 --> 00:49:43
			of the bounds when it came to that
they used to transgress the bounds
		
00:49:43 --> 00:49:47
			in that regard. As Marty says, you
know, this is a very long story.
		
00:49:48 --> 00:49:51
			But let me mention one thing to
you. Abdulmalik tip number one,
		
00:49:52 --> 00:49:55
			Jimmy Reed No, Abdur Rahman he
wants came to Abdullah Medicube.
		
00:49:55 --> 00:49:58
			Number one was the Omega Kalif.
And he said so Abdul Malik. Number
		
00:49:58 --> 00:49:59
			one said to him, oh, Jamil.
		
00:50:02 --> 00:50:05
			Tell me something about the Benoit
era Tell me some of their stories.
		
00:50:05 --> 00:50:10
			Because it's real. You know, it's
reached me that they have very
		
00:50:10 --> 00:50:16
			soft hearts. They're very soft
hearts, and they have a lot of
		
00:50:16 --> 00:50:22
			love. So he said Amirul mumineen
know that the Arabs in general.
		
00:50:23 --> 00:50:28
			They are supposed to be the
softest people with the softest
		
00:50:28 --> 00:50:28
			hearts.
		
00:50:29 --> 00:50:33
			And they're supposed to be the
best in terms of fulfilling
		
00:50:33 --> 00:50:34
			covenants.
		
00:50:35 --> 00:50:36
			And, yeah,
		
00:50:38 --> 00:50:39
			in general,
		
00:50:40 --> 00:50:44
			Allah knows best but in general,
yes. That some people might debate
		
00:50:44 --> 00:50:49
			that, but that's what he said. But
then he said that every Kavita
		
00:50:49 --> 00:50:53
			every tribe, among them, he has
that they have specific qualities,
		
00:50:54 --> 00:50:58
			which they become known by and
blue other. They are known for
		
00:50:58 --> 00:51:02
			their love. When they love
something, they just love it to an
		
00:51:02 --> 00:51:05
			intense level. So sometimes what
you will see is that you will see
		
00:51:05 --> 00:51:10
			a man who's got who's just got
this kind of rough coarse cloth.
		
00:51:11 --> 00:51:14
			And you think is like some kind of
rough and tough Bedouin that's
		
00:51:14 --> 00:51:17
			what that's the way they were
right? That is going to like swear
		
00:51:17 --> 00:51:19
			at you curse you not going to
speak to you know, the veterans
		
00:51:19 --> 00:51:22
			that used to come to the school,
Allah salAllahu Salam, but if he's
		
00:51:22 --> 00:51:26
			from this group, you will see that
this man, he will be so soft,
		
00:51:26 --> 00:51:30
			despite the fact of how he's
wearing his garments. This was the
		
00:51:30 --> 00:51:33
			quality this was one of the
positive sides of the quality,
		
00:51:33 --> 00:51:36
			wrote to me says that
		
00:51:37 --> 00:51:43
			nobody has reached to the level of
muhabba level of love that
		
00:51:43 --> 00:51:46
			displaceable Majnoon reached in
his love for Leila.
		
00:51:48 --> 00:51:51
			Now, why do we only speak about
him is because this guy was at
		
00:51:51 --> 00:51:55
			this crazy level of love, insane
level of love. And his story
		
00:51:55 --> 00:51:59
			became open. And it was recorded.
So everybody's used this. I'm sure
		
00:51:59 --> 00:52:03
			there's been other people. Right
who nobody recorded in history
		
00:52:03 --> 00:52:06
			there's probably has been, but
this one he became recorded he
		
00:52:06 --> 00:52:10
			became famous. So what are to be
says he's the one of the
		
00:52:10 --> 00:52:13
			narrator's he says that there's no
no person like this Romeo and
		
00:52:13 --> 00:52:16
			Juliet essentially that the you
know, the Arab Romeo and Juliet is
		
00:52:16 --> 00:52:21
			nobody like him. Why? Because he
absolutely have no other.
		
00:52:22 --> 00:52:26
			None. You know, he had no other
thought in his mind.
		
00:52:28 --> 00:52:31
			He wouldn't even wear anything
that was sewn, he would just cut
		
00:52:31 --> 00:52:36
			it up, he would just, you know,
use sheets. And he used to run
		
00:52:36 --> 00:52:39
			away from people. Because nobody
made him feel comfortable.
		
00:52:41 --> 00:52:44
			He wouldn't sit with anybody
unless they were willing to speak
		
00:52:44 --> 00:52:45
			about Lena with him.
		
00:52:46 --> 00:52:48
			So if you wanted to speak to him,
the only way you could capture his
		
00:52:48 --> 00:52:50
			attention is you sat down and
started talking about Laila,
		
00:52:50 --> 00:52:53
			whatever you want to talk about
positive than he's willing to
		
00:52:53 --> 00:52:57
			listen to you. As soon as you
finish, he would go. If he starts
		
00:52:57 --> 00:52:59
			talking about something else, he
would just leave you
		
00:53:01 --> 00:53:06
			crazy in love, right? Some of the
set of set one of the stuff of his
		
00:53:06 --> 00:53:11
			time, he said, I saw once no not
his time later on. He says once I
		
00:53:11 --> 00:53:15
			saw when Leila sorry this much
noon in my dream, and I'd heard
		
00:53:15 --> 00:53:18
			his stories and so on. So I saw
him in my dream. So I decided to
		
00:53:18 --> 00:53:22
			ask him what eventually happened
with you, man for Allah, Allah who
		
00:53:22 --> 00:53:26
			pick What did Allah subhanaw taala
finally do with you? So he says,
		
00:53:26 --> 00:53:29
			LaFerrari he forgave me now
remember, this is a dream though.
		
00:53:30 --> 00:53:33
			Right? We hope for the best for
him. We hope for the best for
		
00:53:33 --> 00:53:37
			everybody. He says Allah forgave
me what Jelani herget analemma.
		
00:53:37 --> 00:53:40
			He'd been he actually made me the
proof against those who claim love
		
00:53:40 --> 00:53:44
			for Allah. He made me the
benchmark
		
00:53:45 --> 00:53:49
			is your love so anyway, carry on.
It's related the on the Day of
		
00:53:49 --> 00:53:50
			Judgment.
		
00:53:51 --> 00:53:55
			Allah subhanaw taala will have
somebody announce where he's much
		
00:53:55 --> 00:53:59
			sooner or later, where it's much
sooner or later ways this space he
		
00:53:59 --> 00:54:04
			will be brought about Ghana will
hold or we shall Bertie. I will
		
00:54:04 --> 00:54:08
			have little Attica and Alia dunya.
He'll come in this reality shovel
		
00:54:08 --> 00:54:11
			unkept state because that's how he
wasn't this one didn't care for
		
00:54:11 --> 00:54:13
			anything. That's what he was
worried about. He'll come like
		
00:54:13 --> 00:54:15
			that. And then
		
00:54:16 --> 00:54:19
			Allah subhanahu wa taala will take
his reckoning, he'll reckon with
		
00:54:19 --> 00:54:23
			him first, he will take his
accounts, and he will forgive him.
		
00:54:23 --> 00:54:27
			And then after that, he will say
all those who claim to have love
		
00:54:27 --> 00:54:28
			for me.
		
00:54:29 --> 00:54:34
			Is there anybody among you who has
reached in his obedience?
		
00:54:35 --> 00:54:39
			The level that this Majnoon this
case has reached in his obedience
		
00:54:39 --> 00:54:44
			to Leila and his love. That will
be the benchmark. I doubt if this
		
00:54:44 --> 00:54:44
			happens
		
00:54:45 --> 00:54:51
			if this happens, but it does make
us think when those who claim to
		
00:54:51 --> 00:54:55
			love Allah subhanaw taala I'll
mention this one story. It's
		
00:54:55 --> 00:54:58
			related, that this is one person
in Bustelo
		
00:55:00 --> 00:55:05
			Young guy of Barcelona. He fell in
love with this with this girl
		
00:55:06 --> 00:55:10
			who was actually his cousin
sister, his church, his daughter,
		
00:55:10 --> 00:55:11
			his uncle's daughter.
		
00:55:12 --> 00:55:17
			So he asked for her, he proposed
to his uncle for her. But his
		
00:55:17 --> 00:55:23
			uncle the father refused. Because
he was poor. He didn't have much
		
00:55:23 --> 00:55:27
			money. So because this is a
normal, big, big reason why people
		
00:55:27 --> 00:55:31
			refuse today, right? They want
somebody who's gonna have lots of
		
00:55:31 --> 00:55:32
			money.
		
00:55:33 --> 00:55:36
			Not our Quran, Allah subhana Yes,
you should have some concern.
		
00:55:36 --> 00:55:39
			Obviously, you don't you don't
want to marry your daughter off to
		
00:55:39 --> 00:55:42
			some guy who doesn't care about
anything not even about Allah.
		
00:55:43 --> 00:55:46
			He's just sitting around taking
handouts Of course not. But at the
		
00:55:46 --> 00:55:50
			end of the day, you have to look
at the person. Now this was when
		
00:55:50 --> 00:55:54
			he was refused. It made him really
insane. He became extremely,
		
00:55:54 --> 00:55:59
			extremely crazy. That news reached
his cousin sister who he had asked
		
00:55:59 --> 00:56:03
			for so she sent a message to him
and said
		
00:56:04 --> 00:56:08
			your love for me has your your
love for me that input the
		
00:56:08 --> 00:56:11
			information about that has reached
me and how you're feeling that's
		
00:56:11 --> 00:56:13
			also reached me somebody has told
me about it.
		
00:56:15 --> 00:56:22
			But the love that I have for you
is multiple is way more is a
		
00:56:22 --> 00:56:25
			multiple of what you have of your
love for me.
		
00:56:27 --> 00:56:31
			He didn't know that. So she's
saying that to him. Sometimes that
		
00:56:31 --> 00:56:34
			happens they love each other but
it doesn't work out and they've
		
00:56:34 --> 00:56:38
			never spoken for in shit. The
hotter Shula come in earlier Elmi
		
00:56:38 --> 00:56:43
			min Ali, if you want. I'll just
leave without telling my parents
		
00:56:43 --> 00:56:47
			when shit the Sahel to advocate
the hula, the year, wattle to La
		
00:56:47 --> 00:56:51
			kofi. And if you want, I can also
make a way for you to come into my
		
00:56:51 --> 00:56:56
			house, right a secret way to come
into my house. So she sent that
		
00:56:56 --> 00:56:59
			message to him. Right? Everybody's
getting excited.
		
00:57:01 --> 00:57:07
			Now, he sent a message back, he
said la hija, Leafy, I don't have
		
00:57:07 --> 00:57:11
			any need for such for such
strategies, I have no need for
		
00:57:11 --> 00:57:17
			them in the corner, and I love
what other urban lion katiba I
		
00:57:17 --> 00:57:22
			have great fear for the fire that
is blazing, and for punishment
		
00:57:22 --> 00:57:29
			that will never end when that
message came to her. And she was
		
00:57:29 --> 00:57:32
			told about what he said she began
to cry. And she said, Well, Allah,
		
00:57:32 --> 00:57:36
			he had an Ola we had an MRI Mini.
There's nobody who should feel
		
00:57:36 --> 00:57:40
			like this more than me. So how,
look how fast the heart changes,
		
00:57:40 --> 00:57:44
			right? She immediately takes the
lesson. She says she stopped
		
00:57:44 --> 00:57:49
			scheming. So she says I should be
feeling this way now because she
		
00:57:49 --> 00:57:52
			said Why in the Hello, Phil, why
do you will worry the emotional
		
00:57:52 --> 00:57:55
			raccoon when it comes to what
Allah has promised and what he has
		
00:57:55 --> 00:57:59
			warned against all the mclucas the
same all the creation is the same.
		
00:57:59 --> 00:58:01
			So if that's what how he feels, I
should feel the same way. That's
		
00:58:01 --> 00:58:04
			what you call true love. It's
really your your actions are
		
00:58:04 --> 00:58:08
			reflected Your feelings are
reflected even from in absence.
		
00:58:09 --> 00:58:13
			And then after that, she was she
became Dean DAR. She just started
		
00:58:13 --> 00:58:19
			focusing on a bada and she became
such a worshiper, so engrossed in
		
00:58:19 --> 00:58:23
			it bother that it became a burden
on her family. You know, you've
		
00:58:23 --> 00:58:27
			seen some children become some
children, they become extremely
		
00:58:27 --> 00:58:29
			pious and then for the parents, it
becomes very difficult to deal
		
00:58:29 --> 00:58:31
			with it because they don't know
how to deal with it.
		
00:58:32 --> 00:58:35
			And she kept a bothered about that
until eventually she died.
		
00:58:37 --> 00:58:41
			Is she hurried up her a but you
know, she hurried up her death. I
		
00:58:41 --> 00:58:44
			mean, essentially Allah subhanaw
taala had written that much for
		
00:58:44 --> 00:58:48
			her. This young man then used to
come to her power every day and
		
00:58:48 --> 00:58:50
			used to make dua and he used to
make a stick for and then he used
		
00:58:50 --> 00:58:55
			to leave. One day she sees he sees
her in his dream, some one of the
		
00:58:55 --> 00:59:00
			nights and he said to her Falana
she said yes. Is it tell me where
		
00:59:00 --> 00:59:03
			have you gone to and what is your
state? So she began to read a
		
00:59:03 --> 00:59:08
			poem. She said Ilana Iman, why you
shouldn't Lazada Fijian nothin
		
00:59:08 --> 00:59:14
			mahalo then Lisa Bill funny. I've
gone to bounties and to a life
		
00:59:14 --> 00:59:19
			that is never to end in a garden,
and in eternity that is never to
		
00:59:19 --> 00:59:24
			end and never to finish. He said
to her, Do you remember me? She
		
00:59:24 --> 00:59:29
			said, she said wala hula and circa
I've Wallahi I have not forgotten
		
00:59:29 --> 00:59:34
			you. In fact, I have hoped for you
in front of Allah subhanho wa
		
00:59:34 --> 00:59:39
			Taala in front of my Lord, I have
all hope for you. So for that for
		
00:59:39 --> 00:59:43
			meta element taka when are we
going to meet them? So she said to
		
00:59:43 --> 00:59:48
			him and Caribbean insha Allah very
very soon inshallah. So then he
		
00:59:48 --> 00:59:53
			carried on doing Ibadah like lots
of EBA just engraved inking,
		
00:59:53 --> 00:59:56
			engaged in a bit of a numb just a
few more days, and then after he
		
00:59:56 --> 01:00:00
			died, and he was taken from this
world
		
01:00:00 --> 01:00:03
			Now that's pure love based on you
know that there's love that's
		
01:00:03 --> 01:00:05
			overcome your heart, you see love
when it overcomes your heart, you
		
01:00:05 --> 01:00:10
			can't do anything about it. That's
the nature of love. Real love when
		
01:00:10 --> 01:00:13
			it gets into the heart, then you
can't do it, then you just have to
		
01:00:13 --> 01:00:16
			fear Allah subhanaw taala, then
Allah subhanaw taala will fulfill
		
01:00:16 --> 01:00:20
			that for you. Lots of people, they
keep asking this question that I
		
01:00:20 --> 01:00:22
			love this individual, but it just
didn't work out and it's not gonna
		
01:00:22 --> 01:00:27
			work can I keep on? And you know,
keep this love in my hearts? Well,
		
01:00:27 --> 01:00:30
			I generally tell them that,
because I mean, I can't tell them
		
01:00:30 --> 01:00:32
			to do this kind of right.
		
01:00:34 --> 01:00:36
			What I generally tell them is that
look, give it one or two months,
		
01:00:36 --> 01:00:41
			make some dua to Allah subhanaw
taala antigen and so on. If, if
		
01:00:41 --> 01:00:44
			Allah wants he will give it to
you. And if he doesn't, then you
		
01:00:44 --> 01:00:47
			need to live a life. Most people
aren't going to be in this state.
		
01:00:47 --> 01:00:50
			These are exceptional situations.
Then after that, you just give
		
01:00:50 --> 01:00:53
			yourself two months, three months
and then go look for something
		
01:00:53 --> 01:00:56
			that's why the dua for istikhara
is the best way you can have.
		
01:00:56 --> 01:01:00
			Because the DA is Oh Allah, if you
know this is good for me in this
		
01:01:00 --> 01:01:03
			world and the Hereafter, don't
give it to me. And don't just give
		
01:01:03 --> 01:01:06
			it to me, like begrudging. I
wanted to give it to me. But then
		
01:01:06 --> 01:01:09
			give me markets in it give me
Baraka in it as well.
		
01:01:10 --> 01:01:12
			That's the beauty of this, though.
And if it's bad for me, then take
		
01:01:12 --> 01:01:15
			it away from me. You know, what is
that you can't have it but your
		
01:01:15 --> 01:01:19
			your heart is in it. But take me
away from it as well. So
		
01:01:19 --> 01:01:23
			disassociate my emotional
attachment, and give me the best
		
01:01:23 --> 01:01:25
			wherever it is. That's where it's
the corridor is, that's anybody
		
01:01:25 --> 01:01:29
			who's lovesick and who can't get
something they want it to do is to
		
01:01:29 --> 01:01:33
			follow because the DWAI is perfect
for that. So they might have no
		
01:01:33 --> 01:01:36
			now listen to this story. Find the
story. So they might have no
		
01:01:36 --> 01:01:41
			Abdulmalik, another homie years,
he had, he had hired a Marlin,
		
01:01:42 --> 01:01:46
			right to give a loan for him for
prayer. He's attending the solid
		
01:01:46 --> 01:01:50
			times and he used to call him for
solid. And he had this extremely
		
01:01:50 --> 01:01:55
			beautiful slave girl in his
palace. Very beautiful.
		
01:01:57 --> 01:02:01
			And once he, he caught them, what
are they looking at her?
		
01:02:02 --> 01:02:04
			Right, he caught the mother
looking at her.
		
01:02:05 --> 01:02:12
			So actually know, she saw him
looking at her. So she went to the
		
01:02:12 --> 01:02:14
			master. So they might have had the
medic. And he said, Look, he's
		
01:02:14 --> 01:02:18
			looking at me. So so they might
have not done medic was very the
		
01:02:18 --> 01:02:20
			euro. He was very jealous
individual.
		
01:02:22 --> 01:02:25
			So he says I'm gonna kill him.
		
01:02:26 --> 01:02:29
			But I need an excuse. I can't just
gonna kill him like that. I need
		
01:02:29 --> 01:02:31
			an X ray. So he's gonna use it.
I'll set him up.
		
01:02:33 --> 01:02:36
			I mean, this happens all the time.
It's typical, isn't it? He says,
		
01:02:36 --> 01:02:39
			I'm not this part. But the first
part, right? Then he says, I'm
		
01:02:39 --> 01:02:43
			going to set him up. So he told
us, this young girl, I want you to
		
01:02:43 --> 01:02:46
			adorn yourself, make yourself
beautiful, put lots of good
		
01:02:46 --> 01:02:50
			perfume on. And then go to him and
say to him, that
		
01:02:51 --> 01:02:52
			I've seen you looking at me.
		
01:02:53 --> 01:02:58
			Right? I've seen you watching me.
And my heart is also inclined to
		
01:02:58 --> 01:03:02
			you. So essentially gone off by
yourself. My heart is inclined to
		
01:03:02 --> 01:03:07
			you. If you've got any need, go
ahead. So literally just gone.
		
01:03:07 --> 01:03:09
			Give yourself off for yourself.
		
01:03:10 --> 01:03:12
			And then also tell her that
Ameerul Momineen right now is
		
01:03:12 --> 01:03:15
			sleeping, so he's not going to see
us. So just set the scene fully.
		
01:03:16 --> 01:03:20
			She went and she did exactly that.
She goes up to him. And she says
		
01:03:20 --> 01:03:20
			to them
		
01:03:23 --> 01:03:27
			no, she she says all this. But
then the magazine says to her,
		
01:03:27 --> 01:03:32
			that look if you're truthful, in
the sentiment of yours as well and
		
01:03:32 --> 01:03:34
			go today, come back tomorrow.
		
01:03:35 --> 01:03:38
			Right? We're not going to do
anything today. Go Come back
		
01:03:38 --> 01:03:44
			tomorrow. She comes back and goes
to Sulaiman if not did make the
		
01:03:44 --> 01:03:48
			rule and she explains what he
said. He said, Fine, go back to
		
01:03:48 --> 01:03:54
			him right now and say that I don't
like he was really pushy. So he
		
01:03:54 --> 01:03:57
			says no, go back to him right now
and say this is the best time.
		
01:03:58 --> 01:04:01
			This isn't going to be another
chance if there's a time. This is
		
01:04:01 --> 01:04:05
			the time for it. So go back and do
that. So she went back and she
		
01:04:05 --> 01:04:09
			said that, and then that's when he
raised his eyes to the heavens.
		
01:04:10 --> 01:04:14
			And he said yeah, Jaleel Aina sit
through Cal Jamil Subhanallah
		
01:04:14 --> 01:04:21
			perfect combination. Yeah. Jaleel
all majestic 101 of majesty. See,
		
01:04:21 --> 01:04:24
			when you know the names of Allah,
you can call him with the most
		
01:04:24 --> 01:04:26
			appropriate names for your
situation. That's the benefit of
		
01:04:26 --> 01:04:31
			knowing the 99 names. Yeah, Julie
Hello, majestic one. Where is your
		
01:04:31 --> 01:04:36
			beautiful veil helped me? Where's
your beautiful veil? So the first
		
01:04:36 --> 01:04:39
			time you know, you could say well
Allahu Allah, I'm reading into
		
01:04:39 --> 01:04:42
			this I'm just analyzing the
situation maybe I'm doing chaos on
		
01:04:42 --> 01:04:45
			myself. You got a bit of fear
anything going you know, I don't
		
01:04:45 --> 01:04:49
			want to close the door completely.
Right, but I've got him on right
		
01:04:49 --> 01:04:53
			now. So let me think about it. So
no need to come back tomorrow. Not
		
01:04:53 --> 01:04:56
			like no, I don't want to see you
again. That would be like serious.
		
01:04:57 --> 01:04:59
			Go go go Wait, my Oh Allah knows
best way is I
		
01:05:00 --> 01:05:03
			don't want to, I don't want to
work my dirty ideas into his mind.
		
01:05:03 --> 01:05:07
			Right? But I'm just saying, This
is what I this is how I have
		
01:05:07 --> 01:05:10
			understood this, that if you don't
have much fear, you have some fear
		
01:05:10 --> 01:05:15
			Hamdulillah you say? No, not right
now. So now when he goes back now
		
01:05:15 --> 01:05:18
			he just looks up to the heavens
and he makes this dua. And then he
		
01:05:18 --> 01:05:25
			says to her, Go, and don't come
back. If Hubie what, Rudy, go and
		
01:05:25 --> 01:05:29
			don't come back for us in your
corner, Malta Cabeza de Manila. He
		
01:05:29 --> 01:05:34
			was the newbie because maybe we'll
have to meet maybe the our
		
01:05:34 --> 01:05:36
			meeting, maybe there will be a
meeting that will take place in
		
01:05:36 --> 01:05:40
			front of in front of Allah
subhanaw taala essentially. So she
		
01:05:40 --> 01:05:44
			went back to slay man, if not
Abdulmalik, totally scared now,
		
01:05:44 --> 01:05:47
			right, really scared. Women are
very emotional when it comes to
		
01:05:47 --> 01:05:50
			these things. You know, it's
really scared, crying, and she
		
01:05:50 --> 01:05:54
			told him and somebody so He then
sent a man to
		
01:05:55 --> 01:05:58
			to do more than he sent one of his
other guys to the Mahadevan, and
		
01:05:58 --> 01:06:02
			he said to him that look Ameerul
Momineen is saying that he will,
		
01:06:03 --> 01:06:09
			he's gifted you this woman. The
safeguard is gifted you. It shows
		
01:06:09 --> 01:06:14
			now she is yours. And also, he is
going to give you 50,000 Durham's,
		
01:06:14 --> 01:06:20
			so you can pay for her, you know,
for her Mahara as well, if you
		
01:06:20 --> 01:06:22
			wanna marry her, she's gifted at
it, you can set up free and marry.
		
01:06:24 --> 01:06:28
			Right for for the, you know, for
his role in what he does for his
		
01:06:28 --> 01:06:28
			sphere.
		
01:06:30 --> 01:06:32
			You think well, okay, that's a
good one.
		
01:06:34 --> 01:06:38
			He said, Yeah, Ameerul Momineen.
In New Allah, he could Lubbock to
		
01:06:38 --> 01:06:41
			Tama aefi Herman Oh, well, another
thing another to her.
		
01:06:42 --> 01:06:48
			He said, Allah, He Amirul mumineen
I had sacrificed my desire for
		
01:06:48 --> 01:06:53
			her. From the first time that I
saw her, I saw her. And I said, at
		
01:06:53 --> 01:06:56
			that time, call us. I've made her
haram and me
		
01:06:57 --> 01:06:58
			from that time,
		
01:06:59 --> 01:07:02
			which is to her the heroes and in
the law, I mean, this was his dua
		
01:07:02 --> 01:07:05
			from the beginning, the first time
I remember she said, I caught him
		
01:07:05 --> 01:07:09
			looking at me, was looked at her
then he made this door. And he
		
01:07:09 --> 01:07:12
			said that I have made her a
treasure for me by Allah subhanaw
		
01:07:12 --> 01:07:16
			taala in the sense that I'm going
to get the reward of her for not
		
01:07:16 --> 01:07:19
			doing for you know, for not
wanting me to say colors, not me,
		
01:07:20 --> 01:07:23
			I don't want that. I'd rather
leave the reward of it for the
		
01:07:23 --> 01:07:27
			hereafter. Now, he says for a
study and a strategy or sheet and
		
01:07:27 --> 01:07:31
			in the heart of war, and now since
I've kept that as a source of
		
01:07:31 --> 01:07:34
			reward for me in the Hereafter, I
don't want to go back on that and
		
01:07:34 --> 01:07:35
			lose that reward there.
		
01:07:37 --> 01:07:40
			So now that is coming to me for
free, I'm not going to take it for
		
01:07:40 --> 01:07:46
			as Mr. Usili Matthew caboodle God
saw a man insisted persisted. But
		
01:07:47 --> 01:07:51
			for other, he refused, totally
refused to accept all the wealth.
		
01:07:52 --> 01:07:56
			And then sorry, man, subhanAllah,
you can imagine what he felt about
		
01:07:56 --> 01:07:59
			this person used to constantly
tell his story to others, he's to
		
01:07:59 --> 01:08:03
			constantly tell your story to
others. Okay, we'll stop here
		
01:08:03 --> 01:08:05
			today. There's
		
01:08:06 --> 01:08:09
			and then inshallah we'll carry on
for next time. So as you say, This
		
01:08:10 --> 01:08:14
			poem is a lot deeper than what
it's what it appears, it's
		
01:08:14 --> 01:08:16
			bringing all of these kinds of
thoughts together, what you'll
		
01:08:16 --> 01:08:21
			actually realize is how widely
read of the Sierra and
		
01:08:21 --> 01:08:24
			knowledgeable of the Sierra this
and obviously he was a great
		
01:08:24 --> 01:08:27
			scholar, you will understand,
because you can't bring all of
		
01:08:27 --> 01:08:31
			these great points into your poem.
If you don't know if you're
		
01:08:31 --> 01:08:34
			shallow and then obviously it
takes another great scholar to
		
01:08:34 --> 01:08:38
			come and unravel it all and try to
go into the mind of this
		
01:08:38 --> 01:08:41
			individual and then relate these
things. May Allah subhanaw taala
		
01:08:41 --> 01:08:46
			give us Alpha? May Allah subhanaw
taala grant us chastity very
		
01:08:46 --> 01:08:51
			important and may Allah subhanaw
taala grant us real love real love
		
01:08:51 --> 01:08:55
			Allah Amanda Salaam in crystal
antibacterial jewelry with a crime
		
01:08:55 --> 01:08:58
			love me or hate you but you
particularly stuffies Lahoma Yeah,
		
01:08:58 --> 01:09:01
			hello Liam and then you know I
learned this from her and again
		
01:09:01 --> 01:09:03
			I've been learning a lot I mean
just a loved one know Muhammad
		
01:09:03 --> 01:09:08
			Allah Allahu Allah know him now or
if you know, you know, there's a
		
01:09:08 --> 01:09:10
			lot of math you know, you know, I
don't know whether it's eliminated
		
01:09:11 --> 01:09:14
			alumina silica timmermann RF here
with the woman It was shukran
		
01:09:14 --> 01:09:18
			Latvia. Oh Allah grant us your
love and the love of those who
		
01:09:18 --> 01:09:21
			love you. of Allah grant us your
true love and the love of those
		
01:09:21 --> 01:09:25
			who love you who Allah cut our
attention away from this dunya of
		
01:09:25 --> 01:09:30
			Allah, Allah cut attention away
from this dunya and and turn our
		
01:09:30 --> 01:09:33
			attention to you. Oh Allah because
you're the only one who is
		
01:09:33 --> 01:09:37
			perpetual. You're the only one who
will not deceive. Oh Allah Your
		
01:09:37 --> 01:09:40
			love is the only one that will
never end in failure. That will
		
01:09:40 --> 01:09:44
			never end in law that will never
end in loneliness or sorrow, or
		
01:09:44 --> 01:09:47
			Allah with everything else. That's
the case of Allah. Allah Allah
		
01:09:47 --> 01:09:51
			grant us your love and the love of
those who love you grant your
		
01:09:51 --> 01:09:55
			obedience a place in our heart and
make it Beloved to us. O Allah
		
01:09:55 --> 01:09:59
			into the depth and recesses of our
hearts. infuse it with your love
		
01:09:59 --> 01:09:59
			and with your
		
01:10:00 --> 01:10:03
			obedience so that it becomes easy
for us to obey you in every way
		
01:10:03 --> 01:10:08
			shape or form of Allah prevent us
from all forms of disobedience and
		
01:10:08 --> 01:10:13
			especially haram forms of haram
forms of desires of Allah they are
		
01:10:13 --> 01:10:16
			some of our they are probably one
of our greatest challenges in this
		
01:10:16 --> 01:10:21
			time and age of Allah give us the
ability to withhold and withstand
		
01:10:21 --> 01:10:24
			of Allah these great people that
we've just spoken about and their
		
01:10:24 --> 01:10:27
			abstinence for the for your sake
of Allah give us some of their
		
01:10:27 --> 01:10:30
			love as well. Oh Allah give us
some of the love that they had
		
01:10:30 --> 01:10:34
			they had for you, Oh Allah, Oh
Allah give us from the from from
		
01:10:34 --> 01:10:38
			the, from the river of Your mercy
which is constantly flowing. Even
		
01:10:38 --> 01:10:41
			if you give us one drop of it of
Allah that would be that would be
		
01:10:41 --> 01:10:45
			sufficient for us. Oh Allah, your
mercy is immense. And you've left
		
01:10:45 --> 01:10:47
			much of your mercy for the
hereafter. But we want to ask for
		
01:10:47 --> 01:10:51
			your mercy in this world of Allah,
we ask for your mercy in this
		
01:10:51 --> 01:10:55
			world. Because when we ask we can
only ask have you have Allah when
		
01:10:55 --> 01:10:58
			we truly ask him Are you truly in
need, we can only go back to you
		
01:10:58 --> 01:11:02
			and that's a proof that Oh Allah,
we love you and our Allah that we
		
01:11:02 --> 01:11:06
			can only ask you and we treat you
as our Lord. Oh Allah, Allah when
		
01:11:06 --> 01:11:09
			we bow down and prostrate even the
worst of us when they bow down and
		
01:11:09 --> 01:11:12
			prostrate they prostrate in front
of you and nobody else or Allah.
		
01:11:12 --> 01:11:16
			This is though it's broken in week
oh Allah doe Our hearts are filled
		
01:11:16 --> 01:11:21
			with many other idols of Allah you
can purify us of Allah infuse our
		
01:11:21 --> 01:11:24
			entire bodies with your vicar and
Allah let your vicar emanate from
		
01:11:24 --> 01:11:28
			every part of your body, in every
state, every state in every state
		
01:11:28 --> 01:11:31
			of our being of Allah grant us
your Karim Allah Ilaha illa Allah
		
01:11:31 --> 01:11:34
			on our deathbed, Allah grant us
the company of your messenger
		
01:11:34 --> 01:11:39
			sallallahu alayhi wa sallam in the
hereafter. Now Allah grant us your
		
01:11:40 --> 01:11:44
			beatific vision in the hereafter
and put us and make the best of
		
01:11:44 --> 01:11:48
			the days the day that our
reckoning is done in front of you
		
01:11:48 --> 01:11:52
			and interesting to Jana into Jana
without any questioning so why not
		
01:11:52 --> 01:11:56
			because I'm IOC for Masada Morales
Masuri hamdulillah European
		
01:11:56 --> 01:11:59
			Academy JazakAllah here for
listening May Allah subhanho wa
		
01:11:59 --> 01:12:04
			Taala bless you. And if you're
finding this useful, you know,
		
01:12:06 --> 01:12:10
			as they say to that like button
and subscribe button and forwarded
		
01:12:10 --> 01:12:14
			on to others, just like Aloha,
Salaam Alaikum Warahmatullahi
		
01:12:14 --> 01:12:15
			Wabarakatuh