Naima B. Robert – Honour Your Journey Masterclass

Naima B. Robert
Share Page

AI: Summary ©

The speaker discusses the importance of creating a clear intention when writing a book and emphasizes the need for a positive and powerful intention. They stress the importance of finding oneself and finding a path to achieve a positive and powerful intention. The speaker also emphasizes the importance of practicing storytelling and finding a supportive community. They offer advice on finding a way to write a book and offer resources for those who may be struggling.

AI: Summary ©

00:00:04 --> 00:00:06
			Good evening and
		
00:00:06 --> 00:00:09
			welcome to the honor your journey
		
00:00:10 --> 00:00:13
			master class where I will be sharing
		
00:00:13 --> 00:00:14
			5 shifts,
		
00:00:15 --> 00:00:18
			sharing your story, and leaving a legacy. I
		
00:00:18 --> 00:00:18
			am
		
00:00:18 --> 00:00:20
			honored that you have joined me today. I'm
		
00:00:20 --> 00:00:23
			so excited to present this new master class,
		
00:00:24 --> 00:00:26
			especially for all of you who have a
		
00:00:26 --> 00:00:28
			story to tell, who want to write a
		
00:00:28 --> 00:00:31
			book about your lives, and have not managed
		
00:00:31 --> 00:00:32
			to do so thus far or have not
		
00:00:32 --> 00:00:36
			managed to complete your story thus far. Now
		
00:00:36 --> 00:00:37
			this is going to be a really interactive
		
00:00:38 --> 00:00:41
			session, so get ready to write, get ready
		
00:00:41 --> 00:00:43
			to share, get ready to to really, really
		
00:00:43 --> 00:00:46
			make some progress and make some moves in
		
00:00:46 --> 00:00:48
			this session. Okay? I'm not going to be
		
00:00:48 --> 00:00:50
			on here just lecturing you. We are actually
		
00:00:50 --> 00:00:54
			going to start working on this. Okay? So
		
00:00:54 --> 00:00:55
			without further ado,
		
00:00:56 --> 00:00:58
			I am going to ask, firstly,
		
00:00:58 --> 00:01:01
			is this you? Not the lady in the
		
00:01:01 --> 00:01:05
			picture, obviously, but are you somebody who's always
		
00:01:05 --> 00:01:06
			been told that
		
00:01:06 --> 00:01:08
			you should tell your story, sis?
		
00:01:10 --> 00:01:10
			Are you somebody
		
00:01:11 --> 00:01:12
			who has an important
		
00:01:13 --> 00:01:13
			inspirational
		
00:01:14 --> 00:01:15
			or instructive
		
00:01:16 --> 00:01:16
			or cathartic
		
00:01:17 --> 00:01:19
			or powerful journey to share? If you hear
		
00:01:19 --> 00:01:20
			me saying
		
00:01:21 --> 00:01:23
			the the the one that describes you, say
		
00:01:23 --> 00:01:25
			yes in the chat. Okay?
		
00:01:25 --> 00:01:27
			Are you passionate about a cause and you
		
00:01:27 --> 00:01:30
			want to tell your story to help others,
		
00:01:30 --> 00:01:32
			or are you one of those people who
		
00:01:32 --> 00:01:34
			wants to leave a legacy? Let me see.
		
00:01:34 --> 00:01:36
			I see yeses all up in here. Nice.
		
00:01:37 --> 00:01:39
			Fantastic. Well, that's a good thing. Right? Because
		
00:01:39 --> 00:01:41
			in the next 45 minutes,
		
00:01:41 --> 00:01:43
			I'm going to be sharing with you, my
		
00:01:43 --> 00:01:44
			dear sisters,
		
00:01:45 --> 00:01:46
			the secret ingredient
		
00:01:46 --> 00:01:49
			that you have that no other writer does
		
00:01:50 --> 00:01:52
			and that gives you an advantage when writing
		
00:01:52 --> 00:01:53
			the story of yours.
		
00:01:53 --> 00:01:55
			I'm going to talk about how to ensure
		
00:01:56 --> 00:01:57
			you have a powerful,
		
00:01:57 --> 00:01:59
			positive intention
		
00:01:59 --> 00:02:01
			when writing about your life, sharing it with
		
00:02:01 --> 00:02:02
			the world.
		
00:02:05 --> 00:02:07
			We are going to also look at the
		
00:02:07 --> 00:02:08
			real
		
00:02:08 --> 00:02:11
			reason you've been putting off writing your book
		
00:02:11 --> 00:02:14
			and sharing your story with those who need
		
00:02:14 --> 00:02:14
			to hear it
		
00:02:15 --> 00:02:17
			and how to deal with that reason.
		
00:02:17 --> 00:02:19
			I'm gonna show you how to harness the
		
00:02:19 --> 00:02:22
			fear that you have of putting your story
		
00:02:22 --> 00:02:24
			out there and how to use it as
		
00:02:24 --> 00:02:25
			fuel to
		
00:02:25 --> 00:02:25
			power
		
00:02:26 --> 00:02:28
			I wonder how many people can, relate to
		
00:02:28 --> 00:02:31
			this. I'm also gonna share with you the
		
00:02:31 --> 00:02:33
			answer to that question that I know sometimes
		
00:02:33 --> 00:02:36
			plagues a lot of you. Why would anyone
		
00:02:36 --> 00:02:39
			want to read my story? Right? And how
		
00:02:39 --> 00:02:41
			to ensure that you write a book that
		
00:02:41 --> 00:02:44
			people actually want to read. I'm gonna also
		
00:02:44 --> 00:02:46
			share with you a little secret, the one
		
00:02:46 --> 00:02:49
			fact about writing habits that will challenge
		
00:02:49 --> 00:02:52
			everything you think you know about how to
		
00:02:52 --> 00:02:54
			write a book. And then we're gonna find
		
00:02:54 --> 00:02:56
			out the number one mistake that can jeopardize
		
00:02:56 --> 00:02:58
			all your writing and
		
00:02:58 --> 00:03:00
			how to avoid it.
		
00:03:00 --> 00:03:02
			If that sounds good, give me a good
		
00:03:02 --> 00:03:04
			in the chat. Okay? If that sounds good
		
00:03:04 --> 00:03:06
			to you, if that sounds like
		
00:03:06 --> 00:03:09
			information that could really move the needle for
		
00:03:09 --> 00:03:12
			you, then give me a good chat. I
		
00:03:12 --> 00:03:13
			wanna see how you guys are doing with
		
00:03:13 --> 00:03:14
			this.
		
00:03:17 --> 00:03:18
			Lovely. Lovely. Lovely.
		
00:03:19 --> 00:03:19
			Fantastic.
		
00:03:20 --> 00:03:20
			Great.
		
00:03:22 --> 00:03:24
			Cool. So today,
		
00:03:24 --> 00:03:26
			my promise to you is that
		
00:03:27 --> 00:03:29
			we are going to cover all of these
		
00:03:29 --> 00:03:32
			and answer all of these questions. And by
		
00:03:32 --> 00:03:34
			the end of today's session,
		
00:03:34 --> 00:03:37
			you are going to have a very clear
		
00:03:37 --> 00:03:38
			idea of
		
00:03:38 --> 00:03:42
			the next steps for you on this writing
		
00:03:42 --> 00:03:42
			journey.
		
00:03:42 --> 00:03:44
			We're going to be talking about your mindset.
		
00:03:44 --> 00:03:46
			We're going to talk about your habits, and
		
00:03:46 --> 00:03:48
			we're going to talk about the nitty gritty
		
00:03:49 --> 00:03:50
			of writing
		
00:03:50 --> 00:03:51
			your
		
00:03:51 --> 00:03:53
			story, of telling your story of writing a
		
00:03:53 --> 00:03:54
			book. Okay?
		
00:03:56 --> 00:03:56
			So
		
00:03:57 --> 00:03:59
			I wanna ask you, does this sound like
		
00:03:59 --> 00:04:00
			you?
		
00:04:01 --> 00:04:03
			Are you one of those women who
		
00:04:04 --> 00:04:06
			has always dreamt of writing a story or
		
00:04:06 --> 00:04:09
			who or knows that she needs to? She
		
00:04:09 --> 00:04:11
			knows that she needs to tell the story,
		
00:04:11 --> 00:04:13
			that she wants to put this story out
		
00:04:13 --> 00:04:16
			into the world, but finds herself not even
		
00:04:16 --> 00:04:17
			knowing where to start.
		
00:04:18 --> 00:04:20
			Okay? She's got the story in her mind,
		
00:04:20 --> 00:04:23
			but she doesn't know where to begin. She
		
00:04:23 --> 00:04:25
			doesn't know how much to share. She doesn't
		
00:04:25 --> 00:04:28
			know whether it's even okay for her to
		
00:04:28 --> 00:04:29
			share her story?
		
00:04:30 --> 00:04:32
			Are you one of those women who is
		
00:04:32 --> 00:04:35
			worried about sharing your story in case it
		
00:04:35 --> 00:04:35
			upsets
		
00:04:43 --> 00:04:44
			struggling
		
00:04:45 --> 00:04:48
			with the idea of other people reading your
		
00:04:48 --> 00:04:49
			work and judging you?
		
00:04:50 --> 00:04:52
			Or are you one of those people who
		
00:04:52 --> 00:04:55
			has felt heavy with this story for many,
		
00:04:55 --> 00:04:57
			many years, but because of a lack of
		
00:04:57 --> 00:05:00
			confidence, because of fear, because of a spoon
		
00:05:00 --> 00:05:01
			of shame,
		
00:05:01 --> 00:05:04
			who really does not know how to take
		
00:05:04 --> 00:05:05
			this heavy, heavy story
		
00:05:06 --> 00:05:08
			and make it lighter and make it something
		
00:05:08 --> 00:05:09
			beautiful. Well,
		
00:05:10 --> 00:05:13
			if any of those sound like you, I
		
00:05:13 --> 00:05:15
			wanna let you know that those are not
		
00:05:15 --> 00:05:18
			the real problem. Okay? These are just symptoms.
		
00:05:19 --> 00:05:22
			The real problem is that you haven't made
		
00:05:22 --> 00:05:24
			the shifts. Okay? And these 5 shifts that
		
00:05:24 --> 00:05:27
			I'm gonna share with you, they are literally
		
00:05:27 --> 00:05:28
			game changers,
		
00:05:29 --> 00:05:31
			Because once you make these shifts,
		
00:05:32 --> 00:05:33
			you will
		
00:05:33 --> 00:05:35
			have your mindset
		
00:05:36 --> 00:05:39
			ready to go to actually put to actually
		
00:05:40 --> 00:05:43
			invest in this story of yours, to commit
		
00:05:43 --> 00:05:45
			to telling the story of yours, that's making
		
00:05:45 --> 00:05:46
			it a reality.
		
00:05:46 --> 00:05:50
			You'll also know what kind of ideas and
		
00:05:50 --> 00:05:52
			what kind of beliefs you need to hold
		
00:05:52 --> 00:05:54
			onto in order to be able to tell
		
00:05:54 --> 00:05:56
			the story in a way that is beneficial.
		
00:05:57 --> 00:05:58
			You will know
		
00:05:58 --> 00:06:00
			the first step to take
		
00:06:00 --> 00:06:02
			and the next and the next
		
00:06:02 --> 00:06:05
			because I'm gonna explain it all to you,
		
00:06:05 --> 00:06:06
			and you'll understand
		
00:06:07 --> 00:06:09
			what you need to do with your story
		
00:06:09 --> 00:06:11
			in order to make it something that other
		
00:06:11 --> 00:06:14
			people actually want to read. Alright? Now if
		
00:06:14 --> 00:06:16
			that sounds good, give me a yay in
		
00:06:16 --> 00:06:19
			the chat. Super, super, super excited to share
		
00:06:19 --> 00:06:21
			this with you. In case you don't know
		
00:06:21 --> 00:06:21
			me,
		
00:06:22 --> 00:06:24
			my name is Naima b Robert, and I'm
		
00:06:24 --> 00:06:25
			an author,
		
00:06:25 --> 00:06:28
			editor, and writing coach. And
		
00:06:28 --> 00:06:30
			I'm really your sister on the journey. That
		
00:06:30 --> 00:06:33
			is my role. That's my job. Okay? I've
		
00:06:33 --> 00:06:35
			been in in I've been in this writing
		
00:06:35 --> 00:06:38
			space for 20 years now. Many of you
		
00:06:38 --> 00:06:41
			will be familiar with my my memoir story
		
00:06:41 --> 00:06:43
			my life story book, if you like, from
		
00:06:43 --> 00:06:46
			my sister's lips, which told the story of
		
00:06:46 --> 00:06:48
			how I how I embraced Islam or what
		
00:06:48 --> 00:06:50
			it was like to live Islam
		
00:06:50 --> 00:06:53
			and the stories of other women around me
		
00:06:53 --> 00:06:54
			as well. Okay?
		
00:06:55 --> 00:06:57
			So just, you know, so you know, I've
		
00:06:57 --> 00:06:58
			been here before.
		
00:06:59 --> 00:07:02
			I've written my own memoir, and I have
		
00:07:02 --> 00:07:04
			supported and helped other women to write their
		
00:07:04 --> 00:07:07
			memoirs as well. So these 5 shifts that
		
00:07:07 --> 00:07:09
			I'm sharing with you, they really are
		
00:07:09 --> 00:07:12
			based in and grounded in experience
		
00:07:12 --> 00:07:14
			and, you know, and and kind of what
		
00:07:14 --> 00:07:15
			what actually works
		
00:07:16 --> 00:07:19
			in the world of memoir writing. Okay? Now
		
00:07:19 --> 00:07:21
			before we get into the first shift, I
		
00:07:21 --> 00:07:22
			would just like
		
00:07:22 --> 00:07:23
			to make sure that we're all on the
		
00:07:23 --> 00:07:25
			same page. Alright?
		
00:07:26 --> 00:07:27
			You may find me using
		
00:07:28 --> 00:07:30
			terms like telling your story and writing your
		
00:07:30 --> 00:07:31
			memoir interchangeably.
		
00:07:32 --> 00:07:34
			Okay? The reason for this is that in
		
00:07:34 --> 00:07:35
			the memoir
		
00:07:36 --> 00:07:38
			is a genre. Okay? It's a type of
		
00:07:38 --> 00:07:39
			book
		
00:07:39 --> 00:07:40
			that tells
		
00:07:40 --> 00:07:43
			the stories of the author's life.
		
00:07:44 --> 00:07:47
			It's slightly different from an autobiography
		
00:07:47 --> 00:07:50
			or a biography because a biography, which is
		
00:07:50 --> 00:07:53
			written by somebody about someone else's life, or
		
00:07:53 --> 00:07:53
			an autobiography,
		
00:07:54 --> 00:07:56
			which is written by the person themselves about
		
00:07:56 --> 00:07:57
			their lives,
		
00:07:57 --> 00:07:59
			typically follows a chronological
		
00:08:00 --> 00:08:00
			format.
		
00:08:01 --> 00:08:02
			So it goes from the beginning of the
		
00:08:02 --> 00:08:05
			person's life up until the end, wherever that
		
00:08:05 --> 00:08:06
			end is. Okay?
		
00:08:07 --> 00:08:10
			A memoir is not an autobiography.
		
00:08:11 --> 00:08:13
			A memoir is not your life story.
		
00:08:13 --> 00:08:15
			It is stories
		
00:08:15 --> 00:08:16
			from your life.
		
00:08:17 --> 00:08:19
			It's a very, very important distinction.
		
00:08:19 --> 00:08:22
			I don't want anybody to get intimidated
		
00:08:22 --> 00:08:24
			by the use of memoir.
		
00:08:24 --> 00:08:26
			Okay? It simply is the French word for
		
00:08:26 --> 00:08:29
			memory. Alright? But that is the genre that
		
00:08:29 --> 00:08:30
			we're talking about today.
		
00:08:31 --> 00:08:34
			It is, you know, personal stories, stories about
		
00:08:34 --> 00:08:36
			your own experiences in your own life told
		
00:08:36 --> 00:08:37
			as storytelling,
		
00:08:37 --> 00:08:40
			this is called memoir. Okay? So I just
		
00:08:40 --> 00:08:41
			wanna make sure that we're all on the
		
00:08:41 --> 00:08:43
			same page with that because I will be
		
00:08:43 --> 00:08:44
			using them interchangeably.
		
00:08:44 --> 00:08:45
			Alright?
		
00:08:46 --> 00:08:48
			And I do this because, you know, I
		
00:08:48 --> 00:08:50
			I know from having worked with other nonfiction
		
00:08:50 --> 00:08:51
			writers,
		
00:08:51 --> 00:08:52
			memoir
		
00:08:52 --> 00:08:55
			is a different type of art form. Okay?
		
00:08:55 --> 00:08:56
			It's not the same as writing a self
		
00:08:56 --> 00:08:58
			help book or a textbook.
		
00:08:58 --> 00:09:00
			You're gonna see what I mean. Anyway, so
		
00:09:00 --> 00:09:02
			let's get on with these shifts, shall we?
		
00:09:02 --> 00:09:05
			1st shift, shift number 1, and I want
		
00:09:05 --> 00:09:07
			you all to remember this, is that
		
00:09:08 --> 00:09:10
			no one has to give you
		
00:09:10 --> 00:09:11
			permission
		
00:09:12 --> 00:09:13
			to tell your story.
		
00:09:14 --> 00:09:16
			I'm gonna say that again.
		
00:09:16 --> 00:09:18
			No one has to give you permission
		
00:09:19 --> 00:09:20
			to tell your story.
		
00:09:22 --> 00:09:24
			I mentioned to all of you that there
		
00:09:24 --> 00:09:27
			was a secret ingredient. Right? A secret ingredient
		
00:09:27 --> 00:09:30
			that you have that no other writer has.
		
00:09:30 --> 00:09:33
			And that secret ingredient is simply this,
		
00:09:34 --> 00:09:37
			you are the only version of you
		
00:09:37 --> 00:09:39
			in the entire world.
		
00:09:40 --> 00:09:43
			Throughout history, throughout time,
		
00:09:43 --> 00:09:44
			there has never
		
00:09:45 --> 00:09:48
			been anyone else like you.
		
00:09:49 --> 00:09:50
			I'm gonna let you
		
00:09:50 --> 00:09:52
			let that sink in
		
00:09:53 --> 00:09:55
			because you were created unique,
		
00:09:55 --> 00:09:57
			and your life story
		
00:09:57 --> 00:09:59
			is similarly unique.
		
00:09:59 --> 00:10:00
			Even if it shares
		
00:10:01 --> 00:10:03
			characteristics with, you know, other women out there,
		
00:10:03 --> 00:10:06
			other men, other people out there, it still
		
00:10:06 --> 00:10:09
			is your unique story.
		
00:10:09 --> 00:10:11
			And when you remember
		
00:10:12 --> 00:10:13
			and when you retell
		
00:10:14 --> 00:10:15
			your life story,
		
00:10:16 --> 00:10:18
			you are bringing something unique
		
00:10:18 --> 00:10:19
			to the table.
		
00:10:20 --> 00:10:23
			There is nobody else out there that can
		
00:10:23 --> 00:10:26
			tell the same story as you,
		
00:10:26 --> 00:10:28
			even if the topic is the same,
		
00:10:29 --> 00:10:31
			even if the theme is the same, even
		
00:10:31 --> 00:10:34
			if they are recounting a similar journey,
		
00:10:34 --> 00:10:37
			they will never tell the same story as
		
00:10:37 --> 00:10:39
			you. I'll give you an example. Anybody here
		
00:10:39 --> 00:10:42
			who's been for Hajj in a group, right,
		
00:10:43 --> 00:10:45
			I would like you to think imagine to
		
00:10:45 --> 00:10:48
			yourself if a group of people who went
		
00:10:48 --> 00:10:49
			for Hajj together,
		
00:10:49 --> 00:10:53
			who all stayed in the same apartment block,
		
00:10:53 --> 00:10:55
			who stayed in the same tent in, Minna.
		
00:10:55 --> 00:10:58
			Okay? Who did exactly the same rights. Okay?
		
00:10:58 --> 00:11:00
			They went. They did Toaaf. They went to
		
00:11:00 --> 00:11:02
			Arafat. They did all of the things. Right?
		
00:11:02 --> 00:11:05
			They did exactly the same things. They went
		
00:11:05 --> 00:11:07
			for the same experience for the same reason.
		
00:11:08 --> 00:11:10
			Okay? And then they all come back
		
00:11:11 --> 00:11:12
			if we were to ask them
		
00:11:13 --> 00:11:14
			to write a memoir
		
00:11:15 --> 00:11:16
			of their Hajj trip,
		
00:11:17 --> 00:11:19
			do you think that any of those accounts
		
00:11:19 --> 00:11:21
			would be identical?
		
00:11:22 --> 00:11:23
			What do you say in the chat? What
		
00:11:23 --> 00:11:24
			do you guys think?
		
00:11:26 --> 00:11:27
			Says no.
		
00:11:30 --> 00:11:31
			Right?
		
00:11:31 --> 00:11:32
			They wouldn't be
		
00:11:32 --> 00:11:35
			because even though you were all there for
		
00:11:35 --> 00:11:35
			the same reason.
		
00:11:36 --> 00:11:39
			Right, you all went for the same reason,
		
00:11:39 --> 00:11:41
			you did the same things,
		
00:11:41 --> 00:11:44
			okay, you were actually together in the same
		
00:11:44 --> 00:11:44
			space,
		
00:11:45 --> 00:11:46
			but
		
00:11:46 --> 00:11:47
			your experience
		
00:11:48 --> 00:11:50
			of that will not be the same. Your
		
00:11:50 --> 00:11:53
			perception of that experience will not be the
		
00:11:53 --> 00:11:55
			same. The what the things you choose to
		
00:11:55 --> 00:11:57
			talk about, the things you choose to not
		
00:11:57 --> 00:12:00
			talk about, as Mariem said, it's an individual
		
00:12:00 --> 00:12:02
			experience. Right? So even though you could have
		
00:12:02 --> 00:12:04
			had 50 Hajjis who all did the same
		
00:12:04 --> 00:12:06
			thing, if you were to ask them to
		
00:12:06 --> 00:12:09
			write a short memoir about their Hajj,
		
00:12:09 --> 00:12:11
			every one of them will have something unique
		
00:12:11 --> 00:12:12
			to say.
		
00:12:12 --> 00:12:14
			A unique observation,
		
00:12:15 --> 00:12:17
			and a dialogue or a conversation that other
		
00:12:17 --> 00:12:18
			people didn't have.
		
00:12:18 --> 00:12:21
			Thoughts that came to their mind at that
		
00:12:21 --> 00:12:23
			time, duas that they made, yeah, that nobody
		
00:12:23 --> 00:12:27
			else made, things they noticed, things they liked,
		
00:12:27 --> 00:12:29
			things they didn't like, things that, you know,
		
00:12:29 --> 00:12:32
			made them feel a particular way. All of
		
00:12:32 --> 00:12:33
			that will be 100%
		
00:12:34 --> 00:12:35
			unique. So
		
00:12:36 --> 00:12:38
			I want every one of you to internalize
		
00:12:39 --> 00:12:42
			the fact that your unique creation means that
		
00:12:42 --> 00:12:43
			your memoir,
		
00:12:43 --> 00:12:45
			yours your version
		
00:12:45 --> 00:12:48
			of your life story is always going to
		
00:12:48 --> 00:12:52
			be unique. And the more honest you are
		
00:12:52 --> 00:12:55
			and the more authentic you are, the more
		
00:12:55 --> 00:12:56
			unique and special
		
00:12:57 --> 00:12:59
			your memoir is going to be, and the
		
00:12:59 --> 00:13:00
			more
		
00:13:00 --> 00:13:03
			it deserves its place at the table.
		
00:13:04 --> 00:13:05
			Okay? I hope that that makes sense to
		
00:13:05 --> 00:13:08
			everybody. Right? Because this is one of those
		
00:13:08 --> 00:13:09
			things where
		
00:13:10 --> 00:13:13
			you give yourself permission to tell the story.
		
00:13:13 --> 00:13:16
			Right? Tell these stories, you give yourself permission.
		
00:13:16 --> 00:13:18
			There isn't anybody out there as a gatekeeper
		
00:13:19 --> 00:13:20
			who needs to come to you and say,
		
00:13:20 --> 00:13:24
			Sadika, Anissa, Sayeda, here you go. We, you
		
00:13:24 --> 00:13:25
			know, tell your story. We, you know, we
		
00:13:25 --> 00:13:27
			we need to hear it, etcetera.
		
00:13:27 --> 00:13:29
			You are the only one
		
00:13:30 --> 00:13:31
			that can unlock
		
00:13:32 --> 00:13:33
			the unique experiences,
		
00:13:34 --> 00:13:34
			the perspective,
		
00:13:35 --> 00:13:36
			the that's the stories,
		
00:13:37 --> 00:13:39
			okay, that you have stored in here. You're
		
00:13:39 --> 00:13:42
			the only one who can unlock them, and
		
00:13:42 --> 00:13:43
			you are the only one who needs to
		
00:13:43 --> 00:13:46
			unlock them. So if any of you are
		
00:13:46 --> 00:13:48
			here and you've been waiting on something,
		
00:13:49 --> 00:13:50
			waiting on somebody
		
00:13:51 --> 00:13:52
			to tell you go ahead,
		
00:13:53 --> 00:13:55
			I would like you I invite you
		
00:13:56 --> 00:13:58
			to give yourselves permission now.
		
00:13:59 --> 00:14:00
			Give yourselves permission
		
00:14:01 --> 00:14:04
			to share this unique story, to write this
		
00:14:04 --> 00:14:06
			unique memoir that you came here to learn
		
00:14:06 --> 00:14:07
			about because
		
00:14:07 --> 00:14:09
			there is nobody out there who needs to
		
00:14:09 --> 00:14:12
			give you permission. It is your story to
		
00:14:12 --> 00:14:12
			tell.
		
00:14:13 --> 00:14:15
			Hope that makes sense with everybody. Alright?
		
00:14:17 --> 00:14:18
			Moving forward.
		
00:14:18 --> 00:14:20
			Shift number 2. Who remembers what shift number
		
00:14:20 --> 00:14:22
			1 is? Let me check and see who
		
00:14:22 --> 00:14:22
			was paying attention.
		
00:14:23 --> 00:14:25
			What was shift number 1?
		
00:14:32 --> 00:14:34
			Oh, I just said it just now. What's
		
00:14:34 --> 00:14:36
			shift number 1, guys? Type it in the
		
00:14:36 --> 00:14:38
			chat. No one has to give you permission.
		
00:14:38 --> 00:14:41
			Thank you very much, Sadika. Right. Shift number
		
00:14:41 --> 00:14:42
			2.
		
00:14:42 --> 00:14:43
			Your story
		
00:14:43 --> 00:14:46
			is bigger than you.
		
00:14:46 --> 00:14:49
			Yes. I said it. Your story is bigger
		
00:14:49 --> 00:14:51
			than you. What do I mean by that?
		
00:14:51 --> 00:14:52
			What I mean is
		
00:14:53 --> 00:14:54
			even
		
00:14:54 --> 00:14:55
			though
		
00:14:56 --> 00:14:57
			your story is unique to you,
		
00:14:58 --> 00:15:00
			and really only you can tell your story
		
00:15:00 --> 00:15:02
			in the unique way that you would tell
		
00:15:02 --> 00:15:02
			it,
		
00:15:03 --> 00:15:04
			still
		
00:15:05 --> 00:15:07
			that story of yours has significance
		
00:15:07 --> 00:15:12
			beyond your own experience. Okay? It is significant
		
00:15:12 --> 00:15:13
			to others
		
00:15:13 --> 00:15:16
			aside from you. So for example, if you
		
00:15:16 --> 00:15:18
			go back to that example of the Hajj,
		
00:15:18 --> 00:15:20
			the Hajj group. Okay?
		
00:15:20 --> 00:15:22
			Any one of those women or men could
		
00:15:22 --> 00:15:24
			have chosen to write a memoir about that
		
00:15:24 --> 00:15:26
			Hajj trip, and it would have been unique.
		
00:15:26 --> 00:15:28
			It would have been special. It would have
		
00:15:28 --> 00:15:30
			been their personal story. Right?
		
00:15:31 --> 00:15:32
			But do you not think
		
00:15:33 --> 00:15:36
			that all other 50 Hajj Hajjis would be
		
00:15:36 --> 00:15:37
			interested in that story?
		
00:15:38 --> 00:15:40
			Do you not think that they would resonate
		
00:15:40 --> 00:15:41
			with that story? Do you not think that
		
00:15:41 --> 00:15:44
			it would have significance for them, let alone
		
00:15:44 --> 00:15:47
			the other, hun you know, tens of thousands
		
00:15:47 --> 00:15:49
			of Hajjis who went for Hajj,
		
00:15:49 --> 00:15:51
			then all the people who didn't go for
		
00:15:51 --> 00:15:52
			Hajj,
		
00:15:52 --> 00:15:54
			that person's story has significance
		
00:15:55 --> 00:15:56
			for them too.
		
00:15:56 --> 00:15:57
			Right?
		
00:15:58 --> 00:16:00
			So this is something that I'm gonna ask
		
00:16:00 --> 00:16:02
			you to write about now. Okay? Firstly, before
		
00:16:02 --> 00:16:04
			we move forward, I would like, in the
		
00:16:04 --> 00:16:05
			chat,
		
00:16:05 --> 00:16:08
			to get a little bit of a feel
		
00:16:08 --> 00:16:11
			for the type of stories we've got in
		
00:16:11 --> 00:16:13
			the room today. Okay? So I'm going to
		
00:16:13 --> 00:16:14
			ask you to put it in the chat
		
00:16:14 --> 00:16:17
			after we've gone through this. Right? But before
		
00:16:17 --> 00:16:19
			we we, you know, kinda get there,
		
00:16:20 --> 00:16:22
			this is the way that you can get
		
00:16:22 --> 00:16:24
			to understand that your story is not just
		
00:16:24 --> 00:16:26
			for you. Yeah. It's not just something that
		
00:16:26 --> 00:16:28
			is important to you or even interesting to
		
00:16:28 --> 00:16:30
			you. These are the questions you need to
		
00:16:30 --> 00:16:31
			ask yourselves. Okay?
		
00:16:32 --> 00:16:33
			Who is your story for?
		
00:16:35 --> 00:16:36
			Take a bit of time to write it
		
00:16:36 --> 00:16:39
			down. Who is your story for? Who is
		
00:16:39 --> 00:16:41
			the ideal reader of the story?
		
00:16:42 --> 00:16:44
			Who really needs to hear your story? What
		
00:16:45 --> 00:16:47
			kind of people? What kind of women?
		
00:16:47 --> 00:16:50
			What kind of experiences have they gone through
		
00:16:50 --> 00:16:51
			that they need to hear your story or
		
00:16:51 --> 00:16:54
			that they will benefit from your story?
		
00:16:54 --> 00:16:56
			When you've got something down on paper and
		
00:16:56 --> 00:16:58
			you wanna share it in the chat, please
		
00:16:58 --> 00:17:00
			feel free to put it in the chat.
		
00:17:00 --> 00:17:02
			If you have some kind of idea of
		
00:17:02 --> 00:17:03
			who a story is for. Because it's very
		
00:17:03 --> 00:17:04
			important.
		
00:17:05 --> 00:17:06
			It's very important because
		
00:17:07 --> 00:17:08
			what we don't want to do is to
		
00:17:08 --> 00:17:09
			write something
		
00:17:10 --> 00:17:10
			that
		
00:17:11 --> 00:17:12
			basically is.
		
00:17:13 --> 00:17:16
			Okay? It's it's something that is so mundane,
		
00:17:16 --> 00:17:18
			so banal, so ordinary
		
00:17:19 --> 00:17:21
			that it it doesn't resonate with anyone. You
		
00:17:21 --> 00:17:23
			know? It's not important to anyone.
		
00:17:24 --> 00:17:26
			Whether it's because we've only shared the boring
		
00:17:26 --> 00:17:28
			banal bits or maybe we've been hiding a
		
00:17:28 --> 00:17:30
			little bit, whatever it is, you do need
		
00:17:30 --> 00:17:32
			to think, who is this story for in
		
00:17:32 --> 00:17:34
			the big picture? So I've got,
		
00:17:35 --> 00:17:37
			if it says my story is for survivors,
		
00:17:37 --> 00:17:39
			for warrior healers.
		
00:17:39 --> 00:17:41
			Sudhika says it's for widows and single moms.
		
00:17:41 --> 00:17:45
			Issa says Muslim women struggling with hijab. Fatoum
		
00:17:45 --> 00:17:47
			says it's for mothers. Very good. I would
		
00:17:47 --> 00:17:48
			like everyone
		
00:17:49 --> 00:17:50
			to ask yourself,
		
00:17:51 --> 00:17:54
			who does my purse you know, who is
		
00:17:54 --> 00:17:55
			out there
		
00:17:55 --> 00:17:58
			that would resonate with my personal story?
		
00:17:58 --> 00:18:01
			Who is out there that will benefit from
		
00:18:01 --> 00:18:04
			my personal story? Who is out there that
		
00:18:04 --> 00:18:05
			would actually take inspiration
		
00:18:06 --> 00:18:10
			or solace or even knowledge from my personal
		
00:18:10 --> 00:18:12
			story, from my journey, from my experiences.
		
00:18:13 --> 00:18:15
			Anissa says it's for those insecure, who have
		
00:18:15 --> 00:18:19
			low self esteem. Great. Nabaha says for young
		
00:18:19 --> 00:18:21
			adults who are struggling to live according to
		
00:18:21 --> 00:18:22
			Islam.
		
00:18:22 --> 00:18:24
			Islamia says single sisters who've gone through,
		
00:18:25 --> 00:18:26
			issues with their personality,
		
00:18:27 --> 00:18:28
			Dean, mental health.
		
00:18:28 --> 00:18:31
			Madam says, any person who had childhood trauma
		
00:18:32 --> 00:18:33
			and went on to repeat the cycle of
		
00:18:33 --> 00:18:34
			domestic violence,
		
00:18:35 --> 00:18:38
			very targeted. I love it. Says women of
		
00:18:38 --> 00:18:40
			the subcontinent who are struggling with their identity
		
00:18:40 --> 00:18:43
			through the process of arranged marriage. Wow. Amazing.
		
00:18:44 --> 00:18:46
			Says young girls who've suffered abuse. Amazing.
		
00:18:47 --> 00:18:49
			Says adults who've suffered abuse as a child.
		
00:18:49 --> 00:18:51
			Us men, women who need guidance.
		
00:18:52 --> 00:18:54
			Oh, Lisa says I want to read all
		
00:18:54 --> 00:18:55
			of these. Yes, girl. I hear you, and
		
00:18:55 --> 00:18:56
			I agree.
		
00:18:57 --> 00:18:59
			Exactly. So who is your story for?
		
00:19:00 --> 00:19:02
			We need to answer this question. Okay? Now
		
00:19:03 --> 00:19:06
			this is where the intention comes in. Okay?
		
00:19:07 --> 00:19:09
			Many of you I know having spoken to
		
00:19:09 --> 00:19:11
			so many sisters over the years, so many
		
00:19:11 --> 00:19:13
			women over the years, when it comes to
		
00:19:13 --> 00:19:14
			sharing personal stories,
		
00:19:15 --> 00:19:15
			especially
		
00:19:16 --> 00:19:16
			stories
		
00:19:17 --> 00:19:20
			that have an element of,
		
00:19:20 --> 00:19:21
			shall we say,
		
00:19:22 --> 00:19:25
			pain to them. Okay? That part of the
		
00:19:25 --> 00:19:28
			story is pain. Part of the story is
		
00:19:28 --> 00:19:28
			challenges.
		
00:19:29 --> 00:19:31
			Part of the story is unpleasant
		
00:19:31 --> 00:19:31
			experiences.
		
00:19:33 --> 00:19:34
			Right? Many, many of you, I know,
		
00:19:35 --> 00:19:36
			worry that,
		
00:19:36 --> 00:19:39
			you know, am I doing something wrong?
		
00:19:40 --> 00:19:43
			Am I doing something wrong at sharing the
		
00:19:43 --> 00:19:43
			story?
		
00:19:44 --> 00:19:45
			Right? Am I
		
00:19:47 --> 00:19:50
			taking away someone's rights? Okay? Is this permissible
		
00:19:50 --> 00:19:53
			for me? Okay? What about the other people
		
00:19:53 --> 00:19:55
			who are being creative? You know, how will
		
00:19:55 --> 00:19:57
			they feel? You know, what is is this
		
00:19:57 --> 00:20:00
			something that I'm doing for ego, for example,
		
00:20:00 --> 00:20:02
			or because of pride? So we have these
		
00:20:02 --> 00:20:03
			types of questions that come up
		
00:20:05 --> 00:20:05
			for us. Right? Give me a, a yep
		
00:20:05 --> 00:20:07
			in the chat if you've ever asked yourself
		
00:20:07 --> 00:20:09
			these questions. Okay? If you've questioned,
		
00:20:09 --> 00:20:12
			well, okay. Yeah. I wanna tell the story,
		
00:20:12 --> 00:20:14
			but, like, is it a good idea? Is
		
00:20:14 --> 00:20:16
			it really a good thing? Okay?
		
00:20:17 --> 00:20:19
			And if that's you, which is a lot
		
00:20:19 --> 00:20:20
			of people saying yes, okay,
		
00:20:21 --> 00:20:24
			I want to invite you to focus on
		
00:20:24 --> 00:20:27
			the people who need to hear the story.
		
00:20:29 --> 00:20:29
			Okay?
		
00:20:30 --> 00:20:32
			Focusing on
		
00:20:32 --> 00:20:35
			how your story and you sharing your story
		
00:20:36 --> 00:20:37
			will benefit
		
00:20:37 --> 00:20:40
			the people who need to hear it, who
		
00:20:40 --> 00:20:41
			are currently
		
00:20:41 --> 00:20:41
			suffering,
		
00:20:42 --> 00:20:42
			who
		
00:20:43 --> 00:20:44
			are currently isolated,
		
00:20:45 --> 00:20:46
			who are currently lost
		
00:20:47 --> 00:20:49
			and feeling alone in the world, feeling like
		
00:20:49 --> 00:20:51
			they're the only ones going through what they're
		
00:20:51 --> 00:20:52
			going through,
		
00:20:53 --> 00:20:56
			thinking about how you telling your story will
		
00:20:56 --> 00:20:58
			impact those people
		
00:20:58 --> 00:21:01
			is a way for you to reshape your
		
00:21:01 --> 00:21:01
			intent
		
00:21:02 --> 00:21:05
			so that now you have a powerful intention,
		
00:21:06 --> 00:21:06
			a positive
		
00:21:07 --> 00:21:07
			intention
		
00:21:08 --> 00:21:09
			for sharing your story.
		
00:21:09 --> 00:21:11
			It's not an ego thing. It's not a
		
00:21:11 --> 00:21:14
			fame thing. It's not I feel like complaining
		
00:21:14 --> 00:21:16
			or putting my life out there thing. No.
		
00:21:16 --> 00:21:17
			This is a sincere
		
00:21:18 --> 00:21:20
			effort to be part of the change that
		
00:21:20 --> 00:21:22
			you want to see in the world,
		
00:21:22 --> 00:21:24
			to be part of the healing that you
		
00:21:24 --> 00:21:26
			want to see in your community, to be
		
00:21:26 --> 00:21:29
			part of somebody else's growth journey, to be
		
00:21:29 --> 00:21:32
			part of someone else's healing journey, to be
		
00:21:32 --> 00:21:36
			a positive influence in someone's life by virtue
		
00:21:36 --> 00:21:38
			of you having shared your story
		
00:21:39 --> 00:21:42
			and maybe given them some solace, given them
		
00:21:42 --> 00:21:44
			some comfort, giving them some hope, giving them
		
00:21:44 --> 00:21:46
			something to hold on to.
		
00:21:48 --> 00:21:49
			Give me a yes
		
00:21:49 --> 00:21:50
			in the chat
		
00:21:51 --> 00:21:53
			if that makes sense.
		
00:21:54 --> 00:21:55
			And if you think that
		
00:21:55 --> 00:21:56
			focusing on
		
00:21:57 --> 00:21:58
			the needs of the people who are gonna
		
00:21:58 --> 00:22:00
			hear the story and how it will benefit
		
00:22:00 --> 00:22:01
			them will
		
00:22:02 --> 00:22:04
			allow you to embrace a positive
		
00:22:05 --> 00:22:05
			and powerful
		
00:22:06 --> 00:22:08
			intention for you telling your story.
		
00:22:09 --> 00:22:12
			Love it. Everybody says yes. Cool. So now
		
00:22:12 --> 00:22:14
			that we've got that out of the way,
		
00:22:14 --> 00:22:17
			let's start talking about this big story. Now
		
00:22:17 --> 00:22:19
			remember what I said, everybody of you every
		
00:22:19 --> 00:22:21
			single one of you has a unique story.
		
00:22:21 --> 00:22:22
			Okay? However,
		
00:22:23 --> 00:22:25
			there will be some overarching
		
00:22:26 --> 00:22:26
			themes
		
00:22:27 --> 00:22:28
			that
		
00:22:29 --> 00:22:33
			will basically underpin your story. K? And I'd
		
00:22:33 --> 00:22:35
			like you to think about what those themes
		
00:22:35 --> 00:22:37
			might be. One of the things that I
		
00:22:37 --> 00:22:38
			find and I train this in in my
		
00:22:38 --> 00:22:39
			program
		
00:22:39 --> 00:22:40
			is that
		
00:22:41 --> 00:22:43
			sometimes when ladies come to me and they
		
00:22:43 --> 00:22:44
			want to write a memoir,
		
00:22:45 --> 00:22:46
			they are not sure
		
00:22:47 --> 00:22:49
			what the what the book is really supposed
		
00:22:49 --> 00:22:51
			to be about. Okay? Like, what is it
		
00:22:51 --> 00:22:52
			that people are supposed to get out of
		
00:22:52 --> 00:22:54
			this book? So I don't want you to
		
00:22:54 --> 00:22:56
			do that. I don't want you to get
		
00:22:56 --> 00:22:58
			into a program or start writing, and you
		
00:22:58 --> 00:23:01
			haven't really taken the time to sit back
		
00:23:02 --> 00:23:04
			and look at your story from the outside
		
00:23:04 --> 00:23:06
			and say, well, what's the theme here?
		
00:23:07 --> 00:23:10
			Like, what's the story about? Yeah. Okay. I
		
00:23:10 --> 00:23:11
			know it's about a girl who was born
		
00:23:11 --> 00:23:13
			in x y zed, and she did this
		
00:23:13 --> 00:23:14
			and she did that and she did that.
		
00:23:14 --> 00:23:16
			Fair enough. That's like your plot if you
		
00:23:16 --> 00:23:18
			like. But what's the theme?
		
00:23:18 --> 00:23:20
			Is it the a theme of rags to
		
00:23:20 --> 00:23:21
			riches?
		
00:23:21 --> 00:23:23
			Is it a theme of coming of age?
		
00:23:24 --> 00:23:26
			Is it a theme of healing or forgiveness
		
00:23:27 --> 00:23:29
			or finding yourself?
		
00:23:30 --> 00:23:33
			Right? These are the themes that I'm talking
		
00:23:33 --> 00:23:34
			about. And if that makes sense, guys,
		
00:23:35 --> 00:23:37
			let me know in the chat, and also
		
00:23:38 --> 00:23:39
			maybe
		
00:23:39 --> 00:23:42
			ask yourself, what's the theme of my story?
		
00:23:42 --> 00:23:45
			Is what a great one. Healing, forgiveness, and
		
00:23:45 --> 00:23:48
			finding yourself. This is great. We love it.
		
00:23:49 --> 00:23:52
			I want you all to to tap in
		
00:23:53 --> 00:23:54
			to the theme of your story
		
00:23:55 --> 00:23:55
			because
		
00:23:56 --> 00:23:58
			that is what's going to allow your book
		
00:23:58 --> 00:24:00
			to not just be about your own unique
		
00:24:00 --> 00:24:01
			story, but actually
		
00:24:02 --> 00:24:02
			resonate
		
00:24:03 --> 00:24:06
			on a more universal level with other people.
		
00:24:06 --> 00:24:09
			Remember I promised you? Yeah? I promised you
		
00:24:09 --> 00:24:10
			that I would tell you
		
00:24:10 --> 00:24:12
			how to write a book that people wanna
		
00:24:12 --> 00:24:13
			read. Right?
		
00:24:14 --> 00:24:16
			I said this. So this is this is
		
00:24:16 --> 00:24:17
			how we do it. K?
		
00:24:18 --> 00:24:19
			Say this is finding yourself.
		
00:24:20 --> 00:24:22
			Sadik, it says motivation to keep afloat in
		
00:24:22 --> 00:24:25
			the midst of trials. Yes. Bhaktuna says overcoming
		
00:24:25 --> 00:24:26
			pain and loss.
		
00:24:26 --> 00:24:28
			This is what I'm talking about, guys. Yes.
		
00:24:28 --> 00:24:31
			Yes. Yes. I love it. Okay. So, again,
		
00:24:31 --> 00:24:34
			we're asking ourselves, what's the journey?
		
00:24:34 --> 00:24:36
			Because that's another thing that you need to
		
00:24:36 --> 00:24:39
			know about memoirs. Memoirs are similar to novels
		
00:24:39 --> 00:24:41
			in the sense that you
		
00:24:41 --> 00:24:44
			are the protagonist. You're the main character,
		
00:24:44 --> 00:24:47
			and your memoir is the story of your
		
00:24:47 --> 00:24:47
			journey.
		
00:24:48 --> 00:24:48
			Right?
		
00:24:49 --> 00:24:51
			Where did you start out?
		
00:24:52 --> 00:24:53
			When did things change?
		
00:24:53 --> 00:24:56
			And then what happened? And then what happened?
		
00:24:56 --> 00:24:58
			And how did things start to get more
		
00:24:58 --> 00:25:00
			challenging, or how did they start to get
		
00:25:00 --> 00:25:03
			better and then worse again? How did the
		
00:25:03 --> 00:25:05
			elements of your story unfold?
		
00:25:06 --> 00:25:08
			What was the big moment, the
		
00:25:09 --> 00:25:12
			moment, the victory point? What was the big
		
00:25:12 --> 00:25:13
			moment of actualization
		
00:25:14 --> 00:25:14
			in your journey?
		
00:25:15 --> 00:25:17
			And then what did it mean afterwards?
		
00:25:18 --> 00:25:20
			If you've done any fiction work, if you've
		
00:25:20 --> 00:25:22
			read any novels, if you've watched any films,
		
00:25:22 --> 00:25:24
			you will know that this is the archetypal
		
00:25:25 --> 00:25:27
			hero's arc. That's the hero's story.
		
00:25:27 --> 00:25:29
			That's your memoir.
		
00:25:29 --> 00:25:31
			Guys, I'm giving you all my trip my
		
00:25:31 --> 00:25:33
			my my to my tips and tricks for
		
00:25:33 --> 00:25:34
			free here. Right?
		
00:25:34 --> 00:25:37
			Give me a yep in the chat if
		
00:25:37 --> 00:25:38
			this is making sense.
		
00:25:40 --> 00:25:42
			You're the main character.
		
00:25:42 --> 00:25:44
			We wanna know who you are.
		
00:25:46 --> 00:25:48
			When did things change for you? How did
		
00:25:48 --> 00:25:50
			you go start to go on this journey
		
00:25:50 --> 00:25:52
			that you're talking about in this memoir?
		
00:25:52 --> 00:25:55
			What happened along the way? What challenges did
		
00:25:55 --> 00:25:57
			you face? Who did you meet? The significant
		
00:25:57 --> 00:26:01
			conversations, the significant events that shaped you. What
		
00:26:01 --> 00:26:03
			did you learn from this? What did you
		
00:26:03 --> 00:26:05
			have to find within yourself to face that?
		
00:26:06 --> 00:26:09
			Okay? And what was it leading up to?
		
00:26:09 --> 00:26:11
			What was the high
		
00:26:11 --> 00:26:13
			energy point in the story?
		
00:26:14 --> 00:26:16
			What is the moment you look back and
		
00:26:16 --> 00:26:16
			you're like,
		
00:26:17 --> 00:26:18
			that was
		
00:26:18 --> 00:26:19
			when it all made sense,
		
00:26:20 --> 00:26:22
			or that was my finest hour,
		
00:26:23 --> 00:26:25
			or everything that happened before
		
00:26:26 --> 00:26:30
			culminated in that moment. That's your climax, ladies.
		
00:26:30 --> 00:26:31
			Right? And then,
		
00:26:32 --> 00:26:33
			well, how did life change afterwards?
		
00:26:34 --> 00:26:34
			Right?
		
00:26:36 --> 00:26:38
			So, yes, Nabahes says I need to rewatch
		
00:26:38 --> 00:26:39
			this. This is gold. This is a master
		
00:26:39 --> 00:26:41
			class, my friends. Okay?
		
00:26:41 --> 00:26:44
			That's what we do. Okay? So
		
00:26:44 --> 00:26:46
			I want to give you some examples of
		
00:26:46 --> 00:26:49
			some journeys of my clients. Okay? People I've
		
00:26:49 --> 00:26:51
			been working to write to help them write
		
00:26:51 --> 00:26:53
			their memoirs. So miss Nina, some of you
		
00:26:53 --> 00:26:54
			may be familiar with her, some of you
		
00:26:54 --> 00:26:57
			may not, but she was basically a huge
		
00:26:57 --> 00:27:00
			hip hop star in Malaysia. Okay? In in
		
00:27:00 --> 00:27:02
			in East Asia, she was she was huge.
		
00:27:02 --> 00:27:05
			Right? And she had an epiphany. She went
		
00:27:05 --> 00:27:07
			for Hajj. She had an epiphany. She started
		
00:27:07 --> 00:27:09
			wearing hijab. And so her memoir
		
00:27:10 --> 00:27:13
			is the journey that she it starts with
		
00:27:14 --> 00:27:16
			who she was as a young girl and
		
00:27:16 --> 00:27:17
			how she fell in love with hip hop.
		
00:27:18 --> 00:27:20
			Right? And then she follows that journey because
		
00:27:20 --> 00:27:22
			the hip hop really was what took her
		
00:27:22 --> 00:27:25
			along that trajectory where she started to become
		
00:27:25 --> 00:27:27
			more involved in hip hop. She started making
		
00:27:27 --> 00:27:30
			music. She started performing, and she got to
		
00:27:30 --> 00:27:31
			a high point in her career.
		
00:27:32 --> 00:27:35
			But other stuff was happening along the way.
		
00:27:35 --> 00:27:36
			All sorts of things. You have to read
		
00:27:36 --> 00:27:38
			the book to see. But all sorts of
		
00:27:38 --> 00:27:40
			other things were happening while she's rising star
		
00:27:40 --> 00:27:42
			in the hip hop world.
		
00:27:42 --> 00:27:44
			And eventually, she decides that she needs to
		
00:27:44 --> 00:27:46
			do a cleanse, and she goes for Hajj.
		
00:27:47 --> 00:27:49
			And there she has her epiphany, and she
		
00:27:49 --> 00:27:51
			decides to change her life completely. She gives
		
00:27:51 --> 00:27:53
			up hip hop and she now starts to
		
00:27:53 --> 00:27:55
			practice, and she carves out a new
		
00:27:56 --> 00:27:58
			life and identity for herself.
		
00:27:58 --> 00:28:01
			That was her journey. That's the journey of
		
00:28:01 --> 00:28:03
			her memoir. Okay? Hope that makes sense to
		
00:28:03 --> 00:28:04
			everyone.
		
00:28:04 --> 00:28:06
			Some of you may be familiar with one
		
00:28:06 --> 00:28:07
			of my top clients, Tamkeen,
		
00:28:08 --> 00:28:11
			who is an award winning author. But when
		
00:28:11 --> 00:28:13
			I met her, she was
		
00:28:13 --> 00:28:15
			not an author at all. She had just
		
00:28:15 --> 00:28:16
			started writing,
		
00:28:16 --> 00:28:18
			articles for a local newspaper.
		
00:28:19 --> 00:28:20
			Through time,
		
00:28:21 --> 00:28:23
			through practice, and with her own journey of
		
00:28:23 --> 00:28:26
			growth, she began to write. She published a
		
00:28:26 --> 00:28:27
			book. The book is an award winning book.
		
00:28:28 --> 00:28:30
			And then she came to me to write
		
00:28:30 --> 00:28:33
			her memoir. And the story she tells in
		
00:28:33 --> 00:28:33
			the memoir
		
00:28:34 --> 00:28:35
			is not about the writing.
		
00:28:35 --> 00:28:37
			It's not about the the books. It's not
		
00:28:37 --> 00:28:38
			about the articles.
		
00:28:38 --> 00:28:40
			It's her journey
		
00:28:40 --> 00:28:41
			from
		
00:28:41 --> 00:28:43
			a a troubled childhood experience
		
00:28:44 --> 00:28:45
			through depression
		
00:28:46 --> 00:28:48
			into having her dreams fulfilled,
		
00:28:48 --> 00:28:49
			into her healing journey.
		
00:28:50 --> 00:28:53
			That's the journey that she went on. Okay?
		
00:28:53 --> 00:28:55
			So this is I'm trying to kind of
		
00:28:55 --> 00:28:56
			frame this so you guys can understand what
		
00:28:56 --> 00:28:58
			I mean. It's quite a
		
00:28:58 --> 00:29:00
			simple concept, but I want you to be
		
00:29:00 --> 00:29:02
			thinking about it in terms of your own
		
00:29:02 --> 00:29:05
			story. What is my gen? Okay? If I
		
00:29:05 --> 00:29:07
			was to say from this to that, what
		
00:29:07 --> 00:29:09
			would it be? Aisha Adams, again, someone you
		
00:29:09 --> 00:29:11
			know or may be familiar with, one of
		
00:29:11 --> 00:29:12
			my best clients,
		
00:29:12 --> 00:29:14
			She came to me and she wrote a
		
00:29:14 --> 00:29:17
			book. Together, we wrote a book where she
		
00:29:17 --> 00:29:19
			charted her journey from divorce,
		
00:29:19 --> 00:29:22
			miscarriage, and the brink of death, really, to
		
00:29:22 --> 00:29:25
			healing and hope, alright, and rising irrespective.
		
00:29:26 --> 00:29:28
			So this is the type of journeys that
		
00:29:28 --> 00:29:30
			we're talking about, guys. Let me know in
		
00:29:30 --> 00:29:32
			the chat if that makes sense to you.
		
00:29:32 --> 00:29:32
			Okay?
		
00:29:34 --> 00:29:35
			Lots of people saying,
		
00:29:36 --> 00:29:38
			love, Tamkeen. Oh, Aisha Adams. Her journey is
		
00:29:39 --> 00:29:40
			really emotional. Absolutely.
		
00:29:41 --> 00:29:43
			Bahia says, what about if you haven't reached
		
00:29:43 --> 00:29:45
			your finest hour yet? You can't add it
		
00:29:45 --> 00:29:46
			to the story. That's true.
		
00:29:47 --> 00:29:49
			You will have to find the finest hour
		
00:29:49 --> 00:29:50
			in the story.
		
00:29:51 --> 00:29:52
			None of us will know until the end
		
00:29:52 --> 00:29:54
			of our lives when our
		
00:29:54 --> 00:29:57
			finest hour is. So don't worry about that
		
00:29:57 --> 00:29:59
			too much because remember, it's not a biography.
		
00:30:00 --> 00:30:02
			It's a memoir. So and I will show
		
00:30:02 --> 00:30:03
			you exactly what I mean by that when
		
00:30:03 --> 00:30:05
			I say that you don't have to talk
		
00:30:05 --> 00:30:07
			about every aspect of your life in your
		
00:30:07 --> 00:30:10
			memoir. So even if you haven't reached the
		
00:30:10 --> 00:30:12
			peak of your career, for example,
		
00:30:12 --> 00:30:14
			even, you know, if the novel is sorry.
		
00:30:14 --> 00:30:17
			If your memoir is not about your journey
		
00:30:17 --> 00:30:19
			with your career, then it doesn't matter that
		
00:30:19 --> 00:30:20
			you haven't reached the peak of your career.
		
00:30:20 --> 00:30:22
			It could be that your journey, for example,
		
00:30:22 --> 00:30:25
			is about weight loss. And you may have
		
00:30:25 --> 00:30:27
			reached the pinnacle with regards to your health
		
00:30:27 --> 00:30:28
			or your weight or whatever it is, and
		
00:30:28 --> 00:30:30
			maybe that's the pinnacle of the story because
		
00:30:30 --> 00:30:32
			that's what the memoir is about. The fact
		
00:30:32 --> 00:30:34
			that you're running a business or that you
		
00:30:34 --> 00:30:35
			have 4 children, you're homeschooling
		
00:30:36 --> 00:30:38
			might have nothing to do with the memoir.
		
00:30:38 --> 00:30:39
			And you may not even mention it, but
		
00:30:39 --> 00:30:40
			I'm gonna talk to you about all of
		
00:30:40 --> 00:30:42
			that. So don't worry. We'll come into that.
		
00:30:43 --> 00:30:44
			Cool. Cool.
		
00:30:45 --> 00:30:47
			Everyone is saying it makes sense. I love
		
00:30:47 --> 00:30:49
			that. Fantastic. So let's keep going. Now this
		
00:30:49 --> 00:30:52
			is the one of my favorite things. This,
		
00:30:52 --> 00:30:55
			I I started coaching my memoir clients
		
00:30:55 --> 00:30:57
			with this particular
		
00:30:57 --> 00:31:00
			frame because it's so, so helpful. Okay?
		
00:31:01 --> 00:31:04
			What you are doing when you're writing a
		
00:31:04 --> 00:31:04
			memoir
		
00:31:05 --> 00:31:06
			is you are basically
		
00:31:07 --> 00:31:08
			putting together
		
00:31:08 --> 00:31:11
			a film about your life. Okay?
		
00:31:11 --> 00:31:14
			So it's really important when you are going
		
00:31:14 --> 00:31:17
			into the memoir process to adopt the right
		
00:31:17 --> 00:31:18
			lens.
		
00:31:19 --> 00:31:20
			Like I said,
		
00:31:20 --> 00:31:21
			a memoir
		
00:31:21 --> 00:31:24
			is not a biography. It's not an autobiography.
		
00:31:24 --> 00:31:25
			It's not your whole life story.
		
00:31:26 --> 00:31:27
			It's stories
		
00:31:27 --> 00:31:28
			from your life.
		
00:31:29 --> 00:31:31
			So once you are clear on who this
		
00:31:31 --> 00:31:32
			memoir is for,
		
00:31:33 --> 00:31:35
			what the theme of the memoir is, and
		
00:31:35 --> 00:31:36
			what the journey is,
		
00:31:36 --> 00:31:38
			now you're able to
		
00:31:39 --> 00:31:42
			really kind of focus that lens really well
		
00:31:42 --> 00:31:43
			because now you know
		
00:31:44 --> 00:31:47
			the story that you're actually looking for.
		
00:31:48 --> 00:31:51
			That's your lens. So say, for example,
		
00:31:51 --> 00:31:53
			we're talking about the let's go back to
		
00:31:53 --> 00:31:54
			the Hajjis. Okay?
		
00:31:55 --> 00:31:56
			If I decide
		
00:31:57 --> 00:31:57
			that
		
00:31:58 --> 00:31:58
			my
		
00:31:59 --> 00:32:01
			lens okay. But okay. If I decide that
		
00:32:01 --> 00:32:04
			my my audience, my ideal reader is Hajjis
		
00:32:04 --> 00:32:06
			in general, but specifically
		
00:32:06 --> 00:32:07
			for new
		
00:32:08 --> 00:32:10
			for, like, first time Hajjis, they're the ones
		
00:32:10 --> 00:32:11
			I'm really writing to. Okay?
		
00:32:12 --> 00:32:14
			And the theme of my story is patience.
		
00:32:15 --> 00:32:15
			Okay?
		
00:32:16 --> 00:32:17
			Maybe it's new Muslims who are going for
		
00:32:17 --> 00:32:19
			Hajj or it's someone going for Hajj for
		
00:32:19 --> 00:32:22
			the first time. Right? And the theme of
		
00:32:22 --> 00:32:22
			my
		
00:32:23 --> 00:32:23
			journey
		
00:32:24 --> 00:32:27
			really was learning patience. Okay? Learning sabab. Alright?
		
00:32:28 --> 00:32:29
			And the journey that I was on, for
		
00:32:29 --> 00:32:33
			example, was that I had huge ambitions and
		
00:32:33 --> 00:32:35
			dreams going into Hajj, and I expected it
		
00:32:35 --> 00:32:37
			to be this utopian experience.
		
00:32:38 --> 00:32:39
			And I thought I was gonna feel like
		
00:32:39 --> 00:32:41
			I was in a spiritual high the whole
		
00:32:41 --> 00:32:43
			time and had all these unrealistic ideas
		
00:32:44 --> 00:32:47
			until I got to the airport.
		
00:32:47 --> 00:32:49
			And there the story begins. Can you see
		
00:32:49 --> 00:32:51
			what I just did there?
		
00:32:51 --> 00:32:53
			I let you know who I was at
		
00:32:53 --> 00:32:56
			the beginning, you know, very, very idealistic and
		
00:32:56 --> 00:32:58
			hopeful, maybe a new Muslim going on my
		
00:32:58 --> 00:33:00
			first Hajj or whatever of all these ideas
		
00:33:00 --> 00:33:02
			and dreams and everything, and I'm building it
		
00:33:02 --> 00:33:05
			up until I get to the airport.
		
00:33:05 --> 00:33:07
			And at the airport, I realize
		
00:33:08 --> 00:33:10
			this is not going to be a dream.
		
00:33:10 --> 00:33:13
			Right? And my lens that I adopt,
		
00:33:15 --> 00:33:17
			so that because I've decided that it's going
		
00:33:17 --> 00:33:19
			to be about how I learned the lesson
		
00:33:19 --> 00:33:21
			of patience through my punch. Right? That's that's
		
00:33:21 --> 00:33:23
			my lens, what I've decided I'm gonna focus
		
00:33:23 --> 00:33:24
			on. So therefore,
		
00:33:25 --> 00:33:27
			I'm gonna focus in
		
00:33:27 --> 00:33:28
			on the stories
		
00:33:29 --> 00:33:29
			that
		
00:33:30 --> 00:33:31
			help me to illustrate
		
00:33:32 --> 00:33:34
			the theme, that help me to illustrate the
		
00:33:34 --> 00:33:35
			journey.
		
00:33:35 --> 00:33:38
			So the examples that I'm going to share,
		
00:33:38 --> 00:33:40
			the stories I'm going to tell, the dialogue
		
00:33:40 --> 00:33:42
			that I'm going to actually report to the
		
00:33:42 --> 00:33:45
			reader is all going to be about this
		
00:33:45 --> 00:33:46
			journey of learning patience.
		
00:33:48 --> 00:33:50
			If other things happened along the way,
		
00:33:51 --> 00:33:53
			I probably may I may not mention them.
		
00:33:53 --> 00:33:54
			Right?
		
00:33:54 --> 00:33:56
			I may not mention them if they are
		
00:33:56 --> 00:33:58
			not related to the theme of my memoir.
		
00:33:58 --> 00:33:59
			Guys, just give me a chat if that
		
00:33:59 --> 00:34:02
			makes sense. Okay? Because what happens a lot
		
00:34:02 --> 00:34:03
			is sometimes
		
00:34:03 --> 00:34:05
			we start to babble.
		
00:34:06 --> 00:34:08
			Right? We start to tell stories, and then
		
00:34:08 --> 00:34:09
			we start babbling.
		
00:34:09 --> 00:34:12
			So for example, in my Hajj story,
		
00:34:13 --> 00:34:15
			I could go off on a tangent about,
		
00:34:16 --> 00:34:18
			the way that Saudi Arabia has changed, okay,
		
00:34:18 --> 00:34:21
			physically. Alright? And how, you know you know,
		
00:34:21 --> 00:34:23
			it's it's, like, really, really glamorous and really,
		
00:34:23 --> 00:34:25
			really built up. And, you know, I miss
		
00:34:26 --> 00:34:27
			you know, I wish it could have been
		
00:34:27 --> 00:34:28
			like it was during the time of the
		
00:34:28 --> 00:34:30
			prophet and I could I could do that.
		
00:34:30 --> 00:34:31
			I could start babbling about all sorts of
		
00:34:31 --> 00:34:33
			things. I could relay
		
00:34:34 --> 00:34:36
			every single conversation that I had with every
		
00:34:36 --> 00:34:39
			person that I met on Hajj. Okay? I
		
00:34:39 --> 00:34:40
			could itemize
		
00:34:40 --> 00:34:43
			everything that I had for dinner every single
		
00:34:43 --> 00:34:45
			day of the Hajj. But let me ask
		
00:34:45 --> 00:34:45
			you this,
		
00:34:46 --> 00:34:48
			would I include that in the film?
		
00:34:50 --> 00:34:51
			If I was writing if I was shooting
		
00:34:51 --> 00:34:52
			a film,
		
00:34:52 --> 00:34:55
			would all of those things get a scene?
		
00:34:56 --> 00:34:58
			Would all of those those
		
00:34:58 --> 00:34:58
			experiences,
		
00:34:59 --> 00:35:02
			those conversations, etcetera, would they get screen time?
		
00:35:03 --> 00:35:05
			That's the question you need to ask yourself.
		
00:35:05 --> 00:35:07
			Right. Everyone's saying no.
		
00:35:10 --> 00:35:11
			Right.
		
00:35:13 --> 00:35:15
			Exactly. Dorjeet has hit the nail on the
		
00:35:15 --> 00:35:16
			head.
		
00:35:16 --> 00:35:19
			Not all, but only the most significant ones.
		
00:35:20 --> 00:35:21
			So for you, my sister,
		
00:35:22 --> 00:35:24
			the shift I would like you to make
		
00:35:24 --> 00:35:24
			is
		
00:35:25 --> 00:35:27
			inviting you to become the director of your
		
00:35:27 --> 00:35:29
			own film. That's how I tell my clients
		
00:35:29 --> 00:35:32
			to decide which stories they're going to tell.
		
00:35:32 --> 00:35:33
			If you are going to make a film,
		
00:35:34 --> 00:35:37
			what would be the significant scenes? What would
		
00:35:37 --> 00:35:38
			be the significant conversations?
		
00:35:38 --> 00:35:40
			Even in terms of your characters, who are
		
00:35:40 --> 00:35:42
			the significant characters?
		
00:35:42 --> 00:35:44
			I don't need to hear about every member
		
00:35:44 --> 00:35:46
			of your extended family. I don't need to
		
00:35:46 --> 00:35:48
			hear about them unless they are involved
		
00:35:48 --> 00:35:49
			in
		
00:35:50 --> 00:35:51
			the journey that you are on,
		
00:35:52 --> 00:35:54
			unless they are contributing to the story moving
		
00:35:54 --> 00:35:57
			forward, unless they are helping to deepen and
		
00:35:57 --> 00:35:58
			explain the theme,
		
00:35:59 --> 00:36:00
			they don't need to be there.
		
00:36:01 --> 00:36:02
			Okay? So this is a bit of this
		
00:36:02 --> 00:36:04
			is where I I tell my clients to
		
00:36:04 --> 00:36:06
			kind of use fiction tools when they're writing
		
00:36:06 --> 00:36:09
			their memoirs because it helps the memoir to
		
00:36:09 --> 00:36:11
			be something that is
		
00:36:11 --> 00:36:13
			powerful and kind
		
00:36:13 --> 00:36:14
			of action packed.
		
00:36:15 --> 00:36:18
			K? It's not full of fluff. It's not
		
00:36:18 --> 00:36:20
			full of kind of babbling about things that
		
00:36:20 --> 00:36:21
			are maybe
		
00:36:22 --> 00:36:24
			kind of interesting, but have nothing to do
		
00:36:24 --> 00:36:27
			with what you're actually trying to say. Right?
		
00:36:27 --> 00:36:29
			So I hope that that makes sense. Give
		
00:36:29 --> 00:36:30
			me a yes in the chat if that
		
00:36:30 --> 00:36:32
			makes sense. Maybe I'm going too fast. Am
		
00:36:32 --> 00:36:33
			I going too fast?
		
00:36:34 --> 00:36:36
			Well, I have to carry on going because
		
00:36:36 --> 00:36:37
			it's already quarter 2.
		
00:36:37 --> 00:36:39
			Alright. So does that make sense, everyone?
		
00:36:40 --> 00:36:42
			We are going to behave
		
00:36:42 --> 00:36:43
			like
		
00:36:43 --> 00:36:45
			the directors of our film. And we are
		
00:36:45 --> 00:36:46
			gonna decide
		
00:36:46 --> 00:36:47
			which scenes,
		
00:36:47 --> 00:36:50
			which which which events, which conversations,
		
00:36:50 --> 00:36:53
			which characters are going to get a scene.
		
00:36:53 --> 00:36:55
			Yeah. You wouldn't give a scene just to
		
00:36:55 --> 00:36:57
			something that's random that happens that has nothing
		
00:36:57 --> 00:36:59
			to do with the story, nothing to do
		
00:36:59 --> 00:37:00
			with the journey, nothing to do with the
		
00:37:00 --> 00:37:02
			theme. We're not gonna write about it because
		
00:37:02 --> 00:37:04
			we wouldn't film it, and we wouldn't put
		
00:37:04 --> 00:37:05
			it. And even if we did film it,
		
00:37:05 --> 00:37:07
			it would end up on the editing room
		
00:37:07 --> 00:37:09
			floor. Okay? It wouldn't make it into the
		
00:37:09 --> 00:37:11
			final cut, so never mind.
		
00:37:11 --> 00:37:13
			That's the shift, the 4th shift. I think
		
00:37:13 --> 00:37:14
			it's the 4th shift that we're on now.
		
00:37:15 --> 00:37:17
			No. That was the 3rd shift. 4th shift
		
00:37:17 --> 00:37:20
			is, again, what I was saying,
		
00:37:20 --> 00:37:22
			practice selective storytelling. Okay?
		
00:37:23 --> 00:37:24
			Because let me tell you something.
		
00:37:25 --> 00:37:26
			I said to you, I was gonna talk
		
00:37:26 --> 00:37:28
			to you about the number one mistake that
		
00:37:28 --> 00:37:31
			can jeopardize your efforts, your writing efforts, and
		
00:37:31 --> 00:37:32
			that is
		
00:37:32 --> 00:37:34
			writing without a plan.
		
00:37:35 --> 00:37:36
			Writing
		
00:37:36 --> 00:37:37
			without
		
00:37:37 --> 00:37:39
			already having thought
		
00:37:40 --> 00:37:42
			through all the questions that we've just covered.
		
00:37:42 --> 00:37:43
			Who's the audience?
		
00:37:44 --> 00:37:45
			What's the theme?
		
00:37:45 --> 00:37:47
			What is this journey that we're going to
		
00:37:47 --> 00:37:49
			talk about in this book? And then now
		
00:37:49 --> 00:37:52
			that we know these things, which stories
		
00:37:52 --> 00:37:54
			are we going to tell?
		
00:37:54 --> 00:37:56
			Right? I have many ladies who come to
		
00:37:56 --> 00:37:58
			me and have written maybe 10,000,
		
00:37:59 --> 00:38:00
			20000 words
		
00:38:02 --> 00:38:03
			completely off topic
		
00:38:05 --> 00:38:07
			because they didn't ask themselves these questions
		
00:38:08 --> 00:38:09
			right from the start.
		
00:38:09 --> 00:38:11
			Okay? So I don't want that to happen
		
00:38:11 --> 00:38:12
			to you.
		
00:38:12 --> 00:38:14
			The 4th shift that I will I'm going
		
00:38:14 --> 00:38:17
			to invite you to use is to practice
		
00:38:17 --> 00:38:18
			selective storytelling.
		
00:38:19 --> 00:38:21
			Not everything that happened to you in your
		
00:38:21 --> 00:38:23
			life belongs in your memoir. Okay? And this
		
00:38:23 --> 00:38:25
			is something that I would like to, you
		
00:38:25 --> 00:38:27
			know, kind of offer to some of you
		
00:38:27 --> 00:38:28
			who
		
00:38:29 --> 00:38:30
			are concerned about
		
00:38:31 --> 00:38:33
			talking about certain things that happened in your
		
00:38:33 --> 00:38:35
			life in case of privacy,
		
00:38:35 --> 00:38:38
			in case of other people getting upset, and,
		
00:38:38 --> 00:38:40
			of course, you know, there there's always the
		
00:38:40 --> 00:38:41
			question that comes, you know, what if someone
		
00:38:41 --> 00:38:42
			sues me? Alright?
		
00:38:43 --> 00:38:46
			So I always say this to to to
		
00:38:46 --> 00:38:48
			to my clients is that
		
00:38:48 --> 00:38:51
			you get to choose what to include in
		
00:38:51 --> 00:38:53
			the story and what to leave out. It's
		
00:38:53 --> 00:38:54
			up to you completely.
		
00:38:54 --> 00:38:57
			You know, you're not beholden to anyone.
		
00:38:57 --> 00:38:59
			So if there are topics you do not
		
00:38:59 --> 00:39:01
			want to talk about, you don't have to
		
00:39:01 --> 00:39:03
			talk about them. Or you can write them
		
00:39:03 --> 00:39:05
			in your 1st draft if you need a
		
00:39:05 --> 00:39:07
			cathartic draft, which means that it's your first
		
00:39:07 --> 00:39:10
			time writing about something that is maybe quite
		
00:39:10 --> 00:39:12
			emotional or or traumatic,
		
00:39:12 --> 00:39:14
			and you need to get it all out
		
00:39:14 --> 00:39:15
			on the paper.
		
00:39:16 --> 00:39:18
			That's what I call the cathartic draft. Okay?
		
00:39:18 --> 00:39:21
			Even if you spill all the beans in
		
00:39:21 --> 00:39:21
			the cathartic
		
00:39:22 --> 00:39:22
			draft,
		
00:39:23 --> 00:39:24
			that's not the draft that you're going to
		
00:39:24 --> 00:39:27
			put out into the world. That's the cathartic
		
00:39:27 --> 00:39:27
			draft.
		
00:39:28 --> 00:39:30
			The next move after that is now to
		
00:39:30 --> 00:39:32
			go back to that cathartic draft, the first
		
00:39:32 --> 00:39:34
			draft, and decide
		
00:39:35 --> 00:39:35
			what
		
00:39:36 --> 00:39:38
			from all this do I actually want to
		
00:39:38 --> 00:39:40
			share with the world and what do I
		
00:39:40 --> 00:39:42
			want to keep to myself? What do I
		
00:39:42 --> 00:39:43
			want to remain private?
		
00:39:45 --> 00:39:48
			That's you, the selective storytelling side of it.
		
00:39:49 --> 00:39:50
			Does that make sense, everyone?
		
00:39:56 --> 00:39:58
			Right. So Birina says if we have more
		
00:39:58 --> 00:40:00
			than one theme, is it necessary that these
		
00:40:00 --> 00:40:01
			themes be interrelated?
		
00:40:02 --> 00:40:03
			To be able to answer that, sis, we'd
		
00:40:03 --> 00:40:05
			have to get on a call. We'd have
		
00:40:05 --> 00:40:07
			to be working together just to understand what
		
00:40:07 --> 00:40:09
			the different themes are, and and then I
		
00:40:09 --> 00:40:10
			would be able to kind of give you
		
00:40:10 --> 00:40:12
			guidance on that. But, I mean, I can't
		
00:40:12 --> 00:40:14
			answer the question just off the bat. Okay?
		
00:40:15 --> 00:40:16
			Sis says, what if I don't want the
		
00:40:16 --> 00:40:18
			reader to know it's my story? Well, if
		
00:40:18 --> 00:40:20
			you don't want the reader to know that
		
00:40:20 --> 00:40:23
			it's your story, personally you, you have, you
		
00:40:23 --> 00:40:24
			know, some options.
		
00:40:24 --> 00:40:26
			Using a pen name is one of them.
		
00:40:27 --> 00:40:27
			Okay?
		
00:40:28 --> 00:40:31
			Changing private details so that people can't kind
		
00:40:31 --> 00:40:33
			of work out who you are is something
		
00:40:33 --> 00:40:34
			else that you can do.
		
00:40:34 --> 00:40:35
			Also,
		
00:40:35 --> 00:40:37
			writing it and publishing it in an anonymous
		
00:40:37 --> 00:40:38
			form,
		
00:40:38 --> 00:40:40
			that can also work. Okay?
		
00:40:40 --> 00:40:44
			I don't advise people to try to fictionalize
		
00:40:45 --> 00:40:45
			their stories
		
00:40:46 --> 00:40:48
			unless they actually want to write fiction.
		
00:40:49 --> 00:40:49
			Okay?
		
00:40:50 --> 00:40:52
			Writing fiction is a very different beast
		
00:40:53 --> 00:40:55
			from nonfiction, even from memoir.
		
00:40:55 --> 00:40:58
			Okay? And I unless you want to write
		
00:40:58 --> 00:40:59
			fiction and you would like to use your
		
00:40:59 --> 00:41:02
			own experience as inspiration for your fiction, which
		
00:41:02 --> 00:41:02
			is fine,
		
00:41:03 --> 00:41:06
			Don't think of the fiction root. Let's let's
		
00:41:06 --> 00:41:08
			get creative with it and find another way
		
00:41:08 --> 00:41:10
			for you to tell your story, you know,
		
00:41:10 --> 00:41:11
			and kinda keep it as anonymous as you
		
00:41:11 --> 00:41:12
			want. Okay?
		
00:41:13 --> 00:41:15
			If you wanna talk to me about that,
		
00:41:15 --> 00:41:16
			I'll tell you how to do that inshallah.
		
00:41:17 --> 00:41:19
			Alright? Fantastic. Where are we now?
		
00:41:20 --> 00:41:23
			Cool. Cool. Cool. Shift number 5, invest in
		
00:41:23 --> 00:41:23
			your legacy.
		
00:41:24 --> 00:41:27
			Ladies, I know just from having seen some
		
00:41:27 --> 00:41:29
			of the themes of the journeys that you've
		
00:41:29 --> 00:41:31
			shared in this just in this short time
		
00:41:31 --> 00:41:32
			in being together, that
		
00:41:34 --> 00:41:35
			you guys have been on a journey
		
00:41:35 --> 00:41:38
			that can be an inspiration to others. I
		
00:41:38 --> 00:41:41
			know this. Okay? So what I would say
		
00:41:41 --> 00:41:42
			is
		
00:41:42 --> 00:41:45
			you've come here for a reason. You made
		
00:41:45 --> 00:41:46
			it here for a reason. We had over
		
00:41:46 --> 00:41:48
			300 people sign up for this, and it's
		
00:41:48 --> 00:41:51
			just you who've made it here live. Okay?
		
00:41:51 --> 00:41:53
			There's a reason for that. So you've already
		
00:41:53 --> 00:41:55
			started investing in your story. I know some
		
00:41:55 --> 00:41:57
			of you have already started writing, which is
		
00:41:57 --> 00:41:58
			amazing.
		
00:41:58 --> 00:42:02
			So don't be afraid to invest the time,
		
00:42:02 --> 00:42:03
			the energy, and the resources
		
00:42:04 --> 00:42:06
			in this book because
		
00:42:06 --> 00:42:09
			it will be part of your legacy. And
		
00:42:09 --> 00:42:11
			I say this as somebody who has written
		
00:42:11 --> 00:42:13
			a memoir, and my memoir came out, I
		
00:42:13 --> 00:42:14
			think, 2,005.
		
00:42:17 --> 00:42:19
			That book from my sister's lips,
		
00:42:22 --> 00:42:25
			you know, and and impacting so many people
		
00:42:25 --> 00:42:28
			that I will never see. I will never
		
00:42:28 --> 00:42:30
			know them. They will probably never meet me.
		
00:42:30 --> 00:42:32
			I will never meet them. But just through
		
00:42:32 --> 00:42:35
			me having told my story, I'm now a
		
00:42:35 --> 00:42:36
			part of their journey.
		
00:42:37 --> 00:42:40
			Just from me having shared my journey, I'm
		
00:42:40 --> 00:42:42
			now a part of their spiritual path, of
		
00:42:42 --> 00:42:44
			their spiritual journey.
		
00:42:44 --> 00:42:47
			And that will radiate outwards to their friends,
		
00:42:47 --> 00:42:49
			to their family. That's part of my legacies,
		
00:42:50 --> 00:42:50
			You know?
		
00:42:51 --> 00:42:53
			And and that's the case with every one
		
00:42:53 --> 00:42:54
			of you.
		
00:42:54 --> 00:42:56
			Every single one of you,
		
00:42:56 --> 00:42:57
			you do this,
		
00:42:57 --> 00:43:01
			if you commit and you write this memoir
		
00:43:01 --> 00:43:02
			and you put it out into the world
		
00:43:02 --> 00:43:04
			and people read it, that's part of your
		
00:43:04 --> 00:43:06
			legacy. To set up a journey for you,
		
00:43:06 --> 00:43:08
			and it's something you leave behind, nobody can
		
00:43:08 --> 00:43:09
			take that away.
		
00:43:10 --> 00:43:11
			No one can take that away from you,
		
00:43:11 --> 00:43:14
			and it's something that just carries on benefiting
		
00:43:14 --> 00:43:16
			you even though you finished writing the memoir,
		
00:43:16 --> 00:43:19
			it's published, it's done, but people are still
		
00:43:19 --> 00:43:21
			benefiting. People are still learning. People are still
		
00:43:21 --> 00:43:23
			getting comfort and solace. People are still growing
		
00:43:23 --> 00:43:25
			as a result of you sharing your story.
		
00:43:25 --> 00:43:27
			So it's huge, and don't underestimate
		
00:43:27 --> 00:43:28
			this. Okay?
		
00:43:30 --> 00:43:32
			Right. I wanna invite everybody to just take
		
00:43:32 --> 00:43:34
			a big cleansing
		
00:43:34 --> 00:43:35
			breath right now.
		
00:43:40 --> 00:43:43
			That was helter skelter.
		
00:43:43 --> 00:43:45
			I think we'll all agree.
		
00:43:45 --> 00:43:47
			So guys, today, I promised
		
00:43:47 --> 00:43:49
			that I would tell you the secret ingredients
		
00:43:50 --> 00:43:52
			that you have that no other writers have.
		
00:43:53 --> 00:43:54
			Yes? And I'm sure you know what that
		
00:43:54 --> 00:43:55
			is. Okay?
		
00:43:55 --> 00:43:58
			I also shared with you how you can
		
00:43:58 --> 00:44:02
			develop a powerful positive intention. And I know
		
00:44:02 --> 00:44:04
			that that resonated with you guys because I
		
00:44:04 --> 00:44:06
			I I felt it in the chat. Okay?
		
00:44:07 --> 00:44:09
			I also talked about the fear. We talked
		
00:44:09 --> 00:44:12
			about the fear and how to combat the
		
00:44:12 --> 00:44:15
			fear. Right? We said we talked about how
		
00:44:15 --> 00:44:17
			to make sure that there are will be
		
00:44:17 --> 00:44:19
			people who want to read your book. Okay?
		
00:44:19 --> 00:44:22
			We talked about the writing habits that we
		
00:44:22 --> 00:44:25
			can adopt. Okay? And the one mistake that
		
00:44:25 --> 00:44:27
			can jeopardize your efforts and which we're not
		
00:44:27 --> 00:44:28
			gonna make at all. Alright?
		
00:44:29 --> 00:44:30
			So with that being said,
		
00:44:31 --> 00:44:34
			you have a choice now, ladies, because you're
		
00:44:34 --> 00:44:36
			gonna get the replay for this and you'll
		
00:44:36 --> 00:44:37
			be able to watch it again and again
		
00:44:37 --> 00:44:39
			as many times as you need to. And
		
00:44:39 --> 00:44:41
			so now you can take what I've given
		
00:44:41 --> 00:44:44
			you and go and start writing that telling
		
00:44:44 --> 00:44:47
			that story, writing that book. Okay? You can
		
00:44:47 --> 00:44:48
			go it alone.
		
00:44:49 --> 00:44:52
			Take care of that thing. Alright? Or you
		
00:44:52 --> 00:44:53
			can decide that, you know what?
		
00:44:54 --> 00:44:57
			I want to work with somebody who has
		
00:44:57 --> 00:44:58
			done this before.
		
00:44:58 --> 00:45:01
			I want to work with a mentor. I
		
00:45:01 --> 00:45:03
			want to have, you know, a supportive
		
00:45:03 --> 00:45:05
			community around me. I don't wanna go this
		
00:45:05 --> 00:45:07
			alone. I don't wanna do this alone, and
		
00:45:07 --> 00:45:09
			I want to make sure that it does
		
00:45:09 --> 00:45:11
			get done. Because I know what I can
		
00:45:11 --> 00:45:12
			be like sometimes. Right?
		
00:45:13 --> 00:45:16
			So if that's the case, then really, I'm
		
00:45:16 --> 00:45:17
			just gonna let you know right now how
		
00:45:17 --> 00:45:19
			I can help you. Because like I said,
		
00:45:19 --> 00:45:21
			this is what I do all day every
		
00:45:21 --> 00:45:23
			day. What I have done for you. My
		
00:45:23 --> 00:45:26
			team and I have set aside some time
		
00:45:26 --> 00:45:27
			in the next 48 hours
		
00:45:28 --> 00:45:30
			to chat with you personally about how you
		
00:45:30 --> 00:45:31
			can follow
		
00:45:31 --> 00:45:35
			these 5 essential shifts to finally tell your
		
00:45:35 --> 00:45:36
			story and write your book.
		
00:45:37 --> 00:45:39
			We're gonna have a chat, ladies. Okay? We're
		
00:45:39 --> 00:45:41
			gonna be in that chat together, and you're
		
00:45:41 --> 00:45:42
			gonna share with me your biggest challenges
		
00:45:43 --> 00:45:46
			because whatever those challenges are, I've seen them,
		
00:45:46 --> 00:45:47
			and I know how you can overcome them.
		
00:45:47 --> 00:45:49
			And I know how you can take the
		
00:45:49 --> 00:45:52
			stories of your life and create something really
		
00:45:52 --> 00:45:53
			powerful with
		
00:45:54 --> 00:45:54
			it. Okay?
		
00:45:55 --> 00:45:57
			So after an initial chat, we're gonna chat
		
00:45:57 --> 00:45:59
			in messenger to be sure that we're a
		
00:45:59 --> 00:46:02
			fit. We will work with you to craft
		
00:46:02 --> 00:46:04
			a step by step game plan to turn
		
00:46:04 --> 00:46:07
			that dream of yours of writing a book
		
00:46:07 --> 00:46:08
			into a reality
		
00:46:09 --> 00:46:09
			So
		
00:46:10 --> 00:46:11
			just to be clear,
		
00:46:12 --> 00:46:14
			who this is for everybody, please make sure
		
00:46:14 --> 00:46:15
			that we've got our listening
		
00:46:16 --> 00:46:18
			cap on or whatever it is. Okay?
		
00:46:19 --> 00:46:21
			This chat is not for you.
		
00:46:22 --> 00:46:25
			You're merely interested in writing a book. Okay?
		
00:46:25 --> 00:46:27
			But this chat is for you if you
		
00:46:27 --> 00:46:29
			are committed to writing this book.
		
00:46:29 --> 00:46:30
			If you know,
		
00:46:31 --> 00:46:33
			you know deep inside that this book is
		
00:46:33 --> 00:46:34
			a nonnegotiable
		
00:46:34 --> 00:46:36
			and you just need to know what steps
		
00:46:36 --> 00:46:37
			to take to make it happen,
		
00:46:38 --> 00:46:40
			then you need to get in that chat
		
00:46:40 --> 00:46:40
			with me.
		
00:46:41 --> 00:46:42
			Now there's a caveat.
		
00:46:42 --> 00:46:45
			You must have a story to tell. Okay?
		
00:46:45 --> 00:46:47
			A valuable message to share. And I know
		
00:46:47 --> 00:46:49
			already from hearing you guys that you all
		
00:46:49 --> 00:46:52
			do. And you must be ready to invest
		
00:46:52 --> 00:46:53
			the time,
		
00:46:54 --> 00:46:55
			effort, and resources
		
00:46:55 --> 00:46:56
			required
		
00:46:56 --> 00:46:58
			to write and publish this book of yours.
		
00:46:59 --> 00:47:01
			K? And if this is you,
		
00:47:02 --> 00:47:04
			hey, guys. Let's start a chat now. That's
		
00:47:04 --> 00:47:06
			me right there. M.me
		
00:47:07 --> 00:47:08
			slash
		
00:47:09 --> 00:47:09
			Robert.
		
00:47:10 --> 00:47:11
			I wanna see who's the first person to
		
00:47:11 --> 00:47:14
			send a chat. I'm gonna put the link
		
00:47:14 --> 00:47:16
			in the chat as well and see who
		
00:47:16 --> 00:47:17
			is the first person to send me a
		
00:47:17 --> 00:47:19
			message. All I want you to do is
		
00:47:19 --> 00:47:22
			send me a message saying journey. Alright?
		
00:47:22 --> 00:47:24
			Send journey.
		
00:47:25 --> 00:47:27
			Oh, somebody's coming in late.
		
00:47:27 --> 00:47:29
			Send the word journey
		
00:47:29 --> 00:47:30
			to
		
00:47:30 --> 00:47:31
			m.me/
		
00:47:33 --> 00:47:35
			Naima b Robert. I'm gonna look at my
		
00:47:35 --> 00:47:38
			phone. I'm gonna see I'm gonna see who
		
00:47:38 --> 00:47:39
			is the first person to
		
00:47:40 --> 00:47:41
			message me.
		
00:47:41 --> 00:47:42
			Ready, steady.
		
00:47:43 --> 00:47:45
			I wanna see who's coming in.
		
00:47:46 --> 00:47:49
			Yeah. So my biggest challenge is that part
		
00:47:49 --> 00:47:51
			of my story was shared by sisters who
		
00:47:51 --> 00:47:53
			are seen as those with knowledge of the
		
00:47:53 --> 00:47:54
			dean. Okay.
		
00:47:55 --> 00:47:56
			Right. Islamia, you need to get in that
		
00:47:56 --> 00:47:58
			chat with me, please, my dear, and we
		
00:47:58 --> 00:48:00
			will talk about it. K? We're not gonna
		
00:48:00 --> 00:48:01
			talk about it now. We're gonna talk about
		
00:48:01 --> 00:48:04
			it in the chat. Alright? So who has
		
00:48:04 --> 00:48:05
			sent their message already?
		
00:48:05 --> 00:48:06
			Let me know.
		
00:48:10 --> 00:48:11
			And I just wanna give you some insights
		
00:48:11 --> 00:48:14
			into kind of why I'm doing this. Okay?
		
00:48:14 --> 00:48:17
			I know from having spoken to, you know,
		
00:48:17 --> 00:48:20
			lots of women over the years,
		
00:48:21 --> 00:48:24
			how many of you have a really heroic
		
00:48:24 --> 00:48:25
			story to tell.
		
00:48:26 --> 00:48:28
			Okay? And I also know the things that
		
00:48:28 --> 00:48:31
			are holding you back and the things that
		
00:48:31 --> 00:48:33
			make it difficult for you to either get
		
00:48:33 --> 00:48:33
			started
		
00:48:34 --> 00:48:36
			or to actually finish and then know what
		
00:48:36 --> 00:48:38
			to do with it. Okay?
		
00:48:38 --> 00:48:39
			This is super important.
		
00:48:40 --> 00:48:42
			Yeah. Some of you may be thinking, well,
		
00:48:42 --> 00:48:43
			you know, do I really wanna write a
		
00:48:43 --> 00:48:44
			book?
		
00:48:45 --> 00:48:46
			You know.
		
00:48:48 --> 00:48:50
			Ah, Lubna Rashid is the first one. Yay.
		
00:48:51 --> 00:48:54
			Lubna Rashid, I see you, girl. Yes. Lubna's
		
00:48:54 --> 00:48:54
			in there.
		
00:48:56 --> 00:48:58
			Lubna is in there, guys. So somebody did
		
00:48:58 --> 00:49:01
			it. So therefore, it must be possible. Okay?
		
00:49:01 --> 00:49:01
			Just
		
00:49:02 --> 00:49:05
			copy and paste m dot me
		
00:49:09 --> 00:49:09
			/naimebrobert,
		
00:49:12 --> 00:49:14
			and it will take you to Facebook.
		
00:49:15 --> 00:49:17
			Right? You just need to send that through,
		
00:49:17 --> 00:49:20
			and tomorrow, we'll catch up. And we'll be
		
00:49:20 --> 00:49:22
			able to over the next 48 hours, we
		
00:49:22 --> 00:49:24
			will be chatting with you guys to see
		
00:49:24 --> 00:49:26
			if we can help you. Right?
		
00:49:27 --> 00:49:28
			So what was I saying?
		
00:49:32 --> 00:49:33
			Yeah. No. So so I was saying that
		
00:49:33 --> 00:49:35
			so so I know the challenges. I know
		
00:49:35 --> 00:49:37
			the things that people face. Aisha, I see
		
00:49:37 --> 00:49:40
			you, girl. Yep. I'm gonna be hitting you
		
00:49:40 --> 00:49:44
			up. Thank you so much. So, Lubna, Aisha,
		
00:49:44 --> 00:49:47
			I've got your messages. I know the challenges.
		
00:49:47 --> 00:49:48
			I know the things that can stand in
		
00:49:48 --> 00:49:50
			our way. Iffat, I see you.
		
00:49:52 --> 00:49:54
			And I know how to coach you out
		
00:49:54 --> 00:49:55
			around those,
		
00:49:56 --> 00:49:58
			and I also know how to help you
		
00:49:58 --> 00:49:59
			to get clear on
		
00:50:00 --> 00:50:02
			the message that you actually have and the
		
00:50:02 --> 00:50:04
			story that you want to tell. And as
		
00:50:04 --> 00:50:06
			somebody who writes both fiction and nonfiction,
		
00:50:07 --> 00:50:09
			I I know how to help you to
		
00:50:10 --> 00:50:11
			to to tell your story. Okay?
		
00:50:12 --> 00:50:14
			ESA, if you wanna contact me and you
		
00:50:14 --> 00:50:16
			don't have Facebook, please send me an email.
		
00:50:16 --> 00:50:18
			Okay? Those of you who want to chat
		
00:50:18 --> 00:50:19
			on email,
		
00:50:19 --> 00:50:21
			just email sisters editor at sistersmagazine.com.
		
00:50:22 --> 00:50:24
			But please, those of you who have chat,
		
00:50:24 --> 00:50:26
			better to do chat. You can also send
		
00:50:26 --> 00:50:28
			me, a message on Instagram.
		
00:50:29 --> 00:50:31
			It's a direct message on Instagram. Just say
		
00:50:31 --> 00:50:31
			journey,
		
00:50:32 --> 00:50:34
			and I'll know what you're talking about. K?
		
00:50:34 --> 00:50:36
			So like I was saying, the reason I'm
		
00:50:36 --> 00:50:38
			doing this is I know how many sisters
		
00:50:38 --> 00:50:40
			have, you know, really, really important stories to
		
00:50:40 --> 00:50:42
			tell, and I know how
		
00:50:42 --> 00:50:45
			how important those stories are for our community,
		
00:50:45 --> 00:50:47
			you know, and for just women in general.
		
00:50:47 --> 00:50:48
			So
		
00:50:48 --> 00:50:51
			part of me is really committed to just
		
00:50:51 --> 00:50:52
			just
		
00:50:53 --> 00:50:57
			helping women tell those stories. Okay? Allowing them
		
00:50:57 --> 00:50:59
			to to to to find their voice and
		
00:50:59 --> 00:51:02
			know how to get their story told, to
		
00:51:02 --> 00:51:04
			put it out there in the best way
		
00:51:04 --> 00:51:06
			for the story. So this is really the
		
00:51:06 --> 00:51:08
			reason why, I'm doing this. This is why
		
00:51:08 --> 00:51:09
			I have the program.
		
00:51:09 --> 00:51:11
			That's why I I work with ladies to
		
00:51:11 --> 00:51:12
			do this because
		
00:51:13 --> 00:51:15
			your stories matter. You know, your stories are
		
00:51:15 --> 00:51:15
			important.
		
00:51:16 --> 00:51:18
			And, you know, there are there are women
		
00:51:18 --> 00:51:20
			out there. There are sisters out there who
		
00:51:20 --> 00:51:22
			are who are struggling right now,
		
00:51:23 --> 00:51:25
			you know, who are suffering, who are where
		
00:51:25 --> 00:51:26
			you once were
		
00:51:27 --> 00:51:29
			and don't have a role model. They don't
		
00:51:29 --> 00:51:32
			have an example. They don't have a way
		
00:51:32 --> 00:51:34
			out. They don't know that there is light
		
00:51:34 --> 00:51:36
			at the end of the tunnel.
		
00:51:36 --> 00:51:39
			You sharing your story could change that.
		
00:51:40 --> 00:51:42
			Some of you will write,
		
00:51:43 --> 00:51:45
			a short book with me. Some of you
		
00:51:45 --> 00:51:48
			will write a full length book with me.
		
00:51:48 --> 00:51:50
			Some of you may just write an extended
		
00:51:50 --> 00:51:51
			personal essay.
		
00:51:51 --> 00:51:53
			Whatever it is that we end up doing
		
00:51:53 --> 00:51:55
			together, my goal is to make sure that
		
00:51:55 --> 00:51:56
			that
		
00:51:56 --> 00:51:58
			that piece of work that you do, that
		
00:51:58 --> 00:51:59
			writing
		
00:51:59 --> 00:52:01
			that you do is something that is a
		
00:52:01 --> 00:52:04
			for you and it becomes part of your
		
00:52:04 --> 00:52:04
			legacy
		
00:52:04 --> 00:52:06
			and something that you put out into the
		
00:52:06 --> 00:52:07
			world that
		
00:52:07 --> 00:52:08
			brings good.
		
00:52:09 --> 00:52:12
			Okay? So on that note, I wanna say
		
00:52:12 --> 00:52:14
			to you, it's been so much fun
		
00:52:15 --> 00:52:17
			chilling with you for the past hour. I
		
00:52:17 --> 00:52:19
			hope I didn't go too fast. I think
		
00:52:19 --> 00:52:20
			I may have,
		
00:52:20 --> 00:52:20
			but,
		
00:52:21 --> 00:52:23
			the recording will be sent out as soon
		
00:52:23 --> 00:52:24
			as it's available.
		
00:52:24 --> 00:52:25
			So watch it again
		
00:52:26 --> 00:52:28
			and get in touch. Okay? Let's see if
		
00:52:28 --> 00:52:30
			we're fit to work together. I would love
		
00:52:30 --> 00:52:33
			to help you to write your story. I've
		
00:52:33 --> 00:52:35
			been there before. I've done it with others,
		
00:52:35 --> 00:52:36
			and I would love to do it with
		
00:52:36 --> 00:52:37
			you.
		
00:52:37 --> 00:52:39
			So I'll be checking my chat, and I'll
		
00:52:39 --> 00:52:41
			be looking forward to speaking to every one
		
00:52:41 --> 00:52:43
			of you. Thank you so much for being
		
00:52:43 --> 00:52:46
			here. It's been it's been an absolute pleasure.
		
00:52:46 --> 00:52:47
			I love you all for,
		
00:52:48 --> 00:52:50
			and I'll see you on the other side.
		
00:52:50 --> 00:52:51
			Okay?