Naima B. Robert – Honour Your Journey Masterclass

Naima B. Robert
AI: Summary ©
The speaker discusses the importance of creating a clear intention when writing a book and emphasizes the need for a positive and powerful intention. They stress the importance of finding oneself and finding a path to achieve a positive and powerful intention. The speaker also emphasizes the importance of practicing storytelling and finding a supportive community. They offer advice on finding a way to write a book and offer resources for those who may be struggling.
AI: Transcript ©
00:00:04 --> 00:00:06

Good evening and

00:00:06 --> 00:00:09

welcome to the honor your journey

00:00:10 --> 00:00:13

master class where I will be sharing

00:00:13 --> 00:00:14

5 shifts,

00:00:15 --> 00:00:18

sharing your story, and leaving a legacy. I

00:00:18 --> 00:00:18

am

00:00:18 --> 00:00:20

honored that you have joined me today. I'm

00:00:20 --> 00:00:23

so excited to present this new master class,

00:00:24 --> 00:00:26

especially for all of you who have a

00:00:26 --> 00:00:28

story to tell, who want to write a

00:00:28 --> 00:00:31

book about your lives, and have not managed

00:00:31 --> 00:00:32

to do so thus far or have not

00:00:32 --> 00:00:36

managed to complete your story thus far. Now

00:00:36 --> 00:00:37

this is going to be a really interactive

00:00:38 --> 00:00:41

session, so get ready to write, get ready

00:00:41 --> 00:00:43

to share, get ready to to really, really

00:00:43 --> 00:00:46

make some progress and make some moves in

00:00:46 --> 00:00:48

this session. Okay? I'm not going to be

00:00:48 --> 00:00:50

on here just lecturing you. We are actually

00:00:50 --> 00:00:54

going to start working on this. Okay? So

00:00:54 --> 00:00:55

without further ado,

00:00:56 --> 00:00:58

I am going to ask, firstly,

00:00:58 --> 00:01:01

is this you? Not the lady in the

00:01:01 --> 00:01:05

picture, obviously, but are you somebody who's always

00:01:05 --> 00:01:06

been told that

00:01:06 --> 00:01:08

you should tell your story, sis?

00:01:10 --> 00:01:10

Are you somebody

00:01:11 --> 00:01:12

who has an important

00:01:13 --> 00:01:13

inspirational

00:01:14 --> 00:01:15

or instructive

00:01:16 --> 00:01:16

or cathartic

00:01:17 --> 00:01:19

or powerful journey to share? If you hear

00:01:19 --> 00:01:20

me saying

00:01:21 --> 00:01:23

the the the one that describes you, say

00:01:23 --> 00:01:25

yes in the chat. Okay?

00:01:25 --> 00:01:27

Are you passionate about a cause and you

00:01:27 --> 00:01:30

want to tell your story to help others,

00:01:30 --> 00:01:32

or are you one of those people who

00:01:32 --> 00:01:34

wants to leave a legacy? Let me see.

00:01:34 --> 00:01:36

I see yeses all up in here. Nice.

00:01:37 --> 00:01:39

Fantastic. Well, that's a good thing. Right? Because

00:01:39 --> 00:01:41

in the next 45 minutes,

00:01:41 --> 00:01:43

I'm going to be sharing with you, my

00:01:43 --> 00:01:44

dear sisters,

00:01:45 --> 00:01:46

the secret ingredient

00:01:46 --> 00:01:49

that you have that no other writer does

00:01:50 --> 00:01:52

and that gives you an advantage when writing

00:01:52 --> 00:01:53

the story of yours.

00:01:53 --> 00:01:55

I'm going to talk about how to ensure

00:01:56 --> 00:01:57

you have a powerful,

00:01:57 --> 00:01:59

positive intention

00:01:59 --> 00:02:01

when writing about your life, sharing it with

00:02:01 --> 00:02:02

the world.

00:02:05 --> 00:02:07

We are going to also look at the

00:02:07 --> 00:02:08

real

00:02:08 --> 00:02:11

reason you've been putting off writing your book

00:02:11 --> 00:02:14

and sharing your story with those who need

00:02:14 --> 00:02:14

to hear it

00:02:15 --> 00:02:17

and how to deal with that reason.

00:02:17 --> 00:02:19

I'm gonna show you how to harness the

00:02:19 --> 00:02:22

fear that you have of putting your story

00:02:22 --> 00:02:24

out there and how to use it as

00:02:24 --> 00:02:25

fuel to

00:02:25 --> 00:02:25

power

00:02:26 --> 00:02:28

I wonder how many people can, relate to

00:02:28 --> 00:02:31

this. I'm also gonna share with you the

00:02:31 --> 00:02:33

answer to that question that I know sometimes

00:02:33 --> 00:02:36

plagues a lot of you. Why would anyone

00:02:36 --> 00:02:39

want to read my story? Right? And how

00:02:39 --> 00:02:41

to ensure that you write a book that

00:02:41 --> 00:02:44

people actually want to read. I'm gonna also

00:02:44 --> 00:02:46

share with you a little secret, the one

00:02:46 --> 00:02:49

fact about writing habits that will challenge

00:02:49 --> 00:02:52

everything you think you know about how to

00:02:52 --> 00:02:54

write a book. And then we're gonna find

00:02:54 --> 00:02:56

out the number one mistake that can jeopardize

00:02:56 --> 00:02:58

all your writing and

00:02:58 --> 00:03:00

how to avoid it.

00:03:00 --> 00:03:02

If that sounds good, give me a good

00:03:02 --> 00:03:04

in the chat. Okay? If that sounds good

00:03:04 --> 00:03:06

to you, if that sounds like

00:03:06 --> 00:03:09

information that could really move the needle for

00:03:09 --> 00:03:12

you, then give me a good chat. I

00:03:12 --> 00:03:13

wanna see how you guys are doing with

00:03:13 --> 00:03:14

this.

00:03:17 --> 00:03:18

Lovely. Lovely. Lovely.

00:03:19 --> 00:03:19

Fantastic.

00:03:20 --> 00:03:20

Great.

00:03:22 --> 00:03:24

Cool. So today,

00:03:24 --> 00:03:26

my promise to you is that

00:03:27 --> 00:03:29

we are going to cover all of these

00:03:29 --> 00:03:32

and answer all of these questions. And by

00:03:32 --> 00:03:34

the end of today's session,

00:03:34 --> 00:03:37

you are going to have a very clear

00:03:37 --> 00:03:38

idea of

00:03:38 --> 00:03:42

the next steps for you on this writing

00:03:42 --> 00:03:42

journey.

00:03:42 --> 00:03:44

We're going to be talking about your mindset.

00:03:44 --> 00:03:46

We're going to talk about your habits, and

00:03:46 --> 00:03:48

we're going to talk about the nitty gritty

00:03:49 --> 00:03:50

of writing

00:03:50 --> 00:03:51

your

00:03:51 --> 00:03:53

story, of telling your story of writing a

00:03:53 --> 00:03:54

book. Okay?

00:03:56 --> 00:03:56

So

00:03:57 --> 00:03:59

I wanna ask you, does this sound like

00:03:59 --> 00:04:00

you?

00:04:01 --> 00:04:03

Are you one of those women who

00:04:04 --> 00:04:06

has always dreamt of writing a story or

00:04:06 --> 00:04:09

who or knows that she needs to? She

00:04:09 --> 00:04:11

knows that she needs to tell the story,

00:04:11 --> 00:04:13

that she wants to put this story out

00:04:13 --> 00:04:16

into the world, but finds herself not even

00:04:16 --> 00:04:17

knowing where to start.

00:04:18 --> 00:04:20

Okay? She's got the story in her mind,

00:04:20 --> 00:04:23

but she doesn't know where to begin. She

00:04:23 --> 00:04:25

doesn't know how much to share. She doesn't

00:04:25 --> 00:04:28

know whether it's even okay for her to

00:04:28 --> 00:04:29

share her story?

00:04:30 --> 00:04:32

Are you one of those women who is

00:04:32 --> 00:04:35

worried about sharing your story in case it

00:04:35 --> 00:04:35

upsets

00:04:43 --> 00:04:44

struggling

00:04:45 --> 00:04:48

with the idea of other people reading your

00:04:48 --> 00:04:49

work and judging you?

00:04:50 --> 00:04:52

Or are you one of those people who

00:04:52 --> 00:04:55

has felt heavy with this story for many,

00:04:55 --> 00:04:57

many years, but because of a lack of

00:04:57 --> 00:05:00

confidence, because of fear, because of a spoon

00:05:00 --> 00:05:01

of shame,

00:05:01 --> 00:05:04

who really does not know how to take

00:05:04 --> 00:05:05

this heavy, heavy story

00:05:06 --> 00:05:08

and make it lighter and make it something

00:05:08 --> 00:05:09

beautiful. Well,

00:05:10 --> 00:05:13

if any of those sound like you, I

00:05:13 --> 00:05:15

wanna let you know that those are not

00:05:15 --> 00:05:18

the real problem. Okay? These are just symptoms.

00:05:19 --> 00:05:22

The real problem is that you haven't made

00:05:22 --> 00:05:24

the shifts. Okay? And these 5 shifts that

00:05:24 --> 00:05:27

I'm gonna share with you, they are literally

00:05:27 --> 00:05:28

game changers,

00:05:29 --> 00:05:31

Because once you make these shifts,

00:05:32 --> 00:05:33

you will

00:05:33 --> 00:05:35

have your mindset

00:05:36 --> 00:05:39

ready to go to actually put to actually

00:05:40 --> 00:05:43

invest in this story of yours, to commit

00:05:43 --> 00:05:45

to telling the story of yours, that's making

00:05:45 --> 00:05:46

it a reality.

00:05:46 --> 00:05:50

You'll also know what kind of ideas and

00:05:50 --> 00:05:52

what kind of beliefs you need to hold

00:05:52 --> 00:05:54

onto in order to be able to tell

00:05:54 --> 00:05:56

the story in a way that is beneficial.

00:05:57 --> 00:05:58

You will know

00:05:58 --> 00:06:00

the first step to take

00:06:00 --> 00:06:02

and the next and the next

00:06:02 --> 00:06:05

because I'm gonna explain it all to you,

00:06:05 --> 00:06:06

and you'll understand

00:06:07 --> 00:06:09

what you need to do with your story

00:06:09 --> 00:06:11

in order to make it something that other

00:06:11 --> 00:06:14

people actually want to read. Alright? Now if

00:06:14 --> 00:06:16

that sounds good, give me a yay in

00:06:16 --> 00:06:19

the chat. Super, super, super excited to share

00:06:19 --> 00:06:21

this with you. In case you don't know

00:06:21 --> 00:06:21

me,

00:06:22 --> 00:06:24

my name is Naima b Robert, and I'm

00:06:24 --> 00:06:25

an author,

00:06:25 --> 00:06:28

editor, and writing coach. And

00:06:28 --> 00:06:30

I'm really your sister on the journey. That

00:06:30 --> 00:06:33

is my role. That's my job. Okay? I've

00:06:33 --> 00:06:35

been in in I've been in this writing

00:06:35 --> 00:06:38

space for 20 years now. Many of you

00:06:38 --> 00:06:41

will be familiar with my my memoir story

00:06:41 --> 00:06:43

my life story book, if you like, from

00:06:43 --> 00:06:46

my sister's lips, which told the story of

00:06:46 --> 00:06:48

how I how I embraced Islam or what

00:06:48 --> 00:06:50

it was like to live Islam

00:06:50 --> 00:06:53

and the stories of other women around me

00:06:53 --> 00:06:54

as well. Okay?

00:06:55 --> 00:06:57

So just, you know, so you know, I've

00:06:57 --> 00:06:58

been here before.

00:06:59 --> 00:07:02

I've written my own memoir, and I have

00:07:02 --> 00:07:04

supported and helped other women to write their

00:07:04 --> 00:07:07

memoirs as well. So these 5 shifts that

00:07:07 --> 00:07:09

I'm sharing with you, they really are

00:07:09 --> 00:07:12

based in and grounded in experience

00:07:12 --> 00:07:14

and, you know, and and kind of what

00:07:14 --> 00:07:15

what actually works

00:07:16 --> 00:07:19

in the world of memoir writing. Okay? Now

00:07:19 --> 00:07:21

before we get into the first shift, I

00:07:21 --> 00:07:22

would just like

00:07:22 --> 00:07:23

to make sure that we're all on the

00:07:23 --> 00:07:25

same page. Alright?

00:07:26 --> 00:07:27

You may find me using

00:07:28 --> 00:07:30

terms like telling your story and writing your

00:07:30 --> 00:07:31

memoir interchangeably.

00:07:32 --> 00:07:34

Okay? The reason for this is that in

00:07:34 --> 00:07:35

the memoir

00:07:36 --> 00:07:38

is a genre. Okay? It's a type of

00:07:38 --> 00:07:39

book

00:07:39 --> 00:07:40

that tells

00:07:40 --> 00:07:43

the stories of the author's life.

00:07:44 --> 00:07:47

It's slightly different from an autobiography

00:07:47 --> 00:07:50

or a biography because a biography, which is

00:07:50 --> 00:07:53

written by somebody about someone else's life, or

00:07:53 --> 00:07:53

an autobiography,

00:07:54 --> 00:07:56

which is written by the person themselves about

00:07:56 --> 00:07:57

their lives,

00:07:57 --> 00:07:59

typically follows a chronological

00:08:00 --> 00:08:00

format.

00:08:01 --> 00:08:02

So it goes from the beginning of the

00:08:02 --> 00:08:05

person's life up until the end, wherever that

00:08:05 --> 00:08:06

end is. Okay?

00:08:07 --> 00:08:10

A memoir is not an autobiography.

00:08:11 --> 00:08:13

A memoir is not your life story.

00:08:13 --> 00:08:15

It is stories

00:08:15 --> 00:08:16

from your life.

00:08:17 --> 00:08:19

It's a very, very important distinction.

00:08:19 --> 00:08:22

I don't want anybody to get intimidated

00:08:22 --> 00:08:24

by the use of memoir.

00:08:24 --> 00:08:26

Okay? It simply is the French word for

00:08:26 --> 00:08:29

memory. Alright? But that is the genre that

00:08:29 --> 00:08:30

we're talking about today.

00:08:31 --> 00:08:34

It is, you know, personal stories, stories about

00:08:34 --> 00:08:36

your own experiences in your own life told

00:08:36 --> 00:08:37

as storytelling,

00:08:37 --> 00:08:40

this is called memoir. Okay? So I just

00:08:40 --> 00:08:41

wanna make sure that we're all on the

00:08:41 --> 00:08:43

same page with that because I will be

00:08:43 --> 00:08:44

using them interchangeably.

00:08:44 --> 00:08:45

Alright?

00:08:46 --> 00:08:48

And I do this because, you know, I

00:08:48 --> 00:08:50

I know from having worked with other nonfiction

00:08:50 --> 00:08:51

writers,

00:08:51 --> 00:08:52

memoir

00:08:52 --> 00:08:55

is a different type of art form. Okay?

00:08:55 --> 00:08:56

It's not the same as writing a self

00:08:56 --> 00:08:58

help book or a textbook.

00:08:58 --> 00:09:00

You're gonna see what I mean. Anyway, so

00:09:00 --> 00:09:02

let's get on with these shifts, shall we?

00:09:02 --> 00:09:05

1st shift, shift number 1, and I want

00:09:05 --> 00:09:07

you all to remember this, is that

00:09:08 --> 00:09:10

no one has to give you

00:09:10 --> 00:09:11

permission

00:09:12 --> 00:09:13

to tell your story.

00:09:14 --> 00:09:16

I'm gonna say that again.

00:09:16 --> 00:09:18

No one has to give you permission

00:09:19 --> 00:09:20

to tell your story.

00:09:22 --> 00:09:24

I mentioned to all of you that there

00:09:24 --> 00:09:27

was a secret ingredient. Right? A secret ingredient

00:09:27 --> 00:09:30

that you have that no other writer has.

00:09:30 --> 00:09:33

And that secret ingredient is simply this,

00:09:34 --> 00:09:37

you are the only version of you

00:09:37 --> 00:09:39

in the entire world.

00:09:40 --> 00:09:43

Throughout history, throughout time,

00:09:43 --> 00:09:44

there has never

00:09:45 --> 00:09:48

been anyone else like you.

00:09:49 --> 00:09:50

I'm gonna let you

00:09:50 --> 00:09:52

let that sink in

00:09:53 --> 00:09:55

because you were created unique,

00:09:55 --> 00:09:57

and your life story

00:09:57 --> 00:09:59

is similarly unique.

00:09:59 --> 00:10:00

Even if it shares

00:10:01 --> 00:10:03

characteristics with, you know, other women out there,

00:10:03 --> 00:10:06

other men, other people out there, it still

00:10:06 --> 00:10:09

is your unique story.

00:10:09 --> 00:10:11

And when you remember

00:10:12 --> 00:10:13

and when you retell

00:10:14 --> 00:10:15

your life story,

00:10:16 --> 00:10:18

you are bringing something unique

00:10:18 --> 00:10:19

to the table.

00:10:20 --> 00:10:23

There is nobody else out there that can

00:10:23 --> 00:10:26

tell the same story as you,

00:10:26 --> 00:10:28

even if the topic is the same,

00:10:29 --> 00:10:31

even if the theme is the same, even

00:10:31 --> 00:10:34

if they are recounting a similar journey,

00:10:34 --> 00:10:37

they will never tell the same story as

00:10:37 --> 00:10:39

you. I'll give you an example. Anybody here

00:10:39 --> 00:10:42

who's been for Hajj in a group, right,

00:10:43 --> 00:10:45

I would like you to think imagine to

00:10:45 --> 00:10:48

yourself if a group of people who went

00:10:48 --> 00:10:49

for Hajj together,

00:10:49 --> 00:10:53

who all stayed in the same apartment block,

00:10:53 --> 00:10:55

who stayed in the same tent in, Minna.

00:10:55 --> 00:10:58

Okay? Who did exactly the same rights. Okay?

00:10:58 --> 00:11:00

They went. They did Toaaf. They went to

00:11:00 --> 00:11:02

Arafat. They did all of the things. Right?

00:11:02 --> 00:11:05

They did exactly the same things. They went

00:11:05 --> 00:11:07

for the same experience for the same reason.

00:11:08 --> 00:11:10

Okay? And then they all come back

00:11:11 --> 00:11:12

if we were to ask them

00:11:13 --> 00:11:14

to write a memoir

00:11:15 --> 00:11:16

of their Hajj trip,

00:11:17 --> 00:11:19

do you think that any of those accounts

00:11:19 --> 00:11:21

would be identical?

00:11:22 --> 00:11:23

What do you say in the chat? What

00:11:23 --> 00:11:24

do you guys think?

00:11:26 --> 00:11:27

Says no.

00:11:30 --> 00:11:31

Right?

00:11:31 --> 00:11:32

They wouldn't be

00:11:32 --> 00:11:35

because even though you were all there for

00:11:35 --> 00:11:35

the same reason.

00:11:36 --> 00:11:39

Right, you all went for the same reason,

00:11:39 --> 00:11:41

you did the same things,

00:11:41 --> 00:11:44

okay, you were actually together in the same

00:11:44 --> 00:11:44

space,

00:11:45 --> 00:11:46

but

00:11:46 --> 00:11:47

your experience

00:11:48 --> 00:11:50

of that will not be the same. Your

00:11:50 --> 00:11:53

perception of that experience will not be the

00:11:53 --> 00:11:55

same. The what the things you choose to

00:11:55 --> 00:11:57

talk about, the things you choose to not

00:11:57 --> 00:12:00

talk about, as Mariem said, it's an individual

00:12:00 --> 00:12:02

experience. Right? So even though you could have

00:12:02 --> 00:12:04

had 50 Hajjis who all did the same

00:12:04 --> 00:12:06

thing, if you were to ask them to

00:12:06 --> 00:12:09

write a short memoir about their Hajj,

00:12:09 --> 00:12:11

every one of them will have something unique

00:12:11 --> 00:12:12

to say.

00:12:12 --> 00:12:14

A unique observation,

00:12:15 --> 00:12:17

and a dialogue or a conversation that other

00:12:17 --> 00:12:18

people didn't have.

00:12:18 --> 00:12:21

Thoughts that came to their mind at that

00:12:21 --> 00:12:23

time, duas that they made, yeah, that nobody

00:12:23 --> 00:12:27

else made, things they noticed, things they liked,

00:12:27 --> 00:12:29

things they didn't like, things that, you know,

00:12:29 --> 00:12:32

made them feel a particular way. All of

00:12:32 --> 00:12:33

that will be 100%

00:12:34 --> 00:12:35

unique. So

00:12:36 --> 00:12:38

I want every one of you to internalize

00:12:39 --> 00:12:42

the fact that your unique creation means that

00:12:42 --> 00:12:43

your memoir,

00:12:43 --> 00:12:45

yours your version

00:12:45 --> 00:12:48

of your life story is always going to

00:12:48 --> 00:12:52

be unique. And the more honest you are

00:12:52 --> 00:12:55

and the more authentic you are, the more

00:12:55 --> 00:12:56

unique and special

00:12:57 --> 00:12:59

your memoir is going to be, and the

00:12:59 --> 00:13:00

more

00:13:00 --> 00:13:03

it deserves its place at the table.

00:13:04 --> 00:13:05

Okay? I hope that that makes sense to

00:13:05 --> 00:13:08

everybody. Right? Because this is one of those

00:13:08 --> 00:13:09

things where

00:13:10 --> 00:13:13

you give yourself permission to tell the story.

00:13:13 --> 00:13:16

Right? Tell these stories, you give yourself permission.

00:13:16 --> 00:13:18

There isn't anybody out there as a gatekeeper

00:13:19 --> 00:13:20

who needs to come to you and say,

00:13:20 --> 00:13:24

Sadika, Anissa, Sayeda, here you go. We, you

00:13:24 --> 00:13:25

know, tell your story. We, you know, we

00:13:25 --> 00:13:27

we need to hear it, etcetera.

00:13:27 --> 00:13:29

You are the only one

00:13:30 --> 00:13:31

that can unlock

00:13:32 --> 00:13:33

the unique experiences,

00:13:34 --> 00:13:34

the perspective,

00:13:35 --> 00:13:36

the that's the stories,

00:13:37 --> 00:13:39

okay, that you have stored in here. You're

00:13:39 --> 00:13:42

the only one who can unlock them, and

00:13:42 --> 00:13:43

you are the only one who needs to

00:13:43 --> 00:13:46

unlock them. So if any of you are

00:13:46 --> 00:13:48

here and you've been waiting on something,

00:13:49 --> 00:13:50

waiting on somebody

00:13:51 --> 00:13:52

to tell you go ahead,

00:13:53 --> 00:13:55

I would like you I invite you

00:13:56 --> 00:13:58

to give yourselves permission now.

00:13:59 --> 00:14:00

Give yourselves permission

00:14:01 --> 00:14:04

to share this unique story, to write this

00:14:04 --> 00:14:06

unique memoir that you came here to learn

00:14:06 --> 00:14:07

about because

00:14:07 --> 00:14:09

there is nobody out there who needs to

00:14:09 --> 00:14:12

give you permission. It is your story to

00:14:12 --> 00:14:12

tell.

00:14:13 --> 00:14:15

Hope that makes sense with everybody. Alright?

00:14:17 --> 00:14:18

Moving forward.

00:14:18 --> 00:14:20

Shift number 2. Who remembers what shift number

00:14:20 --> 00:14:22

1 is? Let me check and see who

00:14:22 --> 00:14:22

was paying attention.

00:14:23 --> 00:14:25

What was shift number 1?

00:14:32 --> 00:14:34

Oh, I just said it just now. What's

00:14:34 --> 00:14:36

shift number 1, guys? Type it in the

00:14:36 --> 00:14:38

chat. No one has to give you permission.

00:14:38 --> 00:14:41

Thank you very much, Sadika. Right. Shift number

00:14:41 --> 00:14:42

2.

00:14:42 --> 00:14:43

Your story

00:14:43 --> 00:14:46

is bigger than you.

00:14:46 --> 00:14:49

Yes. I said it. Your story is bigger

00:14:49 --> 00:14:51

than you. What do I mean by that?

00:14:51 --> 00:14:52

What I mean is

00:14:53 --> 00:14:54

even

00:14:54 --> 00:14:55

though

00:14:56 --> 00:14:57

your story is unique to you,

00:14:58 --> 00:15:00

and really only you can tell your story

00:15:00 --> 00:15:02

in the unique way that you would tell

00:15:02 --> 00:15:02

it,

00:15:03 --> 00:15:04

still

00:15:05 --> 00:15:07

that story of yours has significance

00:15:07 --> 00:15:12

beyond your own experience. Okay? It is significant

00:15:12 --> 00:15:13

to others

00:15:13 --> 00:15:16

aside from you. So for example, if you

00:15:16 --> 00:15:18

go back to that example of the Hajj,

00:15:18 --> 00:15:20

the Hajj group. Okay?

00:15:20 --> 00:15:22

Any one of those women or men could

00:15:22 --> 00:15:24

have chosen to write a memoir about that

00:15:24 --> 00:15:26

Hajj trip, and it would have been unique.

00:15:26 --> 00:15:28

It would have been special. It would have

00:15:28 --> 00:15:30

been their personal story. Right?

00:15:31 --> 00:15:32

But do you not think

00:15:33 --> 00:15:36

that all other 50 Hajj Hajjis would be

00:15:36 --> 00:15:37

interested in that story?

00:15:38 --> 00:15:40

Do you not think that they would resonate

00:15:40 --> 00:15:41

with that story? Do you not think that

00:15:41 --> 00:15:44

it would have significance for them, let alone

00:15:44 --> 00:15:47

the other, hun you know, tens of thousands

00:15:47 --> 00:15:49

of Hajjis who went for Hajj,

00:15:49 --> 00:15:51

then all the people who didn't go for

00:15:51 --> 00:15:52

Hajj,

00:15:52 --> 00:15:54

that person's story has significance

00:15:55 --> 00:15:56

for them too.

00:15:56 --> 00:15:57

Right?

00:15:58 --> 00:16:00

So this is something that I'm gonna ask

00:16:00 --> 00:16:02

you to write about now. Okay? Firstly, before

00:16:02 --> 00:16:04

we move forward, I would like, in the

00:16:04 --> 00:16:05

chat,

00:16:05 --> 00:16:08

to get a little bit of a feel

00:16:08 --> 00:16:11

for the type of stories we've got in

00:16:11 --> 00:16:13

the room today. Okay? So I'm going to

00:16:13 --> 00:16:14

ask you to put it in the chat

00:16:14 --> 00:16:17

after we've gone through this. Right? But before

00:16:17 --> 00:16:19

we we, you know, kinda get there,

00:16:20 --> 00:16:22

this is the way that you can get

00:16:22 --> 00:16:24

to understand that your story is not just

00:16:24 --> 00:16:26

for you. Yeah. It's not just something that

00:16:26 --> 00:16:28

is important to you or even interesting to

00:16:28 --> 00:16:30

you. These are the questions you need to

00:16:30 --> 00:16:31

ask yourselves. Okay?

00:16:32 --> 00:16:33

Who is your story for?

00:16:35 --> 00:16:36

Take a bit of time to write it

00:16:36 --> 00:16:39

down. Who is your story for? Who is

00:16:39 --> 00:16:41

the ideal reader of the story?

00:16:42 --> 00:16:44

Who really needs to hear your story? What

00:16:45 --> 00:16:47

kind of people? What kind of women?

00:16:47 --> 00:16:50

What kind of experiences have they gone through

00:16:50 --> 00:16:51

that they need to hear your story or

00:16:51 --> 00:16:54

that they will benefit from your story?

00:16:54 --> 00:16:56

When you've got something down on paper and

00:16:56 --> 00:16:58

you wanna share it in the chat, please

00:16:58 --> 00:17:00

feel free to put it in the chat.

00:17:00 --> 00:17:02

If you have some kind of idea of

00:17:02 --> 00:17:03

who a story is for. Because it's very

00:17:03 --> 00:17:04

important.

00:17:05 --> 00:17:06

It's very important because

00:17:07 --> 00:17:08

what we don't want to do is to

00:17:08 --> 00:17:09

write something

00:17:10 --> 00:17:10

that

00:17:11 --> 00:17:12

basically is.

00:17:13 --> 00:17:16

Okay? It's it's something that is so mundane,

00:17:16 --> 00:17:18

so banal, so ordinary

00:17:19 --> 00:17:21

that it it doesn't resonate with anyone. You

00:17:21 --> 00:17:23

know? It's not important to anyone.

00:17:24 --> 00:17:26

Whether it's because we've only shared the boring

00:17:26 --> 00:17:28

banal bits or maybe we've been hiding a

00:17:28 --> 00:17:30

little bit, whatever it is, you do need

00:17:30 --> 00:17:32

to think, who is this story for in

00:17:32 --> 00:17:34

the big picture? So I've got,

00:17:35 --> 00:17:37

if it says my story is for survivors,

00:17:37 --> 00:17:39

for warrior healers.

00:17:39 --> 00:17:41

Sudhika says it's for widows and single moms.

00:17:41 --> 00:17:45

Issa says Muslim women struggling with hijab. Fatoum

00:17:45 --> 00:17:47

says it's for mothers. Very good. I would

00:17:47 --> 00:17:48

like everyone

00:17:49 --> 00:17:50

to ask yourself,

00:17:51 --> 00:17:54

who does my purse you know, who is

00:17:54 --> 00:17:55

out there

00:17:55 --> 00:17:58

that would resonate with my personal story?

00:17:58 --> 00:18:01

Who is out there that will benefit from

00:18:01 --> 00:18:04

my personal story? Who is out there that

00:18:04 --> 00:18:05

would actually take inspiration

00:18:06 --> 00:18:10

or solace or even knowledge from my personal

00:18:10 --> 00:18:12

story, from my journey, from my experiences.

00:18:13 --> 00:18:15

Anissa says it's for those insecure, who have

00:18:15 --> 00:18:19

low self esteem. Great. Nabaha says for young

00:18:19 --> 00:18:21

adults who are struggling to live according to

00:18:21 --> 00:18:22

Islam.

00:18:22 --> 00:18:24

Islamia says single sisters who've gone through,

00:18:25 --> 00:18:26

issues with their personality,

00:18:27 --> 00:18:28

Dean, mental health.

00:18:28 --> 00:18:31

Madam says, any person who had childhood trauma

00:18:32 --> 00:18:33

and went on to repeat the cycle of

00:18:33 --> 00:18:34

domestic violence,

00:18:35 --> 00:18:38

very targeted. I love it. Says women of

00:18:38 --> 00:18:40

the subcontinent who are struggling with their identity

00:18:40 --> 00:18:43

through the process of arranged marriage. Wow. Amazing.

00:18:44 --> 00:18:46

Says young girls who've suffered abuse. Amazing.

00:18:47 --> 00:18:49

Says adults who've suffered abuse as a child.

00:18:49 --> 00:18:51

Us men, women who need guidance.

00:18:52 --> 00:18:54

Oh, Lisa says I want to read all

00:18:54 --> 00:18:55

of these. Yes, girl. I hear you, and

00:18:55 --> 00:18:56

I agree.

00:18:57 --> 00:18:59

Exactly. So who is your story for?

00:19:00 --> 00:19:02

We need to answer this question. Okay? Now

00:19:03 --> 00:19:06

this is where the intention comes in. Okay?

00:19:07 --> 00:19:09

Many of you I know having spoken to

00:19:09 --> 00:19:11

so many sisters over the years, so many

00:19:11 --> 00:19:13

women over the years, when it comes to

00:19:13 --> 00:19:14

sharing personal stories,

00:19:15 --> 00:19:15

especially

00:19:16 --> 00:19:16

stories

00:19:17 --> 00:19:20

that have an element of,

00:19:20 --> 00:19:21

shall we say,

00:19:22 --> 00:19:25

pain to them. Okay? That part of the

00:19:25 --> 00:19:28

story is pain. Part of the story is

00:19:28 --> 00:19:28

challenges.

00:19:29 --> 00:19:31

Part of the story is unpleasant

00:19:31 --> 00:19:31

experiences.

00:19:33 --> 00:19:34

Right? Many, many of you, I know,

00:19:35 --> 00:19:36

worry that,

00:19:36 --> 00:19:39

you know, am I doing something wrong?

00:19:40 --> 00:19:43

Am I doing something wrong at sharing the

00:19:43 --> 00:19:43

story?

00:19:44 --> 00:19:45

Right? Am I

00:19:47 --> 00:19:50

taking away someone's rights? Okay? Is this permissible

00:19:50 --> 00:19:53

for me? Okay? What about the other people

00:19:53 --> 00:19:55

who are being creative? You know, how will

00:19:55 --> 00:19:57

they feel? You know, what is is this

00:19:57 --> 00:20:00

something that I'm doing for ego, for example,

00:20:00 --> 00:20:02

or because of pride? So we have these

00:20:02 --> 00:20:03

types of questions that come up

00:20:05 --> 00:20:05

for us. Right? Give me a, a yep

00:20:05 --> 00:20:07

in the chat if you've ever asked yourself

00:20:07 --> 00:20:09

these questions. Okay? If you've questioned,

00:20:09 --> 00:20:12

well, okay. Yeah. I wanna tell the story,

00:20:12 --> 00:20:14

but, like, is it a good idea? Is

00:20:14 --> 00:20:16

it really a good thing? Okay?

00:20:17 --> 00:20:19

And if that's you, which is a lot

00:20:19 --> 00:20:20

of people saying yes, okay,

00:20:21 --> 00:20:24

I want to invite you to focus on

00:20:24 --> 00:20:27

the people who need to hear the story.

00:20:29 --> 00:20:29

Okay?

00:20:30 --> 00:20:32

Focusing on

00:20:32 --> 00:20:35

how your story and you sharing your story

00:20:36 --> 00:20:37

will benefit

00:20:37 --> 00:20:40

the people who need to hear it, who

00:20:40 --> 00:20:41

are currently

00:20:41 --> 00:20:41

suffering,

00:20:42 --> 00:20:42

who

00:20:43 --> 00:20:44

are currently isolated,

00:20:45 --> 00:20:46

who are currently lost

00:20:47 --> 00:20:49

and feeling alone in the world, feeling like

00:20:49 --> 00:20:51

they're the only ones going through what they're

00:20:51 --> 00:20:52

going through,

00:20:53 --> 00:20:56

thinking about how you telling your story will

00:20:56 --> 00:20:58

impact those people

00:20:58 --> 00:21:01

is a way for you to reshape your

00:21:01 --> 00:21:01

intent

00:21:02 --> 00:21:05

so that now you have a powerful intention,

00:21:06 --> 00:21:06

a positive

00:21:07 --> 00:21:07

intention

00:21:08 --> 00:21:09

for sharing your story.

00:21:09 --> 00:21:11

It's not an ego thing. It's not a

00:21:11 --> 00:21:14

fame thing. It's not I feel like complaining

00:21:14 --> 00:21:16

or putting my life out there thing. No.

00:21:16 --> 00:21:17

This is a sincere

00:21:18 --> 00:21:20

effort to be part of the change that

00:21:20 --> 00:21:22

you want to see in the world,

00:21:22 --> 00:21:24

to be part of the healing that you

00:21:24 --> 00:21:26

want to see in your community, to be

00:21:26 --> 00:21:29

part of somebody else's growth journey, to be

00:21:29 --> 00:21:32

part of someone else's healing journey, to be

00:21:32 --> 00:21:36

a positive influence in someone's life by virtue

00:21:36 --> 00:21:38

of you having shared your story

00:21:39 --> 00:21:42

and maybe given them some solace, given them

00:21:42 --> 00:21:44

some comfort, giving them some hope, giving them

00:21:44 --> 00:21:46

something to hold on to.

00:21:48 --> 00:21:49

Give me a yes

00:21:49 --> 00:21:50

in the chat

00:21:51 --> 00:21:53

if that makes sense.

00:21:54 --> 00:21:55

And if you think that

00:21:55 --> 00:21:56

focusing on

00:21:57 --> 00:21:58

the needs of the people who are gonna

00:21:58 --> 00:22:00

hear the story and how it will benefit

00:22:00 --> 00:22:01

them will

00:22:02 --> 00:22:04

allow you to embrace a positive

00:22:05 --> 00:22:05

and powerful

00:22:06 --> 00:22:08

intention for you telling your story.

00:22:09 --> 00:22:12

Love it. Everybody says yes. Cool. So now

00:22:12 --> 00:22:14

that we've got that out of the way,

00:22:14 --> 00:22:17

let's start talking about this big story. Now

00:22:17 --> 00:22:19

remember what I said, everybody of you every

00:22:19 --> 00:22:21

single one of you has a unique story.

00:22:21 --> 00:22:22

Okay? However,

00:22:23 --> 00:22:25

there will be some overarching

00:22:26 --> 00:22:26

themes

00:22:27 --> 00:22:28

that

00:22:29 --> 00:22:33

will basically underpin your story. K? And I'd

00:22:33 --> 00:22:35

like you to think about what those themes

00:22:35 --> 00:22:37

might be. One of the things that I

00:22:37 --> 00:22:38

find and I train this in in my

00:22:38 --> 00:22:39

program

00:22:39 --> 00:22:40

is that

00:22:41 --> 00:22:43

sometimes when ladies come to me and they

00:22:43 --> 00:22:44

want to write a memoir,

00:22:45 --> 00:22:46

they are not sure

00:22:47 --> 00:22:49

what the what the book is really supposed

00:22:49 --> 00:22:51

to be about. Okay? Like, what is it

00:22:51 --> 00:22:52

that people are supposed to get out of

00:22:52 --> 00:22:54

this book? So I don't want you to

00:22:54 --> 00:22:56

do that. I don't want you to get

00:22:56 --> 00:22:58

into a program or start writing, and you

00:22:58 --> 00:23:01

haven't really taken the time to sit back

00:23:02 --> 00:23:04

and look at your story from the outside

00:23:04 --> 00:23:06

and say, well, what's the theme here?

00:23:07 --> 00:23:10

Like, what's the story about? Yeah. Okay. I

00:23:10 --> 00:23:11

know it's about a girl who was born

00:23:11 --> 00:23:13

in x y zed, and she did this

00:23:13 --> 00:23:14

and she did that and she did that.

00:23:14 --> 00:23:16

Fair enough. That's like your plot if you

00:23:16 --> 00:23:18

like. But what's the theme?

00:23:18 --> 00:23:20

Is it the a theme of rags to

00:23:20 --> 00:23:21

riches?

00:23:21 --> 00:23:23

Is it a theme of coming of age?

00:23:24 --> 00:23:26

Is it a theme of healing or forgiveness

00:23:27 --> 00:23:29

or finding yourself?

00:23:30 --> 00:23:33

Right? These are the themes that I'm talking

00:23:33 --> 00:23:34

about. And if that makes sense, guys,

00:23:35 --> 00:23:37

let me know in the chat, and also

00:23:38 --> 00:23:39

maybe

00:23:39 --> 00:23:42

ask yourself, what's the theme of my story?

00:23:42 --> 00:23:45

Is what a great one. Healing, forgiveness, and

00:23:45 --> 00:23:48

finding yourself. This is great. We love it.

00:23:49 --> 00:23:52

I want you all to to tap in

00:23:53 --> 00:23:54

to the theme of your story

00:23:55 --> 00:23:55

because

00:23:56 --> 00:23:58

that is what's going to allow your book

00:23:58 --> 00:24:00

to not just be about your own unique

00:24:00 --> 00:24:01

story, but actually

00:24:02 --> 00:24:02

resonate

00:24:03 --> 00:24:06

on a more universal level with other people.

00:24:06 --> 00:24:09

Remember I promised you? Yeah? I promised you

00:24:09 --> 00:24:10

that I would tell you

00:24:10 --> 00:24:12

how to write a book that people wanna

00:24:12 --> 00:24:13

read. Right?

00:24:14 --> 00:24:16

I said this. So this is this is

00:24:16 --> 00:24:17

how we do it. K?

00:24:18 --> 00:24:19

Say this is finding yourself.

00:24:20 --> 00:24:22

Sadik, it says motivation to keep afloat in

00:24:22 --> 00:24:25

the midst of trials. Yes. Bhaktuna says overcoming

00:24:25 --> 00:24:26

pain and loss.

00:24:26 --> 00:24:28

This is what I'm talking about, guys. Yes.

00:24:28 --> 00:24:31

Yes. Yes. I love it. Okay. So, again,

00:24:31 --> 00:24:34

we're asking ourselves, what's the journey?

00:24:34 --> 00:24:36

Because that's another thing that you need to

00:24:36 --> 00:24:39

know about memoirs. Memoirs are similar to novels

00:24:39 --> 00:24:41

in the sense that you

00:24:41 --> 00:24:44

are the protagonist. You're the main character,

00:24:44 --> 00:24:47

and your memoir is the story of your

00:24:47 --> 00:24:47

journey.

00:24:48 --> 00:24:48

Right?

00:24:49 --> 00:24:51

Where did you start out?

00:24:52 --> 00:24:53

When did things change?

00:24:53 --> 00:24:56

And then what happened? And then what happened?

00:24:56 --> 00:24:58

And how did things start to get more

00:24:58 --> 00:25:00

challenging, or how did they start to get

00:25:00 --> 00:25:03

better and then worse again? How did the

00:25:03 --> 00:25:05

elements of your story unfold?

00:25:06 --> 00:25:08

What was the big moment, the

00:25:09 --> 00:25:12

moment, the victory point? What was the big

00:25:12 --> 00:25:13

moment of actualization

00:25:14 --> 00:25:14

in your journey?

00:25:15 --> 00:25:17

And then what did it mean afterwards?

00:25:18 --> 00:25:20

If you've done any fiction work, if you've

00:25:20 --> 00:25:22

read any novels, if you've watched any films,

00:25:22 --> 00:25:24

you will know that this is the archetypal

00:25:25 --> 00:25:27

hero's arc. That's the hero's story.

00:25:27 --> 00:25:29

That's your memoir.

00:25:29 --> 00:25:31

Guys, I'm giving you all my trip my

00:25:31 --> 00:25:33

my my to my tips and tricks for

00:25:33 --> 00:25:34

free here. Right?

00:25:34 --> 00:25:37

Give me a yep in the chat if

00:25:37 --> 00:25:38

this is making sense.

00:25:40 --> 00:25:42

You're the main character.

00:25:42 --> 00:25:44

We wanna know who you are.

00:25:46 --> 00:25:48

When did things change for you? How did

00:25:48 --> 00:25:50

you go start to go on this journey

00:25:50 --> 00:25:52

that you're talking about in this memoir?

00:25:52 --> 00:25:55

What happened along the way? What challenges did

00:25:55 --> 00:25:57

you face? Who did you meet? The significant

00:25:57 --> 00:26:01

conversations, the significant events that shaped you. What

00:26:01 --> 00:26:03

did you learn from this? What did you

00:26:03 --> 00:26:05

have to find within yourself to face that?

00:26:06 --> 00:26:09

Okay? And what was it leading up to?

00:26:09 --> 00:26:11

What was the high

00:26:11 --> 00:26:13

energy point in the story?

00:26:14 --> 00:26:16

What is the moment you look back and

00:26:16 --> 00:26:16

you're like,

00:26:17 --> 00:26:18

that was

00:26:18 --> 00:26:19

when it all made sense,

00:26:20 --> 00:26:22

or that was my finest hour,

00:26:23 --> 00:26:25

or everything that happened before

00:26:26 --> 00:26:30

culminated in that moment. That's your climax, ladies.

00:26:30 --> 00:26:31

Right? And then,

00:26:32 --> 00:26:33

well, how did life change afterwards?

00:26:34 --> 00:26:34

Right?

00:26:36 --> 00:26:38

So, yes, Nabahes says I need to rewatch

00:26:38 --> 00:26:39

this. This is gold. This is a master

00:26:39 --> 00:26:41

class, my friends. Okay?

00:26:41 --> 00:26:44

That's what we do. Okay? So

00:26:44 --> 00:26:46

I want to give you some examples of

00:26:46 --> 00:26:49

some journeys of my clients. Okay? People I've

00:26:49 --> 00:26:51

been working to write to help them write

00:26:51 --> 00:26:53

their memoirs. So miss Nina, some of you

00:26:53 --> 00:26:54

may be familiar with her, some of you

00:26:54 --> 00:26:57

may not, but she was basically a huge

00:26:57 --> 00:27:00

hip hop star in Malaysia. Okay? In in

00:27:00 --> 00:27:02

in East Asia, she was she was huge.

00:27:02 --> 00:27:05

Right? And she had an epiphany. She went

00:27:05 --> 00:27:07

for Hajj. She had an epiphany. She started

00:27:07 --> 00:27:09

wearing hijab. And so her memoir

00:27:10 --> 00:27:13

is the journey that she it starts with

00:27:14 --> 00:27:16

who she was as a young girl and

00:27:16 --> 00:27:17

how she fell in love with hip hop.

00:27:18 --> 00:27:20

Right? And then she follows that journey because

00:27:20 --> 00:27:22

the hip hop really was what took her

00:27:22 --> 00:27:25

along that trajectory where she started to become

00:27:25 --> 00:27:27

more involved in hip hop. She started making

00:27:27 --> 00:27:30

music. She started performing, and she got to

00:27:30 --> 00:27:31

a high point in her career.

00:27:32 --> 00:27:35

But other stuff was happening along the way.

00:27:35 --> 00:27:36

All sorts of things. You have to read

00:27:36 --> 00:27:38

the book to see. But all sorts of

00:27:38 --> 00:27:40

other things were happening while she's rising star

00:27:40 --> 00:27:42

in the hip hop world.

00:27:42 --> 00:27:44

And eventually, she decides that she needs to

00:27:44 --> 00:27:46

do a cleanse, and she goes for Hajj.

00:27:47 --> 00:27:49

And there she has her epiphany, and she

00:27:49 --> 00:27:51

decides to change her life completely. She gives

00:27:51 --> 00:27:53

up hip hop and she now starts to

00:27:53 --> 00:27:55

practice, and she carves out a new

00:27:56 --> 00:27:58

life and identity for herself.

00:27:58 --> 00:28:01

That was her journey. That's the journey of

00:28:01 --> 00:28:03

her memoir. Okay? Hope that makes sense to

00:28:03 --> 00:28:04

everyone.

00:28:04 --> 00:28:06

Some of you may be familiar with one

00:28:06 --> 00:28:07

of my top clients, Tamkeen,

00:28:08 --> 00:28:11

who is an award winning author. But when

00:28:11 --> 00:28:13

I met her, she was

00:28:13 --> 00:28:15

not an author at all. She had just

00:28:15 --> 00:28:16

started writing,

00:28:16 --> 00:28:18

articles for a local newspaper.

00:28:19 --> 00:28:20

Through time,

00:28:21 --> 00:28:23

through practice, and with her own journey of

00:28:23 --> 00:28:26

growth, she began to write. She published a

00:28:26 --> 00:28:27

book. The book is an award winning book.

00:28:28 --> 00:28:30

And then she came to me to write

00:28:30 --> 00:28:33

her memoir. And the story she tells in

00:28:33 --> 00:28:33

the memoir

00:28:34 --> 00:28:35

is not about the writing.

00:28:35 --> 00:28:37

It's not about the the books. It's not

00:28:37 --> 00:28:38

about the articles.

00:28:38 --> 00:28:40

It's her journey

00:28:40 --> 00:28:41

from

00:28:41 --> 00:28:43

a a troubled childhood experience

00:28:44 --> 00:28:45

through depression

00:28:46 --> 00:28:48

into having her dreams fulfilled,

00:28:48 --> 00:28:49

into her healing journey.

00:28:50 --> 00:28:53

That's the journey that she went on. Okay?

00:28:53 --> 00:28:55

So this is I'm trying to kind of

00:28:55 --> 00:28:56

frame this so you guys can understand what

00:28:56 --> 00:28:58

I mean. It's quite a

00:28:58 --> 00:29:00

simple concept, but I want you to be

00:29:00 --> 00:29:02

thinking about it in terms of your own

00:29:02 --> 00:29:05

story. What is my gen? Okay? If I

00:29:05 --> 00:29:07

was to say from this to that, what

00:29:07 --> 00:29:09

would it be? Aisha Adams, again, someone you

00:29:09 --> 00:29:11

know or may be familiar with, one of

00:29:11 --> 00:29:12

my best clients,

00:29:12 --> 00:29:14

She came to me and she wrote a

00:29:14 --> 00:29:17

book. Together, we wrote a book where she

00:29:17 --> 00:29:19

charted her journey from divorce,

00:29:19 --> 00:29:22

miscarriage, and the brink of death, really, to

00:29:22 --> 00:29:25

healing and hope, alright, and rising irrespective.

00:29:26 --> 00:29:28

So this is the type of journeys that

00:29:28 --> 00:29:30

we're talking about, guys. Let me know in

00:29:30 --> 00:29:32

the chat if that makes sense to you.

00:29:32 --> 00:29:32

Okay?

00:29:34 --> 00:29:35

Lots of people saying,

00:29:36 --> 00:29:38

love, Tamkeen. Oh, Aisha Adams. Her journey is

00:29:39 --> 00:29:40

really emotional. Absolutely.

00:29:41 --> 00:29:43

Bahia says, what about if you haven't reached

00:29:43 --> 00:29:45

your finest hour yet? You can't add it

00:29:45 --> 00:29:46

to the story. That's true.

00:29:47 --> 00:29:49

You will have to find the finest hour

00:29:49 --> 00:29:50

in the story.

00:29:51 --> 00:29:52

None of us will know until the end

00:29:52 --> 00:29:54

of our lives when our

00:29:54 --> 00:29:57

finest hour is. So don't worry about that

00:29:57 --> 00:29:59

too much because remember, it's not a biography.

00:30:00 --> 00:30:02

It's a memoir. So and I will show

00:30:02 --> 00:30:03

you exactly what I mean by that when

00:30:03 --> 00:30:05

I say that you don't have to talk

00:30:05 --> 00:30:07

about every aspect of your life in your

00:30:07 --> 00:30:10

memoir. So even if you haven't reached the

00:30:10 --> 00:30:12

peak of your career, for example,

00:30:12 --> 00:30:14

even, you know, if the novel is sorry.

00:30:14 --> 00:30:17

If your memoir is not about your journey

00:30:17 --> 00:30:19

with your career, then it doesn't matter that

00:30:19 --> 00:30:20

you haven't reached the peak of your career.

00:30:20 --> 00:30:22

It could be that your journey, for example,

00:30:22 --> 00:30:25

is about weight loss. And you may have

00:30:25 --> 00:30:27

reached the pinnacle with regards to your health

00:30:27 --> 00:30:28

or your weight or whatever it is, and

00:30:28 --> 00:30:30

maybe that's the pinnacle of the story because

00:30:30 --> 00:30:32

that's what the memoir is about. The fact

00:30:32 --> 00:30:34

that you're running a business or that you

00:30:34 --> 00:30:35

have 4 children, you're homeschooling

00:30:36 --> 00:30:38

might have nothing to do with the memoir.

00:30:38 --> 00:30:39

And you may not even mention it, but

00:30:39 --> 00:30:40

I'm gonna talk to you about all of

00:30:40 --> 00:30:42

that. So don't worry. We'll come into that.

00:30:43 --> 00:30:44

Cool. Cool.

00:30:45 --> 00:30:47

Everyone is saying it makes sense. I love

00:30:47 --> 00:30:49

that. Fantastic. So let's keep going. Now this

00:30:49 --> 00:30:52

is the one of my favorite things. This,

00:30:52 --> 00:30:55

I I started coaching my memoir clients

00:30:55 --> 00:30:57

with this particular

00:30:57 --> 00:31:00

frame because it's so, so helpful. Okay?

00:31:01 --> 00:31:04

What you are doing when you're writing a

00:31:04 --> 00:31:04

memoir

00:31:05 --> 00:31:06

is you are basically

00:31:07 --> 00:31:08

putting together

00:31:08 --> 00:31:11

a film about your life. Okay?

00:31:11 --> 00:31:14

So it's really important when you are going

00:31:14 --> 00:31:17

into the memoir process to adopt the right

00:31:17 --> 00:31:18

lens.

00:31:19 --> 00:31:20

Like I said,

00:31:20 --> 00:31:21

a memoir

00:31:21 --> 00:31:24

is not a biography. It's not an autobiography.

00:31:24 --> 00:31:25

It's not your whole life story.

00:31:26 --> 00:31:27

It's stories

00:31:27 --> 00:31:28

from your life.

00:31:29 --> 00:31:31

So once you are clear on who this

00:31:31 --> 00:31:32

memoir is for,

00:31:33 --> 00:31:35

what the theme of the memoir is, and

00:31:35 --> 00:31:36

what the journey is,

00:31:36 --> 00:31:38

now you're able to

00:31:39 --> 00:31:42

really kind of focus that lens really well

00:31:42 --> 00:31:43

because now you know

00:31:44 --> 00:31:47

the story that you're actually looking for.

00:31:48 --> 00:31:51

That's your lens. So say, for example,

00:31:51 --> 00:31:53

we're talking about the let's go back to

00:31:53 --> 00:31:54

the Hajjis. Okay?

00:31:55 --> 00:31:56

If I decide

00:31:57 --> 00:31:57

that

00:31:58 --> 00:31:58

my

00:31:59 --> 00:32:01

lens okay. But okay. If I decide that

00:32:01 --> 00:32:04

my my audience, my ideal reader is Hajjis

00:32:04 --> 00:32:06

in general, but specifically

00:32:06 --> 00:32:07

for new

00:32:08 --> 00:32:10

for, like, first time Hajjis, they're the ones

00:32:10 --> 00:32:11

I'm really writing to. Okay?

00:32:12 --> 00:32:14

And the theme of my story is patience.

00:32:15 --> 00:32:15

Okay?

00:32:16 --> 00:32:17

Maybe it's new Muslims who are going for

00:32:17 --> 00:32:19

Hajj or it's someone going for Hajj for

00:32:19 --> 00:32:22

the first time. Right? And the theme of

00:32:22 --> 00:32:22

my

00:32:23 --> 00:32:23

journey

00:32:24 --> 00:32:27

really was learning patience. Okay? Learning sabab. Alright?

00:32:28 --> 00:32:29

And the journey that I was on, for

00:32:29 --> 00:32:33

example, was that I had huge ambitions and

00:32:33 --> 00:32:35

dreams going into Hajj, and I expected it

00:32:35 --> 00:32:37

to be this utopian experience.

00:32:38 --> 00:32:39

And I thought I was gonna feel like

00:32:39 --> 00:32:41

I was in a spiritual high the whole

00:32:41 --> 00:32:43

time and had all these unrealistic ideas

00:32:44 --> 00:32:47

until I got to the airport.

00:32:47 --> 00:32:49

And there the story begins. Can you see

00:32:49 --> 00:32:51

what I just did there?

00:32:51 --> 00:32:53

I let you know who I was at

00:32:53 --> 00:32:56

the beginning, you know, very, very idealistic and

00:32:56 --> 00:32:58

hopeful, maybe a new Muslim going on my

00:32:58 --> 00:33:00

first Hajj or whatever of all these ideas

00:33:00 --> 00:33:02

and dreams and everything, and I'm building it

00:33:02 --> 00:33:05

up until I get to the airport.

00:33:05 --> 00:33:07

And at the airport, I realize

00:33:08 --> 00:33:10

this is not going to be a dream.

00:33:10 --> 00:33:13

Right? And my lens that I adopt,

00:33:15 --> 00:33:17

so that because I've decided that it's going

00:33:17 --> 00:33:19

to be about how I learned the lesson

00:33:19 --> 00:33:21

of patience through my punch. Right? That's that's

00:33:21 --> 00:33:23

my lens, what I've decided I'm gonna focus

00:33:23 --> 00:33:24

on. So therefore,

00:33:25 --> 00:33:27

I'm gonna focus in

00:33:27 --> 00:33:28

on the stories

00:33:29 --> 00:33:29

that

00:33:30 --> 00:33:31

help me to illustrate

00:33:32 --> 00:33:34

the theme, that help me to illustrate the

00:33:34 --> 00:33:35

journey.

00:33:35 --> 00:33:38

So the examples that I'm going to share,

00:33:38 --> 00:33:40

the stories I'm going to tell, the dialogue

00:33:40 --> 00:33:42

that I'm going to actually report to the

00:33:42 --> 00:33:45

reader is all going to be about this

00:33:45 --> 00:33:46

journey of learning patience.

00:33:48 --> 00:33:50

If other things happened along the way,

00:33:51 --> 00:33:53

I probably may I may not mention them.

00:33:53 --> 00:33:54

Right?

00:33:54 --> 00:33:56

I may not mention them if they are

00:33:56 --> 00:33:58

not related to the theme of my memoir.

00:33:58 --> 00:33:59

Guys, just give me a chat if that

00:33:59 --> 00:34:02

makes sense. Okay? Because what happens a lot

00:34:02 --> 00:34:03

is sometimes

00:34:03 --> 00:34:05

we start to babble.

00:34:06 --> 00:34:08

Right? We start to tell stories, and then

00:34:08 --> 00:34:09

we start babbling.

00:34:09 --> 00:34:12

So for example, in my Hajj story,

00:34:13 --> 00:34:15

I could go off on a tangent about,

00:34:16 --> 00:34:18

the way that Saudi Arabia has changed, okay,

00:34:18 --> 00:34:21

physically. Alright? And how, you know you know,

00:34:21 --> 00:34:23

it's it's, like, really, really glamorous and really,

00:34:23 --> 00:34:25

really built up. And, you know, I miss

00:34:26 --> 00:34:27

you know, I wish it could have been

00:34:27 --> 00:34:28

like it was during the time of the

00:34:28 --> 00:34:30

prophet and I could I could do that.

00:34:30 --> 00:34:31

I could start babbling about all sorts of

00:34:31 --> 00:34:33

things. I could relay

00:34:34 --> 00:34:36

every single conversation that I had with every

00:34:36 --> 00:34:39

person that I met on Hajj. Okay? I

00:34:39 --> 00:34:40

could itemize

00:34:40 --> 00:34:43

everything that I had for dinner every single

00:34:43 --> 00:34:45

day of the Hajj. But let me ask

00:34:45 --> 00:34:45

you this,

00:34:46 --> 00:34:48

would I include that in the film?

00:34:50 --> 00:34:51

If I was writing if I was shooting

00:34:51 --> 00:34:52

a film,

00:34:52 --> 00:34:55

would all of those things get a scene?

00:34:56 --> 00:34:58

Would all of those those

00:34:58 --> 00:34:58

experiences,

00:34:59 --> 00:35:02

those conversations, etcetera, would they get screen time?

00:35:03 --> 00:35:05

That's the question you need to ask yourself.

00:35:05 --> 00:35:07

Right. Everyone's saying no.

00:35:10 --> 00:35:11

Right.

00:35:13 --> 00:35:15

Exactly. Dorjeet has hit the nail on the

00:35:15 --> 00:35:16

head.

00:35:16 --> 00:35:19

Not all, but only the most significant ones.

00:35:20 --> 00:35:21

So for you, my sister,

00:35:22 --> 00:35:24

the shift I would like you to make

00:35:24 --> 00:35:24

is

00:35:25 --> 00:35:27

inviting you to become the director of your

00:35:27 --> 00:35:29

own film. That's how I tell my clients

00:35:29 --> 00:35:32

to decide which stories they're going to tell.

00:35:32 --> 00:35:33

If you are going to make a film,

00:35:34 --> 00:35:37

what would be the significant scenes? What would

00:35:37 --> 00:35:38

be the significant conversations?

00:35:38 --> 00:35:40

Even in terms of your characters, who are

00:35:40 --> 00:35:42

the significant characters?

00:35:42 --> 00:35:44

I don't need to hear about every member

00:35:44 --> 00:35:46

of your extended family. I don't need to

00:35:46 --> 00:35:48

hear about them unless they are involved

00:35:48 --> 00:35:49

in

00:35:50 --> 00:35:51

the journey that you are on,

00:35:52 --> 00:35:54

unless they are contributing to the story moving

00:35:54 --> 00:35:57

forward, unless they are helping to deepen and

00:35:57 --> 00:35:58

explain the theme,

00:35:59 --> 00:36:00

they don't need to be there.

00:36:01 --> 00:36:02

Okay? So this is a bit of this

00:36:02 --> 00:36:04

is where I I tell my clients to

00:36:04 --> 00:36:06

kind of use fiction tools when they're writing

00:36:06 --> 00:36:09

their memoirs because it helps the memoir to

00:36:09 --> 00:36:11

be something that is

00:36:11 --> 00:36:13

powerful and kind

00:36:13 --> 00:36:14

of action packed.

00:36:15 --> 00:36:18

K? It's not full of fluff. It's not

00:36:18 --> 00:36:20

full of kind of babbling about things that

00:36:20 --> 00:36:21

are maybe

00:36:22 --> 00:36:24

kind of interesting, but have nothing to do

00:36:24 --> 00:36:27

with what you're actually trying to say. Right?

00:36:27 --> 00:36:29

So I hope that that makes sense. Give

00:36:29 --> 00:36:30

me a yes in the chat if that

00:36:30 --> 00:36:32

makes sense. Maybe I'm going too fast. Am

00:36:32 --> 00:36:33

I going too fast?

00:36:34 --> 00:36:36

Well, I have to carry on going because

00:36:36 --> 00:36:37

it's already quarter 2.

00:36:37 --> 00:36:39

Alright. So does that make sense, everyone?

00:36:40 --> 00:36:42

We are going to behave

00:36:42 --> 00:36:43

like

00:36:43 --> 00:36:45

the directors of our film. And we are

00:36:45 --> 00:36:46

gonna decide

00:36:46 --> 00:36:47

which scenes,

00:36:47 --> 00:36:50

which which which events, which conversations,

00:36:50 --> 00:36:53

which characters are going to get a scene.

00:36:53 --> 00:36:55

Yeah. You wouldn't give a scene just to

00:36:55 --> 00:36:57

something that's random that happens that has nothing

00:36:57 --> 00:36:59

to do with the story, nothing to do

00:36:59 --> 00:37:00

with the journey, nothing to do with the

00:37:00 --> 00:37:02

theme. We're not gonna write about it because

00:37:02 --> 00:37:04

we wouldn't film it, and we wouldn't put

00:37:04 --> 00:37:05

it. And even if we did film it,

00:37:05 --> 00:37:07

it would end up on the editing room

00:37:07 --> 00:37:09

floor. Okay? It wouldn't make it into the

00:37:09 --> 00:37:11

final cut, so never mind.

00:37:11 --> 00:37:13

That's the shift, the 4th shift. I think

00:37:13 --> 00:37:14

it's the 4th shift that we're on now.

00:37:15 --> 00:37:17

No. That was the 3rd shift. 4th shift

00:37:17 --> 00:37:20

is, again, what I was saying,

00:37:20 --> 00:37:22

practice selective storytelling. Okay?

00:37:23 --> 00:37:24

Because let me tell you something.

00:37:25 --> 00:37:26

I said to you, I was gonna talk

00:37:26 --> 00:37:28

to you about the number one mistake that

00:37:28 --> 00:37:31

can jeopardize your efforts, your writing efforts, and

00:37:31 --> 00:37:32

that is

00:37:32 --> 00:37:34

writing without a plan.

00:37:35 --> 00:37:36

Writing

00:37:36 --> 00:37:37

without

00:37:37 --> 00:37:39

already having thought

00:37:40 --> 00:37:42

through all the questions that we've just covered.

00:37:42 --> 00:37:43

Who's the audience?

00:37:44 --> 00:37:45

What's the theme?

00:37:45 --> 00:37:47

What is this journey that we're going to

00:37:47 --> 00:37:49

talk about in this book? And then now

00:37:49 --> 00:37:52

that we know these things, which stories

00:37:52 --> 00:37:54

are we going to tell?

00:37:54 --> 00:37:56

Right? I have many ladies who come to

00:37:56 --> 00:37:58

me and have written maybe 10,000,

00:37:59 --> 00:38:00

20000 words

00:38:02 --> 00:38:03

completely off topic

00:38:05 --> 00:38:07

because they didn't ask themselves these questions

00:38:08 --> 00:38:09

right from the start.

00:38:09 --> 00:38:11

Okay? So I don't want that to happen

00:38:11 --> 00:38:12

to you.

00:38:12 --> 00:38:14

The 4th shift that I will I'm going

00:38:14 --> 00:38:17

to invite you to use is to practice

00:38:17 --> 00:38:18

selective storytelling.

00:38:19 --> 00:38:21

Not everything that happened to you in your

00:38:21 --> 00:38:23

life belongs in your memoir. Okay? And this

00:38:23 --> 00:38:25

is something that I would like to, you

00:38:25 --> 00:38:27

know, kind of offer to some of you

00:38:27 --> 00:38:28

who

00:38:29 --> 00:38:30

are concerned about

00:38:31 --> 00:38:33

talking about certain things that happened in your

00:38:33 --> 00:38:35

life in case of privacy,

00:38:35 --> 00:38:38

in case of other people getting upset, and,

00:38:38 --> 00:38:40

of course, you know, there there's always the

00:38:40 --> 00:38:41

question that comes, you know, what if someone

00:38:41 --> 00:38:42

sues me? Alright?

00:38:43 --> 00:38:46

So I always say this to to to

00:38:46 --> 00:38:48

to my clients is that

00:38:48 --> 00:38:51

you get to choose what to include in

00:38:51 --> 00:38:53

the story and what to leave out. It's

00:38:53 --> 00:38:54

up to you completely.

00:38:54 --> 00:38:57

You know, you're not beholden to anyone.

00:38:57 --> 00:38:59

So if there are topics you do not

00:38:59 --> 00:39:01

want to talk about, you don't have to

00:39:01 --> 00:39:03

talk about them. Or you can write them

00:39:03 --> 00:39:05

in your 1st draft if you need a

00:39:05 --> 00:39:07

cathartic draft, which means that it's your first

00:39:07 --> 00:39:10

time writing about something that is maybe quite

00:39:10 --> 00:39:12

emotional or or traumatic,

00:39:12 --> 00:39:14

and you need to get it all out

00:39:14 --> 00:39:15

on the paper.

00:39:16 --> 00:39:18

That's what I call the cathartic draft. Okay?

00:39:18 --> 00:39:21

Even if you spill all the beans in

00:39:21 --> 00:39:21

the cathartic

00:39:22 --> 00:39:22

draft,

00:39:23 --> 00:39:24

that's not the draft that you're going to

00:39:24 --> 00:39:27

put out into the world. That's the cathartic

00:39:27 --> 00:39:27

draft.

00:39:28 --> 00:39:30

The next move after that is now to

00:39:30 --> 00:39:32

go back to that cathartic draft, the first

00:39:32 --> 00:39:34

draft, and decide

00:39:35 --> 00:39:35

what

00:39:36 --> 00:39:38

from all this do I actually want to

00:39:38 --> 00:39:40

share with the world and what do I

00:39:40 --> 00:39:42

want to keep to myself? What do I

00:39:42 --> 00:39:43

want to remain private?

00:39:45 --> 00:39:48

That's you, the selective storytelling side of it.

00:39:49 --> 00:39:50

Does that make sense, everyone?

00:39:56 --> 00:39:58

Right. So Birina says if we have more

00:39:58 --> 00:40:00

than one theme, is it necessary that these

00:40:00 --> 00:40:01

themes be interrelated?

00:40:02 --> 00:40:03

To be able to answer that, sis, we'd

00:40:03 --> 00:40:05

have to get on a call. We'd have

00:40:05 --> 00:40:07

to be working together just to understand what

00:40:07 --> 00:40:09

the different themes are, and and then I

00:40:09 --> 00:40:10

would be able to kind of give you

00:40:10 --> 00:40:12

guidance on that. But, I mean, I can't

00:40:12 --> 00:40:14

answer the question just off the bat. Okay?

00:40:15 --> 00:40:16

Sis says, what if I don't want the

00:40:16 --> 00:40:18

reader to know it's my story? Well, if

00:40:18 --> 00:40:20

you don't want the reader to know that

00:40:20 --> 00:40:23

it's your story, personally you, you have, you

00:40:23 --> 00:40:24

know, some options.

00:40:24 --> 00:40:26

Using a pen name is one of them.

00:40:27 --> 00:40:27

Okay?

00:40:28 --> 00:40:31

Changing private details so that people can't kind

00:40:31 --> 00:40:33

of work out who you are is something

00:40:33 --> 00:40:34

else that you can do.

00:40:34 --> 00:40:35

Also,

00:40:35 --> 00:40:37

writing it and publishing it in an anonymous

00:40:37 --> 00:40:38

form,

00:40:38 --> 00:40:40

that can also work. Okay?

00:40:40 --> 00:40:44

I don't advise people to try to fictionalize

00:40:45 --> 00:40:45

their stories

00:40:46 --> 00:40:48

unless they actually want to write fiction.

00:40:49 --> 00:40:49

Okay?

00:40:50 --> 00:40:52

Writing fiction is a very different beast

00:40:53 --> 00:40:55

from nonfiction, even from memoir.

00:40:55 --> 00:40:58

Okay? And I unless you want to write

00:40:58 --> 00:40:59

fiction and you would like to use your

00:40:59 --> 00:41:02

own experience as inspiration for your fiction, which

00:41:02 --> 00:41:02

is fine,

00:41:03 --> 00:41:06

Don't think of the fiction root. Let's let's

00:41:06 --> 00:41:08

get creative with it and find another way

00:41:08 --> 00:41:10

for you to tell your story, you know,

00:41:10 --> 00:41:11

and kinda keep it as anonymous as you

00:41:11 --> 00:41:12

want. Okay?

00:41:13 --> 00:41:15

If you wanna talk to me about that,

00:41:15 --> 00:41:16

I'll tell you how to do that inshallah.

00:41:17 --> 00:41:19

Alright? Fantastic. Where are we now?

00:41:20 --> 00:41:23

Cool. Cool. Cool. Shift number 5, invest in

00:41:23 --> 00:41:23

your legacy.

00:41:24 --> 00:41:27

Ladies, I know just from having seen some

00:41:27 --> 00:41:29

of the themes of the journeys that you've

00:41:29 --> 00:41:31

shared in this just in this short time

00:41:31 --> 00:41:32

in being together, that

00:41:34 --> 00:41:35

you guys have been on a journey

00:41:35 --> 00:41:38

that can be an inspiration to others. I

00:41:38 --> 00:41:41

know this. Okay? So what I would say

00:41:41 --> 00:41:42

is

00:41:42 --> 00:41:45

you've come here for a reason. You made

00:41:45 --> 00:41:46

it here for a reason. We had over

00:41:46 --> 00:41:48

300 people sign up for this, and it's

00:41:48 --> 00:41:51

just you who've made it here live. Okay?

00:41:51 --> 00:41:53

There's a reason for that. So you've already

00:41:53 --> 00:41:55

started investing in your story. I know some

00:41:55 --> 00:41:57

of you have already started writing, which is

00:41:57 --> 00:41:58

amazing.

00:41:58 --> 00:42:02

So don't be afraid to invest the time,

00:42:02 --> 00:42:03

the energy, and the resources

00:42:04 --> 00:42:06

in this book because

00:42:06 --> 00:42:09

it will be part of your legacy. And

00:42:09 --> 00:42:11

I say this as somebody who has written

00:42:11 --> 00:42:13

a memoir, and my memoir came out, I

00:42:13 --> 00:42:14

think, 2,005.

00:42:17 --> 00:42:19

That book from my sister's lips,

00:42:22 --> 00:42:25

you know, and and impacting so many people

00:42:25 --> 00:42:28

that I will never see. I will never

00:42:28 --> 00:42:30

know them. They will probably never meet me.

00:42:30 --> 00:42:32

I will never meet them. But just through

00:42:32 --> 00:42:35

me having told my story, I'm now a

00:42:35 --> 00:42:36

part of their journey.

00:42:37 --> 00:42:40

Just from me having shared my journey, I'm

00:42:40 --> 00:42:42

now a part of their spiritual path, of

00:42:42 --> 00:42:44

their spiritual journey.

00:42:44 --> 00:42:47

And that will radiate outwards to their friends,

00:42:47 --> 00:42:49

to their family. That's part of my legacies,

00:42:50 --> 00:42:50

You know?

00:42:51 --> 00:42:53

And and that's the case with every one

00:42:53 --> 00:42:54

of you.

00:42:54 --> 00:42:56

Every single one of you,

00:42:56 --> 00:42:57

you do this,

00:42:57 --> 00:43:01

if you commit and you write this memoir

00:43:01 --> 00:43:02

and you put it out into the world

00:43:02 --> 00:43:04

and people read it, that's part of your

00:43:04 --> 00:43:06

legacy. To set up a journey for you,

00:43:06 --> 00:43:08

and it's something you leave behind, nobody can

00:43:08 --> 00:43:09

take that away.

00:43:10 --> 00:43:11

No one can take that away from you,

00:43:11 --> 00:43:14

and it's something that just carries on benefiting

00:43:14 --> 00:43:16

you even though you finished writing the memoir,

00:43:16 --> 00:43:19

it's published, it's done, but people are still

00:43:19 --> 00:43:21

benefiting. People are still learning. People are still

00:43:21 --> 00:43:23

getting comfort and solace. People are still growing

00:43:23 --> 00:43:25

as a result of you sharing your story.

00:43:25 --> 00:43:27

So it's huge, and don't underestimate

00:43:27 --> 00:43:28

this. Okay?

00:43:30 --> 00:43:32

Right. I wanna invite everybody to just take

00:43:32 --> 00:43:34

a big cleansing

00:43:34 --> 00:43:35

breath right now.

00:43:40 --> 00:43:43

That was helter skelter.

00:43:43 --> 00:43:45

I think we'll all agree.

00:43:45 --> 00:43:47

So guys, today, I promised

00:43:47 --> 00:43:49

that I would tell you the secret ingredients

00:43:50 --> 00:43:52

that you have that no other writers have.

00:43:53 --> 00:43:54

Yes? And I'm sure you know what that

00:43:54 --> 00:43:55

is. Okay?

00:43:55 --> 00:43:58

I also shared with you how you can

00:43:58 --> 00:44:02

develop a powerful positive intention. And I know

00:44:02 --> 00:44:04

that that resonated with you guys because I

00:44:04 --> 00:44:06

I I felt it in the chat. Okay?

00:44:07 --> 00:44:09

I also talked about the fear. We talked

00:44:09 --> 00:44:12

about the fear and how to combat the

00:44:12 --> 00:44:15

fear. Right? We said we talked about how

00:44:15 --> 00:44:17

to make sure that there are will be

00:44:17 --> 00:44:19

people who want to read your book. Okay?

00:44:19 --> 00:44:22

We talked about the writing habits that we

00:44:22 --> 00:44:25

can adopt. Okay? And the one mistake that

00:44:25 --> 00:44:27

can jeopardize your efforts and which we're not

00:44:27 --> 00:44:28

gonna make at all. Alright?

00:44:29 --> 00:44:30

So with that being said,

00:44:31 --> 00:44:34

you have a choice now, ladies, because you're

00:44:34 --> 00:44:36

gonna get the replay for this and you'll

00:44:36 --> 00:44:37

be able to watch it again and again

00:44:37 --> 00:44:39

as many times as you need to. And

00:44:39 --> 00:44:41

so now you can take what I've given

00:44:41 --> 00:44:44

you and go and start writing that telling

00:44:44 --> 00:44:47

that story, writing that book. Okay? You can

00:44:47 --> 00:44:48

go it alone.

00:44:49 --> 00:44:52

Take care of that thing. Alright? Or you

00:44:52 --> 00:44:53

can decide that, you know what?

00:44:54 --> 00:44:57

I want to work with somebody who has

00:44:57 --> 00:44:58

done this before.

00:44:58 --> 00:45:01

I want to work with a mentor. I

00:45:01 --> 00:45:03

want to have, you know, a supportive

00:45:03 --> 00:45:05

community around me. I don't wanna go this

00:45:05 --> 00:45:07

alone. I don't wanna do this alone, and

00:45:07 --> 00:45:09

I want to make sure that it does

00:45:09 --> 00:45:11

get done. Because I know what I can

00:45:11 --> 00:45:12

be like sometimes. Right?

00:45:13 --> 00:45:16

So if that's the case, then really, I'm

00:45:16 --> 00:45:17

just gonna let you know right now how

00:45:17 --> 00:45:19

I can help you. Because like I said,

00:45:19 --> 00:45:21

this is what I do all day every

00:45:21 --> 00:45:23

day. What I have done for you. My

00:45:23 --> 00:45:26

team and I have set aside some time

00:45:26 --> 00:45:27

in the next 48 hours

00:45:28 --> 00:45:30

to chat with you personally about how you

00:45:30 --> 00:45:31

can follow

00:45:31 --> 00:45:35

these 5 essential shifts to finally tell your

00:45:35 --> 00:45:36

story and write your book.

00:45:37 --> 00:45:39

We're gonna have a chat, ladies. Okay? We're

00:45:39 --> 00:45:41

gonna be in that chat together, and you're

00:45:41 --> 00:45:42

gonna share with me your biggest challenges

00:45:43 --> 00:45:46

because whatever those challenges are, I've seen them,

00:45:46 --> 00:45:47

and I know how you can overcome them.

00:45:47 --> 00:45:49

And I know how you can take the

00:45:49 --> 00:45:52

stories of your life and create something really

00:45:52 --> 00:45:53

powerful with

00:45:54 --> 00:45:54

it. Okay?

00:45:55 --> 00:45:57

So after an initial chat, we're gonna chat

00:45:57 --> 00:45:59

in messenger to be sure that we're a

00:45:59 --> 00:46:02

fit. We will work with you to craft

00:46:02 --> 00:46:04

a step by step game plan to turn

00:46:04 --> 00:46:07

that dream of yours of writing a book

00:46:07 --> 00:46:08

into a reality

00:46:09 --> 00:46:09

So

00:46:10 --> 00:46:11

just to be clear,

00:46:12 --> 00:46:14

who this is for everybody, please make sure

00:46:14 --> 00:46:15

that we've got our listening

00:46:16 --> 00:46:18

cap on or whatever it is. Okay?

00:46:19 --> 00:46:21

This chat is not for you.

00:46:22 --> 00:46:25

You're merely interested in writing a book. Okay?

00:46:25 --> 00:46:27

But this chat is for you if you

00:46:27 --> 00:46:29

are committed to writing this book.

00:46:29 --> 00:46:30

If you know,

00:46:31 --> 00:46:33

you know deep inside that this book is

00:46:33 --> 00:46:34

a nonnegotiable

00:46:34 --> 00:46:36

and you just need to know what steps

00:46:36 --> 00:46:37

to take to make it happen,

00:46:38 --> 00:46:40

then you need to get in that chat

00:46:40 --> 00:46:40

with me.

00:46:41 --> 00:46:42

Now there's a caveat.

00:46:42 --> 00:46:45

You must have a story to tell. Okay?

00:46:45 --> 00:46:47

A valuable message to share. And I know

00:46:47 --> 00:46:49

already from hearing you guys that you all

00:46:49 --> 00:46:52

do. And you must be ready to invest

00:46:52 --> 00:46:53

the time,

00:46:54 --> 00:46:55

effort, and resources

00:46:55 --> 00:46:56

required

00:46:56 --> 00:46:58

to write and publish this book of yours.

00:46:59 --> 00:47:01

K? And if this is you,

00:47:02 --> 00:47:04

hey, guys. Let's start a chat now. That's

00:47:04 --> 00:47:06

me right there. M.me

00:47:07 --> 00:47:08

slash

00:47:09 --> 00:47:09

Robert.

00:47:10 --> 00:47:11

I wanna see who's the first person to

00:47:11 --> 00:47:14

send a chat. I'm gonna put the link

00:47:14 --> 00:47:16

in the chat as well and see who

00:47:16 --> 00:47:17

is the first person to send me a

00:47:17 --> 00:47:19

message. All I want you to do is

00:47:19 --> 00:47:22

send me a message saying journey. Alright?

00:47:22 --> 00:47:24

Send journey.

00:47:25 --> 00:47:27

Oh, somebody's coming in late.

00:47:27 --> 00:47:29

Send the word journey

00:47:29 --> 00:47:30

to

00:47:30 --> 00:47:31

m.me/

00:47:33 --> 00:47:35

Naima b Robert. I'm gonna look at my

00:47:35 --> 00:47:38

phone. I'm gonna see I'm gonna see who

00:47:38 --> 00:47:39

is the first person to

00:47:40 --> 00:47:41

message me.

00:47:41 --> 00:47:42

Ready, steady.

00:47:43 --> 00:47:45

I wanna see who's coming in.

00:47:46 --> 00:47:49

Yeah. So my biggest challenge is that part

00:47:49 --> 00:47:51

of my story was shared by sisters who

00:47:51 --> 00:47:53

are seen as those with knowledge of the

00:47:53 --> 00:47:54

dean. Okay.

00:47:55 --> 00:47:56

Right. Islamia, you need to get in that

00:47:56 --> 00:47:58

chat with me, please, my dear, and we

00:47:58 --> 00:48:00

will talk about it. K? We're not gonna

00:48:00 --> 00:48:01

talk about it now. We're gonna talk about

00:48:01 --> 00:48:04

it in the chat. Alright? So who has

00:48:04 --> 00:48:05

sent their message already?

00:48:05 --> 00:48:06

Let me know.

00:48:10 --> 00:48:11

And I just wanna give you some insights

00:48:11 --> 00:48:14

into kind of why I'm doing this. Okay?

00:48:14 --> 00:48:17

I know from having spoken to, you know,

00:48:17 --> 00:48:20

lots of women over the years,

00:48:21 --> 00:48:24

how many of you have a really heroic

00:48:24 --> 00:48:25

story to tell.

00:48:26 --> 00:48:28

Okay? And I also know the things that

00:48:28 --> 00:48:31

are holding you back and the things that

00:48:31 --> 00:48:33

make it difficult for you to either get

00:48:33 --> 00:48:33

started

00:48:34 --> 00:48:36

or to actually finish and then know what

00:48:36 --> 00:48:38

to do with it. Okay?

00:48:38 --> 00:48:39

This is super important.

00:48:40 --> 00:48:42

Yeah. Some of you may be thinking, well,

00:48:42 --> 00:48:43

you know, do I really wanna write a

00:48:43 --> 00:48:44

book?

00:48:45 --> 00:48:46

You know.

00:48:48 --> 00:48:50

Ah, Lubna Rashid is the first one. Yay.

00:48:51 --> 00:48:54

Lubna Rashid, I see you, girl. Yes. Lubna's

00:48:54 --> 00:48:54

in there.

00:48:56 --> 00:48:58

Lubna is in there, guys. So somebody did

00:48:58 --> 00:49:01

it. So therefore, it must be possible. Okay?

00:49:01 --> 00:49:01

Just

00:49:02 --> 00:49:05

copy and paste m dot me

00:49:09 --> 00:49:09

/naimebrobert,

00:49:12 --> 00:49:14

and it will take you to Facebook.

00:49:15 --> 00:49:17

Right? You just need to send that through,

00:49:17 --> 00:49:20

and tomorrow, we'll catch up. And we'll be

00:49:20 --> 00:49:22

able to over the next 48 hours, we

00:49:22 --> 00:49:24

will be chatting with you guys to see

00:49:24 --> 00:49:26

if we can help you. Right?

00:49:27 --> 00:49:28

So what was I saying?

00:49:32 --> 00:49:33

Yeah. No. So so I was saying that

00:49:33 --> 00:49:35

so so I know the challenges. I know

00:49:35 --> 00:49:37

the things that people face. Aisha, I see

00:49:37 --> 00:49:40

you, girl. Yep. I'm gonna be hitting you

00:49:40 --> 00:49:44

up. Thank you so much. So, Lubna, Aisha,

00:49:44 --> 00:49:47

I've got your messages. I know the challenges.

00:49:47 --> 00:49:48

I know the things that can stand in

00:49:48 --> 00:49:50

our way. Iffat, I see you.

00:49:52 --> 00:49:54

And I know how to coach you out

00:49:54 --> 00:49:55

around those,

00:49:56 --> 00:49:58

and I also know how to help you

00:49:58 --> 00:49:59

to get clear on

00:50:00 --> 00:50:02

the message that you actually have and the

00:50:02 --> 00:50:04

story that you want to tell. And as

00:50:04 --> 00:50:06

somebody who writes both fiction and nonfiction,

00:50:07 --> 00:50:09

I I know how to help you to

00:50:10 --> 00:50:11

to to tell your story. Okay?

00:50:12 --> 00:50:14

ESA, if you wanna contact me and you

00:50:14 --> 00:50:16

don't have Facebook, please send me an email.

00:50:16 --> 00:50:18

Okay? Those of you who want to chat

00:50:18 --> 00:50:19

on email,

00:50:19 --> 00:50:21

just email sisters editor at sistersmagazine.com.

00:50:22 --> 00:50:24

But please, those of you who have chat,

00:50:24 --> 00:50:26

better to do chat. You can also send

00:50:26 --> 00:50:28

me, a message on Instagram.

00:50:29 --> 00:50:31

It's a direct message on Instagram. Just say

00:50:31 --> 00:50:31

journey,

00:50:32 --> 00:50:34

and I'll know what you're talking about. K?

00:50:34 --> 00:50:36

So like I was saying, the reason I'm

00:50:36 --> 00:50:38

doing this is I know how many sisters

00:50:38 --> 00:50:40

have, you know, really, really important stories to

00:50:40 --> 00:50:42

tell, and I know how

00:50:42 --> 00:50:45

how important those stories are for our community,

00:50:45 --> 00:50:47

you know, and for just women in general.

00:50:47 --> 00:50:48

So

00:50:48 --> 00:50:51

part of me is really committed to just

00:50:51 --> 00:50:52

just

00:50:53 --> 00:50:57

helping women tell those stories. Okay? Allowing them

00:50:57 --> 00:50:59

to to to to find their voice and

00:50:59 --> 00:51:02

know how to get their story told, to

00:51:02 --> 00:51:04

put it out there in the best way

00:51:04 --> 00:51:06

for the story. So this is really the

00:51:06 --> 00:51:08

reason why, I'm doing this. This is why

00:51:08 --> 00:51:09

I have the program.

00:51:09 --> 00:51:11

That's why I I work with ladies to

00:51:11 --> 00:51:12

do this because

00:51:13 --> 00:51:15

your stories matter. You know, your stories are

00:51:15 --> 00:51:15

important.

00:51:16 --> 00:51:18

And, you know, there are there are women

00:51:18 --> 00:51:20

out there. There are sisters out there who

00:51:20 --> 00:51:22

are who are struggling right now,

00:51:23 --> 00:51:25

you know, who are suffering, who are where

00:51:25 --> 00:51:26

you once were

00:51:27 --> 00:51:29

and don't have a role model. They don't

00:51:29 --> 00:51:32

have an example. They don't have a way

00:51:32 --> 00:51:34

out. They don't know that there is light

00:51:34 --> 00:51:36

at the end of the tunnel.

00:51:36 --> 00:51:39

You sharing your story could change that.

00:51:40 --> 00:51:42

Some of you will write,

00:51:43 --> 00:51:45

a short book with me. Some of you

00:51:45 --> 00:51:48

will write a full length book with me.

00:51:48 --> 00:51:50

Some of you may just write an extended

00:51:50 --> 00:51:51

personal essay.

00:51:51 --> 00:51:53

Whatever it is that we end up doing

00:51:53 --> 00:51:55

together, my goal is to make sure that

00:51:55 --> 00:51:56

that

00:51:56 --> 00:51:58

that piece of work that you do, that

00:51:58 --> 00:51:59

writing

00:51:59 --> 00:52:01

that you do is something that is a

00:52:01 --> 00:52:04

for you and it becomes part of your

00:52:04 --> 00:52:04

legacy

00:52:04 --> 00:52:06

and something that you put out into the

00:52:06 --> 00:52:07

world that

00:52:07 --> 00:52:08

brings good.

00:52:09 --> 00:52:12

Okay? So on that note, I wanna say

00:52:12 --> 00:52:14

to you, it's been so much fun

00:52:15 --> 00:52:17

chilling with you for the past hour. I

00:52:17 --> 00:52:19

hope I didn't go too fast. I think

00:52:19 --> 00:52:20

I may have,

00:52:20 --> 00:52:20

but,

00:52:21 --> 00:52:23

the recording will be sent out as soon

00:52:23 --> 00:52:24

as it's available.

00:52:24 --> 00:52:25

So watch it again

00:52:26 --> 00:52:28

and get in touch. Okay? Let's see if

00:52:28 --> 00:52:30

we're fit to work together. I would love

00:52:30 --> 00:52:33

to help you to write your story. I've

00:52:33 --> 00:52:35

been there before. I've done it with others,

00:52:35 --> 00:52:36

and I would love to do it with

00:52:36 --> 00:52:37

you.

00:52:37 --> 00:52:39

So I'll be checking my chat, and I'll

00:52:39 --> 00:52:41

be looking forward to speaking to every one

00:52:41 --> 00:52:43

of you. Thank you so much for being

00:52:43 --> 00:52:46

here. It's been it's been an absolute pleasure.

00:52:46 --> 00:52:47

I love you all for,

00:52:48 --> 00:52:50

and I'll see you on the other side.

00:52:50 --> 00:52:51

Okay?

Share Page