Hamzah Wald Maqbul – 9 Ramadn 1442 Late Night Majlis The Disapproval of Music and Merrymaking the Sufis ESA

Hamzah Wald Maqbul
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The transcript discusses the history and meaning of the holy eye, the return of the prophet Shah Abdul-whal Finally to Delhi, the holy grail of Islam, and the importance of merrymaking in gatherings of merrymaking where musical instruments are played. The transcript also touches on the importance of merrymaking in the world of music, where the "mood of merrymaking" is a reality of the " gathering of audition for the Sharia." The transcript also touches on the universal nature of the Sharia, the return of the prophet Shah Abdul-whal Finally to Delhi, and the "mood of merrymaking" in the world of music.

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			Alhamdulillah. By Allah, we've reached this Mubarak 9th
		
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			month of Ramadan.
		
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			There is only
		
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			this,
		
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			night and then tomorrow night in the first
		
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			are over.
		
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			It's reported that he said
		
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			that this is a month of the first,
		
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			part of it is mercy, and the second
		
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			part is forgiveness, and the third part is
		
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			being freed from the * fire.
		
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			So whoever wants to ask for Allah to
		
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			Allah's mercy,
		
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			let them ask for it. These days are
		
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			very few. A person gets very few days
		
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			and nights like them in their life. And
		
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			it would be a shame if somebody wasted
		
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			them
		
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			watching net Netflix or refreshing their,
		
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			you know, their social media a 1000000 times
		
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			or doom scrolling,
		
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			only in order to read But that duniya
		
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			that they knew was crazy,
		
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			was crazy,
		
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			as they knew that it was
		
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			so that they can grab their and just
		
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			fulfill their litany of 1,000. Oh, no. You
		
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			didn't.
		
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			And,
		
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			be just as bankrupt as when they started.
		
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			So we continue,
		
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			reading from Sheikh Tamim's translation of
		
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			the
		
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			manifest or apparent
		
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			a sunnah
		
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			amongst the lofty
		
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			of the order of the.
		
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			So there's a
		
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			subsection here regarding
		
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			the evil of music and merrymaking according to
		
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			the.
		
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			And, there are some comments that I would
		
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			like to make,
		
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			perhaps at the end of this, but
		
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			for whatever reason or another, people think
		
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			about,
		
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			folk
		
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			as,
		
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			song song and dance or, you know, music.
		
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			And then oftentimes, what will happen is that
		
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			the,
		
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			you know, the
		
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			poetry and the verse written by the
		
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			that are metaphors for the love of Allah
		
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			or complete absorption,
		
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			or ecstatic,
		
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			annihilation
		
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			within the holy essence of the Lord
		
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			and in the love of the Rasul
		
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			and in the love of good,
		
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			in a way that is not irrational but
		
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			transcends rationality.
		
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			That this state, which is a noble state,
		
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			and it was a state that passed over
		
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			the
		
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			companions
		
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			and whom.
		
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			And it was a state that is indicated
		
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			by
		
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			many of the Hadith even of the prophet
		
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			that would come over him,
		
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			that,
		
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			somehow or another,
		
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			it's kinda twisted by people in order to
		
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			be
		
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			some sort of license to
		
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			forget about one's responsibilities
		
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			to Allah and his Rasool
		
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			or to
		
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			society or to others.
		
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			And, then people associate these
		
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			were free from these practices.
		
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			And anyone that was not free from these
		
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			practices, they weren't from the, and they're not
		
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			people that we have anything to do with.
		
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			And,
		
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			it's really sad
		
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			that, oftentimes, you'll see,
		
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			oftentimes, you'll see,
		
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			non Muslims will read
		
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			Malana Rumi,
		
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			and,
		
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			you know, you have to remind them that,
		
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			hey. You know, this is a sheikh of
		
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			Tasuluf. He was a of Deen,
		
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			and he was a.
		
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			And he was writing about the love of
		
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			Allah to Allah. He wasn't talking about, you
		
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			know, your heartbreak because your girlfriend dumped you.
		
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			Unfortunately, many many Muslims also need to have
		
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			this talk as well. So you'll see, for
		
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			example,
		
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			the verse of the
		
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			the verse of
		
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			for example,
		
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			being sung by, you know, a woman without
		
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			her head covered or whatever. And there's, you
		
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			know, just a completely inappropriate way,
		
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			that these things are presented,
		
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			as if they're like,
		
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			love songs. You know, really, I mean, there's
		
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			nothing wrong with somebody
		
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			composing poetry about,
		
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			you know, somebody they love or whatever as
		
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			long as it's free of
		
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			praise or haram or
		
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			something excessive that the Sharia doesn't accept. And
		
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			people do fall in love. That's okay. But
		
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			that's not what it was about.
		
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			And, one of the beauties of it was
		
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			that
		
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			they used,
		
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			metaphor for common experiences
		
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			that regular people had,
		
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			in order to talk about the divine,
		
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			thereby
		
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			bringing, you know, an
		
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			experience, an ecstatic experience that's really from outside
		
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			of this world and making it palatable for
		
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			the people, which was one of the finest
		
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			traditions of the prophets,
		
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			and then those people who are their heirs
		
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			thereafter.
		
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			But it doesn't mean that, you know, it's
		
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			just like party time and,
		
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			you know, who needs to pray or whatever.
		
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			We
		
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			we're about to jam.
		
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			So,
		
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			we start, the first anecdote that, Hazratanri brings
		
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			is that Shah Abdul Haqq al Muhadith Adhihlahi
		
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			Rahimu Allahu Barakwa Ta'ala. He's a great Muhadith.
		
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			He brought the Hadith of the prophet
		
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			to the Indian subcontinent,
		
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			before did.
		
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			And he did great service for it except
		
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			for his son who was a noble successor
		
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			to his father, became the Qadi. He became
		
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			the chief judge and spent all his time
		
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			with and,
		
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			and, the study of hadith kind of fell
		
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			away. Where Shaw'ulillah,
		
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			Allah Ta'ala's Qadr was that he would return
		
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			to Delhi
		
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			at a time when the Mughal state was
		
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			collapsing.
		
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			And so by the time, his son, Shah
		
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			Abdul Aziz,
		
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			would,
		
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			would would would be a worthy successor to
		
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			his father's seat, there was no state to
		
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			hire judges anymore because the British,
		
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			ruled
		
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			ruled Delhi.
		
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			And,
		
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			so he
		
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			got a chance to spend more time,
		
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			serving the hadith of the prophet
		
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			And in every single calamity, there's some wisdom
		
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			of Allah Subhanahu wa ta'ala.
		
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			And Allah knows best because if he was
		
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			a judge, then we wouldn't be narrating his
		
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			son and then the son of his father
		
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			afterward.
		
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			But Allah does what he wishes.
		
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			Allah does what he wishes. Allah subhanahu, Allah
		
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			subhanahu, allahu samad. He's the one who does
		
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			and he needs to ask nobody.
		
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			And everybody, if they wanna do anything, they
		
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			have to ask him. They have to receive
		
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			his permission. He's the one who has to
		
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			ask nobody.
		
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			And we ask Allah
		
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			for his mercy.
		
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			So
		
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			relates one day that the Sheikh
		
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			Nasiruddin Jerahidehli
		
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			was the Khalifa of Khadam,
		
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			Nizamuddin Oli on the preeminent,
		
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			from his disciples.
		
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			And it says that, Sheikh Nasiruddin Mahmut Jerag
		
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			Adelih. Jerag in Persian means a lamp or
		
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			a a a a
		
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			a light, that he was the light of.
		
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			That was his, Lakkab, his title he was
		
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			given to by the people.
		
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			Was present at the majlis of one of
		
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			the other disciples of when
		
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			all of a sudden,
		
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			drum drum playing and singing commenced. The sheikh
		
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			Nasiruddin immediately stood up to leave.
		
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			The attendees
		
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			insisted that the sheikh remain in the Majlis.
		
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			The sheikh Nasiruddin replied, it's against the sunnah.
		
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			They replied, are you rejecting?
		
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			Are you rejecting the,
		
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			the the the recital,
		
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			of the Sufis
		
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			when they sit and recite the poetry,
		
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			of the and
		
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			contemplate on their meaning so that the
		
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			the the the the realization of those words
		
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			hits it and colors their heart.
		
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			Are you rejecting, they said, the,
		
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			and abandoning the way of your? He replied,
		
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			the way of the shaykh is not a
		
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			valid proof and has no
		
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			bearing. Authoritative proof is only from the book
		
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			of Allah and the sunnah of his messenger
		
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			That's that's a actual sufi
		
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			That's boss. That's gangster. Even if you don't
		
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			agree with him, you have to you have
		
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			to
		
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			admire that. Anyone who has any love for
		
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			Allah and his has
		
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			to admire that.
		
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			That they said that this is the sunnah
		
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			of your shaykh, and he says, so what?
		
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			He said, so what? He said, the shaykh
		
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			is not a valid proof and has no
		
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			bearing.
		
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			Rather, authoritative proof is only from the book
		
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			of Allah and the sunnah of his messenger,
		
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			sallallahu alaihi wa sallam.
		
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			Some of the attendees then went to Hajjar
		
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			his sheikh, and relayed to him what had
		
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			occurred in the majlis.
		
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			They went to Tattletail on his sheikh, which
		
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			is a,
		
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			beloved pastime of annoying to this day.
		
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			They went to tattle tale on his on
		
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			him to his sheikh,
		
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			and, which is fine, I guess, if someone
		
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			did something wrong. But, sometimes people are just
		
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			scandalmongers and trying to get people in trouble
		
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			or get people busted like a bratty child.
		
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			So they went to the sheikh, Khadun Nizamuddin,
		
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			and relayed to him what had occurred in
		
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			the majlis. Khadun Nizamuddin replied saying he has
		
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			done right, and what he had said is
		
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			indeed the truth,
		
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			which is also another sign of also
		
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			being the real deal.
		
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			That these people, they had no nafs in
		
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			front of Allah and his
		
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			They had no ego in front of the
		
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			book of Allah. They had no ego in
		
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			front of the sunnah of
		
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			the Rather,
		
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			the person who abandons them in order to
		
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			embrace
		
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			the sunnah. That person is the one that
		
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			they love.
		
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			And this is very similar to
		
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			there's something very similar to some of the
		
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			anecdotes that were mentioned in the past,
		
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			like that
		
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			of
		
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			to leave,
		
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			his company and to go back to go
		
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			back to his studies.
		
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			And a story like this, by the way,
		
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			happens later on as well.
		
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			You'll if you go there's actually a playlist
		
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			I made with regards to the and the,
		
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			being
		
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			that the mashaikh of Deoband are are also
		
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			in munsalik from the tariqa justiya as well.
		
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			That,
		
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			something like this happens later when * and
		
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			Dadullah, who we mentioned was the,
		
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			sheikh of Hazratanvi and of the 2 founders
		
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			of and
		
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			and,
		
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			that,
		
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			they
		
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			would
		
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			in matters of or in matters of they
		
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			would differ with their Sheikh * and Badullah
		
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			in the same kind of, like, knucklehead marines
		
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			would go and tell on them, go tattle
		
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			on them.
		
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			And,
		
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			they would say, well, your sheikh does this,
		
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			your sheikh does that. You know, how come
		
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			you don't do it? They say that he's
		
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			our sheikh in in Saluk, but, not in.
		
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			Rather in, we, we ourselves have Ijazah,
		
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			and, we don't see this thing as correct.
		
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			And as far as his Sheikh and Saluk,
		
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			as far as him being our spiritual spiritual
		
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			preceptor,
		
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			we we take from him in that matter.
		
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			And,
		
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			they went and tattletale
		
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			to Hajisab, and Hajisab said,
		
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			basically, yeah, they're right. He didn't say, how
		
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			dare
		
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			they not, fall over themselves to listen to
		
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			every last thing I do? How dare they
		
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			not worship me like the cult leader I
		
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			am? The stuff for
		
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			that's not what those people were. That's not
		
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			how they were.
		
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			And,
		
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			you know, that's again a sign of the
		
00:12:10 --> 00:12:12
			and the perfection of their
		
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			their submission and effacement in front of the,
		
00:12:15 --> 00:12:17
			Sharia of Allah Ta'ala and the book of
		
00:12:17 --> 00:12:19
			Allah Ta'ala and the sunnah,
		
00:12:20 --> 00:12:21
			of the
		
00:12:30 --> 00:12:33
			a this is an honor tradition not just
		
00:12:33 --> 00:12:35
			of our tariqah but every tariqah which is
		
00:12:35 --> 00:12:38
			which is connected with the messenger of Allah
		
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			And, you know, the greatest sheikh of the
		
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			tariqah after the prophet sallallahu alaihi wa sallam
		
00:12:44 --> 00:12:46
			who embodied this,
		
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			were who the greatest mashaikh were the
		
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			Saidna
		
00:12:54 --> 00:12:55
			Abu Bakr,
		
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			both of them. They,
		
00:12:57 --> 00:12:59
			you know, they they were reported to have
		
00:12:59 --> 00:13:01
			said during their Hilafa
		
00:13:02 --> 00:13:05
			to, to the people that, that that they
		
00:13:06 --> 00:13:07
			desire to be corrected if they ever do
		
00:13:07 --> 00:13:09
			anything against the book of Allah and the
		
00:13:09 --> 00:13:10
			sunnah of the prophet
		
00:13:11 --> 00:13:13
			And that was late antiquity. That wasn't even
		
00:13:13 --> 00:13:15
			the middle ages that had it had barely
		
00:13:15 --> 00:13:16
			gotten going
		
00:13:16 --> 00:13:18
			at that time. That was, like, ancient times.
		
00:13:18 --> 00:13:20
			Now tell me what Arab ruler or what
		
00:13:20 --> 00:13:22
			Muslim ruler is going to
		
00:13:22 --> 00:13:25
			tolerate someone in his, upgrade him, or chastise
		
00:13:25 --> 00:13:27
			him on something like that. Rather said, who
		
00:13:28 --> 00:13:30
			had said that in his once he said
		
00:13:30 --> 00:13:31
			something like this, and
		
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			a man,
		
00:13:34 --> 00:13:36
			from the from from the stood up and
		
00:13:36 --> 00:13:38
			said, yeah, Omar, if you, if you were
		
00:13:38 --> 00:13:41
			to go against the sunnah of the prophet
		
00:13:41 --> 00:13:42
			and the deen of Allah,
		
00:13:43 --> 00:13:45
			we would straighten you out with our swords.
		
00:13:45 --> 00:13:47
			And what did Omar say? You know, to
		
00:13:47 --> 00:13:48
			throw him in jail and put him in
		
00:13:48 --> 00:13:50
			the dungeon, beat him up, slap him a
		
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			couple. How dare you disrespect me? Don't you
		
00:13:52 --> 00:13:54
			know who I am? And the prophet said
		
00:13:54 --> 00:13:56
			this about me that no. These people, they're
		
00:13:56 --> 00:13:56
			completely
		
00:13:57 --> 00:14:00
			completely effaced. They've made themselves into nothing in
		
00:14:00 --> 00:14:01
			front of the deen.
		
00:14:02 --> 00:14:03
			Rather,
		
00:14:03 --> 00:14:06
			they made themselves nothing. They'd completely effaced and
		
00:14:06 --> 00:14:09
			destroyed their own nafs. So Allah gave them
		
00:14:09 --> 00:14:10
			nafs better than the one that they gave
		
00:14:10 --> 00:14:11
			up.
		
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			Said Umar said, alhamdulillah, that Allah made such
		
00:14:15 --> 00:14:15
			people
		
00:14:16 --> 00:14:18
			that, would straighten Omar out by the sword
		
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			if he ever left the, left the deen
		
00:14:20 --> 00:14:22
			and the sunnah of the prophet
		
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			So this is not something that the Sufis
		
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			made up.
		
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			My dear brothers and sisters,
		
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			this is something well, you can say that
		
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			if you consider the so
		
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			this is the finest traditions of Deen,
		
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			that the were like this. That the real,
		
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			the true were like this. Allah
		
00:14:40 --> 00:14:42
			give us a glimpse of such people
		
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			so that the of his should enter into
		
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			our heart. And so that Nispa should enter
		
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			into our heart as well and
		
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			give us strength in the times that other
		
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			people are weak in this world,
		
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			when we are faced with those decisions that
		
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			are going to define us on the day
		
00:14:59 --> 00:15:01
			of judgment. And so that we have some
		
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			rope to hold on to on the day
		
00:15:02 --> 00:15:05
			of judgment, the day that other nations are
		
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			going to be burned in the garbage heap
		
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			of the hellfire.
		
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			As the Tanvi continues in the, it
		
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			is written that there were no musical instruments
		
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			in the gathering of
		
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			neither was there any clapping or merry making.
		
00:15:22 --> 00:15:24
			If anybody would mention to him that some
		
00:15:24 --> 00:15:27
			of his disciples would practice with musical instruments,
		
00:15:27 --> 00:15:28
			he would forbid them.
		
00:15:29 --> 00:15:31
			It has been mentioned in Khairul Majalis
		
00:15:32 --> 00:15:34
			that a closed a close acquaintance
		
00:15:34 --> 00:15:37
			entered into the gathering of Sheikh Nasiruddin Mahmud,
		
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			and asked
		
00:15:40 --> 00:15:43
			and asked, is it permissible to have musical
		
00:15:43 --> 00:15:45
			instruments, drum playing, flutes,
		
00:15:45 --> 00:15:47
			stringed instruments, and sama while
		
00:15:48 --> 00:15:48
			the,
		
00:15:49 --> 00:15:51
			while the while the,
		
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			disciples dance. Here, applied musical instruments according to
		
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			the consensus of scholars is not permitted.
		
00:15:58 --> 00:16:00
			Look if somebody comes out of the fold
		
00:16:00 --> 00:16:02
			of the tariq, then there is no harm
		
00:16:02 --> 00:16:04
			or loss because he will still have a
		
00:16:04 --> 00:16:04
			place in the Sharia.
		
00:16:05 --> 00:16:07
			However, if he comes out of the fold
		
00:16:07 --> 00:16:08
			of the Sharia, then when will where he
		
00:16:08 --> 00:16:10
			where will he go then?
		
00:16:10 --> 00:16:12
			Therefore, one should not even go near those
		
00:16:12 --> 00:16:15
			places where musical instruments are played. As far
		
00:16:15 --> 00:16:17
			as is concerned, there's a difference
		
00:16:17 --> 00:16:18
			of scholars regarding
		
00:16:19 --> 00:16:21
			that based on the appropriate condition.
		
00:16:22 --> 00:16:25
			Musical instruments, therefore, however, are forbidden by consensus.
		
00:16:26 --> 00:16:29
			Now this expression that the musical instruments are,
		
00:16:29 --> 00:16:30
			forbidden by consensus,
		
00:16:33 --> 00:16:34
			is close to true, but I don't know
		
00:16:34 --> 00:16:37
			it to be, absolutely true indeed. It's my
		
00:16:37 --> 00:16:39
			sense that the person who makes him caught
		
00:16:39 --> 00:16:41
			of that is a kafir or outside of
		
00:16:41 --> 00:16:43
			the fold of Din. But it is definitely
		
00:16:43 --> 00:16:45
			against the fatwa position of the 4 madhevs,
		
00:16:46 --> 00:16:47
			and it is definitely a weak position,
		
00:16:48 --> 00:16:49
			according to the,
		
00:16:50 --> 00:16:52
			but without getting mired into that because this
		
00:16:52 --> 00:16:54
			is not a fiqdars. You can go and
		
00:16:54 --> 00:16:56
			do your research about that and hold your
		
00:16:56 --> 00:16:59
			opinions or whatever. But the most important thing
		
00:16:59 --> 00:16:59
			in this,
		
00:17:01 --> 00:17:02
			in this,
		
00:17:02 --> 00:17:03
			paragraph
		
00:17:03 --> 00:17:06
			is what? He says, look. If somebody comes
		
00:17:06 --> 00:17:08
			out of the fold of the, then there
		
00:17:08 --> 00:17:10
			is no harm or loss because he will
		
00:17:10 --> 00:17:11
			still have a place in the Sharia.
		
00:17:12 --> 00:17:13
			However, if he comes out of the fold
		
00:17:13 --> 00:17:15
			of the Sharia, then where will he go?
		
00:17:17 --> 00:17:19
			If there someone comes out of the fold
		
00:17:19 --> 00:17:21
			of the, then there's no harm or loss
		
00:17:22 --> 00:17:23
			because he will still have a place in
		
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			the sharia.
		
00:17:24 --> 00:17:26
			Wherever whereas if he comes out of the
		
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			fold of the sharia, then where will he
		
00:17:28 --> 00:17:28
			go?
		
00:17:30 --> 00:17:32
			And so he said that a person should
		
00:17:32 --> 00:17:33
			not go, near these,
		
00:17:33 --> 00:17:35
			gatherings for that reason.
		
00:17:35 --> 00:17:35
			And,
		
00:17:36 --> 00:17:39
			you know, this is the gatherings of merrymaking,
		
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			even people who want to say, okay. Well,
		
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			so and so permitted music. Okay. Fine. Whatever.
		
00:17:44 --> 00:17:46
			But these gatherings of merrymaking that are just
		
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			heedlessness.
		
00:17:48 --> 00:17:49
			These are definitely
		
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			not what's,
		
00:17:50 --> 00:17:51
			meant by,
		
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			by the of any of the Sufis.
		
00:17:55 --> 00:17:57
			And, you know, Hadar Tani has a really
		
00:17:57 --> 00:17:59
			interesting book in Urdu,
		
00:18:00 --> 00:18:02
			that he wrote called hapisima,
		
00:18:03 --> 00:18:05
			which is has to do with
		
00:18:06 --> 00:18:06
			the the
		
00:18:07 --> 00:18:07
			the
		
00:18:08 --> 00:18:09
			the reality of
		
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			the the gathering of audition where where
		
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			the read.
		
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			And,
		
00:18:16 --> 00:18:19
			he's basically it's it's an it's an order
		
00:18:19 --> 00:18:21
			of, like, 40 questions and answers. And so
		
00:18:21 --> 00:18:23
			the first question is, is it permiss permissible
		
00:18:23 --> 00:18:26
			to sit in those gatherings where musical instruments
		
00:18:26 --> 00:18:28
			are played? And he says, no. It's not.
		
00:18:28 --> 00:18:30
			However, if it was, then the question comes,
		
00:18:30 --> 00:18:31
			you know, like,
		
00:18:32 --> 00:18:32
			you know,
		
00:18:33 --> 00:18:35
			what are the conditions of
		
00:18:35 --> 00:18:37
			it being valid even if we were to
		
00:18:37 --> 00:18:40
			suspend this one issue? And are those conditions
		
00:18:40 --> 00:18:42
			met anywhere? No. They're not. But if they
		
00:18:42 --> 00:18:44
			were, there's this issue, there's that issue. Basically,
		
00:18:44 --> 00:18:46
			he he he enumerates a number of,
		
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			a valid,
		
00:18:50 --> 00:18:52
			a number a number of valid problems that
		
00:18:53 --> 00:18:53
			happen
		
00:18:54 --> 00:18:57
			in these, gatherings, which disqualify the vast majority,
		
00:18:57 --> 00:18:58
			if not all of,
		
00:18:58 --> 00:18:59
			all of them from being in any way,
		
00:18:59 --> 00:19:01
			shape, or form beneficial and being anything other
		
00:19:01 --> 00:19:03
			than just some sort of, like, jam session,
		
00:19:04 --> 00:19:06
			or concert, which is nothing but pumping pumping
		
00:19:06 --> 00:19:08
			a person's knuffs up.
		
00:19:09 --> 00:19:10
			And, sadly, you know,
		
00:19:11 --> 00:19:13
			what these what these gatherings have become nowadays
		
00:19:13 --> 00:19:14
			have just become
		
00:19:15 --> 00:19:16
			business and money making and entertainment.
		
00:19:17 --> 00:19:19
			And you can see, you know, that, you
		
00:19:19 --> 00:19:20
			know, who are the people who participate
		
00:19:21 --> 00:19:23
			in them. 99 out of 100 of them
		
00:19:23 --> 00:19:25
			are people who don't really have concern of
		
00:19:25 --> 00:19:27
			the Sharia or people who don't have really
		
00:19:27 --> 00:19:29
			a dedicated life to the Quran or to
		
00:19:29 --> 00:19:32
			the, or to any of the other trappings
		
00:19:32 --> 00:19:33
			of the deen.
		
00:19:33 --> 00:19:35
			Look. If somebody comes out of the fold
		
00:19:35 --> 00:19:36
			of the tariq, then there's no harm or
		
00:19:36 --> 00:19:38
			loss because he will still have a place
		
00:19:38 --> 00:19:38
			in the Sharia.
		
00:19:39 --> 00:19:40
			However, he comes if he comes out of
		
00:19:40 --> 00:19:42
			the fold of the Sharia, then where will
		
00:19:42 --> 00:19:42
			he go?
		
00:19:45 --> 00:19:45
			Hazratanvi
		
00:19:45 --> 00:19:48
			continues. Hazrat Khaja Usman Harwani, the sheikh of
		
00:19:48 --> 00:19:49
			Khaja,
		
00:19:53 --> 00:19:54
			narrates a of Khadamodud
		
00:19:55 --> 00:19:57
			Chishti, one of the elders of the Tariq
		
00:19:57 --> 00:19:59
			from from from even before him,
		
00:20:00 --> 00:20:02
			from Chishta Sharif, which is
		
00:20:02 --> 00:20:04
			a place, like we said, from before in
		
00:20:04 --> 00:20:05
			modern Afghanistan,
		
00:20:06 --> 00:20:07
			near the city of Herat.
		
00:20:08 --> 00:20:08
			This is
		
00:20:12 --> 00:20:13
			narrates a mouthfuls
		
00:20:15 --> 00:20:17
			from saying that some villages of and
		
00:20:18 --> 00:20:20
			townships close to will fall to ruin
		
00:20:20 --> 00:20:23
			and destroy themselves due to infighting because of
		
00:20:23 --> 00:20:25
			their cursed involvement
		
00:20:25 --> 00:20:28
			in music and merrymaking. He predicted
		
00:20:28 --> 00:20:28
			this,
		
00:20:29 --> 00:20:30
			would happen, and indeed,
		
00:20:32 --> 00:20:34
			what ends up happening is that the Mongols
		
00:20:34 --> 00:20:35
			will destroy the entire,
		
00:20:38 --> 00:20:38
			Chorazmian,
		
00:20:39 --> 00:20:39
			state.
		
00:20:40 --> 00:20:42
			Hakim ul Ummah comments. Notice
		
00:20:43 --> 00:20:44
			the degree of severity,
		
00:20:45 --> 00:20:47
			with which the involvement in music is being
		
00:20:48 --> 00:20:48
			approached and condemned.
		
00:20:49 --> 00:20:50
			The universal nature,
		
00:20:50 --> 00:20:52
			of the statement entails
		
00:20:52 --> 00:20:53
			that the general,
		
00:20:54 --> 00:20:55
			commonly known as,
		
00:20:57 --> 00:20:59
			which is thought to be a favorite,
		
00:21:00 --> 00:21:02
			a favorite pastime of the is
		
00:21:02 --> 00:21:03
			also included
		
00:21:06 --> 00:21:07
			in the condemnation,
		
00:21:08 --> 00:21:10
			if it's done incorrectly, I add.
		
00:21:11 --> 00:21:12
			Otherwise,
		
00:21:13 --> 00:21:13
			the
		
00:21:14 --> 00:21:15
			gatherings were
		
00:21:15 --> 00:21:16
			were read
		
00:21:17 --> 00:21:18
			and sung as.
		
00:21:19 --> 00:21:21
			This is something that's narrated from the prophet
		
00:21:22 --> 00:21:23
			and we saw from our from their own
		
00:21:23 --> 00:21:26
			gatherings, but we're talking about merrymaking and musical
		
00:21:26 --> 00:21:27
			instruments and whatnot.
		
00:21:34 --> 00:21:35
			Hazratanvi
		
00:21:35 --> 00:21:36
			continues.
		
00:21:37 --> 00:21:38
			Hazrat Amir narrates
		
00:21:39 --> 00:21:42
			Hazrat Amir Khosrud Dehilawi is a very interesting
		
00:21:42 --> 00:21:42
			figure.
		
00:21:43 --> 00:21:43
			He was
		
00:21:44 --> 00:21:46
			the most if not one of the most
		
00:21:46 --> 00:21:48
			if not the most devoted disciple of Hajan
		
00:21:48 --> 00:21:49
			is Amadin
		
00:21:50 --> 00:21:51
			in Delhi.
		
00:21:51 --> 00:21:53
			He was a soldier. He was a trader.
		
00:21:53 --> 00:21:54
			He was an artist.
		
00:21:55 --> 00:21:56
			He was a poet,
		
00:21:57 --> 00:22:00
			a man of many talents and, culturally kind
		
00:22:00 --> 00:22:01
			of like a
		
00:22:02 --> 00:22:03
			a a kind of a one man empire.
		
00:22:04 --> 00:22:06
			And so a figure celebrated
		
00:22:06 --> 00:22:08
			by many different types of people in the
		
00:22:08 --> 00:22:10
			history of the subcontinent. Also in Persian,
		
00:22:11 --> 00:22:12
			poetry, his
		
00:22:12 --> 00:22:13
			verse is well known.
		
00:22:14 --> 00:22:16
			Although he didn't only write in Persian, he
		
00:22:16 --> 00:22:18
			wrote also in the old Hindu language that
		
00:22:18 --> 00:22:20
			was spoken there. It's a precursor to Urdu,
		
00:22:22 --> 00:22:25
			and he also wrote in Arabic, his verse,
		
00:22:25 --> 00:22:26
			and he would make many colorful,
		
00:22:28 --> 00:22:30
			nazems, in which there would be verse switching
		
00:22:30 --> 00:22:32
			between languages and things like that.
		
00:22:34 --> 00:22:36
			Hazrat Amir Khuso dehilawi
		
00:22:37 --> 00:22:39
			relates Hazrat said
		
00:22:41 --> 00:22:42
			Hazrat Shibli
		
00:22:43 --> 00:22:44
			Shibli was one of
		
00:22:45 --> 00:22:47
			the of Imam Junaid al Baghdadi.
		
00:22:48 --> 00:22:51
			Said Shibli on one occasion saw shaitan.
		
00:22:52 --> 00:22:54
			These stories are really interesting. The Shibli on
		
00:22:54 --> 00:22:56
			one occasion saw shaitan and asked him,
		
00:22:58 --> 00:22:59
			when are you able to take control over
		
00:22:59 --> 00:23:02
			a Saliq? Shaitan replied at the time when
		
00:23:02 --> 00:23:04
			he's listening to music, due to which his
		
00:23:04 --> 00:23:07
			heart becomes unmindful of Allah's remembrance, at that
		
00:23:07 --> 00:23:08
			time, I have full control over him.
		
00:23:10 --> 00:23:11
			And again,
		
00:23:13 --> 00:23:15
			that's what happens in the gatherings of merrymaking,
		
00:23:16 --> 00:23:17
			especially when people are unmindful.
		
00:23:18 --> 00:23:19
			That,
		
00:23:19 --> 00:23:22
			the the music itself, it tickles the nuffs
		
00:23:22 --> 00:23:24
			rather than engaging the mind and the heart.
		
00:23:25 --> 00:23:25
			And,
		
00:23:27 --> 00:23:28
			asked, Shaitan,
		
00:23:29 --> 00:23:31
			when are you able to take control over
		
00:23:31 --> 00:23:33
			the Saliq? Shaitan replied at the time when
		
00:23:33 --> 00:23:35
			he's listening to the sama, to the music,
		
00:23:35 --> 00:23:37
			due to which his heart becomes unmindful of
		
00:23:37 --> 00:23:40
			Allah's remembrance. At that time, I have full
		
00:23:40 --> 00:23:40
			control over him.
		
00:23:43 --> 00:23:44
			Comments,
		
00:23:45 --> 00:23:45
			that,
		
00:23:46 --> 00:23:49
			Azir Sultan g relates this story without any
		
00:23:49 --> 00:23:51
			reservation or refutation as clear proof of his
		
00:23:51 --> 00:23:53
			approval and acceptance of it.
		
00:23:53 --> 00:23:55
			Sultanji is who? Is
		
00:24:01 --> 00:24:02
			that he was
		
00:24:02 --> 00:24:04
			he was considered, like, to be the real
		
00:24:04 --> 00:24:05
			sultan of Delhi.
		
00:24:05 --> 00:24:08
			The sultan, Aladdin Khalji, actually resented him for
		
00:24:08 --> 00:24:11
			that because the people loved, him and
		
00:24:11 --> 00:24:13
			listened to his commands more readily than they
		
00:24:13 --> 00:24:15
			would listen even to the sultan himself, and
		
00:24:15 --> 00:24:16
			that's a whole another
		
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			set of, interesting stories.
		
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			But, Hakim Ummah refers to him as the
		
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			real
		
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			sultan.
		
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			Says that, relates this story without any reservation
		
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			or refutation. It's clear proof of his approval
		
00:24:33 --> 00:24:34
			and acceptance of it.
		
00:24:34 --> 00:24:36
			Clearly, we see Hazrat Sultanji
		
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			actual his actual view regarding Samat contrary to
		
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			what people erroneously attribute to him. What a
		
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			blatant lie they attribute to the pure and
		
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			pristine where the pious predecessors.
		
00:24:46 --> 00:24:47
			Hazratanvi
		
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			continues.
		
00:24:49 --> 00:24:50
			It says
		
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			and narrates the Sheikh
		
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			said,
		
00:24:59 --> 00:25:01
			means what? It's a Persian word. It's a
		
00:25:01 --> 00:25:03
			word that they used to refer to the
		
00:25:03 --> 00:25:05
			people, the travelers on the spiritual path, the
		
00:25:05 --> 00:25:06
			Saliq.
		
00:25:08 --> 00:25:11
			So, he has given you a hearing so
		
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			that you listen to the of Allah.
		
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			He, jalaba, Allah, has given you hearing so
		
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			that you listen to the dhikr of Allah,
		
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			to the remembrance of Allah.
		
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			Wherever there is recitation of the Quran, lend
		
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			an ear to it and ponder over Allah's
		
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			admonishment.
		
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			He has not given you hearing so that
		
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			you can listen to slander,
		
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			backbiting,
		
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			music, and the wailing of mourners.
		
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			It has been mentioned in a hadith that
		
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			molten lead will be poured into the ears
		
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			of the person who listens to these futile
		
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			things on the day of judgment.
		
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			Hakimul Ummah Hazratanvi
		
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			comments,
		
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			notice with what sternness the Sheikh is censuring
		
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			the listening to music and that he made
		
00:25:49 --> 00:25:50
			no exceptions.
		
00:26:00 --> 00:26:00
			Keep our
		
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			hearts clear of and all falsehood.
		
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			Allah fill them
		
00:26:06 --> 00:26:07
			with. Allah
		
00:26:07 --> 00:26:08
			fill them with.
		
00:26:09 --> 00:26:09
			Allah
		
00:26:10 --> 00:26:12
			forgive us for having abused them in the
		
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			past
		
00:26:13 --> 00:26:15
			and give us the strength and the and
		
00:26:15 --> 00:26:16
			courage to resolve,
		
00:26:19 --> 00:26:20
			to keep them clean and pure.
		
00:26:22 --> 00:26:23
			In the future, may Allah
		
00:26:24 --> 00:26:25
			take us in a state that they're filled
		
00:26:25 --> 00:26:27
			with light and with with truth
		
00:26:27 --> 00:26:29
			and not take us in a state of
		
00:26:29 --> 00:26:29
			heedlessness.