Hamzah Wald Maqbul – 9 Ramadn 1442 Late Night Majlis The Disapproval of Music and Merrymaking the Sufis ESA

Hamzah Wald Maqbul
AI: Summary ©
The transcript discusses the history and meaning of the holy eye, the return of the prophet Shah Abdul-whal Finally to Delhi, the holy grail of Islam, and the importance of merrymaking in gatherings of merrymaking where musical instruments are played. The transcript also touches on the importance of merrymaking in the world of music, where the "mood of merrymaking" is a reality of the " gathering of audition for the Sharia." The transcript also touches on the universal nature of the Sharia, the return of the prophet Shah Abdul-whal Finally to Delhi, and the "mood of merrymaking" in the world of music.
AI: Transcript ©
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Alhamdulillah. By Allah, we've reached this Mubarak 9th

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month of Ramadan.

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There is only

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this,

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night and then tomorrow night in the first

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are over.

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It's reported that he said

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that this is a month of the first,

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part of it is mercy, and the second

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part is forgiveness, and the third part is

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being freed from the * fire.

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So whoever wants to ask for Allah to

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Allah's mercy,

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let them ask for it. These days are

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very few. A person gets very few days

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and nights like them in their life. And

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it would be a shame if somebody wasted

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them

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watching net Netflix or refreshing their,

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you know, their social media a 1000000 times

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or doom scrolling,

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only in order to read But that duniya

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that they knew was crazy,

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was crazy,

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as they knew that it was

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so that they can grab their and just

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fulfill their litany of 1,000. Oh, no. You

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didn't.

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And,

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be just as bankrupt as when they started.

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So we continue,

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reading from Sheikh Tamim's translation of

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the

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manifest or apparent

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a sunnah

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amongst the lofty

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of the order of the.

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So there's a

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subsection here regarding

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the evil of music and merrymaking according to

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the.

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And, there are some comments that I would

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like to make,

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perhaps at the end of this, but

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for whatever reason or another, people think

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about,

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folk

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as,

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song song and dance or, you know, music.

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And then oftentimes, what will happen is that

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the,

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you know, the

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poetry and the verse written by the

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that are metaphors for the love of Allah

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or complete absorption,

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or ecstatic,

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annihilation

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within the holy essence of the Lord

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and in the love of the Rasul

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and in the love of good,

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in a way that is not irrational but

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transcends rationality.

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That this state, which is a noble state,

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and it was a state that passed over

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the

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companions

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and whom.

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And it was a state that is indicated

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by

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many of the Hadith even of the prophet

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that would come over him,

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that,

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somehow or another,

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it's kinda twisted by people in order to

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be

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some sort of license to

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forget about one's responsibilities

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to Allah and his Rasool

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or to

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society or to others.

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And, then people associate these

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were free from these practices.

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And anyone that was not free from these

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practices, they weren't from the, and they're not

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people that we have anything to do with.

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And,

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it's really sad

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that, oftentimes, you'll see,

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oftentimes, you'll see,

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non Muslims will read

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Malana Rumi,

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and,

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you know, you have to remind them that,

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hey. You know, this is a sheikh of

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Tasuluf. He was a of Deen,

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and he was a.

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And he was writing about the love of

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Allah to Allah. He wasn't talking about, you

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know, your heartbreak because your girlfriend dumped you.

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Unfortunately, many many Muslims also need to have

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this talk as well. So you'll see, for

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example,

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the verse of the

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the verse of

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for example,

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being sung by, you know, a woman without

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her head covered or whatever. And there's, you

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know, just a completely inappropriate way,

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that these things are presented,

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as if they're like,

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love songs. You know, really, I mean, there's

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nothing wrong with somebody

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composing poetry about,

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you know, somebody they love or whatever as

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long as it's free of

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praise or haram or

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something excessive that the Sharia doesn't accept. And

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people do fall in love. That's okay. But

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that's not what it was about.

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And, one of the beauties of it was

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that

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they used,

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metaphor for common experiences

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that regular people had,

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in order to talk about the divine,

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thereby

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bringing, you know, an

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experience, an ecstatic experience that's really from outside

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of this world and making it palatable for

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the people, which was one of the finest

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traditions of the prophets,

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and then those people who are their heirs

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thereafter.

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But it doesn't mean that, you know, it's

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just like party time and,

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you know, who needs to pray or whatever.

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We

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we're about to jam.

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So,

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we start, the first anecdote that, Hazratanri brings

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is that Shah Abdul Haqq al Muhadith Adhihlahi

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Rahimu Allahu Barakwa Ta'ala. He's a great Muhadith.

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He brought the Hadith of the prophet

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to the Indian subcontinent,

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before did.

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And he did great service for it except

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for his son who was a noble successor

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to his father, became the Qadi. He became

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the chief judge and spent all his time

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with and,

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and, the study of hadith kind of fell

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away. Where Shaw'ulillah,

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Allah Ta'ala's Qadr was that he would return

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to Delhi

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at a time when the Mughal state was

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collapsing.

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And so by the time, his son, Shah

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Abdul Aziz,

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would,

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would would would be a worthy successor to

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his father's seat, there was no state to

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hire judges anymore because the British,

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ruled

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ruled Delhi.

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And,

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so he

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got a chance to spend more time,

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serving the hadith of the prophet

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And in every single calamity, there's some wisdom

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of Allah Subhanahu wa ta'ala.

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And Allah knows best because if he was

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a judge, then we wouldn't be narrating his

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son and then the son of his father

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afterward.

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But Allah does what he wishes.

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Allah does what he wishes. Allah subhanahu, Allah

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subhanahu, allahu samad. He's the one who does

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and he needs to ask nobody.

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And everybody, if they wanna do anything, they

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have to ask him. They have to receive

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his permission. He's the one who has to

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ask nobody.

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And we ask Allah

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for his mercy.

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So

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relates one day that the Sheikh

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Nasiruddin Jerahidehli

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was the Khalifa of Khadam,

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Nizamuddin Oli on the preeminent,

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from his disciples.

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And it says that, Sheikh Nasiruddin Mahmut Jerag

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Adelih. Jerag in Persian means a lamp or

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a a a a

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a light, that he was the light of.

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That was his, Lakkab, his title he was

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given to by the people.

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Was present at the majlis of one of

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the other disciples of when

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all of a sudden,

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drum drum playing and singing commenced. The sheikh

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Nasiruddin immediately stood up to leave.

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The attendees

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insisted that the sheikh remain in the Majlis.

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The sheikh Nasiruddin replied, it's against the sunnah.

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They replied, are you rejecting?

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Are you rejecting the,

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the the the recital,

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of the Sufis

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when they sit and recite the poetry,

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of the and

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contemplate on their meaning so that the

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the the the the realization of those words

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hits it and colors their heart.

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Are you rejecting, they said, the,

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and abandoning the way of your? He replied,

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the way of the shaykh is not a

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valid proof and has no

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bearing. Authoritative proof is only from the book

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of Allah and the sunnah of his messenger

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That's that's a actual sufi

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That's boss. That's gangster. Even if you don't

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agree with him, you have to you have

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to

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admire that. Anyone who has any love for

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Allah and his has

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to admire that.

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That they said that this is the sunnah

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of your shaykh, and he says, so what?

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He said, so what? He said, the shaykh

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is not a valid proof and has no

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bearing.

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Rather, authoritative proof is only from the book

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of Allah and the sunnah of his messenger,

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sallallahu alaihi wa sallam.

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Some of the attendees then went to Hajjar

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his sheikh, and relayed to him what had

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occurred in the majlis.

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They went to Tattletail on his sheikh, which

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is a,

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beloved pastime of annoying to this day.

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They went to tattle tale on his on

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him to his sheikh,

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and, which is fine, I guess, if someone

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did something wrong. But, sometimes people are just

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scandalmongers and trying to get people in trouble

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or get people busted like a bratty child.

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So they went to the sheikh, Khadun Nizamuddin,

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and relayed to him what had occurred in

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the majlis. Khadun Nizamuddin replied saying he has

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done right, and what he had said is

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indeed the truth,

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which is also another sign of also

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being the real deal.

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That these people, they had no nafs in

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front of Allah and his

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They had no ego in front of the

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book of Allah. They had no ego in

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front of the sunnah of

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the Rather,

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the person who abandons them in order to

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embrace

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the sunnah. That person is the one that

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they love.

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And this is very similar to

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there's something very similar to some of the

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anecdotes that were mentioned in the past,

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like that

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of

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to leave,

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his company and to go back to go

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back to his studies.

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And a story like this, by the way,

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happens later on as well.

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You'll if you go there's actually a playlist

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I made with regards to the and the,

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being

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that the mashaikh of Deoband are are also

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in munsalik from the tariqa justiya as well.

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That,

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something like this happens later when * and

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Dadullah, who we mentioned was the,

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sheikh of Hazratanvi and of the 2 founders

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of and

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and,

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that,

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they

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would

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in matters of or in matters of they

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would differ with their Sheikh * and Badullah

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in the same kind of, like, knucklehead marines

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would go and tell on them, go tattle

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on them.

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And,

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they would say, well, your sheikh does this,

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your sheikh does that. You know, how come

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you don't do it? They say that he's

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our sheikh in in Saluk, but, not in.

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Rather in, we, we ourselves have Ijazah,

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and, we don't see this thing as correct.

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And as far as his Sheikh and Saluk,

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as far as him being our spiritual spiritual

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preceptor,

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we we take from him in that matter.

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And,

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they went and tattletale

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to Hajisab, and Hajisab said,

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basically, yeah, they're right. He didn't say, how

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dare

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they not, fall over themselves to listen to

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every last thing I do? How dare they

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not worship me like the cult leader I

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am? The stuff for

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that's not what those people were. That's not

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how they were.

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And,

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you know, that's again a sign of the

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and the perfection of their

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their submission and effacement in front of the,

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Sharia of Allah Ta'ala and the book of

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Allah Ta'ala and the sunnah,

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of the

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a this is an honor tradition not just

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of our tariqah but every tariqah which is

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which is connected with the messenger of Allah

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And, you know, the greatest sheikh of the

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tariqah after the prophet sallallahu alaihi wa sallam

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who embodied this,

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were who the greatest mashaikh were the

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Saidna

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Abu Bakr,

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both of them. They,

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you know, they they were reported to have

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said during their Hilafa

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to, to the people that, that that they

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desire to be corrected if they ever do

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anything against the book of Allah and the

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sunnah of the prophet

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And that was late antiquity. That wasn't even

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the middle ages that had it had barely

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gotten going

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at that time. That was, like, ancient times.

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Now tell me what Arab ruler or what

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Muslim ruler is going to

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tolerate someone in his, upgrade him, or chastise

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him on something like that. Rather said, who

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had said that in his once he said

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something like this, and

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a man,

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from the from from the stood up and

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said, yeah, Omar, if you, if you were

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to go against the sunnah of the prophet

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and the deen of Allah,

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we would straighten you out with our swords.

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And what did Omar say? You know, to

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throw him in jail and put him in

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the dungeon, beat him up, slap him a

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couple. How dare you disrespect me? Don't you

00:13:52 --> 00:13:54

know who I am? And the prophet said

00:13:54 --> 00:13:56

this about me that no. These people, they're

00:13:56 --> 00:13:56

completely

00:13:57 --> 00:14:00

completely effaced. They've made themselves into nothing in

00:14:00 --> 00:14:01

front of the deen.

00:14:02 --> 00:14:03

Rather,

00:14:03 --> 00:14:06

they made themselves nothing. They'd completely effaced and

00:14:06 --> 00:14:09

destroyed their own nafs. So Allah gave them

00:14:09 --> 00:14:10

nafs better than the one that they gave

00:14:10 --> 00:14:11

up.

00:14:12 --> 00:14:15

Said Umar said, alhamdulillah, that Allah made such

00:14:15 --> 00:14:15

people

00:14:16 --> 00:14:18

that, would straighten Omar out by the sword

00:14:18 --> 00:14:20

if he ever left the, left the deen

00:14:20 --> 00:14:22

and the sunnah of the prophet

00:14:23 --> 00:14:25

So this is not something that the Sufis

00:14:25 --> 00:14:26

made up.

00:14:27 --> 00:14:28

My dear brothers and sisters,

00:14:29 --> 00:14:30

this is something well, you can say that

00:14:30 --> 00:14:32

if you consider the so

00:14:32 --> 00:14:34

this is the finest traditions of Deen,

00:14:35 --> 00:14:37

that the were like this. That the real,

00:14:37 --> 00:14:39

the true were like this. Allah

00:14:40 --> 00:14:42

give us a glimpse of such people

00:14:42 --> 00:14:45

so that the of his should enter into

00:14:45 --> 00:14:47

our heart. And so that Nispa should enter

00:14:47 --> 00:14:49

into our heart as well and

00:14:51 --> 00:14:53

give us strength in the times that other

00:14:53 --> 00:14:55

people are weak in this world,

00:14:56 --> 00:14:57

when we are faced with those decisions that

00:14:57 --> 00:14:59

are going to define us on the day

00:14:59 --> 00:15:01

of judgment. And so that we have some

00:15:01 --> 00:15:02

rope to hold on to on the day

00:15:02 --> 00:15:05

of judgment, the day that other nations are

00:15:05 --> 00:15:06

going to be burned in the garbage heap

00:15:06 --> 00:15:07

of the hellfire.

00:15:11 --> 00:15:14

As the Tanvi continues in the, it

00:15:15 --> 00:15:17

is written that there were no musical instruments

00:15:17 --> 00:15:19

in the gathering of

00:15:20 --> 00:15:22

neither was there any clapping or merry making.

00:15:22 --> 00:15:24

If anybody would mention to him that some

00:15:24 --> 00:15:27

of his disciples would practice with musical instruments,

00:15:27 --> 00:15:28

he would forbid them.

00:15:29 --> 00:15:31

It has been mentioned in Khairul Majalis

00:15:32 --> 00:15:34

that a closed a close acquaintance

00:15:34 --> 00:15:37

entered into the gathering of Sheikh Nasiruddin Mahmud,

00:15:39 --> 00:15:39

and asked

00:15:40 --> 00:15:43

and asked, is it permissible to have musical

00:15:43 --> 00:15:45

instruments, drum playing, flutes,

00:15:45 --> 00:15:47

stringed instruments, and sama while

00:15:48 --> 00:15:48

the,

00:15:49 --> 00:15:51

while the while the,

00:15:51 --> 00:15:55

disciples dance. Here, applied musical instruments according to

00:15:55 --> 00:15:57

the consensus of scholars is not permitted.

00:15:58 --> 00:16:00

Look if somebody comes out of the fold

00:16:00 --> 00:16:02

of the tariq, then there is no harm

00:16:02 --> 00:16:04

or loss because he will still have a

00:16:04 --> 00:16:04

place in the Sharia.

00:16:05 --> 00:16:07

However, if he comes out of the fold

00:16:07 --> 00:16:08

of the Sharia, then when will where he

00:16:08 --> 00:16:10

where will he go then?

00:16:10 --> 00:16:12

Therefore, one should not even go near those

00:16:12 --> 00:16:15

places where musical instruments are played. As far

00:16:15 --> 00:16:17

as is concerned, there's a difference

00:16:17 --> 00:16:18

of scholars regarding

00:16:19 --> 00:16:21

that based on the appropriate condition.

00:16:22 --> 00:16:25

Musical instruments, therefore, however, are forbidden by consensus.

00:16:26 --> 00:16:29

Now this expression that the musical instruments are,

00:16:29 --> 00:16:30

forbidden by consensus,

00:16:33 --> 00:16:34

is close to true, but I don't know

00:16:34 --> 00:16:37

it to be, absolutely true indeed. It's my

00:16:37 --> 00:16:39

sense that the person who makes him caught

00:16:39 --> 00:16:41

of that is a kafir or outside of

00:16:41 --> 00:16:43

the fold of Din. But it is definitely

00:16:43 --> 00:16:45

against the fatwa position of the 4 madhevs,

00:16:46 --> 00:16:47

and it is definitely a weak position,

00:16:48 --> 00:16:49

according to the,

00:16:50 --> 00:16:52

but without getting mired into that because this

00:16:52 --> 00:16:54

is not a fiqdars. You can go and

00:16:54 --> 00:16:56

do your research about that and hold your

00:16:56 --> 00:16:59

opinions or whatever. But the most important thing

00:16:59 --> 00:16:59

in this,

00:17:01 --> 00:17:02

in this,

00:17:02 --> 00:17:03

paragraph

00:17:03 --> 00:17:06

is what? He says, look. If somebody comes

00:17:06 --> 00:17:08

out of the fold of the, then there

00:17:08 --> 00:17:10

is no harm or loss because he will

00:17:10 --> 00:17:11

still have a place in the Sharia.

00:17:12 --> 00:17:13

However, if he comes out of the fold

00:17:13 --> 00:17:15

of the Sharia, then where will he go?

00:17:17 --> 00:17:19

If there someone comes out of the fold

00:17:19 --> 00:17:21

of the, then there's no harm or loss

00:17:22 --> 00:17:23

because he will still have a place in

00:17:23 --> 00:17:24

the sharia.

00:17:24 --> 00:17:26

Wherever whereas if he comes out of the

00:17:26 --> 00:17:28

fold of the sharia, then where will he

00:17:28 --> 00:17:28

go?

00:17:30 --> 00:17:32

And so he said that a person should

00:17:32 --> 00:17:33

not go, near these,

00:17:33 --> 00:17:35

gatherings for that reason.

00:17:35 --> 00:17:35

And,

00:17:36 --> 00:17:39

you know, this is the gatherings of merrymaking,

00:17:40 --> 00:17:41

even people who want to say, okay. Well,

00:17:41 --> 00:17:44

so and so permitted music. Okay. Fine. Whatever.

00:17:44 --> 00:17:46

But these gatherings of merrymaking that are just

00:17:46 --> 00:17:46

heedlessness.

00:17:48 --> 00:17:49

These are definitely

00:17:49 --> 00:17:50

not what's,

00:17:50 --> 00:17:51

meant by,

00:17:52 --> 00:17:54

by the of any of the Sufis.

00:17:55 --> 00:17:57

And, you know, Hadar Tani has a really

00:17:57 --> 00:17:59

interesting book in Urdu,

00:18:00 --> 00:18:02

that he wrote called hapisima,

00:18:03 --> 00:18:05

which is has to do with

00:18:06 --> 00:18:06

the the

00:18:07 --> 00:18:07

the

00:18:08 --> 00:18:09

the reality of

00:18:10 --> 00:18:12

the the gathering of audition where where

00:18:13 --> 00:18:13

the read.

00:18:14 --> 00:18:14

And,

00:18:16 --> 00:18:19

he's basically it's it's an it's an order

00:18:19 --> 00:18:21

of, like, 40 questions and answers. And so

00:18:21 --> 00:18:23

the first question is, is it permiss permissible

00:18:23 --> 00:18:26

to sit in those gatherings where musical instruments

00:18:26 --> 00:18:28

are played? And he says, no. It's not.

00:18:28 --> 00:18:30

However, if it was, then the question comes,

00:18:30 --> 00:18:31

you know, like,

00:18:32 --> 00:18:32

you know,

00:18:33 --> 00:18:35

what are the conditions of

00:18:35 --> 00:18:37

it being valid even if we were to

00:18:37 --> 00:18:40

suspend this one issue? And are those conditions

00:18:40 --> 00:18:42

met anywhere? No. They're not. But if they

00:18:42 --> 00:18:44

were, there's this issue, there's that issue. Basically,

00:18:44 --> 00:18:46

he he he enumerates a number of,

00:18:47 --> 00:18:48

a valid,

00:18:50 --> 00:18:52

a number a number of valid problems that

00:18:53 --> 00:18:53

happen

00:18:54 --> 00:18:57

in these, gatherings, which disqualify the vast majority,

00:18:57 --> 00:18:58

if not all of,

00:18:58 --> 00:18:59

all of them from being in any way,

00:18:59 --> 00:19:01

shape, or form beneficial and being anything other

00:19:01 --> 00:19:03

than just some sort of, like, jam session,

00:19:04 --> 00:19:06

or concert, which is nothing but pumping pumping

00:19:06 --> 00:19:08

a person's knuffs up.

00:19:09 --> 00:19:10

And, sadly, you know,

00:19:11 --> 00:19:13

what these what these gatherings have become nowadays

00:19:13 --> 00:19:14

have just become

00:19:15 --> 00:19:16

business and money making and entertainment.

00:19:17 --> 00:19:19

And you can see, you know, that, you

00:19:19 --> 00:19:20

know, who are the people who participate

00:19:21 --> 00:19:23

in them. 99 out of 100 of them

00:19:23 --> 00:19:25

are people who don't really have concern of

00:19:25 --> 00:19:27

the Sharia or people who don't have really

00:19:27 --> 00:19:29

a dedicated life to the Quran or to

00:19:29 --> 00:19:32

the, or to any of the other trappings

00:19:32 --> 00:19:33

of the deen.

00:19:33 --> 00:19:35

Look. If somebody comes out of the fold

00:19:35 --> 00:19:36

of the tariq, then there's no harm or

00:19:36 --> 00:19:38

loss because he will still have a place

00:19:38 --> 00:19:38

in the Sharia.

00:19:39 --> 00:19:40

However, he comes if he comes out of

00:19:40 --> 00:19:42

the fold of the Sharia, then where will

00:19:42 --> 00:19:42

he go?

00:19:45 --> 00:19:45

Hazratanvi

00:19:45 --> 00:19:48

continues. Hazrat Khaja Usman Harwani, the sheikh of

00:19:48 --> 00:19:49

Khaja,

00:19:53 --> 00:19:54

narrates a of Khadamodud

00:19:55 --> 00:19:57

Chishti, one of the elders of the Tariq

00:19:57 --> 00:19:59

from from from even before him,

00:20:00 --> 00:20:02

from Chishta Sharif, which is

00:20:02 --> 00:20:04

a place, like we said, from before in

00:20:04 --> 00:20:05

modern Afghanistan,

00:20:06 --> 00:20:07

near the city of Herat.

00:20:08 --> 00:20:08

This is

00:20:12 --> 00:20:13

narrates a mouthfuls

00:20:15 --> 00:20:17

from saying that some villages of and

00:20:18 --> 00:20:20

townships close to will fall to ruin

00:20:20 --> 00:20:23

and destroy themselves due to infighting because of

00:20:23 --> 00:20:25

their cursed involvement

00:20:25 --> 00:20:28

in music and merrymaking. He predicted

00:20:28 --> 00:20:28

this,

00:20:29 --> 00:20:30

would happen, and indeed,

00:20:32 --> 00:20:34

what ends up happening is that the Mongols

00:20:34 --> 00:20:35

will destroy the entire,

00:20:38 --> 00:20:38

Chorazmian,

00:20:39 --> 00:20:39

state.

00:20:40 --> 00:20:42

Hakim ul Ummah comments. Notice

00:20:43 --> 00:20:44

the degree of severity,

00:20:45 --> 00:20:47

with which the involvement in music is being

00:20:48 --> 00:20:48

approached and condemned.

00:20:49 --> 00:20:50

The universal nature,

00:20:50 --> 00:20:52

of the statement entails

00:20:52 --> 00:20:53

that the general,

00:20:54 --> 00:20:55

commonly known as,

00:20:57 --> 00:20:59

which is thought to be a favorite,

00:21:00 --> 00:21:02

a favorite pastime of the is

00:21:02 --> 00:21:03

also included

00:21:06 --> 00:21:07

in the condemnation,

00:21:08 --> 00:21:10

if it's done incorrectly, I add.

00:21:11 --> 00:21:12

Otherwise,

00:21:13 --> 00:21:13

the

00:21:14 --> 00:21:15

gatherings were

00:21:15 --> 00:21:16

were read

00:21:17 --> 00:21:18

and sung as.

00:21:19 --> 00:21:21

This is something that's narrated from the prophet

00:21:22 --> 00:21:23

and we saw from our from their own

00:21:23 --> 00:21:26

gatherings, but we're talking about merrymaking and musical

00:21:26 --> 00:21:27

instruments and whatnot.

00:21:34 --> 00:21:35

Hazratanvi

00:21:35 --> 00:21:36

continues.

00:21:37 --> 00:21:38

Hazrat Amir narrates

00:21:39 --> 00:21:42

Hazrat Amir Khosrud Dehilawi is a very interesting

00:21:42 --> 00:21:42

figure.

00:21:43 --> 00:21:43

He was

00:21:44 --> 00:21:46

the most if not one of the most

00:21:46 --> 00:21:48

if not the most devoted disciple of Hajan

00:21:48 --> 00:21:49

is Amadin

00:21:50 --> 00:21:51

in Delhi.

00:21:51 --> 00:21:53

He was a soldier. He was a trader.

00:21:53 --> 00:21:54

He was an artist.

00:21:55 --> 00:21:56

He was a poet,

00:21:57 --> 00:22:00

a man of many talents and, culturally kind

00:22:00 --> 00:22:01

of like a

00:22:02 --> 00:22:03

a a kind of a one man empire.

00:22:04 --> 00:22:06

And so a figure celebrated

00:22:06 --> 00:22:08

by many different types of people in the

00:22:08 --> 00:22:10

history of the subcontinent. Also in Persian,

00:22:11 --> 00:22:12

poetry, his

00:22:12 --> 00:22:13

verse is well known.

00:22:14 --> 00:22:16

Although he didn't only write in Persian, he

00:22:16 --> 00:22:18

wrote also in the old Hindu language that

00:22:18 --> 00:22:20

was spoken there. It's a precursor to Urdu,

00:22:22 --> 00:22:25

and he also wrote in Arabic, his verse,

00:22:25 --> 00:22:26

and he would make many colorful,

00:22:28 --> 00:22:30

nazems, in which there would be verse switching

00:22:30 --> 00:22:32

between languages and things like that.

00:22:34 --> 00:22:36

Hazrat Amir Khuso dehilawi

00:22:37 --> 00:22:39

relates Hazrat said

00:22:41 --> 00:22:42

Hazrat Shibli

00:22:43 --> 00:22:44

Shibli was one of

00:22:45 --> 00:22:47

the of Imam Junaid al Baghdadi.

00:22:48 --> 00:22:51

Said Shibli on one occasion saw shaitan.

00:22:52 --> 00:22:54

These stories are really interesting. The Shibli on

00:22:54 --> 00:22:56

one occasion saw shaitan and asked him,

00:22:58 --> 00:22:59

when are you able to take control over

00:22:59 --> 00:23:02

a Saliq? Shaitan replied at the time when

00:23:02 --> 00:23:04

he's listening to music, due to which his

00:23:04 --> 00:23:07

heart becomes unmindful of Allah's remembrance, at that

00:23:07 --> 00:23:08

time, I have full control over him.

00:23:10 --> 00:23:11

And again,

00:23:13 --> 00:23:15

that's what happens in the gatherings of merrymaking,

00:23:16 --> 00:23:17

especially when people are unmindful.

00:23:18 --> 00:23:19

That,

00:23:19 --> 00:23:22

the the music itself, it tickles the nuffs

00:23:22 --> 00:23:24

rather than engaging the mind and the heart.

00:23:25 --> 00:23:25

And,

00:23:27 --> 00:23:28

asked, Shaitan,

00:23:29 --> 00:23:31

when are you able to take control over

00:23:31 --> 00:23:33

the Saliq? Shaitan replied at the time when

00:23:33 --> 00:23:35

he's listening to the sama, to the music,

00:23:35 --> 00:23:37

due to which his heart becomes unmindful of

00:23:37 --> 00:23:40

Allah's remembrance. At that time, I have full

00:23:40 --> 00:23:40

control over him.

00:23:43 --> 00:23:44

Comments,

00:23:45 --> 00:23:45

that,

00:23:46 --> 00:23:49

Azir Sultan g relates this story without any

00:23:49 --> 00:23:51

reservation or refutation as clear proof of his

00:23:51 --> 00:23:53

approval and acceptance of it.

00:23:53 --> 00:23:55

Sultanji is who? Is

00:24:01 --> 00:24:02

that he was

00:24:02 --> 00:24:04

he was considered, like, to be the real

00:24:04 --> 00:24:05

sultan of Delhi.

00:24:05 --> 00:24:08

The sultan, Aladdin Khalji, actually resented him for

00:24:08 --> 00:24:11

that because the people loved, him and

00:24:11 --> 00:24:13

listened to his commands more readily than they

00:24:13 --> 00:24:15

would listen even to the sultan himself, and

00:24:15 --> 00:24:16

that's a whole another

00:24:17 --> 00:24:19

set of, interesting stories.

00:24:19 --> 00:24:22

But, Hakim Ummah refers to him as the

00:24:22 --> 00:24:22

real

00:24:23 --> 00:24:23

sultan.

00:24:28 --> 00:24:30

Says that, relates this story without any reservation

00:24:30 --> 00:24:33

or refutation. It's clear proof of his approval

00:24:33 --> 00:24:34

and acceptance of it.

00:24:34 --> 00:24:36

Clearly, we see Hazrat Sultanji

00:24:36 --> 00:24:39

actual his actual view regarding Samat contrary to

00:24:39 --> 00:24:41

what people erroneously attribute to him. What a

00:24:41 --> 00:24:43

blatant lie they attribute to the pure and

00:24:43 --> 00:24:45

pristine where the pious predecessors.

00:24:46 --> 00:24:47

Hazratanvi

00:24:47 --> 00:24:47

continues.

00:24:49 --> 00:24:50

It says

00:24:51 --> 00:24:53

and narrates the Sheikh

00:24:56 --> 00:24:57

said,

00:24:59 --> 00:25:01

means what? It's a Persian word. It's a

00:25:01 --> 00:25:03

word that they used to refer to the

00:25:03 --> 00:25:05

people, the travelers on the spiritual path, the

00:25:05 --> 00:25:06

Saliq.

00:25:08 --> 00:25:11

So, he has given you a hearing so

00:25:11 --> 00:25:13

that you listen to the of Allah.

00:25:15 --> 00:25:17

He, jalaba, Allah, has given you hearing so

00:25:17 --> 00:25:19

that you listen to the dhikr of Allah,

00:25:19 --> 00:25:20

to the remembrance of Allah.

00:25:21 --> 00:25:23

Wherever there is recitation of the Quran, lend

00:25:23 --> 00:25:25

an ear to it and ponder over Allah's

00:25:25 --> 00:25:25

admonishment.

00:25:26 --> 00:25:28

He has not given you hearing so that

00:25:28 --> 00:25:29

you can listen to slander,

00:25:30 --> 00:25:30

backbiting,

00:25:31 --> 00:25:32

music, and the wailing of mourners.

00:25:33 --> 00:25:35

It has been mentioned in a hadith that

00:25:35 --> 00:25:37

molten lead will be poured into the ears

00:25:37 --> 00:25:39

of the person who listens to these futile

00:25:39 --> 00:25:40

things on the day of judgment.

00:25:41 --> 00:25:42

Hakimul Ummah Hazratanvi

00:25:44 --> 00:25:44

comments,

00:25:45 --> 00:25:47

notice with what sternness the Sheikh is censuring

00:25:47 --> 00:25:49

the listening to music and that he made

00:25:49 --> 00:25:50

no exceptions.

00:26:00 --> 00:26:00

Keep our

00:26:01 --> 00:26:03

hearts clear of and all falsehood.

00:26:03 --> 00:26:05

Allah fill them

00:26:06 --> 00:26:07

with. Allah

00:26:07 --> 00:26:08

fill them with.

00:26:09 --> 00:26:09

Allah

00:26:10 --> 00:26:12

forgive us for having abused them in the

00:26:12 --> 00:26:13

past

00:26:13 --> 00:26:15

and give us the strength and the and

00:26:15 --> 00:26:16

courage to resolve,

00:26:19 --> 00:26:20

to keep them clean and pure.

00:26:22 --> 00:26:23

In the future, may Allah

00:26:24 --> 00:26:25

take us in a state that they're filled

00:26:25 --> 00:26:27

with light and with with truth

00:26:27 --> 00:26:29

and not take us in a state of

00:26:29 --> 00:26:29

heedlessness.

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