Hamzah Wald Maqbul – 22 Ramadn 1442 Late Night Majlis Rm Love Lyrics Beauty ESA

Hamzah Wald Maqbul
Share Page

AI: Summary ©

The importance of forgiveness and the need for forgiveness is discussed, as well as the return of Shams Tabriz and his actions leading to his return. The cultural aspect of writing is also discussed, including their love for Shams Tabriz and their desire to see him again. The importance of cleanliness and being strong in one's opinion and language is emphasized, along with the importance of learning Arabic language and reading the Quran for its beauty.

AI: Summary ©

00:00:27 --> 00:00:28
			We reached this Mubarak
		
00:00:29 --> 00:00:29
			22nd,
		
00:00:31 --> 00:00:32
			night of Ramadan.
		
00:00:33 --> 00:00:35
			It's good to be back home after,
		
00:00:36 --> 00:00:37
			a journey,
		
00:00:37 --> 00:00:38
			for a good cause,
		
00:00:39 --> 00:00:41
			but, it's good to be back home
		
00:00:44 --> 00:00:46
			fulfill the that I went out for and
		
00:00:46 --> 00:00:48
			all those who are traveling in the path
		
00:00:48 --> 00:00:49
			of
		
00:00:50 --> 00:00:52
			and who have fikr for the sake of
		
00:00:53 --> 00:00:55
			fulfill all their as well in this world
		
00:00:55 --> 00:00:57
			in the hereafter. I mean
		
00:00:57 --> 00:00:59
			Allah to Allah fulfill them because
		
00:01:00 --> 00:01:01
			they were the worry and the concern of
		
00:01:01 --> 00:01:04
			Rasool Allah sallallahu alaihi wa sallam. I mean
		
00:01:06 --> 00:01:09
			So we, remind ourselves and others that in
		
00:01:09 --> 00:01:10
			these Mubarak nights, if a person has a
		
00:01:10 --> 00:01:12
			couple of minutes, on the side,
		
00:01:12 --> 00:01:14
			you know, if you're not one of them,
		
00:01:14 --> 00:01:14
			alpha,
		
00:01:16 --> 00:01:18
			you know, pious people who's, making after
		
00:01:18 --> 00:01:19
			and, like,
		
00:01:20 --> 00:01:22
			you know, I don't know, like, making zikr
		
00:01:22 --> 00:01:23
			and stuff like that and having, like, these
		
00:01:23 --> 00:01:26
			ecstatic openings and experiences. If you are, make
		
00:01:26 --> 00:01:27
			dua for me.
		
00:01:28 --> 00:01:29
			If you're not, then
		
00:01:30 --> 00:01:31
			every one of us can read.
		
00:01:35 --> 00:01:37
			Oh, Allah, you are
		
00:01:37 --> 00:01:38
			the one who loves,
		
00:01:39 --> 00:01:41
			that people should forgive completely.
		
00:01:42 --> 00:01:44
			And you, you're the one who forgives completely,
		
00:01:44 --> 00:01:46
			and you love that people should forgive completely.
		
00:01:47 --> 00:01:48
			So forgive me completely.
		
00:01:52 --> 00:01:54
			And forgive all of us completely.
		
00:01:55 --> 00:01:56
			And who knows? You know, the day that
		
00:01:56 --> 00:01:57
			you're forgiven,
		
00:01:58 --> 00:01:58
			that's the day,
		
00:01:59 --> 00:02:01
			doors open, and maybe some of the stuff
		
00:02:01 --> 00:02:02
			we talked about before,
		
00:02:03 --> 00:02:05
			will, be within grasp,
		
00:02:06 --> 00:02:07
			once you're once you're clean.
		
00:02:07 --> 00:02:10
			But, you know, as long as as long
		
00:02:10 --> 00:02:11
			as, we all are
		
00:02:12 --> 00:02:15
			still tinged with the, evil effects of our
		
00:02:15 --> 00:02:15
			sins,
		
00:02:16 --> 00:02:17
			and we don't come to the threshold,
		
00:02:18 --> 00:02:21
			of the court, of of the divine in
		
00:02:21 --> 00:02:21
			humility,
		
00:02:22 --> 00:02:24
			and we still stink from the,
		
00:02:25 --> 00:02:25
			bad,
		
00:02:26 --> 00:02:28
			effect of our own nafs.
		
00:02:29 --> 00:02:32
			And it's it's bad bad choices in life,
		
00:02:32 --> 00:02:32
			then,
		
00:02:33 --> 00:02:34
			we're more in need of soap than we
		
00:02:34 --> 00:02:35
			are perfume,
		
00:02:36 --> 00:02:37
			as the,
		
00:02:38 --> 00:02:39
			make the metaphor.
		
00:02:39 --> 00:02:39
			Allah
		
00:02:40 --> 00:02:42
			make us, amongst the the ones that are
		
00:02:42 --> 00:02:43
			clean
		
00:02:43 --> 00:02:44
			and pure,
		
00:02:45 --> 00:02:47
			despite ourselves, not through any power of our
		
00:02:47 --> 00:02:48
			own, but through
		
00:02:48 --> 00:02:50
			his father. I mean,
		
00:02:50 --> 00:02:52
			So we continue. Moana,
		
00:02:52 --> 00:02:53
			Abu Hassan,
		
00:02:53 --> 00:02:54
			Ali
		
00:02:56 --> 00:02:57
			and his, biographical,
		
00:02:57 --> 00:02:59
			entry with regards to,
		
00:03:00 --> 00:03:01
			Molana Jalaluddin Rumi And,
		
00:03:04 --> 00:03:06
			the the next subheading is tumult by Rumi's
		
00:03:06 --> 00:03:07
			disciples,
		
00:03:07 --> 00:03:10
			which is, interesting to see that, this age
		
00:03:10 --> 00:03:11
			is not
		
00:03:11 --> 00:03:12
			unique in the fact that,
		
00:03:13 --> 00:03:14
			more
		
00:03:14 --> 00:03:15
			often than not are
		
00:03:16 --> 00:03:18
			up to some up to no good. So,
		
00:03:18 --> 00:03:20
			if you ever see a chef and then
		
00:03:20 --> 00:03:22
			you see their disciples acting stupid,
		
00:03:24 --> 00:03:26
			don't don't worry. Don't fear.
		
00:03:27 --> 00:03:29
			The gut reaction or the knee jerk reaction
		
00:03:29 --> 00:03:32
			is to think, well, if the disciple is
		
00:03:32 --> 00:03:33
			a a knucklehead, then the sheikh must be
		
00:03:33 --> 00:03:34
			as well.
		
00:03:34 --> 00:03:36
			But that's very unfair.
		
00:03:36 --> 00:03:38
			It's very unfair to judge a Sheikh by
		
00:03:38 --> 00:03:39
			their disciples.
		
00:03:40 --> 00:03:41
			What if someone were to see one of
		
00:03:41 --> 00:03:43
			the and make a conclusion about
		
00:03:46 --> 00:03:46
			it's not fair.
		
00:03:47 --> 00:03:47
			So,
		
00:03:48 --> 00:03:49
			you know,
		
00:03:50 --> 00:03:52
			this is part of the spiritual path is
		
00:03:52 --> 00:03:55
			separating the wheat from the chaff and, knowing
		
00:03:55 --> 00:03:56
			who to listen to and who not to
		
00:03:56 --> 00:03:58
			listen to. And oftentimes, your fellow travelers are
		
00:03:58 --> 00:04:00
			not the ones to listen to. You should've
		
00:04:00 --> 00:04:01
			looked down on them in the sense that,
		
00:04:01 --> 00:04:01
			like,
		
00:04:03 --> 00:04:05
			you know, they're there for the same reason
		
00:04:05 --> 00:04:06
			that you are extensively
		
00:04:06 --> 00:04:08
			and that I am. But,
		
00:04:09 --> 00:04:10
			the reason for mentioning,
		
00:04:11 --> 00:04:13
			the knuckleheadedness of the marines in such a
		
00:04:13 --> 00:04:15
			way is just so that a person,
		
00:04:15 --> 00:04:16
			doesn't,
		
00:04:17 --> 00:04:18
			get thrown for a curveball
		
00:04:19 --> 00:04:20
			because oftentimes other disciples,
		
00:04:21 --> 00:04:21
			they
		
00:04:22 --> 00:04:22
			they kinda,
		
00:04:23 --> 00:04:25
			you know, talk the talk real smooth and
		
00:04:25 --> 00:04:28
			they set themselves up to look look like,
		
00:04:28 --> 00:04:30
			they're somehow representatives of a chef that's not
		
00:04:30 --> 00:04:32
			there to see them in their knuckleheadedness.
		
00:04:32 --> 00:04:34
			And, they need some treatment just as bad
		
00:04:34 --> 00:04:36
			as you do, sometimes even worse.
		
00:04:37 --> 00:04:37
			So,
		
00:04:38 --> 00:04:39
			yeah,
		
00:04:39 --> 00:04:40
			We start,
		
00:04:41 --> 00:04:42
			with a with a fun story about the
		
00:04:42 --> 00:04:43
			marit.
		
00:04:44 --> 00:04:47
			So the the subheading is Tamult by Rumi's
		
00:04:47 --> 00:04:47
			disciples.
		
00:04:48 --> 00:04:50
			After Rumi had entered the enchanted circle of
		
00:04:50 --> 00:04:52
			Shams Tabriz's spiritual power,
		
00:04:53 --> 00:04:55
			he gave up teaching and delivering lectures,
		
00:04:55 --> 00:04:56
			which
		
00:04:56 --> 00:04:59
			was intensely resented by his followers, disciples, and
		
00:04:59 --> 00:05:00
			friends.
		
00:05:00 --> 00:05:03
			They accordingly raised a fearful and threatening tumult
		
00:05:03 --> 00:05:04
			against Shams.
		
00:05:04 --> 00:05:07
			The resentment of Rumi's disciples was kindled by
		
00:05:07 --> 00:05:08
			the respect
		
00:05:08 --> 00:05:10
			paid by, paid to Shams by Rumi.
		
00:05:11 --> 00:05:13
			And they were also were jealous that an
		
00:05:13 --> 00:05:16
			unknown person whose lineage and even whereabouts were
		
00:05:16 --> 00:05:18
			not known to anybody should cause their revered
		
00:05:19 --> 00:05:21
			teacher to sever all relations with those,
		
00:05:22 --> 00:05:24
			who had so long been serving, as well
		
00:05:24 --> 00:05:26
			as deriving benefit from him
		
00:05:27 --> 00:05:29
			and spreading his fame far and wide.
		
00:05:29 --> 00:05:31
			The disciples and followers of Rumi,
		
00:05:31 --> 00:05:34
			took Shams, Tabres for a weird figure who
		
00:05:34 --> 00:05:37
			had cast a spell over Rumi. Otherwise, he
		
00:05:37 --> 00:05:39
			would not have changed so suddenly and decided
		
00:05:39 --> 00:05:39
			not to,
		
00:05:40 --> 00:05:41
			see his old acquaintances.
		
00:05:42 --> 00:05:44
			They could not express their resentment against Shams,
		
00:05:44 --> 00:05:47
			in the presence of Rumi, But whenever, they
		
00:05:47 --> 00:05:48
			got an opportunity,
		
00:05:49 --> 00:05:49
			they,
		
00:05:50 --> 00:05:54
			jibed and stingily reproach stingingly reproach Shams Tabres.
		
00:05:56 --> 00:05:58
			Yeah. So, basically, there were there were some
		
00:05:58 --> 00:05:58
			some haters.
		
00:05:59 --> 00:06:00
			There were some haters there. And that's the
		
00:06:00 --> 00:06:02
			thing is if a person truly loved the
		
00:06:02 --> 00:06:02
			sheikh,
		
00:06:03 --> 00:06:05
			they would know that if the sheikh was
		
00:06:05 --> 00:06:06
			a sheikh and actually knew what he was
		
00:06:06 --> 00:06:07
			doing,
		
00:06:07 --> 00:06:10
			then they would try to see in,
		
00:06:11 --> 00:06:13
			in in in shams what the sheikh saw
		
00:06:13 --> 00:06:13
			in him.
		
00:06:14 --> 00:06:16
			But uh-uh you know
		
00:06:17 --> 00:06:19
			except for those few that Allah had mercy
		
00:06:19 --> 00:06:21
			on they were unable to see it
		
00:06:21 --> 00:06:24
			And, they kind of, in some sense, because
		
00:06:24 --> 00:06:25
			they love the Sheikh so much ended up
		
00:06:25 --> 00:06:26
			like,
		
00:06:26 --> 00:06:28
			you know, being more Catholic than the pope,
		
00:06:29 --> 00:06:32
			so to speak. And, that's, that's obviously a
		
00:06:32 --> 00:06:33
			folly.
		
00:06:33 --> 00:06:35
			That's all obviously a folly.
		
00:06:36 --> 00:06:37
			The departure of
		
00:06:38 --> 00:06:41
			Shams Tabriz calmly put up with the, irritation
		
00:06:41 --> 00:06:43
			caused by Rumi's followers for some time, but
		
00:06:43 --> 00:06:44
			when he found that they were bent upon
		
00:06:44 --> 00:06:46
			taking resort to violent means,
		
00:06:47 --> 00:06:48
			he stealthily left Konya one day.
		
00:06:49 --> 00:06:50
			Reports
		
00:06:51 --> 00:06:53
			that left Konya at the end of his
		
00:06:53 --> 00:06:55
			first visit on Thursday, 21st day of the
		
00:06:55 --> 00:06:56
			month of Shawwal
		
00:06:56 --> 00:06:57
			in,
		
00:06:58 --> 00:06:58
			643,
		
00:06:58 --> 00:07:01
			Hijri after a stay of about 16 months.
		
00:07:02 --> 00:07:04
			The departures of the departure of Shamsa Tabrez
		
00:07:04 --> 00:07:07
			left Rumi in, such a state of distress
		
00:07:07 --> 00:07:10
			and depression that he completely cut himself off
		
00:07:10 --> 00:07:11
			from the disciples and acquaintances,
		
00:07:12 --> 00:07:14
			friends, and relatives. This was an unexpected turn
		
00:07:14 --> 00:07:16
			of events unforeseen
		
00:07:16 --> 00:07:18
			by those who had been
		
00:07:19 --> 00:07:22
			envious of Shams. For Rumi was now,
		
00:07:23 --> 00:07:25
			not prepared to see even those, who had
		
00:07:25 --> 00:07:26
			not opposed
		
00:07:27 --> 00:07:29
			much less the persons who had been his
		
00:07:29 --> 00:07:29
			adversaries.
		
00:07:30 --> 00:07:31
			And,
		
00:07:32 --> 00:07:33
			Allah Allah
		
00:07:34 --> 00:07:36
			Allah, you know, shows strange ways that people
		
00:07:36 --> 00:07:38
			who love each other for the sake of
		
00:07:38 --> 00:07:40
			how how their love takes form.
		
00:07:41 --> 00:07:43
			In some ways, I see an analog of
		
00:07:43 --> 00:07:44
			the love that
		
00:07:45 --> 00:07:46
			had for.
		
00:07:48 --> 00:07:50
			I don't think a 100% this is a,
		
00:07:50 --> 00:07:51
			a 100%
		
00:07:51 --> 00:07:54
			apt analogy just because, in that case,
		
00:07:54 --> 00:07:55
			was
		
00:07:55 --> 00:07:57
			the the the the and
		
00:07:57 --> 00:07:59
			was the disciple, but,
		
00:08:00 --> 00:08:01
			you see how
		
00:08:02 --> 00:08:02
			the love,
		
00:08:03 --> 00:08:05
			for one another endures separation
		
00:08:06 --> 00:08:08
			and causes the lover to go through so
		
00:08:08 --> 00:08:09
			many different types of grief,
		
00:08:11 --> 00:08:13
			all of them all of which are a
		
00:08:13 --> 00:08:14
			part of of faith.
		
00:08:16 --> 00:08:17
			The return of Shams Tafrez.
		
00:08:18 --> 00:08:19
			Sipah Salar
		
00:08:20 --> 00:08:22
			relates that Rumi remained cut off from everybody
		
00:08:22 --> 00:08:23
			until he unexpectedly
		
00:08:23 --> 00:08:26
			received a letter from Shamsi Tabriz from Damascus.
		
00:08:26 --> 00:08:29
			A bit calmed down, Rumi now permitted those
		
00:08:29 --> 00:08:31
			who had not pitted themselves against Shams to
		
00:08:31 --> 00:08:32
			join his sittings.
		
00:08:33 --> 00:08:35
			It was during this period that Rumi began
		
00:08:35 --> 00:08:36
			to take part in,
		
00:08:36 --> 00:08:39
			musical chantings in remembrance of his lost friend.
		
00:08:39 --> 00:08:42
			He also wrote 4 letters to Shamsi Tabres,
		
00:08:42 --> 00:08:44
			during, this period of separation,
		
00:08:45 --> 00:08:47
			which expressed his intense desire to see Shams
		
00:08:47 --> 00:08:47
			again.
		
00:08:48 --> 00:08:51
			In the first letter, he says, come back
		
00:08:51 --> 00:08:53
			to me, the light of my heart, the
		
00:08:53 --> 00:08:54
			object of my desire.
		
00:08:54 --> 00:08:57
			You forge ahead with the fervor of your
		
00:08:57 --> 00:08:59
			true love. If you come, the joy of
		
00:08:59 --> 00:09:01
			my heart shall I acquire. If not, extreme
		
00:09:01 --> 00:09:04
			depression will be my higher. You are like
		
00:09:04 --> 00:09:06
			the sun which is far away but still
		
00:09:06 --> 00:09:08
			near. Come back. Oh, you are at a
		
00:09:08 --> 00:09:08
			distance,
		
00:09:09 --> 00:09:10
			but I find you here.
		
00:09:12 --> 00:09:13
			Obviously, this is
		
00:09:15 --> 00:09:16
			a a a a a a noble
		
00:09:16 --> 00:09:17
			attempt to render the,
		
00:09:19 --> 00:09:21
			the verse into English. But,
		
00:09:23 --> 00:09:25
			when in translation, you find the meanings are
		
00:09:25 --> 00:09:27
			so, beautiful and and filled with joy and
		
00:09:27 --> 00:09:28
			love.
		
00:09:28 --> 00:09:30
			To hear them in Persian and meter as
		
00:09:30 --> 00:09:31
			well,
		
00:09:31 --> 00:09:32
			is a whole another,
		
00:09:33 --> 00:09:36
			a whole another joy because it adds
		
00:09:36 --> 00:09:38
			style on on top of substance.
		
00:09:41 --> 00:09:44
			Gradually, the antagonism against Shams Tabreh subsided, and
		
00:09:44 --> 00:09:45
			then Rumi took steps to invite him to
		
00:09:45 --> 00:09:47
			Konya back again.
		
00:09:47 --> 00:09:49
			He sent his son, Sultan Walid, to bear
		
00:09:49 --> 00:09:50
			a letter to Shamsi Tabriz
		
00:09:51 --> 00:09:53
			and assure him, on behalf of his disciples
		
00:09:53 --> 00:09:55
			and followers that all of them who had
		
00:09:55 --> 00:09:57
			earlier opposed him were repenting,
		
00:09:58 --> 00:10:00
			from their mistake and wanted to be forgiven.
		
00:10:00 --> 00:10:02
			Rumi's letter to Shams expresses,
		
00:10:03 --> 00:10:06
			his gratitude, heartfelt his gratitude and his,
		
00:10:06 --> 00:10:09
			heartfelt grief over the separation with a spiritual
		
00:10:09 --> 00:10:10
			guide. He wrote,
		
00:10:11 --> 00:10:13
			from the time you have departed from me,
		
00:10:13 --> 00:10:14
			a wax,
		
00:10:14 --> 00:10:17
			is separated from honey. Like a candle, I
		
00:10:17 --> 00:10:18
			melt in the fire of love, deprived of
		
00:10:18 --> 00:10:19
			your sweetness.
		
00:10:20 --> 00:10:22
			Separated from your illustrious self, I have been
		
00:10:22 --> 00:10:24
			turned into a ruin.
		
00:10:24 --> 00:10:27
			Wherein my soul resides alone in wilderness,
		
00:10:27 --> 00:10:29
			turn the reins of your mount.
		
00:10:29 --> 00:10:31
			I implore, turn,
		
00:10:31 --> 00:10:34
			the mount of your joy in this direction.
		
00:10:35 --> 00:10:37
			For music is not lawful, for me in
		
00:10:37 --> 00:10:40
			your absence. I hate joy as a devil.
		
00:10:40 --> 00:10:42
			What does he mean here? It means that
		
00:10:42 --> 00:10:44
			meaning, like, I'm not gonna, like, even those
		
00:10:44 --> 00:10:45
			things that everybody,
		
00:10:46 --> 00:10:48
			takes as a a means of enjoyment. This
		
00:10:48 --> 00:10:49
			is the I don't even wanna see them
		
00:10:49 --> 00:10:51
			anymore because without you, I cannot imagine
		
00:10:52 --> 00:10:55
			experiencing joy, and to experience joy would be
		
00:10:55 --> 00:10:55
			wrong without you.
		
00:10:56 --> 00:10:58
			Not a single ode, could I indite,
		
00:10:59 --> 00:11:01
			till a red letter to me.
		
00:11:02 --> 00:11:02
			Did you write
		
00:11:03 --> 00:11:05
			to read your letter? I was overjoyed.
		
00:11:06 --> 00:11:09
			I lyrics I composed 5 or 6. Oh
		
00:11:09 --> 00:11:11
			god, let us meet again in my,
		
00:11:11 --> 00:11:12
			even to mourn.
		
00:11:13 --> 00:11:15
			For you're indeed the pride of Sham, Armenia,
		
00:11:15 --> 00:11:16
			and Rome.
		
00:11:17 --> 00:11:20
			Sultan Walid conducted, Shams Tabriz to Konya from
		
00:11:20 --> 00:11:21
			Damascus like a prince.
		
00:11:23 --> 00:11:24
			And this is, again, the love for the
		
00:11:24 --> 00:11:25
			sake of Allah
		
00:11:26 --> 00:11:27
			is something,
		
00:11:27 --> 00:11:29
			you know, it's something that this this culture
		
00:11:29 --> 00:11:31
			and civilization we grew up in, unfortunately, cannot
		
00:11:32 --> 00:11:33
			they cannot understand.
		
00:11:33 --> 00:11:35
			It's one of the most disgusting,
		
00:11:35 --> 00:11:36
			attributes
		
00:11:36 --> 00:11:36
			of,
		
00:11:37 --> 00:11:39
			of this culture is what is that they
		
00:11:39 --> 00:11:41
			don't understand how a person can love somebody
		
00:11:41 --> 00:11:43
			without it being some sort of,
		
00:11:43 --> 00:11:45
			have some sort of physical perversion or or
		
00:11:45 --> 00:11:49
			or some sort of sexual, angle. And so,
		
00:11:52 --> 00:11:53
			western academics,
		
00:11:54 --> 00:11:56
			conjecture about this being some sort of *
		
00:11:57 --> 00:11:57
			relationship,
		
00:11:58 --> 00:12:00
			as if a man cannot love another man
		
00:12:00 --> 00:12:01
			without one * him.
		
00:12:02 --> 00:12:04
			This is the thought of a dirty mind
		
00:12:04 --> 00:12:05
			and of dirty people. And those of us
		
00:12:05 --> 00:12:06
			who've lived in,
		
00:12:07 --> 00:12:09
			you know, the Darul Islam and seen the
		
00:12:09 --> 00:12:12
			adab and the etiquettes of the, see how
		
00:12:12 --> 00:12:14
			much they actually do love one another. And
		
00:12:14 --> 00:12:15
			that there are men who love one another
		
00:12:15 --> 00:12:17
			for the sake of Allah with a love
		
00:12:17 --> 00:12:19
			stronger than the love of husband and wife
		
00:12:19 --> 00:12:20
			or of,
		
00:12:21 --> 00:12:22
			brothers or of parents and children.
		
00:12:23 --> 00:12:26
			And, it's something that is pure. And that's
		
00:12:26 --> 00:12:27
			one of the reasons why Moana's,
		
00:12:29 --> 00:12:30
			poetry is so beautiful
		
00:12:31 --> 00:12:32
			is because of the cleanliness from which it
		
00:12:32 --> 00:12:34
			came. In fact, the entire
		
00:12:34 --> 00:12:36
			tradition the the entire,
		
00:12:36 --> 00:12:38
			Sufic tradition of poetry,
		
00:12:39 --> 00:12:40
			That's one of the reasons it has such
		
00:12:40 --> 00:12:41
			a bright and,
		
00:12:43 --> 00:12:46
			such a joyous aesthetic is because it comes
		
00:12:46 --> 00:12:47
			from a place of cleanliness.
		
00:12:47 --> 00:12:48
			Whereas,
		
00:12:49 --> 00:12:51
			the aesthetic of pop music and song,
		
00:12:51 --> 00:12:53
			in in modern culture,
		
00:12:54 --> 00:12:55
			oftentimes
		
00:12:55 --> 00:12:55
			is
		
00:12:56 --> 00:12:57
			at best,
		
00:12:58 --> 00:13:00
			some sort of veiled reference toward
		
00:13:01 --> 00:13:03
			something lewd or something
		
00:13:05 --> 00:13:06
			having to do with
		
00:13:07 --> 00:13:09
			physicality or more base desires,
		
00:13:09 --> 00:13:10
			and,
		
00:13:10 --> 00:13:12
			that was a generation that's gone. Now they
		
00:13:12 --> 00:13:14
			don't even make allusion to it. They don't
		
00:13:14 --> 00:13:17
			they don't make, you know, veiled reference to
		
00:13:17 --> 00:13:18
			it. They just talk about it.
		
00:13:19 --> 00:13:21
			And it's the type of poetry that would
		
00:13:21 --> 00:13:24
			be composed by a dog or a pig
		
00:13:24 --> 00:13:25
			if they had the gift of speech,
		
00:13:26 --> 00:13:27
			just to talk about,
		
00:13:27 --> 00:13:29
			you know, the the
		
00:13:30 --> 00:13:32
			animal like things that they like to do
		
00:13:32 --> 00:13:34
			without any sort of aesthetic or style. And
		
00:13:34 --> 00:13:37
			I think there's a reason why, you know,
		
00:13:37 --> 00:13:37
			Moana's
		
00:13:38 --> 00:13:39
			poetry, even in translation in English, is so
		
00:13:39 --> 00:13:41
			much in demand. It's because people,
		
00:13:41 --> 00:13:43
			they wanna break from that. You know? It's
		
00:13:43 --> 00:13:45
			it's toilsome being
		
00:13:46 --> 00:13:48
			a beast all day. Sometimes you need a
		
00:13:48 --> 00:13:50
			break from it. You need to renew your
		
00:13:50 --> 00:13:50
			heart,
		
00:13:51 --> 00:13:52
			and you're not gonna renew your heart by
		
00:13:52 --> 00:13:54
			acting like a chimpanzee or a gorilla.
		
00:13:56 --> 00:13:58
			So you see, like, how beautiful they used
		
00:13:58 --> 00:13:59
			to speak to each other. And this is
		
00:13:59 --> 00:14:01
			another lesson I, you know, I wanted to
		
00:14:01 --> 00:14:02
			share that,
		
00:14:02 --> 00:14:05
			I met I met mentioned Sheikh Tamim as
		
00:14:05 --> 00:14:08
			one of the, people that that a person
		
00:14:08 --> 00:14:08
			can read,
		
00:14:09 --> 00:14:11
			the Ashar of Molana Rumi in
		
00:14:13 --> 00:14:14
			in Persian with,
		
00:14:14 --> 00:14:15
			who has
		
00:14:16 --> 00:14:17
			a tour of the Sheikh.
		
00:14:21 --> 00:14:24
			But, the one who truly introduced me to
		
00:14:24 --> 00:14:26
			Rumi in the first place was,
		
00:14:27 --> 00:14:29
			a current professor of comparative literature in Karachi
		
00:14:29 --> 00:14:31
			University, doctor Iftikhar
		
00:14:32 --> 00:14:34
			Shafi. Doctor Iftikhar,
		
00:14:34 --> 00:14:35
			a very,
		
00:14:36 --> 00:14:38
			wonderful person, probably one of the most beautiful
		
00:14:38 --> 00:14:40
			people I ever met in my life.
		
00:14:41 --> 00:14:41
			And,
		
00:14:42 --> 00:14:44
			he came on a Fulbright scholarship to the
		
00:14:44 --> 00:14:46
			University of Washington when I was studying
		
00:14:46 --> 00:14:47
			and, very unassuming,
		
00:14:48 --> 00:14:49
			But just by hanging out with him, because
		
00:14:49 --> 00:14:51
			he was just, like, came to the MSA,
		
00:14:51 --> 00:14:53
			like, on the 1st Jomar or whatever, so
		
00:14:53 --> 00:14:54
			random hanging out with him. Just, like, little
		
00:14:54 --> 00:14:56
			by little, we would realize this person is,
		
00:14:56 --> 00:14:57
			like, not a normal person.
		
00:14:58 --> 00:15:00
			So, you know, after some time, we realized
		
00:15:00 --> 00:15:01
			he was a Hafid of Quran.
		
00:15:01 --> 00:15:03
			At some time, we realized he was a
		
00:15:03 --> 00:15:04
			master khatat.
		
00:15:04 --> 00:15:07
			After some time, we realized that this person
		
00:15:07 --> 00:15:09
			is, like, very fluent in in in,
		
00:15:09 --> 00:15:10
			Persian
		
00:15:10 --> 00:15:11
			literature
		
00:15:11 --> 00:15:12
			and in,
		
00:15:12 --> 00:15:13
			Urdu literature,
		
00:15:14 --> 00:15:16
			and even his Arabic was very strong.
		
00:15:17 --> 00:15:18
			After some time, we realized this is a
		
00:15:18 --> 00:15:19
			person of,
		
00:15:20 --> 00:15:21
			knowledge and style
		
00:15:21 --> 00:15:22
			and,
		
00:15:22 --> 00:15:23
			a person of impeccable,
		
00:15:24 --> 00:15:26
			and he would carry himself like a, like
		
00:15:26 --> 00:15:27
			a hidden treasure.
		
00:15:28 --> 00:15:30
			And, you had to kinda, like,
		
00:15:30 --> 00:15:32
			open your eyes and ears, and the more
		
00:15:32 --> 00:15:32
			you would look,
		
00:15:33 --> 00:15:35
			and see, the more you would, be startled
		
00:15:35 --> 00:15:37
			by the beauty of of what you saw
		
00:15:37 --> 00:15:39
			in front of you. And,
		
00:15:39 --> 00:15:40
			you know,
		
00:15:40 --> 00:15:41
			doctor Iftikhar,
		
00:15:42 --> 00:15:43
			you know,
		
00:15:43 --> 00:15:45
			protect him and,
		
00:15:45 --> 00:15:47
			give him a long life.
		
00:15:49 --> 00:15:51
			He he used to he used to
		
00:15:51 --> 00:15:53
			have these beautiful habits. Like, he would share
		
00:15:53 --> 00:15:54
			with us the of,
		
00:15:56 --> 00:15:58
			Molana Rumi, and it's always almost funny. You
		
00:15:58 --> 00:16:00
			know? Like, something would happen in in the
		
00:16:00 --> 00:16:02
			day, and he was saying Urdu very casually.
		
00:16:05 --> 00:16:07
			He says, oh, my friend, this reminds me
		
00:16:07 --> 00:16:09
			of a a couplet in Persian. And, you
		
00:16:09 --> 00:16:10
			know,
		
00:16:10 --> 00:16:12
			myself and the other friends from the MSA,
		
00:16:12 --> 00:16:13
			we used to hang out together. So who
		
00:16:13 --> 00:16:15
			the * says that? Like, who's like, like,
		
00:16:15 --> 00:16:17
			we don't even know Urdu. We didn't know
		
00:16:17 --> 00:16:19
			Urdu in those days. Now I can kinda
		
00:16:19 --> 00:16:20
			fake it till I make it because I've
		
00:16:20 --> 00:16:22
			spent some time in in Madrasa and Pakistan.
		
00:16:23 --> 00:16:25
			Uh-uh. And, you know, but,
		
00:16:25 --> 00:16:27
			you know, in those days, people didn't even
		
00:16:27 --> 00:16:29
			understand Urdu. Who's gonna go around and say,
		
00:16:29 --> 00:16:31
			oh, look. This reminds me of a couplet
		
00:16:31 --> 00:16:33
			of of of of Hafez or Afsadi,
		
00:16:34 --> 00:16:36
			Sheikh Saadi or Hafez Shirazi or,
		
00:16:37 --> 00:16:38
			Moana Rumi or or whatever.
		
00:16:39 --> 00:16:40
			And so,
		
00:16:40 --> 00:16:42
			he taught such a a beautiful way of
		
00:16:42 --> 00:16:43
			expressing
		
00:16:43 --> 00:16:45
			and such a beautiful way of dealing with
		
00:16:45 --> 00:16:46
			people that those
		
00:16:47 --> 00:16:48
			types of
		
00:16:49 --> 00:16:52
			conversations and arguments that used to happen only
		
00:16:52 --> 00:16:54
			through confrontation. He would he kind of, like
		
00:16:55 --> 00:16:55
			he would
		
00:16:57 --> 00:16:59
			do what what needed to be done through
		
00:16:59 --> 00:17:02
			them, like correcting people or changing people's course
		
00:17:02 --> 00:17:04
			or whatever, but just by being, like, so
		
00:17:04 --> 00:17:06
			nice that it's, like, completely disarming.
		
00:17:06 --> 00:17:08
			And people who know me know I'm not
		
00:17:08 --> 00:17:10
			really, like, a a kind of fruity, touchy
		
00:17:10 --> 00:17:11
			feely type of guy,
		
00:17:12 --> 00:17:13
			and I'm not I'm kind of my first
		
00:17:13 --> 00:17:15
			instinct is to kind of,
		
00:17:15 --> 00:17:17
			you know, butt heads in with people and
		
00:17:17 --> 00:17:20
			and whatnot, and that definitely has its place.
		
00:17:20 --> 00:17:21
			But,
		
00:17:21 --> 00:17:22
			you know,
		
00:17:22 --> 00:17:24
			the analytical part of the mind realizes that
		
00:17:24 --> 00:17:26
			sometimes it's actually more overwhelming
		
00:17:27 --> 00:17:29
			force and a more overwhelming way of of
		
00:17:29 --> 00:17:31
			changing someone's behavior to be nice to them,
		
00:17:31 --> 00:17:33
			and you just have to accept it. And
		
00:17:33 --> 00:17:34
			then you realize, like, this is a really
		
00:17:34 --> 00:17:35
			beautiful tradition.
		
00:17:36 --> 00:17:38
			And, for those of you who are interested,
		
00:17:38 --> 00:17:39
			in
		
00:17:39 --> 00:17:41
			in knowing anything more,
		
00:17:41 --> 00:17:43
			beautiful about this
		
00:17:44 --> 00:17:45
			particular individual,
		
00:17:47 --> 00:17:48
			then suffice to know that he's the one
		
00:17:48 --> 00:17:50
			who, introduced me to,
		
00:17:51 --> 00:17:54
			our, mashaikh of the Tarikha Chishtiyyah. If
		
00:17:54 --> 00:17:56
			any good comes from any of it, Allah
		
00:17:56 --> 00:17:57
			put it all in his.
		
00:17:59 --> 00:18:00
			But the point of mentioning it is what?
		
00:18:00 --> 00:18:02
			Is that when you read these, like, you
		
00:18:02 --> 00:18:03
			know,
		
00:18:04 --> 00:18:05
			like, from the time you have departed from
		
00:18:05 --> 00:18:06
			me,
		
00:18:07 --> 00:18:09
			as wax is separated from honey like a
		
00:18:09 --> 00:18:11
			candle, I melt in the fire of love,
		
00:18:12 --> 00:18:13
			deprived of your sweetness.
		
00:18:13 --> 00:18:15
			This is such a beautiful way of
		
00:18:16 --> 00:18:18
			expressing love for another person.
		
00:18:18 --> 00:18:20
			And it hasn't there's nothing
		
00:18:21 --> 00:18:23
			gross in it. There's no, like, illusion, like,
		
00:18:23 --> 00:18:25
			Sodomir gay pride month or whatever in it.
		
00:18:25 --> 00:18:27
			You understand what I'm saying? It's just a
		
00:18:27 --> 00:18:28
			beautiful thing to say to another person to
		
00:18:28 --> 00:18:29
			show that you love them.
		
00:18:30 --> 00:18:32
			And, this is an entire tradition that we
		
00:18:32 --> 00:18:33
			have.
		
00:18:33 --> 00:18:36
			And in our tradition, being beautiful and speaking
		
00:18:36 --> 00:18:37
			to people beautifully
		
00:18:38 --> 00:18:40
			and being nice to people and
		
00:18:40 --> 00:18:41
			loving people,
		
00:18:41 --> 00:18:43
			it's not a sign of of of of,
		
00:18:43 --> 00:18:45
			you know, being a fruitcake. It's not a
		
00:18:45 --> 00:18:47
			sign of weakness. It's not a sign of
		
00:18:47 --> 00:18:49
			being weird. It's not a sign of unmanliness.
		
00:18:49 --> 00:18:51
			In fact, the most manly men, this is
		
00:18:51 --> 00:18:53
			how we looked at them. The most beautiful
		
00:18:53 --> 00:18:55
			in their and the nicest and sweetest of
		
00:18:55 --> 00:18:56
			people was Rasulullah
		
00:18:58 --> 00:19:00
			and, he was the most manly of men.
		
00:19:00 --> 00:19:02
			He went to battle so many times in
		
00:19:02 --> 00:19:03
			his life.
		
00:19:03 --> 00:19:05
			He put up with so much difficulty. He
		
00:19:05 --> 00:19:07
			had so much patience. He had so much
		
00:19:08 --> 00:19:10
			sabr. He was beautiful. He was somebody
		
00:19:11 --> 00:19:12
			like, he was an exception in the Ummah.
		
00:19:12 --> 00:19:15
			Allah gave him Ijazah to marry 9 wives
		
00:19:15 --> 00:19:17
			at one time. There's a a a hadith
		
00:19:17 --> 00:19:18
			in which
		
00:19:19 --> 00:19:21
			he he, in one day, was able
		
00:19:21 --> 00:19:23
			to consummate all 9 of his marriages in
		
00:19:23 --> 00:19:24
			the same afternoon.
		
00:19:25 --> 00:19:27
			And, you know, and this is you know,
		
00:19:27 --> 00:19:29
			we mentioned this in an age where people
		
00:19:29 --> 00:19:30
			need to take medicine in order to even,
		
00:19:31 --> 00:19:34
			fulfill their most basic duties. Rasulullah was like
		
00:19:34 --> 00:19:35
			he was he was a man,
		
00:19:36 --> 00:19:38
			and he was the best of men. And,
		
00:19:38 --> 00:19:38
			this,
		
00:19:39 --> 00:19:41
			being sweet and being nice and being beautiful
		
00:19:41 --> 00:19:44
			in what you do. This is his sunnah,
		
00:19:44 --> 00:19:46
			and there's nothing wrong with it at all.
		
00:19:46 --> 00:19:48
			And to try to be like this machismo
		
00:19:49 --> 00:19:50
			ugly up in your face and, like, just
		
00:19:51 --> 00:19:52
			obnoxious with people and whatnot.
		
00:19:53 --> 00:19:55
			It's not it's not it's not din, and
		
00:19:55 --> 00:19:58
			it doesn't serve the hak. And in some
		
00:19:58 --> 00:20:01
			cases, it may be appropriate in the sense
		
00:20:01 --> 00:20:02
			that, like, it is a a, you know,
		
00:20:02 --> 00:20:04
			course of action that you can take that's
		
00:20:04 --> 00:20:07
			not necessarily sinful and that might kinda work
		
00:20:07 --> 00:20:09
			in your situation, but it's not the sunnah.
		
00:20:09 --> 00:20:10
			The sunnah is to do things in the
		
00:20:10 --> 00:20:11
			most beautiful way possible.
		
00:20:13 --> 00:20:13
			The
		
00:20:14 --> 00:20:14
			that Allah,
		
00:20:15 --> 00:20:18
			you know, fixed, ordained as a a commandment,
		
00:20:19 --> 00:20:21
			to do things with beauty and all things
		
00:20:21 --> 00:20:23
			that you do even even if you have
		
00:20:23 --> 00:20:23
			to kill,
		
00:20:24 --> 00:20:26
			and even if you have to, slaughter an
		
00:20:26 --> 00:20:27
			animal.
		
00:20:28 --> 00:20:29
			So, you know, if you have to slaughter
		
00:20:29 --> 00:20:31
			an animal, sharpen your knife so that the
		
00:20:31 --> 00:20:33
			animal that you slaughter, it dies as swiftly
		
00:20:33 --> 00:20:36
			and painlessly as possible. Why? Because beauty is
		
00:20:36 --> 00:20:38
			a commandment in all things. And And so
		
00:20:38 --> 00:20:40
			you see this, like, beautiful like, these words.
		
00:20:40 --> 00:20:41
			You know? And,
		
00:20:42 --> 00:20:44
			you know, that's part of our tradition. Right?
		
00:20:44 --> 00:20:45
			It's part of being a man. To be
		
00:20:45 --> 00:20:47
			able to speak beautifully is part of be
		
00:20:47 --> 00:20:49
			being a man. You know, you see these
		
00:20:49 --> 00:20:51
			pictures of Sultan Mohammed Fati
		
00:20:51 --> 00:20:53
			He spent his you know, most of his
		
00:20:53 --> 00:20:54
			life on horseback,
		
00:20:55 --> 00:20:57
			fighting, in the path of Allah and his
		
00:20:57 --> 00:20:59
			enemies were not like pushovers. I mean, he's
		
00:20:59 --> 00:21:01
			like, this guy's doing battle with the Byzantine
		
00:21:01 --> 00:21:03
			Romans and with Serbs and with, like you
		
00:21:03 --> 00:21:04
			know, these are hardcore people.
		
00:21:05 --> 00:21:07
			You know, these are people that are known
		
00:21:07 --> 00:21:08
			to be, like, the tough guys of of
		
00:21:08 --> 00:21:09
			the world,
		
00:21:10 --> 00:21:11
			formidable enemies,
		
00:21:11 --> 00:21:13
			to say the least. And,
		
00:21:14 --> 00:21:16
			look at his, like, portraits. His portraits are
		
00:21:16 --> 00:21:18
			like of him, like, smelling a rose. You
		
00:21:18 --> 00:21:21
			know? And, if you put a portrait like,
		
00:21:21 --> 00:21:22
			if you were they painted a portrait of
		
00:21:22 --> 00:21:25
			yourself smelling a rose, in a garden, a
		
00:21:25 --> 00:21:27
			delicate rose holding it to your nose,
		
00:21:28 --> 00:21:30
			in whatever in whatever high school in America.
		
00:21:30 --> 00:21:32
			People are gonna call you a fruitcake, and
		
00:21:32 --> 00:21:33
			they're gonna call you a *, and they're
		
00:21:33 --> 00:21:34
			gonna call you this, that, and the other
		
00:21:34 --> 00:21:35
			thing. And,
		
00:21:36 --> 00:21:37
			you know,
		
00:21:37 --> 00:21:39
			like sheikh Volcan once said, I I I
		
00:21:39 --> 00:21:41
			told him is what's what's what's with the
		
00:21:41 --> 00:21:44
			Ottoman empire Ottoman Imperial Museum and Topkapi Palace?
		
00:21:44 --> 00:21:46
			You see, like, these huge, like, Ottoman coats
		
00:21:46 --> 00:21:49
			that are, like, made of, like, like, made
		
00:21:49 --> 00:21:51
			of pink material with, like, flowers,
		
00:21:52 --> 00:21:54
			you know, and stuff like that. What's what's
		
00:21:54 --> 00:21:55
			what's with that? And he just turned to
		
00:21:55 --> 00:21:57
			me, and he looked at me very, like,
		
00:21:57 --> 00:22:00
			seriously as he does in his lovable way.
		
00:22:00 --> 00:22:03
			He said these people, spent their entire lives
		
00:22:03 --> 00:22:03
			in horseback,
		
00:22:04 --> 00:22:06
			fighting the path of Allah Ta'ala
		
00:22:06 --> 00:22:08
			and, you know, had more wives than you
		
00:22:08 --> 00:22:10
			could more wives and slave girls than you
		
00:22:10 --> 00:22:11
			could imagine. I don't think they need to
		
00:22:11 --> 00:22:14
			prove their manhood to you. And I said,
		
00:22:14 --> 00:22:15
			you know what? Fair enough.
		
00:22:15 --> 00:22:18
			You know, checkmate. That's basically that's the end
		
00:22:18 --> 00:22:18
			of that discussion.
		
00:22:19 --> 00:22:20
			So, you know, this is this is this
		
00:22:20 --> 00:22:22
			is a beauty. We should we should bring
		
00:22:22 --> 00:22:22
			it back.
		
00:22:23 --> 00:22:25
			We should make it cool again. We should
		
00:22:25 --> 00:22:27
			cultivate it. We should be, you know, okay.
		
00:22:27 --> 00:22:29
			Go hit the gym. Don't just be artsy
		
00:22:29 --> 00:22:31
			fartsy, pushover, weak wristed, you know, like, whatever,
		
00:22:32 --> 00:22:34
			princess, of a of a of a man,
		
00:22:36 --> 00:22:37
			because that's the false choice that you have.
		
00:22:37 --> 00:22:39
			You either be, like, this complete, like, pushover,
		
00:22:41 --> 00:22:41
			you
		
00:22:42 --> 00:22:44
			know, type of man who's, like, whatever, some
		
00:22:44 --> 00:22:47
			male 3rd wave male feminist ally or whatever
		
00:22:47 --> 00:22:47
			nonsense,
		
00:22:49 --> 00:22:50
			and, that, you know, like, hates yourself for,
		
00:22:50 --> 00:22:53
			like, being masculine or whatever considers that *.
		
00:22:53 --> 00:22:55
			I don't know. This type of nonsense and
		
00:22:55 --> 00:22:56
			discourse you can find
		
00:22:57 --> 00:22:58
			very easily and cheaply,
		
00:22:58 --> 00:23:01
			you know, a dime for a ton on
		
00:23:01 --> 00:23:03
			on social media. That's one extreme. And then
		
00:23:03 --> 00:23:04
			on the on the flip side,
		
00:23:05 --> 00:23:07
			the other extreme is what is that you
		
00:23:07 --> 00:23:08
			be like this kind of Trumpist to grab
		
00:23:08 --> 00:23:09
			them by the blank,
		
00:23:10 --> 00:23:13
			just type a crude like person and say,
		
00:23:13 --> 00:23:14
			oh, look. I'm being a man and, you
		
00:23:14 --> 00:23:15
			know, this is my,
		
00:23:16 --> 00:23:17
			manhood, and I'm not, you know, I'm not
		
00:23:17 --> 00:23:19
			a liberal and I'm not a feminist or
		
00:23:19 --> 00:23:22
			whatever. No. There's a a a common sense
		
00:23:22 --> 00:23:24
			way in the middle that the sunnah always
		
00:23:24 --> 00:23:24
			brings,
		
00:23:24 --> 00:23:27
			which is be a beautiful person, be a
		
00:23:27 --> 00:23:29
			sweet person, be a loving person, be beautiful
		
00:23:29 --> 00:23:31
			in your deeds and beautiful in your speech
		
00:23:31 --> 00:23:33
			and beautiful in your feelings and beautiful in
		
00:23:33 --> 00:23:36
			the states of your heart. Don't allow ugly
		
00:23:36 --> 00:23:38
			feelings and speech and deeds to enter into
		
00:23:38 --> 00:23:40
			you and to work through you.
		
00:23:41 --> 00:23:42
			And and
		
00:23:42 --> 00:23:44
			at the same time, be strong in that.
		
00:23:45 --> 00:23:46
			Be strong in your conviction.
		
00:23:46 --> 00:23:47
			Be
		
00:23:47 --> 00:23:48
			overwhelming. Be,
		
00:23:49 --> 00:23:50
			powerful,
		
00:23:50 --> 00:23:52
			and, you know, do like the did
		
00:23:54 --> 00:23:55
			that that you make a
		
00:23:56 --> 00:23:58
			perfect mixture between
		
00:23:58 --> 00:24:01
			the jamal and the jalal, that, your might
		
00:24:01 --> 00:24:01
			and your beauty,
		
00:24:02 --> 00:24:02
			should,
		
00:24:03 --> 00:24:05
			come together in in a beautiful
		
00:24:05 --> 00:24:07
			way. And so, yeah,
		
00:24:07 --> 00:24:09
			like, Masha'allah wrote these beautiful
		
00:24:11 --> 00:24:13
			words for the one he loved for the
		
00:24:13 --> 00:24:14
			sake of Allah
		
00:24:14 --> 00:24:16
			and who reminded him of Allah to Allah
		
00:24:16 --> 00:24:19
			and whom, you know, captured his imagination with
		
00:24:19 --> 00:24:20
			the love of Allah
		
00:24:21 --> 00:24:23
			and that's wonderful. That's beautiful. Like, maybe we
		
00:24:23 --> 00:24:25
			need more of that. Mean maybe we need
		
00:24:25 --> 00:24:26
			some people need to take, like, Persian
		
00:24:27 --> 00:24:28
			and to study these.
		
00:24:29 --> 00:24:31
			Maybe some people need to learn Arabic and
		
00:24:31 --> 00:24:34
			read the Quran not just as, although that's
		
00:24:34 --> 00:24:36
			also important, but also read the Quran
		
00:24:37 --> 00:24:39
			as a a beautiful example of the
		
00:24:39 --> 00:24:43
			the, Arabic language and, and and and
		
00:24:43 --> 00:24:45
			feel the beauty of it. You know, be
		
00:24:45 --> 00:24:47
			possessed by the beauty of it. And that's
		
00:24:47 --> 00:24:48
			one of the sad things. We don't I
		
00:24:48 --> 00:24:50
			mean, even those those of us who consider
		
00:24:50 --> 00:24:51
			themselves Arabs,
		
00:24:51 --> 00:24:53
			the fact is we speak a different language
		
00:24:53 --> 00:24:55
			nowadays. We don't speak that language that they
		
00:24:55 --> 00:24:58
			did. Otherwise, the beauty of the Quran captivated
		
00:24:58 --> 00:24:59
			people like Abu Jahal.
		
00:25:00 --> 00:25:02
			Whereas we we don't even understand what it
		
00:25:02 --> 00:25:04
			means anymore. Oftentimes, you'll be in the Masjid,
		
00:25:04 --> 00:25:05
			and there'll be, like, a group of Amus
		
00:25:05 --> 00:25:08
			that will resent resent you for even bringing
		
00:25:08 --> 00:25:11
			up, Nahu or Sarf in describing Arabic and
		
00:25:11 --> 00:25:12
			say we don't need any of that. Well,
		
00:25:12 --> 00:25:13
			without without,
		
00:25:14 --> 00:25:15
			you know, like, how are you gonna understand
		
00:25:15 --> 00:25:16
			what Quran means?
		
00:25:18 --> 00:25:19
			It means if you don't if you don't
		
00:25:19 --> 00:25:20
			have
		
00:25:20 --> 00:25:21
			a superior,
		
00:25:21 --> 00:25:24
			syntactical understanding of the way the Arabic language
		
00:25:24 --> 00:25:26
			works. There's no way of interpreting that,
		
00:25:26 --> 00:25:27
			other than.
		
00:25:29 --> 00:25:30
			And, like, you know, we need that. We
		
00:25:30 --> 00:25:32
			need to be people of style, you know.
		
00:25:32 --> 00:25:34
			We need to be people of style. Nowadays,
		
00:25:35 --> 00:25:36
			even if you wanna insult someone, there's a
		
00:25:36 --> 00:25:37
			beautiful way of insulting a
		
00:25:38 --> 00:25:40
			person. You know? Nowadays, all we can do
		
00:25:40 --> 00:25:42
			is, like, drop f bombs and, like, you
		
00:25:42 --> 00:25:44
			know, just make crude references and talk about
		
00:25:44 --> 00:25:46
			people's mothers as if they have, like, something
		
00:25:46 --> 00:25:47
			to do with how screwed up they are,
		
00:25:48 --> 00:25:51
			or what they're doing directly. And, like, even
		
00:25:51 --> 00:25:52
			if they did like to say something bad
		
00:25:52 --> 00:25:54
			about someone's mother, it just shows your own
		
00:25:54 --> 00:25:56
			disrespect for your own mother. Because
		
00:26:00 --> 00:26:01
			you know, there there
		
00:26:01 --> 00:26:03
			there's ways of doing things with style,
		
00:26:03 --> 00:26:05
			and, that's also part of being a man.
		
00:26:08 --> 00:26:09
			Malik
		
00:26:10 --> 00:26:11
			is reported to have said,
		
00:26:19 --> 00:26:21
			So that I'm not a grammarian who's, like,
		
00:26:21 --> 00:26:22
			tongue knocks around,
		
00:26:22 --> 00:26:24
			trips around in his mouth.
		
00:26:25 --> 00:26:25
			You
		
00:26:26 --> 00:26:28
			know? So when I speak, it's not like
		
00:26:28 --> 00:26:30
			it's not mechanical or contrived. Rather, I'm a
		
00:26:30 --> 00:26:32
			man of style. And when I speak, it
		
00:26:32 --> 00:26:33
			is Arabic.
		
00:26:34 --> 00:26:35
			And one of the meanings of Arabic is
		
00:26:35 --> 00:26:36
			to be,
		
00:26:37 --> 00:26:38
			to be,
		
00:26:38 --> 00:26:41
			speak clearly and to speak fluently and to
		
00:26:42 --> 00:26:44
			speak eloquently. So I'm rather,
		
00:26:44 --> 00:26:46
			I'm a man of style, and what I
		
00:26:46 --> 00:26:48
			say is eloquent. What I say is something
		
00:26:48 --> 00:26:50
			that the grammarians should write down and learn
		
00:26:50 --> 00:26:51
			their grammar from rather than me using grammar
		
00:26:51 --> 00:26:52
			in order to figure out what I'm gonna
		
00:26:52 --> 00:26:53
			say.
		
00:26:53 --> 00:26:54
			And,
		
00:26:54 --> 00:26:56
			you know, they're men of style. You know?
		
00:26:59 --> 00:26:59
			The,
		
00:27:01 --> 00:27:03
			the, Imam Shafeh, if you look at his
		
00:27:03 --> 00:27:04
			diwan of poetry,
		
00:27:04 --> 00:27:07
			you know, Imam Shafi'i is like the gangster
		
00:27:07 --> 00:27:08
			rap of, like, Islamic history.
		
00:27:08 --> 00:27:09
			He's like
		
00:27:10 --> 00:27:12
			he he's like he's like he he sees
		
00:27:27 --> 00:27:29
			Like, what is gangster rap? Like, you know,
		
00:27:29 --> 00:27:30
			you're nothing in front of me, son. Like,
		
00:27:30 --> 00:27:32
			I'm your boss, and you're, like, nothing, and
		
00:27:32 --> 00:27:34
			you're bleep and you're bleep. They cuss and
		
00:27:34 --> 00:27:37
			swear, and they show how arrogant they are
		
00:27:37 --> 00:27:38
			by being like shaitan.
		
00:27:39 --> 00:27:41
			What did what did what did Shafi'i say?
		
00:27:41 --> 00:27:43
			He says, if it wasn't, you know, all
		
00:27:43 --> 00:27:43
			of this,
		
00:27:44 --> 00:27:46
			rapping, all of these lyrics and rhymes, if
		
00:27:46 --> 00:27:48
			it wasn't such that it's
		
00:27:48 --> 00:27:48
			it's,
		
00:27:49 --> 00:27:51
			unworthy of the ulema to spend all their
		
00:27:51 --> 00:27:53
			time in it, so I would have been
		
00:27:53 --> 00:27:54
			a a greater lyricist
		
00:27:55 --> 00:27:55
			than,
		
00:27:56 --> 00:27:57
			Labid, who was one of the great poets
		
00:27:57 --> 00:27:58
			of of Jahilia.
		
00:27:59 --> 00:28:00
			And I would have wrote
		
00:28:01 --> 00:28:03
			wrote verses about how I'm,
		
00:28:03 --> 00:28:05
			more, brave
		
00:28:05 --> 00:28:06
			in the,
		
00:28:07 --> 00:28:09
			in the jungle than any lion
		
00:28:09 --> 00:28:11
			or or the the the the sons of
		
00:28:11 --> 00:28:12
			Muhalab
		
00:28:13 --> 00:28:16
			or Bani Yazid, the family of very fam
		
00:28:16 --> 00:28:18
			famous family of tough guy generals. And if
		
00:28:18 --> 00:28:20
			it wasn't that I feared
		
00:28:20 --> 00:28:22
			Ar Rahman, my lord, he said, I would
		
00:28:22 --> 00:28:24
			have looked at every every human being and
		
00:28:24 --> 00:28:25
			thought this person in front of me is
		
00:28:25 --> 00:28:27
			nothing but a slave, which is neat because
		
00:28:27 --> 00:28:29
			he's, like, he's not only is he doing
		
00:28:29 --> 00:28:31
			the of Jahiliya saying that you guys are
		
00:28:31 --> 00:28:32
			all nothing in front of me. He said
		
00:28:32 --> 00:28:34
			that you're nothing in front of me, plus
		
00:28:34 --> 00:28:35
			I have taqwa, so I'm not gonna say
		
00:28:35 --> 00:28:38
			it, which is a style. These are people
		
00:28:38 --> 00:28:38
			of style,
		
00:28:39 --> 00:28:40
			and they spoke,
		
00:28:41 --> 00:28:41
			beautifully.
		
00:28:42 --> 00:28:44
			And, you know, we need to bring a
		
00:28:44 --> 00:28:46
			little bit, a little bit of back of
		
00:28:46 --> 00:28:48
			that, you know, amidst becoming engineers and doctors,
		
00:28:48 --> 00:28:50
			which is great. You know, please knock yourselves
		
00:28:50 --> 00:28:51
			out, you know, amidst of being
		
00:28:52 --> 00:28:54
			IT professionals or whatnot. It would be good,
		
00:28:54 --> 00:28:57
			like, read some read some humanities, read some
		
00:28:57 --> 00:28:57
			literature,
		
00:28:58 --> 00:29:00
			and not like the confused, like, weird
		
00:29:00 --> 00:29:03
			minds of, like, of of, like, dead pagan
		
00:29:03 --> 00:29:06
			of your or the pagan of this day
		
00:29:06 --> 00:29:08
			and age. You can read that too. That's
		
00:29:08 --> 00:29:10
			fine. I read Homer, and I read Shakespeare,
		
00:29:10 --> 00:29:12
			and you can read all these kinda weird,
		
00:29:13 --> 00:29:15
			you know, old great Greek dramas and things
		
00:29:15 --> 00:29:17
			like that. That's fine. I mean, you need
		
00:29:17 --> 00:29:19
			to know the culture, where it came from,
		
00:29:19 --> 00:29:21
			and things like that. That's fine. But spend
		
00:29:21 --> 00:29:24
			some time also reading Rumi and Hafiz. Spend
		
00:29:24 --> 00:29:27
			some time reading the of the, of the
		
00:29:27 --> 00:29:27
			Imams,
		
00:29:27 --> 00:29:29
			like, Imam Shafiri
		
00:29:30 --> 00:29:31
			or of the companions
		
00:29:32 --> 00:29:32
			on whom,
		
00:29:33 --> 00:29:34
			their are awesome.
		
00:29:34 --> 00:29:37
			And be people of style. May Allah give
		
00:29:37 --> 00:29:38
			us style and substance. May Allah
		
00:29:39 --> 00:29:42
			replace all the ugliness that we took in
		
00:29:42 --> 00:29:43
			with something beautiful
		
00:29:43 --> 00:29:46
			and forgive us for where we fell short
		
00:29:46 --> 00:29:46
			and,
		
00:29:47 --> 00:29:48
			purge us of our ugliness and replace us
		
00:29:49 --> 00:29:50
			replace it with his beauty.