Abdur Rahman ibn Yusuf Mangera – Qasida Burda (The Mantle Ode) Part 1

Abdur Rahman ibn Yusuf Mangera
AI: Summary ©
The conversation covers the origin of the title "Ok," and the concept of love and fear. The speakers emphasize the importance of using words in appropriate language to create tension and confusion, and the need to use words in a appropriate way to avoid confusion. They also discuss various misunderstandings of love, including the belief that only people in love should be pressured into something, the use of "has" in Arabic, and the importance of praising their messenger. The segment ends with a brief advertisement for a marketing campaign.
AI: Transcript ©
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Bismillah al Rahman al Rahim

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Al hamdu Lillahi Rabbil Alameen wa salatu salam ala Sayidina

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Muhammad, wider early he also be ovata cosa limited Sleeman Kathira

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en la Yomi Dean Amma beret

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This is the first session on trying to understand the words of

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Bill CD and

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the meanings that he's alluding to, before he begins to discuss

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Rasulullah sallallahu alayhi wasallam in detail. This is not a

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book of Syrah in particular, I mean, some of you may be saying

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that why not just cover a book on Syrah

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and read the life story of Rasulullah sallallahu alayhi

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wasallam. You could do that. But what's very interesting about this

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book being celebrated throughout history,

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for the way in which he's

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expressed his love for Rasulullah sallallahu alayhi wa salam and

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discussed a number of different aspects of Rasulullah, sallAllahu,

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alayhi wasallam. So we want to try to understand what was going on in

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his mind, and why it's so celebrated.

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And this is like many other versal poems, a hustle, I used to always

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wonder what a hustle was. And essentially, a hustle. Hustle

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means to weave something generally, because Allah means to

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weave something, or it means to speak about your beloved in an

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amorous way. That's generally what they speak about. So when you talk

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about others in order to or Persian, or in other languages,

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and in fact, the audio and Persian vessels are love poetry, love

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songs as such full of fish, they've actually influenced

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Russell's in English, which is very interesting. However, the

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genre that we're looking at, the type of hustle we're looking at,

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is a totally different, it's a spiritual hustle. In which love is

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spoken about the love that's spoken about here is not an

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individual, but it's a divine love. But because we generally

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relate to we generally understand earthly love, which we feel

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and it's sometimes difficult for us to understand love of the

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Divine Love of Allah subhanho wa taala. So many examples that are

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used for earthly love are used, but to allude to the love of Allah

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subhanho wa taala. So this is not some kind of

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strange love poem of the world as a result that people like to

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listen to, just to kind of, you know, inspire themselves in some

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way or the other and remind them of their own beloved, this is

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actually speaking about the love of Rasulullah sallallahu alayhi

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wasallam. And he starts it off in a way that he doesn't discuss the

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Sierra first he doesn't this doesn't discuss anything about

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Rasulullah sallallahu Sallam first, he first describes it in a

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very abstract sense. He's like, he's not even speaking to himself.

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He's speaking to somebody else. So it's like, he's creating a third

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person, another person, and he's asking that person. So it's this

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kind of internal discussion that he's having with his own soul,

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really, but he makes it seem like he's talking to another person,

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and he's like tearing him off. So let's look at the first few lines

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here. And then you'll understand what we're getting at. So this is

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the way he starts he first says, I mean, the query JIRA and MB the

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salami message that the man Jeremy McCullough team with me, I'm

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Huberty rehoming Tilka eco Hema team. We're all madonn Berta,

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we're all model bar barcoo Fifth Vollmer Itami family is an acre in

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cooltech fufa hamata woman and called beaker in Malta is the

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fifth year Hemi Wamba. They call beaker in Malta StuffIt yeah he me

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i Cebu Cebu Anil Huberman Kutiman Ma Ba naman Sergi Minh who are

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McDreamy lolol how're lum to the man Allah Tala Lin wala rectal

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Ezekiel Bernie will either me for caver don't care who have been

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back there Marcia hey that be Alec I do the MRI was suffer me what a

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bottle which do help a lot in watan mythical Buhari, Allah

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hataoka Will enemy going to read you the translation from Sheikh

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Abdul Hakim Maratea.

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Just so that we've read the translation, you got some idea of

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it, but then you start understanding. Now some other

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might have said that they should actually begin with the Bismillah.

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So they've actually composed a Bismillah and a hand to go with

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this. But they're all I must say that this is not the style of this

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writing. You don't start this kind of writing with a Bismillah and a

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Hamden praise of Allah, you actually started off with this

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kind of figurative expression. This is just like in everything

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else that you have a little preliminary, an introduction of

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some sort, just to gather people's hearts together, inspire them, get

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their concentration, and then you'll actually start talking

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about the main point.

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So this is a tie

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of writing, just like in Doha, we say to Allah subhanaw, taala. You

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in order to we say to, right? You don't you don't use necessarily

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the plural of respects, in that case, because it's so personal.

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That's a very specific place that you can do that. Whereas you can't

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do that in other places. It seems disrespectful. Right? So these are

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just ways of these are literary styles. So let's look at the

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translation. And just try to understand or try to comprehend

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what the author is saying. He starts off he says, Is it from

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remembering past neighbors at Zoo Salem, that you mingle with blood?

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tears shed from your eyes? Is it from remembering past neighbors at

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the zoo Salam that you mingle with blood tears shed from your eyes?

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Or has the wind blown from before Kadima from the direction of

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Kadima and the lightning flushed in a Dom's dark? What else your

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eyes that when you bid them sees they weep still more? What is your

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heart that when you bid it to wake it wonders? Reckon reckons the

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love Lord man reckons the love lone man that his love may be

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concealed when a tolerance in one part of him and in the other, a

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conflagration.

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But for passion, you wouldn't have we you wouldn't tweet at an

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abandoned camp, nor lay awake at night recording the willow and the

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mount. So how can you deny your love when witnesses of tears and

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sickness have testified to it against you? Love Sick, passion,

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love sick passion has written upon your cheeks to tear lines like

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yellow spice and red onion fruit? Does that make any sense to

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anybody?

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Okay.

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It will start in Sharla making sense. This is a style of poetry.

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And it's a very successful style of poetry. So what he's doing here

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is that he's talking to himself. Now remember his state, he was in

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this really diseased state, in a sense that he was extremely ill,

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extremely weak, helpless, feeble, not able to earn paralyzed. And

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now he begins to speak about his love of Rasulullah sallallahu

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alayhi wasallam you have to have a heart to understand this not

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purely intellect, you have to have a heart to understand this, you

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have to get into this.

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And you won't be anybody new doing that. This is a celebrated poem.

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It is the most similar. It's the classic right of Muslim literature

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in terms of praise for sort of La sallallahu alayhi wasallam. So

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now, just to quickly give you a basic understanding what he's

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saying here is that why are you crying for why you love sick?

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What's going on in your heart, you know, when you've got love for

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someone or something, and you have this

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great longing? So he's asking himself why are you crying because

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the person is not revealing why they are feeling like that. You

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can tell the person is in love they lovesick but they're not

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revealing why. In fact, they're not even telling you. They're

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lovesick.

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They're trying to conceal it. They're trying to put a straight

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face. So you start asking them and he's asking himself, but he makes

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himself as another person. So he's saying, Is it from remembering

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past neighbors? Who Salam people used to know your friends? Is that

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what makes you worry? Is that what makes you homesick or love sick?

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Or that you mingle with blood tears shed from your eyes? You're

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crying so much that your eyes the you're weeping tears along with

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blood? Red tears. So what is it that's making you cry like this?

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So this is one option he's giving him? Is it because of remembering

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your friends in the salon? Or is it because the wind has blown

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before Kadima? The wind has blown from the place the direction of

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calcium which is a which is an area a name of a city of Medina,

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right? It's one of the areas of Medina according to one of the

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opinions here so is it because the wind has blown from there and

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that's where your beloved lives. So you think the wind will carry

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with it some scent or some memory of it. So he's getting really,

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he's getting really pushy now. Then he says, what oh model of

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burgoo Phil Vollmer image, a dummy. And the Lightning has

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flushed in idioms dark in idioms dark again this idiom is a

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mountain, right? That is by the city as well. So Lightning has

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suddenly flashed. So what does it do? It gives you a glimpse of the

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place where your beloved lives. So because the Lightning has has

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Has the Lightning has Shonda and has the spark of it has come. Is

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that why suddenly you've started remembering them? So what's going

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on? And then he turns until now, he was speaking as though this is

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he never

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addressed the person directly. He was talking about it in a third

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person. Now, look at the pronoun MIAL shift, he suddenly starts

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talking to it directly and this is exactly what Allah subhanaw taala

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does in the Quran as well. He speaks about himself in the third

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person, then he starts speaking about Himself in the first, for

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example, Al hamdu, lillahi, rabbil, Alameen Rahmani Raheem

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that's in the first third person, all praises to Allah, Lord of the

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worlds as though he's in the third person, right? From a grammatical

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perspective, then then he suddenly says ear canal Buddha, only you do

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you worship son. You made him the second person. And then in

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somebody's becomes new Olia Oh, come fill hayati. Dunya we are so

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he's talking the first person. This is just to keep the people

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thinking and on their toes, so that they don't get bored. So now

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he the poem, the poet he addresses it addresses it directly. And he

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says family a nega in cooltech fufa parameter warmer the Columbia

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in Coulter StuffIt. Yeah, hey, me. What's wrong with your eyes? That

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when you tell it to stop, they actually flow more. So all of

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these approves that you've got to you've got an issue, you've got

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some love, you've got some love issue.

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There's some love that you're conceding can tell by your eyes.

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What's wrong with the eyes that

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that when you tell it to stop the flow even more? And what's wrong

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with your eyes? What is your heart when you tell that to wake up out

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of this thought process? It wanders even more? Wonders even

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more. I asked about sub sub refers to sub refers to a love lone

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person, person who's in extreme love. So does the love lone man.

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Now again, he's switched to the third person again, does the love

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lone man think think that love can be concealed? So finding is

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hitting him directly? That Do you think love can be concealed? When

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a torrent in one part of him and is in the other is a conflagration

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now to put that in simple words. Essentially he's saying that in

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one part of him he's got a torrent of tears and the other parts of

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him he's got fire burning. So this is very clear how can you hide

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your love them when it is just so evident? How can you hide it? And

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it's true it's very difficult to hide love, right the people who

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are in love or just somewhere else the mind is overtaken they just

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somewhere else. And then he says lol al Hawa Alam todo Kodama and

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Allah Tala in Walla. Walla, rectally, decretal, Bernie will

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will either me, but for passion you wouldn't if it wasn't for that

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love and passion. If it wasn't for that, you wouldn't weep over some

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abandoned camp because of

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essentially what you're saying is bottle refers to a place that has

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been abandoned. And now it's dilapidated. It's left and the

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tunnel is that which there's still some parts protruding out so it's

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not completely erased to the ground. When there's something

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that's totally razed to the ground in Arabic that's called Rossum,

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right. Rossum means old buildings that are totally razed to the

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ground. And taller means when they've still got something

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standing a few minutes here they were the other few walls or

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whatever, you wouldn't cry over something like this. And neither

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would you cry over the willow and the mound. These are things that

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you would generally cry over. So what are you crying over? And then

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he says, You keep rejecting that you've got love. So for K for 10

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kilo Hogben. How can you deny your love when you have the greatest

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witnesses against you? You're saying no, I don't have any love.

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I don't have any love. You're conceding it you're denying it.

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But Burma Shahi that be here today are due to debris was suckered me?

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What is the witness against you? Two of the most upright witnesses.

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Two of the most reliable witnesses have testified against you in the

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sense that yes, this man has been incriminated with love. He is

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guilty of love. Right? What are those two number one are the tears

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and number two succumb which means your your illness, right you know

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your your your illness, both of these things. They testify against

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you and your face. You have two streaks you have two rivers

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running down your your cheeks, right that are of this color and

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that color as he describes it, right? How can you then

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deny that you are lost in your love. So, this is the way it

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begins without a Bismillah without a hand just to kind of get people

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together to understand unfortunately because many of us

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are not really into poetry or thinking in an in this kind of a

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metaphorical sense or in a figurative sense elusive sense

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sometimes this kind of gets lost to us is saying like no give us

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the hard facts right but this is this is what it is the Arabic is

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quite difficult it's not easy for those who understand Arabic here I

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mean the Quran Iran in be the salami message that the man Jeremy

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mock, let him be dummy. Okay, that's that one. Um Huberty.

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rehoming tilcon eco Hema in what OMA Dunbar COVID Vollmer. Inami

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family Aina Yuka in contact fufa hamata kobika in cool stuff. Yeah,

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he me, it's just beautiful.

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We should have some singles here, that really do a good job with

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this. Okay, so now let's look at this in a bit more detail as to

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how he's spinning this together, how he's putting this together. So

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now you understand that he's actually speaking to himself, but

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he's not speaking to himself. He's making it like he's speaking to

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somebody. So it's one internal voice speaking to another internal

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voice, right with this complaint. And this is what they call SQL

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haram. Right? This this section, this first section of

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this number of poems, which is

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here, it's a complaint of love. That's what this is, been. That's

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what this has been titled as a complaint of love. So just to

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clarify, although this poet This poem is actually known as qasida,

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Buddha, the author actually gave it a different name. In fact, this

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should actually be called the Buddha, not the Buddha. Because

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the Buddha is more realistically that poem, which was read by

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caribou Sohail in front of Rasulullah sallallahu Sallam

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during his time. And the Prophet salallahu Alaihe Salam got so

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happy with it, that he took his mantle off, and he gave it to him.

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This one, he read it, he composed it much later, not in front of

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Rasulullah sallallahu sallam, but read it to him or read it. And

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then after a Promise of Allah some came in his dream, but this one

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has become even more famous than the other one, which is really

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interest otherwise should actually be called Bora Bora means to be to

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become free to be exonerated. Which means because he was sick,

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and when he when he composed this poem, and then he had a dream in

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which allah sallallahu Sallam passed his hand over him or gave

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him his, his his mantle in the dream. And then the next day, he

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was completely fine, his entire paralysis was gone. And we don't

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have the time but Allah ma have actually written about, you know

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what to do with this particular poem. And it will benefit you in

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certain ways that other but I think we'll leave that we'll leave

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that aspect for now. So this is it's known as the border. And so

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the first lines that some people have composed and said that you

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should actually start this with to start it with a Bismillah

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Alhamdulillah Himanshi il Hello team in Academy, so masala to

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other LaMotta, the Philippine army, so it's on the same meter,

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it's on the same, it's on the same meter, it sounds the same, all

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praises to Allah Who is the originator of all creation from

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nothing. And then he is and then and then salutation salutations,

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blessings be upon al matar Phil Kadiri Salutations be on the

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chosen one, the chosen Prophet from the one who was chosen from

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eternity. So that's how he begins it. Well, that's how they some

00:18:34 --> 00:18:40

people say he should begin it. So a rustle is a lyric, lyric poem

00:18:40 --> 00:18:44

with a fixed number of verses and a repeated rhyme. That's what

00:18:44 --> 00:18:48

hustle is known as write in any language. So hustle generally

00:18:48 --> 00:18:53

deals with love, specifically, in normal hustle. It deals with

00:18:53 --> 00:18:58

illicit love, haram love, illegitimate love, love that you

00:18:58 --> 00:19:02

want to hide. That's normal husband. And a lot of these are

00:19:02 --> 00:19:05

two songs and these Persian songs and punjabi songs. So they are,

00:19:05 --> 00:19:09

they will elicit or unattainable love that could be another reason

00:19:09 --> 00:19:14

for vessels to try to sing about something that you can't get. It's

00:19:14 --> 00:19:18

unattainable. But your heart is your fully emotionally, head over

00:19:18 --> 00:19:24

heels in love. But in Sufi poetry, the beloved is a metaphor for good

00:19:24 --> 00:19:29

positive divine love, for the love of Allah subhanho wa taala. evokes

00:19:29 --> 00:19:35

invokes melancholy love longing. And it asks metaphysical

00:19:35 --> 00:19:39

questions. That's what this is all about. So, I mean, that Guruji

00:19:39 --> 00:19:41

running be the salami

00:19:42 --> 00:19:47

in Arabic that just refers to is it's a question Is it because of

00:19:47 --> 00:19:51

the the Core Data Core mean comes from the vichara? Which means

00:19:52 --> 00:19:55

remembrance. Is it from remembering? Is it because you're

00:19:55 --> 00:19:59

constantly remembering? You're constantly thinking about this? So

00:20:00 --> 00:20:04

But the thing is that the way the author is, is presenting this is

00:20:04 --> 00:20:08

that he's seeing it is as though he is seeing the man who's got

00:20:08 --> 00:20:12

these blood tears coming down his face. Now he wants to interrogate

00:20:12 --> 00:20:15

him as to why he why that is the case because the person won't

00:20:15 --> 00:20:21

reveal anything. So he's saying now, the Why have you got this? Is

00:20:21 --> 00:20:25

it because you are remembering your G Ron G. Ron refers to

00:20:25 --> 00:20:30

neighbors, people who live around you be the Salem, in a place

00:20:30 --> 00:20:34

called in a place called the Salem, right, the place where

00:20:34 --> 00:20:38

there's Salam, this could mean a number of different things. Saddam

00:20:38 --> 00:20:41

could refer to something. And that's why it's the place where

00:20:41 --> 00:20:45

Saddam is found, or it's the salam that is the place where it is? Or

00:20:45 --> 00:20:50

is it because the wind has blown from Chavira? Is that why you're

00:20:50 --> 00:20:54

crying? Or is it because the Lightning has flushed in a very

00:20:54 --> 00:20:58

dark night from the mountain of Edom? Is that why you're crying?

00:20:59 --> 00:21:06

So now, so the doubt is about? We know you've got love, but which is

00:21:06 --> 00:21:09

the what is the reason for your love. So the doubt is about the

00:21:09 --> 00:21:12

reason. And what's very interesting is if no algebra in

00:21:12 --> 00:21:18

his commentary, he says that he could have said, I mean that curry

00:21:18 --> 00:21:21

bourbon be the salami Is it because of remembering your

00:21:21 --> 00:21:24

friends, your close friends above your beloved

00:21:26 --> 00:21:30

in the salon, but he refused to do that. And he used the more general

00:21:30 --> 00:21:35

term of giran neighbors. This is obviously to give it a bit more

00:21:36 --> 00:21:40

you can say ambiguity, but number two, what something even Ijebu

00:21:40 --> 00:21:42

says very interesting, which could be applied to English poems as

00:21:42 --> 00:21:46

well, those who are interested in English poetry, he says because

00:21:46 --> 00:21:51

even though the word above is on the same wasn't, it's on the same

00:21:51 --> 00:21:54

meter, and it could have absolutely come in this, it could

00:21:54 --> 00:21:57

have come into this poem, and it will fit in here quite

00:21:57 --> 00:22:03

beautifully. But the word Bob is an overused term. And good poets

00:22:03 --> 00:22:07

don't use overuse terms that everybody uses. Right? Very

00:22:07 --> 00:22:12

interesting. He says, Lee he says we're in the millennial

00:22:13 --> 00:22:16

I mean, the Korea bourbon ma annual wasn't Are you sorry to

00:22:16 --> 00:22:20

Hooni and Bob loves going moto Brazil. Last time you who Illa

00:22:20 --> 00:22:23

Darfur tool for Cora. He says the only people that use it other

00:22:23 --> 00:22:24

other week.

00:22:25 --> 00:22:29

Sure. sharara are the weak poets who don't have too many words at

00:22:29 --> 00:22:32

their disposal too much vocabulary disposal, they use the most common

00:22:32 --> 00:22:37

terms that everybody knows where to hammer, my axe dad who Allah al

00:22:37 --> 00:22:37

Cinestill

00:22:38 --> 00:22:41

they would generally the good poets would generally avoid the

00:22:41 --> 00:22:45

common terms that everybody would because they want you to think if

00:22:45 --> 00:22:47

they're just gonna give you everything so simple, and it just

00:22:47 --> 00:22:51

rhymes. And you don't you don't think much. This creates a lot of

00:22:51 --> 00:22:55

thought. So that's why he called it he said that. That's why.

00:22:56 --> 00:22:57

The other thing is,

00:22:58 --> 00:23:02

he's not revealing here. Madina Munawwara. He's not taking the

00:23:02 --> 00:23:06

name as you notice. He's using Kadima, Aidan the salam, he's

00:23:06 --> 00:23:10

using all of these weird terms that you have to think what is he

00:23:10 --> 00:23:13

talking about? The reason is that again, poets do the same thing to

00:23:13 --> 00:23:15

create more ambiguity or to conceal

00:23:16 --> 00:23:21

to conceal the place they use these generic kind of ambiguous

00:23:21 --> 00:23:27

terms like the Selam another one is subtle Stelara. These have been

00:23:27 --> 00:23:31

used in different poems, just to create ambiguity. The other thing

00:23:31 --> 00:23:34

is they will never mention their beloved by name. Again, they use

00:23:34 --> 00:23:38

these generic terms like Leila and Salma. Imam Ghazali uses the same

00:23:38 --> 00:23:42

thing. In one time, he says the same thing he says that I'm

00:23:42 --> 00:23:46

struggling for 1011 years looking for Allah subhanaw taala and I was

00:23:46 --> 00:23:52

about to give up. And then after that, I told myself, no Salma and

00:23:52 --> 00:23:55

Sal, you know, sunnah is there, she's in front, but it's not

00:23:55 --> 00:23:59

talking about cinema, is just the name to conceal what you really

00:23:59 --> 00:24:02

want. This is what you call poetry. And this is becoming a

00:24:02 --> 00:24:07

poetry class. Right? Maybe we get some good poetry poems, poets out

00:24:07 --> 00:24:07

of it.

00:24:08 --> 00:24:13

So Salma, Laila, these are generic terms for beloved, why would you

00:24:13 --> 00:24:16

want to conceal your beloved? Well, either because you don't

00:24:16 --> 00:24:20

want to reveal it to anybody. You just want to make it seem like I'm

00:24:20 --> 00:24:26

just talking about something, or out of a 00 means out of envy,

00:24:26 --> 00:24:27

jealousy that you don't want people to know who you are,

00:24:27 --> 00:24:30

beloved, this, so this could be many reasons why you're not going

00:24:30 --> 00:24:34

to reveal it. But obviously, this is not a love poem, an earthly

00:24:34 --> 00:24:38

love poem. He's just using that style to get people into it

00:24:38 --> 00:24:41

because people are used to this you know, he remember he's writing

00:24:41 --> 00:24:44

this entertainment the Arabs were doing this all the time they would

00:24:44 --> 00:24:50

understand this. So he's just trying to create a attract their

00:24:50 --> 00:24:53

attention by starting off like this. And then after the he'll get

00:24:53 --> 00:24:56

into the real stuff, which would be really impactful for them. So

00:24:56 --> 00:24:59

then he says, So Gee, Ron here Absolutely. Just

00:25:00 --> 00:25:03

refers to beloved, is it because of remembering not your neighbors,

00:25:03 --> 00:25:06

but your beloved in the salon? That's essentially we're saying,

00:25:06 --> 00:25:12

though he's using the word, he's using the word neighbors. And the

00:25:12 --> 00:25:15

Salam is a place in Makkah, actually between Makkah and

00:25:15 --> 00:25:19

Madina, Munawwara, close to a place called Kool Aid. So it's,

00:25:19 --> 00:25:24

that's, that's where it is. And he's saying that is it because of

00:25:24 --> 00:25:31

remembering the neighbors at the salam, that you are mixing your,

00:25:31 --> 00:25:37

that you have mixed your tears, which are flowing from your eyes,

00:25:37 --> 00:25:41

you've mixed them with blood? How do you mix tears with blood? I did

00:25:41 --> 00:25:46

a bit of research on this. And apparently, what some commentators

00:25:46 --> 00:25:49

say is that if you cry enough,

00:25:50 --> 00:25:57

if you cry enough, then your tears will eventually you'll start

00:25:57 --> 00:26:01

crying blood, and then you'll cry some A and then it will be some

00:26:01 --> 00:26:04

kind of white substance, did a bit of research. And apparently, there

00:26:04 --> 00:26:08

are certain individual who have this condition, which is really

00:26:08 --> 00:26:11

rare. It's not in most people. It's called

00:26:12 --> 00:26:18

hemo, Latteria, himolla creo. What it does is it causes a person to

00:26:18 --> 00:26:23

produce tears that are partially composed of blood. So they

00:26:23 --> 00:26:27

literally cry, read tears. And sometimes this happens to certain

00:26:27 --> 00:26:29

people three times in a day, they'll just suddenly start crying

00:26:29 --> 00:26:30

like that.

00:26:31 --> 00:26:35

Sometimes some people say that if you cry a lot, and you really like

00:26:35 --> 00:26:39

pressure yourself, then you could break a blood vessel in your eye.

00:26:40 --> 00:26:44

That's, but others have, others have denied that that's a

00:26:44 --> 00:26:47

possibility that you could ever cry blood, like if you don't have

00:26:47 --> 00:26:50

that condition. Because how could you, you know, unless you crush

00:26:50 --> 00:26:53

glass in your eyes or something like that, then that would be real

00:26:53 --> 00:26:58

blood. That won't be that won't be tears of blood as such. So

00:26:59 --> 00:27:02

the other way to look at this is that this is a poetic metaphor,

00:27:02 --> 00:27:05

right? This is a poetic metaphor that you've probably seen people

00:27:05 --> 00:27:08

who have cried blood, and you think it's because they've cried a

00:27:08 --> 00:27:12

lot and other crying blood. So it's trying to evoke that extreme

00:27:12 --> 00:27:15

sense of crying. So that's what this may be talking about here.

00:27:16 --> 00:27:20

Now, people cry out of happiness, and people cry out of sadness.

00:27:20 --> 00:27:25

When people cry out of happiness. The tears are cool. So it's a

00:27:25 --> 00:27:29

source of gladness for eyes. And when you cry out of sadness, when

00:27:29 --> 00:27:34

you cry out of worry out of grief, tears are hot. It creates heat

00:27:34 --> 00:27:37

because it's coming from the heat that's burning and raging inside

00:27:38 --> 00:27:42

so that's the difference between hot tears and and you can say cool

00:27:42 --> 00:27:47

tears based on how you're feeling inside. So he says Java min Macula

00:27:47 --> 00:27:53

Tim with me so you are you Why is it then that you're crying in such

00:27:53 --> 00:27:57

a way that you've got these tears that are mixed with blood? And

00:27:57 --> 00:28:02

then he The other thing that you can see is in poems, you kind of

00:28:02 --> 00:28:05

use words that look similar but mean different things. So he's got

00:28:05 --> 00:28:09

Mazlish that dumb and Jeremy McCullough timbi Dummy them and

00:28:09 --> 00:28:15

Andaman, the man means tears and Derman means blood, but they sound

00:28:15 --> 00:28:19

very similar. So it's about choosing the right kind of words

00:28:19 --> 00:28:23

to create an impact. So in these first four lines, what he is

00:28:23 --> 00:28:27

doing, essentially, he is saying, What are you crying for? Is it

00:28:27 --> 00:28:29

because of leaving your neighbors and you're remembering them your

00:28:29 --> 00:28:34

your beloved? Or is it because of the slashing of light from from

00:28:34 --> 00:28:39

the mountain? Or is it because of the wind coming from this

00:28:39 --> 00:28:43

direction? So you know, if you've had really good time with certain

00:28:43 --> 00:28:46

people you used to really enjoy yourself there now you've left

00:28:46 --> 00:28:49

them. And then suddenly you remember the good times. And now

00:28:49 --> 00:28:53

you may be having a bad time here. You could start crying over that.

00:28:53 --> 00:28:56

Right so that's one of the reasons he's asking is it because of that

00:28:56 --> 00:28:58

that you're crying for example, that call to a

00:29:00 --> 00:29:05

direct call to a Yemen Lana? Well, the mullet federate, Minh decree

00:29:05 --> 00:29:10

in domu Allah Halyna yo mama minute daddy Oh button. Whoa, holy

00:29:10 --> 00:29:15

Illa Allah dill, Habibi, Raju. And what that means is, I remember

00:29:15 --> 00:29:18

those days that we used to have and those nights that are passed

00:29:18 --> 00:29:26

now. And by remembering them, tears roll down tears flow. Oh, is

00:29:26 --> 00:29:29

there going to be one day? Is there going to be one day that we

00:29:29 --> 00:29:30

can return to that?

00:29:32 --> 00:29:33

Or is there going to be

00:29:34 --> 00:29:38

is there going to be a possibility, a possibility of

00:29:38 --> 00:29:42

return to the land of my beloved. So this is a poet saying the same

00:29:42 --> 00:29:42

thing.

00:29:44 --> 00:29:49

Now, then the second option was for has the wind blown from

00:29:50 --> 00:29:50

kelvin.

00:29:51 --> 00:29:55

So why would you cry over that? Why would you cry over wind blows

00:29:55 --> 00:29:59

from a particular direction? It's because you

00:30:00 --> 00:30:02

If he's blind from the direction where your beloved lives,

00:30:03 --> 00:30:08

then you might be thinking that you might carry this. I'm not

00:30:08 --> 00:30:13

gonna say her. Right? So you might carry the fragrance. So now you

00:30:13 --> 00:30:16

remember that you smell that fragrance is coming from there.

00:30:16 --> 00:30:19

This is just all exaggeration as you can understand this poetry,

00:30:19 --> 00:30:24

right? And what about flushing of light? What's that got to do with

00:30:24 --> 00:30:30

anything flushing on lightning? Well, it's because it says that,

00:30:30 --> 00:30:34

you know, lovers, when there's lightning, he actually makes them

00:30:34 --> 00:30:38

feel good, because we're talking about a time when there's no light

00:30:38 --> 00:30:42

pollution at night. So what's going to brighten up at nighttime

00:30:42 --> 00:30:44

is the worst time daytime, you're active daytime, you're busy,

00:30:44 --> 00:30:48

you're occupied. But what happens at nighttime, and nighttime when

00:30:48 --> 00:30:52

you have to go to sleep? It keeps you awake. So now you're looking,

00:30:52 --> 00:30:55

you're looking you can't see anything. Right? There's no,

00:30:55 --> 00:30:58

there's no photographs that you can look at. You know, there's

00:30:58 --> 00:31:01

nothing like that that you can do. So the best thing for you is that

00:31:01 --> 00:31:05

if ever if there's ever lightning, then that will shine for you the

00:31:05 --> 00:31:08

direction of where your beloved lives. So now you start to cry

00:31:08 --> 00:31:12

because of that. Our job. Right? This is to contextualize how

00:31:12 --> 00:31:15

people used to think and how people think like this. Another

00:31:15 --> 00:31:19

way of looking at this, ignore Ijebu mentions, he says that, it's

00:31:19 --> 00:31:23

because when the lightning strikes, and when there's

00:31:23 --> 00:31:27

lightning, a spark of lightning, flash, you look at it, your

00:31:27 --> 00:31:32

beloved will look at it, and both of your gazes will combine and

00:31:32 --> 00:31:35

that makes you cry. Now, if we can't understand that, we don't

00:31:35 --> 00:31:39

know what love is. These are just all expressions of love. Just make

00:31:39 --> 00:31:43

sure you use it in the right way. That's right. If If love is being

00:31:43 --> 00:31:46

opened up to you today, just make sure you use it in the right way.

00:31:47 --> 00:31:52

The other thing he says he says I'm Huberty Lee who re remains

00:31:52 --> 00:31:57

wind. Generally though in the Quran, Allah subhanaw taala uses

00:31:58 --> 00:32:02

the word re for punishment when the when the wind is brought

00:32:02 --> 00:32:07

punishment, and Rhea for when it brings Rama and mercy. But he's

00:32:07 --> 00:32:11

used the word ri here for particular poetic reasons. The

00:32:11 --> 00:32:17

other thing, if not Ijebu relates about the blood which is important

00:32:17 --> 00:32:20

is because there's actually a hadith that he quotes. It's in

00:32:20 --> 00:32:25

Sahil, it's in Sahil Buhari, that in describing the people of the

00:32:25 --> 00:32:29

Hellfire, it says a non Mucuna dumber had died and some may

00:32:29 --> 00:32:34

Hakuna dum. So maybe that's what the author was referring to. That

00:32:34 --> 00:32:39

the people of hellfire they will cry out of misery. So first, they

00:32:39 --> 00:32:42

will cry tears. They will be thirsty, there's no water, they're

00:32:42 --> 00:32:46

dehydrated, then they'll start crying blood. So maybe that's what

00:32:46 --> 00:32:50

he's referring to. So if not a Jeeva says is that you know when

00:32:50 --> 00:32:53

you both look at the sun or the lightning together, then because

00:32:53 --> 00:32:56

you can't see her, but at least because you're both looking at the

00:32:56 --> 00:33:00

same thing you feel satisfied. Okay. Then, what is lining

00:33:01 --> 00:33:04

according to the Arizona Jamara Firstly, there's thunder and then

00:33:04 --> 00:33:09

there's lightning. Now Thunder is called right in Arabic. And Rod is

00:33:09 --> 00:33:14

an angel. Riding is an angel. And he they say he has a whip. Now I

00:33:14 --> 00:33:17

know from a scientific perspective, they'll give you the

00:33:17 --> 00:33:20

you know, we have a description of how lightning and thunder works.

00:33:21 --> 00:33:24

But according to what the Hadith mentions in the background, this

00:33:24 --> 00:33:28

is what it is that right is an angel and he has a whip and it's

00:33:28 --> 00:33:33

the cracking of his whip which is the thunder and the lightning. It

00:33:33 --> 00:33:38

says that according to arrow Sunova jemar The lightning is a

00:33:38 --> 00:33:43

jihad to Malak Yasuko B has sahab it's the wings of the angel by

00:33:43 --> 00:33:49

which it drives the clouds Wakita, DECA for its laughter. That's why

00:33:49 --> 00:33:55

Imam Shafi is related in his own from Abuja hit the derby. The rod

00:33:55 --> 00:34:02

is the angel. And the lightning is it's the lightning is its wings.

00:34:03 --> 00:34:07

That that's what it is in the Thunder is the crack of its whip.

00:34:08 --> 00:34:11

Right now, after he's asked those three questions, he doesn't get a

00:34:11 --> 00:34:15

response. There's still denial of the love. So then he's he gets

00:34:15 --> 00:34:19

more specific and more personal and he says, Okay, what's wrong

00:34:19 --> 00:34:23

with your eyes? How come your eyes they keep? How come your eyes they

00:34:23 --> 00:34:27

keep watering from early and eager in cooltech fufa hamata Why is it

00:34:28 --> 00:34:30

what's wrong with your eyes that if you tell them to stop, they

00:34:30 --> 00:34:33

continue to flow. What's wrong with your heart that when you tell

00:34:33 --> 00:34:39

it to stop it, it wanders even more. So this is really like

00:34:39 --> 00:34:42

putting this is again metaphorically putting them in

00:34:42 --> 00:34:47

their position and really like aggressively trying to ask them

00:34:47 --> 00:34:51

why is it Why are you denying this love for if it's not for love? And

00:34:51 --> 00:34:54

if you're right in your denial that it's not love Then why is

00:34:54 --> 00:34:58

your Why are your eyes crying like this and why is your heart beating

00:34:58 --> 00:34:59

like this? And then he and

00:35:00 --> 00:35:03

Then he says is sub sub. And again I mentioned to you what sub means

00:35:03 --> 00:35:09

the person who's in love that does the person who's in love. Think

00:35:09 --> 00:35:14

that he can hide his love that love is hidden. So then he says

00:35:14 --> 00:35:19

lol how're know? He's saying how can you hide you as a sub one and

00:35:19 --> 00:35:22

hook them on Kutiman does the

00:35:23 --> 00:35:28

love loan reckon reckons the love loan man that his love may be

00:35:28 --> 00:35:32

concealed when a torrent is in one part of him, and there's a

00:35:32 --> 00:35:33

conflagration

00:35:34 --> 00:35:38

in another part of him. What does that mean? So what he's saying

00:35:38 --> 00:35:43

here is, yep, so he's saying that on the one hand, you've got all of

00:35:43 --> 00:35:46

these tears pouring down on you. And on the other hand, you've got

00:35:46 --> 00:35:51

this fire in your heart. So how can you hide it? So the this love

00:35:51 --> 00:35:55

lone person should not think that his his love is hidden among

00:35:55 --> 00:36:00

people? Because he's got this these tears that are pouring down

00:36:00 --> 00:36:06

and he's got this heart which is filled with fire. And if if those

00:36:06 --> 00:36:10

were the only two signs they are the closest they are, they are the

00:36:10 --> 00:36:14

they are the biggest signs for love. So how can you deny your

00:36:14 --> 00:36:19

love? And then he says lol Hawala, today Kodama and Allah Tala Lin

00:36:19 --> 00:36:24

wala Eric Televic real Bernie will allow me if it wasn't for your

00:36:24 --> 00:36:29

love, that is existent. lol haha love today kendama and Allah Tala

00:36:29 --> 00:36:34

and then you would not shed a tear. You would not shed a single

00:36:34 --> 00:36:39

tear on things that have been lost on areas that have been lost. Like

00:36:39 --> 00:36:42

that's what he says here that if it wasn't for your passion, you

00:36:42 --> 00:36:46

wouldn't be weeping at an abandoned camp. Why would you is

00:36:46 --> 00:36:51

that the reason why you're weeping or you would not stay awake while

00:36:51 --> 00:36:55

Rector director means Sahara, which means you would not stay

00:36:55 --> 00:36:59

awake you wouldn't have these sleepless nights

00:37:00 --> 00:37:05

because of remembering the willow and the mount, the willow and the

00:37:05 --> 00:37:10

mount. Why is he saying that for so the willow is in the is from

00:37:10 --> 00:37:13

the place where your beloved lives so you remembering the willows

00:37:13 --> 00:37:18

now? And the mount again the mountain and then finally he says

00:37:18 --> 00:37:21

in this section forgave a donkey who have been buried the Masha he

00:37:21 --> 00:37:26

that he Alagiah? I do to them. He was circling me. How can you deny

00:37:26 --> 00:37:30

love? How can you deny your love when witnesses of tears and

00:37:30 --> 00:37:33

sickness have testified to it against you? So that's what

00:37:33 --> 00:37:37

forgave a Twinkie Ruben. dama Shaheed Bialik. I do with them. He

00:37:37 --> 00:37:40

was suckered me, and the way he says it, he says in kind of legal

00:37:40 --> 00:37:44

language, I do. Because you don't take Hadith from anybody. The

00:37:44 --> 00:37:49

person you take from is a duel. Right? They say a Sahaba Kulu. All

00:37:49 --> 00:37:53

the Sahaba are upright and reliable. So he's using that kind

00:37:53 --> 00:37:59

of academic term here. That your your would you call it your your

00:37:59 --> 00:38:04

disease, your sickness, and your blood as your your tears? They are

00:38:04 --> 00:38:06

more reliable witnesses than anything else. I mean, they're

00:38:06 --> 00:38:09

like, you know, they're so reliable, and then you're still

00:38:09 --> 00:38:12

rejecting your love. And then after that he carries on which

00:38:12 --> 00:38:17

we'll be looking at next week. What he says, just so that you

00:38:17 --> 00:38:20

understand what he's getting into here. He says,

00:38:21 --> 00:38:27

na sala de from an hour for a rock oni well, who Booya 3030 Bill

00:38:27 --> 00:38:32

elemi Yes, my loved one Spirit wanted me. So he starts confessing

00:38:32 --> 00:38:37

Yes, my loved one spirit haunted me and denied me my sleep. For

00:38:37 --> 00:38:40

love ever obstructs pleasures with pain. So now finally he's got

00:38:40 --> 00:38:44

through to so now he's gonna start responding. And then he says yeah

00:38:44 --> 00:38:49

hola me Phil. How're ya hola me, Phil. Hello three year mark zero

00:38:49 --> 00:38:54

Tim mini la Coelho and softer lambda Lumi This is beautiful. He

00:38:54 --> 00:38:58

says you blame me for this chase love. Right? Again. He's just

00:38:58 --> 00:39:02

talking to himself but as the another person now. So you who

00:39:02 --> 00:39:07

blame me for this chase love? I seek Your pardon. Yet had you

00:39:07 --> 00:39:12

judged fairly? You would not have blamed me at all. It starts

00:39:12 --> 00:39:17

getting a bit easier now. Then he says I did kaha de la sillery

00:39:17 --> 00:39:23

people studied in Andalusia at Walla ebmm hassy. Me may you be

00:39:23 --> 00:39:28

spared my state? May you not be have to go through what I have to

00:39:28 --> 00:39:32

go through. I cannot hide my secret from my detractors. My

00:39:32 --> 00:39:35

sickness will not leave me now he is getting busy. He's talking

00:39:35 --> 00:39:38

about his sickness. My sickness will not leave me. So he's

00:39:38 --> 00:39:41

actually now coding onto Rasulullah sallallahu in a sense,

00:39:41 --> 00:39:44

like he's talking to Rasulullah sallallahu Sallam in a sense that

00:39:44 --> 00:39:47

my sickness won't leave me. He's talking to Allah subhanaw taala.

00:39:48 --> 00:39:52

And then he says Mahadevan in Noosa. Lurking less to a smarter

00:39:52 --> 00:39:58

who, in the Banila 33 summary. He says, you offer me sincere advice,

00:39:59 --> 00:40:00

but I hear it not

00:40:00 --> 00:40:04

Not a lover is deaf to all his reproaches a lover is deaf to all

00:40:04 --> 00:40:09

of his reproaches and then he says in the ham in the ham do not see

00:40:09 --> 00:40:13

her che beefy utterly was shameful about our goofiness in and it to

00:40:13 --> 00:40:18

her me. I suspect the council even have my own gray hairs. My hairs

00:40:18 --> 00:40:22

are becoming gray. They are reminding me they are advising me

00:40:22 --> 00:40:26

they're giving me no see how you're getting old. I even suspect

00:40:26 --> 00:40:30

them right I don't even believe them. That's how doubtful I am

00:40:30 --> 00:40:34

because of my state. Although the advice is far indeed from

00:40:34 --> 00:40:40

deception. And then he says for in Amara TV su Mata has been

00:40:40 --> 00:40:44

generally has been a really shady well Harami thanks to its

00:40:44 --> 00:40:49

foolishness, my ill urging knifes and ego has paid no heed to the

00:40:49 --> 00:40:53

Warner white hair and distributed decrepitude. So essentially now

00:40:53 --> 00:40:57

he's complaining about the sins he's committed or the wrongful

00:40:57 --> 00:41:01

deeds or the weakness of himself and so on. And this is where it

00:41:01 --> 00:41:06

gets really interesting. And he says, well, that middle fit lil

00:41:06 --> 00:41:11

Jimmy de tierra de fin, Tierra de fin Allama beraksi era Marta Shin

00:41:11 --> 00:41:15

Marta shimmy, neither hasn't prepared fair deeds in hospitable

00:41:15 --> 00:41:19

welcome for a guest who has taken up residence on my head.

00:41:20 --> 00:41:23

He's talking about the whiteness of his hair. Right? This is a

00:41:23 --> 00:41:26

guest it's the I'm not preparing for my old age yet. That's what

00:41:26 --> 00:41:31

you're saying. Local to our animal and Nima or Kira who get them to

00:41:31 --> 00:41:35

certain brotherly mean who will catch me had I understood I would

00:41:35 --> 00:41:40

not have honored it. I would have used custom die to Hide it. Hide

00:41:40 --> 00:41:43

what it disclosed. Right. I would have dyed my hair

00:41:45 --> 00:41:50

anyway, mainly buret Decima him in Hawaii at hakama Euro do Gemma

00:41:50 --> 00:41:54

hula Haley Bill legitime who will help me now curb a bolting rebels

00:41:54 --> 00:41:58

willfulness in the way that the rebel stallion may be curbed with

00:41:58 --> 00:42:01

rains. So he's saying my knifes and I'm all over the place now I'm

00:42:01 --> 00:42:04

wild. Who's going to help me? Who's going to help to curb me

00:42:04 --> 00:42:09

just like they would help to curb and you know a wild horse. Right?

00:42:09 --> 00:42:13

It's amazing. It's amazing. Fala Toro milma RC Castro chahatein.

00:42:13 --> 00:42:16

Now he starts giving advice. Right? So although he's talking to

00:42:16 --> 00:42:19

himself, he's actually giving the reader advice. He says follow

00:42:19 --> 00:42:23

through and build my RC consortia who at her in Natoma Yuko, we

00:42:23 --> 00:42:28

shall with the near me or this is really very close to us think not

00:42:28 --> 00:42:32

to break unlawful whims by satisfying them. Food only

00:42:32 --> 00:42:35

increases gluttons desire. So now this is when he's not sitting now

00:42:35 --> 00:42:38

see how this coming out? When not to and this is I think one of the

00:42:38 --> 00:42:43

best lines that I like from here. He says when Neph suka stiffly in

00:42:43 --> 00:42:47

Tamil who Shabana hub the Rodolphe were in tough team who were in two

00:42:47 --> 00:42:52

of them who yearn for to me, the ego the knifes is like a child

00:42:52 --> 00:42:57

neglected and they will grow still suckling. But if you win it, it

00:42:57 --> 00:43:01

will be weaned. So inshallah we'll look at those in a bit more detail

00:43:01 --> 00:43:03

next week in sha Allah.

00:43:04 --> 00:43:07

Allah manda Salam, Salam tomorrow theoriginal anybody calm Hello,

00:43:07 --> 00:43:11

how many are here? The younger ethical study Allah on the Ohana,

00:43:11 --> 00:43:15

Yamuna, you know, he learned the Subhanak Nocona let me just Allah

00:43:15 --> 00:43:16

one now Mohammed the MO

00:43:17 --> 00:43:20

a lot of them are filled in our in our Athena, what have you noticed?

00:43:21 --> 00:43:25

Oh Allah, Oh Allah, accept our coming together to hear your

00:43:25 --> 00:43:28

praise of your messenger sallallahu alayhi wa salam. O

00:43:28 --> 00:43:33

Allah give us the tool for you to understand this and to also

00:43:34 --> 00:43:38

develop ways for our own ways that we can praise our messenger

00:43:38 --> 00:43:41

sallallahu alayhi wa sallam, and also be included in those who have

00:43:41 --> 00:43:44

praised your messenger Salallahu Alaihe Salam, O Allah, you've set

00:43:44 --> 00:43:47

yourself for a finer Allah Catholic rock that we have

00:43:47 --> 00:43:50

elevated your mentioned meaning for the Rasulullah sallallahu

00:43:50 --> 00:43:55

alayhi wasallam. If you praise him, and he becomes Muhammad, then

00:43:55 --> 00:43:59

Oh Allah, why should we not praise him of Allah so allow this to

00:43:59 --> 00:44:02

teach us some ways of praising him in the correct way and in eloquent

00:44:02 --> 00:44:06

way, in an eloquent way of Allah give us the baraka that others

00:44:06 --> 00:44:10

have had from this, the reading of this poem, poem of Allah give us

00:44:10 --> 00:44:14

the same Baraka that others have also acquired from reading this

00:44:14 --> 00:44:20

poem of Allah give us the ability to love You and to grant us your

00:44:20 --> 00:44:23

love and the love of those who love you. Or Allah grant us the

00:44:23 --> 00:44:27

ability to speak clearly and allow us to become good dairies to the

00:44:27 --> 00:44:30

way of your messenger sallallahu alayhi wa sallam, both as role

00:44:30 --> 00:44:35

models both as people who embody his son and a sunnah in their

00:44:35 --> 00:44:39

lives and those who are able to attract others to his beautiful

00:44:39 --> 00:44:43

way. Oh Allah make us true, sincere representatives of our

00:44:43 --> 00:44:47

messenger sallallahu alayhi wa sallam, and do not make us do not

00:44:47 --> 00:44:52

make us a do not make us a means of bringing his name down in any

00:44:52 --> 00:44:56

way, shape or form of Allah protect us and preserve us in all

00:44:56 --> 00:44:59

in all ways that that people have failed.

00:45:00 --> 00:45:03

In a world in all ways that people have failed Oh Allah protect us

00:45:03 --> 00:45:07

from those and Allah grant us all the successful ways. Oh Allah

00:45:07 --> 00:45:10

accept our Diaz Subhana rhombic robola Is that your million

00:45:10 --> 00:45:12

seafood masala managament Salim

00:45:13 --> 00:45:17

Jazak Allah here for listening May Allah subhanho wa Taala bless you.

00:45:18 --> 00:45:20

And if you're finding this useful, you know

00:45:22 --> 00:45:26

as they say to that like button and subscribe button and forwarded

00:45:26 --> 00:45:29

on to others, just like hello here and as Salaam Alaikum

00:45:29 --> 00:45:31

Warahmatullahi Wabarakatuh

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