Abdur Rahman ibn Yusuf Mangera – Qasida Burda (The Mantle Ode) Part 1

Abdur Rahman ibn Yusuf Mangera
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The conversation covers the origin of the title "Ok," and the concept of love and fear. The speakers emphasize the importance of using words in appropriate language to create tension and confusion, and the need to use words in a appropriate way to avoid confusion. They also discuss various misunderstandings of love, including the belief that only people in love should be pressured into something, the use of "has" in Arabic, and the importance of praising their messenger. The segment ends with a brief advertisement for a marketing campaign.

AI: Summary ©

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			Bismillah al Rahman al Rahim
		
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			Al hamdu Lillahi Rabbil Alameen wa
salatu salam ala Sayidina
		
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			Muhammad, wider early he also be
ovata cosa limited Sleeman Kathira
		
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			en la Yomi Dean Amma beret
		
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			This is the first session on
trying to understand the words of
		
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			Bill CD and
		
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			the meanings that he's alluding
to, before he begins to discuss
		
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			Rasulullah sallallahu alayhi
wasallam in detail. This is not a
		
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			book of Syrah in particular, I
mean, some of you may be saying
		
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			that why not just cover a book on
Syrah
		
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			and read the life story of
Rasulullah sallallahu alayhi
		
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			wasallam. You could do that. But
what's very interesting about this
		
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			book being celebrated throughout
history,
		
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			for the way in which he's
		
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			expressed his love for Rasulullah
sallallahu alayhi wa salam and
		
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			discussed a number of different
aspects of Rasulullah, sallAllahu,
		
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			alayhi wasallam. So we want to try
to understand what was going on in
		
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			his mind, and why it's so
celebrated.
		
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			And this is like many other versal
poems, a hustle, I used to always
		
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			wonder what a hustle was. And
essentially, a hustle. Hustle
		
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			means to weave something
generally, because Allah means to
		
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			weave something, or it means to
speak about your beloved in an
		
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			amorous way. That's generally what
they speak about. So when you talk
		
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			about others in order to or
Persian, or in other languages,
		
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			and in fact, the audio and Persian
vessels are love poetry, love
		
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			songs as such full of fish,
they've actually influenced
		
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			Russell's in English, which is
very interesting. However, the
		
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			genre that we're looking at, the
type of hustle we're looking at,
		
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			is a totally different, it's a
spiritual hustle. In which love is
		
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			spoken about the love that's
spoken about here is not an
		
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			individual, but it's a divine
love. But because we generally
		
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			relate to we generally understand
earthly love, which we feel
		
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			and it's sometimes difficult for
us to understand love of the
		
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			Divine Love of Allah subhanho wa
taala. So many examples that are
		
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			used for earthly love are used,
but to allude to the love of Allah
		
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			subhanho wa taala. So this is not
some kind of
		
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			strange love poem of the world as
a result that people like to
		
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			listen to, just to kind of, you
know, inspire themselves in some
		
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			way or the other and remind them
of their own beloved, this is
		
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			actually speaking about the love
of Rasulullah sallallahu alayhi
		
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			wasallam. And he starts it off in
a way that he doesn't discuss the
		
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			Sierra first he doesn't this
doesn't discuss anything about
		
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			Rasulullah sallallahu Sallam
first, he first describes it in a
		
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			very abstract sense. He's like,
he's not even speaking to himself.
		
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			He's speaking to somebody else. So
it's like, he's creating a third
		
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			person, another person, and he's
asking that person. So it's this
		
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			kind of internal discussion that
he's having with his own soul,
		
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			really, but he makes it seem like
he's talking to another person,
		
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			and he's like tearing him off. So
let's look at the first few lines
		
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			here. And then you'll understand
what we're getting at. So this is
		
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			the way he starts he first says, I
mean, the query JIRA and MB the
		
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			salami message that the man Jeremy
McCullough team with me, I'm
		
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			Huberty rehoming Tilka eco Hema
team. We're all madonn Berta,
		
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			we're all model bar barcoo Fifth
Vollmer Itami family is an acre in
		
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			cooltech fufa hamata woman and
called beaker in Malta is the
		
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			fifth year Hemi Wamba. They call
beaker in Malta StuffIt yeah he me
		
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			i Cebu Cebu Anil Huberman Kutiman
Ma Ba naman Sergi Minh who are
		
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			McDreamy lolol how're lum to the
man Allah Tala Lin wala rectal
		
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			Ezekiel Bernie will either me for
caver don't care who have been
		
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			back there Marcia hey that be Alec
I do the MRI was suffer me what a
		
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			bottle which do help a lot in
watan mythical Buhari, Allah
		
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			hataoka Will enemy going to read
you the translation from Sheikh
		
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			Abdul Hakim Maratea.
		
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			Just so that we've read the
translation, you got some idea of
		
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			it, but then you start
understanding. Now some other
		
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			might have said that they should
actually begin with the Bismillah.
		
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			So they've actually composed a
Bismillah and a hand to go with
		
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			this. But they're all I must say
that this is not the style of this
		
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			writing. You don't start this kind
of writing with a Bismillah and a
		
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			Hamden praise of Allah, you
actually started off with this
		
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			kind of figurative expression.
This is just like in everything
		
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			else that you have a little
preliminary, an introduction of
		
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			some sort, just to gather people's
hearts together, inspire them, get
		
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			their concentration, and then
you'll actually start talking
		
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			about the main point.
		
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			So this is a tie
		
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			of writing, just like in Doha, we
say to Allah subhanaw, taala. You
		
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			in order to we say to, right? You
don't you don't use necessarily
		
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			the plural of respects, in that
case, because it's so personal.
		
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			That's a very specific place that
you can do that. Whereas you can't
		
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			do that in other places. It seems
disrespectful. Right? So these are
		
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			just ways of these are literary
styles. So let's look at the
		
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			translation. And just try to
understand or try to comprehend
		
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			what the author is saying. He
starts off he says, Is it from
		
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			remembering past neighbors at Zoo
Salem, that you mingle with blood?
		
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			tears shed from your eyes? Is it
from remembering past neighbors at
		
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			the zoo Salam that you mingle with
blood tears shed from your eyes?
		
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			Or has the wind blown from before
Kadima from the direction of
		
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			Kadima and the lightning flushed
in a Dom's dark? What else your
		
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			eyes that when you bid them sees
they weep still more? What is your
		
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			heart that when you bid it to wake
it wonders? Reckon reckons the
		
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			love Lord man reckons the love
lone man that his love may be
		
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			concealed when a tolerance in one
part of him and in the other, a
		
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			conflagration.
		
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			But for passion, you wouldn't have
we you wouldn't tweet at an
		
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			abandoned camp, nor lay awake at
night recording the willow and the
		
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			mount. So how can you deny your
love when witnesses of tears and
		
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			sickness have testified to it
against you? Love Sick, passion,
		
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			love sick passion has written upon
your cheeks to tear lines like
		
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			yellow spice and red onion fruit?
Does that make any sense to
		
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			anybody?
		
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			Okay.
		
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			It will start in Sharla making
sense. This is a style of poetry.
		
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			And it's a very successful style
of poetry. So what he's doing here
		
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			is that he's talking to himself.
Now remember his state, he was in
		
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			this really diseased state, in a
sense that he was extremely ill,
		
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			extremely weak, helpless, feeble,
not able to earn paralyzed. And
		
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			now he begins to speak about his
love of Rasulullah sallallahu
		
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			alayhi wasallam you have to have a
heart to understand this not
		
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			purely intellect, you have to have
a heart to understand this, you
		
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			have to get into this.
		
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			And you won't be anybody new doing
that. This is a celebrated poem.
		
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			It is the most similar. It's the
classic right of Muslim literature
		
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			in terms of praise for sort of La
sallallahu alayhi wasallam. So
		
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			now, just to quickly give you a
basic understanding what he's
		
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			saying here is that why are you
crying for why you love sick?
		
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			What's going on in your heart, you
know, when you've got love for
		
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			someone or something, and you have
this
		
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			great longing? So he's asking
himself why are you crying because
		
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			the person is not revealing why
they are feeling like that. You
		
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			can tell the person is in love
they lovesick but they're not
		
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			revealing why. In fact, they're
not even telling you. They're
		
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			lovesick.
		
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			They're trying to conceal it.
They're trying to put a straight
		
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			face. So you start asking them and
he's asking himself, but he makes
		
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			himself as another person. So he's
saying, Is it from remembering
		
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			past neighbors? Who Salam people
used to know your friends? Is that
		
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			what makes you worry? Is that what
makes you homesick or love sick?
		
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			Or that you mingle with blood
tears shed from your eyes? You're
		
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			crying so much that your eyes the
you're weeping tears along with
		
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			blood? Red tears. So what is it
that's making you cry like this?
		
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			So this is one option he's giving
him? Is it because of remembering
		
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			your friends in the salon? Or is
it because the wind has blown
		
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			before Kadima? The wind has blown
from the place the direction of
		
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			calcium which is a which is an
area a name of a city of Medina,
		
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			right? It's one of the areas of
Medina according to one of the
		
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			opinions here so is it because the
wind has blown from there and
		
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			that's where your beloved lives.
So you think the wind will carry
		
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			with it some scent or some memory
of it. So he's getting really,
		
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			he's getting really pushy now.
Then he says, what oh model of
		
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			burgoo Phil Vollmer image, a
dummy. And the Lightning has
		
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			flushed in idioms dark in idioms
dark again this idiom is a
		
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			mountain, right? That is by the
city as well. So Lightning has
		
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			suddenly flashed. So what does it
do? It gives you a glimpse of the
		
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			place where your beloved lives. So
because the Lightning has has
		
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			Has the Lightning has Shonda and
has the spark of it has come. Is
		
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			that why suddenly you've started
remembering them? So what's going
		
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			on? And then he turns until now,
he was speaking as though this is
		
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			he never
		
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			addressed the person directly. He
was talking about it in a third
		
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			person. Now, look at the pronoun
MIAL shift, he suddenly starts
		
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			talking to it directly and this is
exactly what Allah subhanaw taala
		
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			does in the Quran as well. He
speaks about himself in the third
		
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			person, then he starts speaking
about Himself in the first, for
		
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			example, Al hamdu, lillahi,
rabbil, Alameen Rahmani Raheem
		
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			that's in the first third person,
all praises to Allah, Lord of the
		
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			worlds as though he's in the third
person, right? From a grammatical
		
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			perspective, then then he suddenly
says ear canal Buddha, only you do
		
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			you worship son. You made him the
second person. And then in
		
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			somebody's becomes new Olia Oh,
come fill hayati. Dunya we are so
		
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			he's talking the first person.
This is just to keep the people
		
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			thinking and on their toes, so
that they don't get bored. So now
		
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			he the poem, the poet he addresses
it addresses it directly. And he
		
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			says family a nega in cooltech
fufa parameter warmer the Columbia
		
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			in Coulter StuffIt. Yeah, hey, me.
What's wrong with your eyes? That
		
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			when you tell it to stop, they
actually flow more. So all of
		
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			these approves that you've got to
you've got an issue, you've got
		
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			some love, you've got some love
issue.
		
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			There's some love that you're
conceding can tell by your eyes.
		
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			What's wrong with the eyes that
		
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			that when you tell it to stop the
flow even more? And what's wrong
		
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			with your eyes? What is your heart
when you tell that to wake up out
		
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			of this thought process? It
wanders even more? Wonders even
		
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			more. I asked about sub sub refers
to sub refers to a love lone
		
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			person, person who's in extreme
love. So does the love lone man.
		
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			Now again, he's switched to the
third person again, does the love
		
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			lone man think think that love can
be concealed? So finding is
		
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			hitting him directly? That Do you
think love can be concealed? When
		
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			a torrent in one part of him and
is in the other is a conflagration
		
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			now to put that in simple words.
Essentially he's saying that in
		
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			one part of him he's got a torrent
of tears and the other parts of
		
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			him he's got fire burning. So this
is very clear how can you hide
		
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			your love them when it is just so
evident? How can you hide it? And
		
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			it's true it's very difficult to
hide love, right the people who
		
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			are in love or just somewhere else
the mind is overtaken they just
		
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			somewhere else. And then he says
lol al Hawa Alam todo Kodama and
		
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			Allah Tala in Walla. Walla,
rectally, decretal, Bernie will
		
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			will either me, but for passion
you wouldn't if it wasn't for that
		
00:13:03 --> 00:13:08
			love and passion. If it wasn't for
that, you wouldn't weep over some
		
00:13:08 --> 00:13:11
			abandoned camp because of
		
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			essentially what you're saying is
bottle refers to a place that has
		
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			been abandoned. And now it's
dilapidated. It's left and the
		
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			tunnel is that which there's still
some parts protruding out so it's
		
00:13:27 --> 00:13:29
			not completely erased to the
ground. When there's something
		
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			that's totally razed to the ground
in Arabic that's called Rossum,
		
00:13:33 --> 00:13:36
			right. Rossum means old buildings
that are totally razed to the
		
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			ground. And taller means when
they've still got something
		
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			standing a few minutes here they
were the other few walls or
		
00:13:41 --> 00:13:46
			whatever, you wouldn't cry over
something like this. And neither
		
00:13:46 --> 00:13:50
			would you cry over the willow and
the mound. These are things that
		
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			you would generally cry over. So
what are you crying over? And then
		
00:13:54 --> 00:14:00
			he says, You keep rejecting that
you've got love. So for K for 10
		
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			kilo Hogben. How can you deny your
love when you have the greatest
		
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			witnesses against you? You're
saying no, I don't have any love.
		
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			I don't have any love. You're
conceding it you're denying it.
		
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			But Burma Shahi that be here today
are due to debris was suckered me?
		
00:14:18 --> 00:14:22
			What is the witness against you?
Two of the most upright witnesses.
		
00:14:22 --> 00:14:27
			Two of the most reliable witnesses
have testified against you in the
		
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			sense that yes, this man has been
incriminated with love. He is
		
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			guilty of love. Right? What are
those two number one are the tears
		
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			and number two succumb which means
your your illness, right you know
		
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			your your your illness, both of
these things. They testify against
		
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			you and your face. You have two
streaks you have two rivers
		
00:14:53 --> 00:14:56
			running down your your cheeks,
right that are of this color and
		
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			that color as he describes it,
right? How can you then
		
00:15:00 --> 00:15:03
			deny that you are lost in your
love. So, this is the way it
		
00:15:03 --> 00:15:08
			begins without a Bismillah without
a hand just to kind of get people
		
00:15:08 --> 00:15:11
			together to understand
unfortunately because many of us
		
00:15:11 --> 00:15:15
			are not really into poetry or
thinking in an in this kind of a
		
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			metaphorical sense or in a
figurative sense elusive sense
		
00:15:19 --> 00:15:23
			sometimes this kind of gets lost
to us is saying like no give us
		
00:15:23 --> 00:15:27
			the hard facts right but this is
this is what it is the Arabic is
		
00:15:27 --> 00:15:30
			quite difficult it's not easy for
those who understand Arabic here I
		
00:15:30 --> 00:15:33
			mean the Quran Iran in be the
salami message that the man Jeremy
		
00:15:33 --> 00:15:36
			mock, let him be dummy. Okay,
that's that one. Um Huberty.
		
00:15:36 --> 00:15:41
			rehoming tilcon eco Hema in what
OMA Dunbar COVID Vollmer. Inami
		
00:15:41 --> 00:15:47
			family Aina Yuka in contact fufa
hamata kobika in cool stuff. Yeah,
		
00:15:47 --> 00:15:48
			he me, it's just beautiful.
		
00:15:51 --> 00:15:53
			We should have some singles here,
that really do a good job with
		
00:15:53 --> 00:15:57
			this. Okay, so now let's look at
this in a bit more detail as to
		
00:15:58 --> 00:16:00
			how he's spinning this together,
how he's putting this together. So
		
00:16:00 --> 00:16:03
			now you understand that he's
actually speaking to himself, but
		
00:16:03 --> 00:16:06
			he's not speaking to himself. He's
making it like he's speaking to
		
00:16:06 --> 00:16:09
			somebody. So it's one internal
voice speaking to another internal
		
00:16:09 --> 00:16:14
			voice, right with this complaint.
And this is what they call SQL
		
00:16:14 --> 00:16:17
			haram. Right? This this section,
this first section of
		
00:16:18 --> 00:16:21
			this number of poems, which is
		
00:16:22 --> 00:16:27
			here, it's a complaint of love.
That's what this is, been. That's
		
00:16:27 --> 00:16:30
			what this has been titled as a
complaint of love. So just to
		
00:16:30 --> 00:16:36
			clarify, although this poet This
poem is actually known as qasida,
		
00:16:36 --> 00:16:41
			Buddha, the author actually gave
it a different name. In fact, this
		
00:16:41 --> 00:16:45
			should actually be called the
Buddha, not the Buddha. Because
		
00:16:45 --> 00:16:49
			the Buddha is more realistically
that poem, which was read by
		
00:16:49 --> 00:16:52
			caribou Sohail in front of
Rasulullah sallallahu Sallam
		
00:16:52 --> 00:16:56
			during his time. And the Prophet
salallahu Alaihe Salam got so
		
00:16:56 --> 00:16:59
			happy with it, that he took his
mantle off, and he gave it to him.
		
00:16:59 --> 00:17:04
			This one, he read it, he composed
it much later, not in front of
		
00:17:04 --> 00:17:07
			Rasulullah sallallahu sallam, but
read it to him or read it. And
		
00:17:07 --> 00:17:10
			then after a Promise of Allah some
came in his dream, but this one
		
00:17:10 --> 00:17:13
			has become even more famous than
the other one, which is really
		
00:17:13 --> 00:17:17
			interest otherwise should actually
be called Bora Bora means to be to
		
00:17:17 --> 00:17:22
			become free to be exonerated.
Which means because he was sick,
		
00:17:22 --> 00:17:25
			and when he when he composed this
poem, and then he had a dream in
		
00:17:25 --> 00:17:28
			which allah sallallahu Sallam
passed his hand over him or gave
		
00:17:28 --> 00:17:32
			him his, his his mantle in the
dream. And then the next day, he
		
00:17:32 --> 00:17:36
			was completely fine, his entire
paralysis was gone. And we don't
		
00:17:36 --> 00:17:40
			have the time but Allah ma have
actually written about, you know
		
00:17:40 --> 00:17:44
			what to do with this particular
poem. And it will benefit you in
		
00:17:44 --> 00:17:47
			certain ways that other but I
think we'll leave that we'll leave
		
00:17:47 --> 00:17:53
			that aspect for now. So this is
it's known as the border. And so
		
00:17:53 --> 00:17:56
			the first lines that some people
have composed and said that you
		
00:17:56 --> 00:17:59
			should actually start this with to
start it with a Bismillah
		
00:17:59 --> 00:18:04
			Alhamdulillah Himanshi il Hello
team in Academy, so masala to
		
00:18:04 --> 00:18:08
			other LaMotta, the Philippine
army, so it's on the same meter,
		
00:18:08 --> 00:18:12
			it's on the same, it's on the same
meter, it sounds the same, all
		
00:18:12 --> 00:18:15
			praises to Allah Who is the
originator of all creation from
		
00:18:15 --> 00:18:20
			nothing. And then he is and then
and then salutation salutations,
		
00:18:20 --> 00:18:26
			blessings be upon al matar Phil
Kadiri Salutations be on the
		
00:18:26 --> 00:18:31
			chosen one, the chosen Prophet
from the one who was chosen from
		
00:18:31 --> 00:18:34
			eternity. So that's how he begins
it. Well, that's how they some
		
00:18:34 --> 00:18:40
			people say he should begin it. So
a rustle is a lyric, lyric poem
		
00:18:40 --> 00:18:44
			with a fixed number of verses and
a repeated rhyme. That's what
		
00:18:44 --> 00:18:48
			hustle is known as write in any
language. So hustle generally
		
00:18:48 --> 00:18:53
			deals with love, specifically, in
normal hustle. It deals with
		
00:18:53 --> 00:18:58
			illicit love, haram love,
illegitimate love, love that you
		
00:18:58 --> 00:19:02
			want to hide. That's normal
husband. And a lot of these are
		
00:19:02 --> 00:19:05
			two songs and these Persian songs
and punjabi songs. So they are,
		
00:19:05 --> 00:19:09
			they will elicit or unattainable
love that could be another reason
		
00:19:09 --> 00:19:14
			for vessels to try to sing about
something that you can't get. It's
		
00:19:14 --> 00:19:18
			unattainable. But your heart is
your fully emotionally, head over
		
00:19:18 --> 00:19:24
			heels in love. But in Sufi poetry,
the beloved is a metaphor for good
		
00:19:24 --> 00:19:29
			positive divine love, for the love
of Allah subhanho wa taala. evokes
		
00:19:29 --> 00:19:35
			invokes melancholy love longing.
And it asks metaphysical
		
00:19:35 --> 00:19:39
			questions. That's what this is all
about. So, I mean, that Guruji
		
00:19:39 --> 00:19:41
			running be the salami
		
00:19:42 --> 00:19:47
			in Arabic that just refers to is
it's a question Is it because of
		
00:19:47 --> 00:19:51
			the the Core Data Core mean comes
from the vichara? Which means
		
00:19:52 --> 00:19:55
			remembrance. Is it from
remembering? Is it because you're
		
00:19:55 --> 00:19:59
			constantly remembering? You're
constantly thinking about this? So
		
00:20:00 --> 00:20:04
			But the thing is that the way the
author is, is presenting this is
		
00:20:04 --> 00:20:08
			that he's seeing it is as though
he is seeing the man who's got
		
00:20:08 --> 00:20:12
			these blood tears coming down his
face. Now he wants to interrogate
		
00:20:12 --> 00:20:15
			him as to why he why that is the
case because the person won't
		
00:20:15 --> 00:20:21
			reveal anything. So he's saying
now, the Why have you got this? Is
		
00:20:21 --> 00:20:25
			it because you are remembering
your G Ron G. Ron refers to
		
00:20:25 --> 00:20:30
			neighbors, people who live around
you be the Salem, in a place
		
00:20:30 --> 00:20:34
			called in a place called the
Salem, right, the place where
		
00:20:34 --> 00:20:38
			there's Salam, this could mean a
number of different things. Saddam
		
00:20:38 --> 00:20:41
			could refer to something. And
that's why it's the place where
		
00:20:41 --> 00:20:45
			Saddam is found, or it's the salam
that is the place where it is? Or
		
00:20:45 --> 00:20:50
			is it because the wind has blown
from Chavira? Is that why you're
		
00:20:50 --> 00:20:54
			crying? Or is it because the
Lightning has flushed in a very
		
00:20:54 --> 00:20:58
			dark night from the mountain of
Edom? Is that why you're crying?
		
00:20:59 --> 00:21:06
			So now, so the doubt is about? We
know you've got love, but which is
		
00:21:06 --> 00:21:09
			the what is the reason for your
love. So the doubt is about the
		
00:21:09 --> 00:21:12
			reason. And what's very
interesting is if no algebra in
		
00:21:12 --> 00:21:18
			his commentary, he says that he
could have said, I mean that curry
		
00:21:18 --> 00:21:21
			bourbon be the salami Is it
because of remembering your
		
00:21:21 --> 00:21:24
			friends, your close friends above
your beloved
		
00:21:26 --> 00:21:30
			in the salon, but he refused to do
that. And he used the more general
		
00:21:30 --> 00:21:35
			term of giran neighbors. This is
obviously to give it a bit more
		
00:21:36 --> 00:21:40
			you can say ambiguity, but number
two, what something even Ijebu
		
00:21:40 --> 00:21:42
			says very interesting, which could
be applied to English poems as
		
00:21:42 --> 00:21:46
			well, those who are interested in
English poetry, he says because
		
00:21:46 --> 00:21:51
			even though the word above is on
the same wasn't, it's on the same
		
00:21:51 --> 00:21:54
			meter, and it could have
absolutely come in this, it could
		
00:21:54 --> 00:21:57
			have come into this poem, and it
will fit in here quite
		
00:21:57 --> 00:22:03
			beautifully. But the word Bob is
an overused term. And good poets
		
00:22:03 --> 00:22:07
			don't use overuse terms that
everybody uses. Right? Very
		
00:22:07 --> 00:22:12
			interesting. He says, Lee he says
we're in the millennial
		
00:22:13 --> 00:22:16
			I mean, the Korea bourbon ma
annual wasn't Are you sorry to
		
00:22:16 --> 00:22:20
			Hooni and Bob loves going moto
Brazil. Last time you who Illa
		
00:22:20 --> 00:22:23
			Darfur tool for Cora. He says the
only people that use it other
		
00:22:23 --> 00:22:24
			other week.
		
00:22:25 --> 00:22:29
			Sure. sharara are the weak poets
who don't have too many words at
		
00:22:29 --> 00:22:32
			their disposal too much vocabulary
disposal, they use the most common
		
00:22:32 --> 00:22:37
			terms that everybody knows where
to hammer, my axe dad who Allah al
		
00:22:37 --> 00:22:37
			Cinestill
		
00:22:38 --> 00:22:41
			they would generally the good
poets would generally avoid the
		
00:22:41 --> 00:22:45
			common terms that everybody would
because they want you to think if
		
00:22:45 --> 00:22:47
			they're just gonna give you
everything so simple, and it just
		
00:22:47 --> 00:22:51
			rhymes. And you don't you don't
think much. This creates a lot of
		
00:22:51 --> 00:22:55
			thought. So that's why he called
it he said that. That's why.
		
00:22:56 --> 00:22:57
			The other thing is,
		
00:22:58 --> 00:23:02
			he's not revealing here. Madina
Munawwara. He's not taking the
		
00:23:02 --> 00:23:06
			name as you notice. He's using
Kadima, Aidan the salam, he's
		
00:23:06 --> 00:23:10
			using all of these weird terms
that you have to think what is he
		
00:23:10 --> 00:23:13
			talking about? The reason is that
again, poets do the same thing to
		
00:23:13 --> 00:23:15
			create more ambiguity or to
conceal
		
00:23:16 --> 00:23:21
			to conceal the place they use
these generic kind of ambiguous
		
00:23:21 --> 00:23:27
			terms like the Selam another one
is subtle Stelara. These have been
		
00:23:27 --> 00:23:31
			used in different poems, just to
create ambiguity. The other thing
		
00:23:31 --> 00:23:34
			is they will never mention their
beloved by name. Again, they use
		
00:23:34 --> 00:23:38
			these generic terms like Leila and
Salma. Imam Ghazali uses the same
		
00:23:38 --> 00:23:42
			thing. In one time, he says the
same thing he says that I'm
		
00:23:42 --> 00:23:46
			struggling for 1011 years looking
for Allah subhanaw taala and I was
		
00:23:46 --> 00:23:52
			about to give up. And then after
that, I told myself, no Salma and
		
00:23:52 --> 00:23:55
			Sal, you know, sunnah is there,
she's in front, but it's not
		
00:23:55 --> 00:23:59
			talking about cinema, is just the
name to conceal what you really
		
00:23:59 --> 00:24:02
			want. This is what you call
poetry. And this is becoming a
		
00:24:02 --> 00:24:07
			poetry class. Right? Maybe we get
some good poetry poems, poets out
		
00:24:07 --> 00:24:07
			of it.
		
00:24:08 --> 00:24:13
			So Salma, Laila, these are generic
terms for beloved, why would you
		
00:24:13 --> 00:24:16
			want to conceal your beloved?
Well, either because you don't
		
00:24:16 --> 00:24:20
			want to reveal it to anybody. You
just want to make it seem like I'm
		
00:24:20 --> 00:24:26
			just talking about something, or
out of a 00 means out of envy,
		
00:24:26 --> 00:24:27
			jealousy that you don't want
people to know who you are,
		
00:24:27 --> 00:24:30
			beloved, this, so this could be
many reasons why you're not going
		
00:24:30 --> 00:24:34
			to reveal it. But obviously, this
is not a love poem, an earthly
		
00:24:34 --> 00:24:38
			love poem. He's just using that
style to get people into it
		
00:24:38 --> 00:24:41
			because people are used to this
you know, he remember he's writing
		
00:24:41 --> 00:24:44
			this entertainment the Arabs were
doing this all the time they would
		
00:24:44 --> 00:24:50
			understand this. So he's just
trying to create a attract their
		
00:24:50 --> 00:24:53
			attention by starting off like
this. And then after the he'll get
		
00:24:53 --> 00:24:56
			into the real stuff, which would
be really impactful for them. So
		
00:24:56 --> 00:24:59
			then he says, So Gee, Ron here
Absolutely. Just
		
00:25:00 --> 00:25:03
			refers to beloved, is it because
of remembering not your neighbors,
		
00:25:03 --> 00:25:06
			but your beloved in the salon?
That's essentially we're saying,
		
00:25:06 --> 00:25:12
			though he's using the word, he's
using the word neighbors. And the
		
00:25:12 --> 00:25:15
			Salam is a place in Makkah,
actually between Makkah and
		
00:25:15 --> 00:25:19
			Madina, Munawwara, close to a
place called Kool Aid. So it's,
		
00:25:19 --> 00:25:24
			that's, that's where it is. And
he's saying that is it because of
		
00:25:24 --> 00:25:31
			remembering the neighbors at the
salam, that you are mixing your,
		
00:25:31 --> 00:25:37
			that you have mixed your tears,
which are flowing from your eyes,
		
00:25:37 --> 00:25:41
			you've mixed them with blood? How
do you mix tears with blood? I did
		
00:25:41 --> 00:25:46
			a bit of research on this. And
apparently, what some commentators
		
00:25:46 --> 00:25:49
			say is that if you cry enough,
		
00:25:50 --> 00:25:57
			if you cry enough, then your tears
will eventually you'll start
		
00:25:57 --> 00:26:01
			crying blood, and then you'll cry
some A and then it will be some
		
00:26:01 --> 00:26:04
			kind of white substance, did a bit
of research. And apparently, there
		
00:26:04 --> 00:26:08
			are certain individual who have
this condition, which is really
		
00:26:08 --> 00:26:11
			rare. It's not in most people.
It's called
		
00:26:12 --> 00:26:18
			hemo, Latteria, himolla creo. What
it does is it causes a person to
		
00:26:18 --> 00:26:23
			produce tears that are partially
composed of blood. So they
		
00:26:23 --> 00:26:27
			literally cry, read tears. And
sometimes this happens to certain
		
00:26:27 --> 00:26:29
			people three times in a day,
they'll just suddenly start crying
		
00:26:29 --> 00:26:30
			like that.
		
00:26:31 --> 00:26:35
			Sometimes some people say that if
you cry a lot, and you really like
		
00:26:35 --> 00:26:39
			pressure yourself, then you could
break a blood vessel in your eye.
		
00:26:40 --> 00:26:44
			That's, but others have, others
have denied that that's a
		
00:26:44 --> 00:26:47
			possibility that you could ever
cry blood, like if you don't have
		
00:26:47 --> 00:26:50
			that condition. Because how could
you, you know, unless you crush
		
00:26:50 --> 00:26:53
			glass in your eyes or something
like that, then that would be real
		
00:26:53 --> 00:26:58
			blood. That won't be that won't be
tears of blood as such. So
		
00:26:59 --> 00:27:02
			the other way to look at this is
that this is a poetic metaphor,
		
00:27:02 --> 00:27:05
			right? This is a poetic metaphor
that you've probably seen people
		
00:27:05 --> 00:27:08
			who have cried blood, and you
think it's because they've cried a
		
00:27:08 --> 00:27:12
			lot and other crying blood. So
it's trying to evoke that extreme
		
00:27:12 --> 00:27:15
			sense of crying. So that's what
this may be talking about here.
		
00:27:16 --> 00:27:20
			Now, people cry out of happiness,
and people cry out of sadness.
		
00:27:20 --> 00:27:25
			When people cry out of happiness.
The tears are cool. So it's a
		
00:27:25 --> 00:27:29
			source of gladness for eyes. And
when you cry out of sadness, when
		
00:27:29 --> 00:27:34
			you cry out of worry out of grief,
tears are hot. It creates heat
		
00:27:34 --> 00:27:37
			because it's coming from the heat
that's burning and raging inside
		
00:27:38 --> 00:27:42
			so that's the difference between
hot tears and and you can say cool
		
00:27:42 --> 00:27:47
			tears based on how you're feeling
inside. So he says Java min Macula
		
00:27:47 --> 00:27:53
			Tim with me so you are you Why is
it then that you're crying in such
		
00:27:53 --> 00:27:57
			a way that you've got these tears
that are mixed with blood? And
		
00:27:57 --> 00:28:02
			then he The other thing that you
can see is in poems, you kind of
		
00:28:02 --> 00:28:05
			use words that look similar but
mean different things. So he's got
		
00:28:05 --> 00:28:09
			Mazlish that dumb and Jeremy
McCullough timbi Dummy them and
		
00:28:09 --> 00:28:15
			Andaman, the man means tears and
Derman means blood, but they sound
		
00:28:15 --> 00:28:19
			very similar. So it's about
choosing the right kind of words
		
00:28:19 --> 00:28:23
			to create an impact. So in these
first four lines, what he is
		
00:28:23 --> 00:28:27
			doing, essentially, he is saying,
What are you crying for? Is it
		
00:28:27 --> 00:28:29
			because of leaving your neighbors
and you're remembering them your
		
00:28:29 --> 00:28:34
			your beloved? Or is it because of
the slashing of light from from
		
00:28:34 --> 00:28:39
			the mountain? Or is it because of
the wind coming from this
		
00:28:39 --> 00:28:43
			direction? So you know, if you've
had really good time with certain
		
00:28:43 --> 00:28:46
			people you used to really enjoy
yourself there now you've left
		
00:28:46 --> 00:28:49
			them. And then suddenly you
remember the good times. And now
		
00:28:49 --> 00:28:53
			you may be having a bad time here.
You could start crying over that.
		
00:28:53 --> 00:28:56
			Right so that's one of the reasons
he's asking is it because of that
		
00:28:56 --> 00:28:58
			that you're crying for example,
that call to a
		
00:29:00 --> 00:29:05
			direct call to a Yemen Lana? Well,
the mullet federate, Minh decree
		
00:29:05 --> 00:29:10
			in domu Allah Halyna yo mama
minute daddy Oh button. Whoa, holy
		
00:29:10 --> 00:29:15
			Illa Allah dill, Habibi, Raju. And
what that means is, I remember
		
00:29:15 --> 00:29:18
			those days that we used to have
and those nights that are passed
		
00:29:18 --> 00:29:26
			now. And by remembering them,
tears roll down tears flow. Oh, is
		
00:29:26 --> 00:29:29
			there going to be one day? Is
there going to be one day that we
		
00:29:29 --> 00:29:30
			can return to that?
		
00:29:32 --> 00:29:33
			Or is there going to be
		
00:29:34 --> 00:29:38
			is there going to be a
possibility, a possibility of
		
00:29:38 --> 00:29:42
			return to the land of my beloved.
So this is a poet saying the same
		
00:29:42 --> 00:29:42
			thing.
		
00:29:44 --> 00:29:49
			Now, then the second option was
for has the wind blown from
		
00:29:50 --> 00:29:50
			kelvin.
		
00:29:51 --> 00:29:55
			So why would you cry over that?
Why would you cry over wind blows
		
00:29:55 --> 00:29:59
			from a particular direction? It's
because you
		
00:30:00 --> 00:30:02
			If he's blind from the direction
where your beloved lives,
		
00:30:03 --> 00:30:08
			then you might be thinking that
you might carry this. I'm not
		
00:30:08 --> 00:30:13
			gonna say her. Right? So you might
carry the fragrance. So now you
		
00:30:13 --> 00:30:16
			remember that you smell that
fragrance is coming from there.
		
00:30:16 --> 00:30:19
			This is just all exaggeration as
you can understand this poetry,
		
00:30:19 --> 00:30:24
			right? And what about flushing of
light? What's that got to do with
		
00:30:24 --> 00:30:30
			anything flushing on lightning?
Well, it's because it says that,
		
00:30:30 --> 00:30:34
			you know, lovers, when there's
lightning, he actually makes them
		
00:30:34 --> 00:30:38
			feel good, because we're talking
about a time when there's no light
		
00:30:38 --> 00:30:42
			pollution at night. So what's
going to brighten up at nighttime
		
00:30:42 --> 00:30:44
			is the worst time daytime, you're
active daytime, you're busy,
		
00:30:44 --> 00:30:48
			you're occupied. But what happens
at nighttime, and nighttime when
		
00:30:48 --> 00:30:52
			you have to go to sleep? It keeps
you awake. So now you're looking,
		
00:30:52 --> 00:30:55
			you're looking you can't see
anything. Right? There's no,
		
00:30:55 --> 00:30:58
			there's no photographs that you
can look at. You know, there's
		
00:30:58 --> 00:31:01
			nothing like that that you can do.
So the best thing for you is that
		
00:31:01 --> 00:31:05
			if ever if there's ever lightning,
then that will shine for you the
		
00:31:05 --> 00:31:08
			direction of where your beloved
lives. So now you start to cry
		
00:31:08 --> 00:31:12
			because of that. Our job. Right?
This is to contextualize how
		
00:31:12 --> 00:31:15
			people used to think and how
people think like this. Another
		
00:31:15 --> 00:31:19
			way of looking at this, ignore
Ijebu mentions, he says that, it's
		
00:31:19 --> 00:31:23
			because when the lightning
strikes, and when there's
		
00:31:23 --> 00:31:27
			lightning, a spark of lightning,
flash, you look at it, your
		
00:31:27 --> 00:31:32
			beloved will look at it, and both
of your gazes will combine and
		
00:31:32 --> 00:31:35
			that makes you cry. Now, if we
can't understand that, we don't
		
00:31:35 --> 00:31:39
			know what love is. These are just
all expressions of love. Just make
		
00:31:39 --> 00:31:43
			sure you use it in the right way.
That's right. If If love is being
		
00:31:43 --> 00:31:46
			opened up to you today, just make
sure you use it in the right way.
		
00:31:47 --> 00:31:52
			The other thing he says he says
I'm Huberty Lee who re remains
		
00:31:52 --> 00:31:57
			wind. Generally though in the
Quran, Allah subhanaw taala uses
		
00:31:58 --> 00:32:02
			the word re for punishment when
the when the wind is brought
		
00:32:02 --> 00:32:07
			punishment, and Rhea for when it
brings Rama and mercy. But he's
		
00:32:07 --> 00:32:11
			used the word ri here for
particular poetic reasons. The
		
00:32:11 --> 00:32:17
			other thing, if not Ijebu relates
about the blood which is important
		
00:32:17 --> 00:32:20
			is because there's actually a
hadith that he quotes. It's in
		
00:32:20 --> 00:32:25
			Sahil, it's in Sahil Buhari, that
in describing the people of the
		
00:32:25 --> 00:32:29
			Hellfire, it says a non Mucuna
dumber had died and some may
		
00:32:29 --> 00:32:34
			Hakuna dum. So maybe that's what
the author was referring to. That
		
00:32:34 --> 00:32:39
			the people of hellfire they will
cry out of misery. So first, they
		
00:32:39 --> 00:32:42
			will cry tears. They will be
thirsty, there's no water, they're
		
00:32:42 --> 00:32:46
			dehydrated, then they'll start
crying blood. So maybe that's what
		
00:32:46 --> 00:32:50
			he's referring to. So if not a
Jeeva says is that you know when
		
00:32:50 --> 00:32:53
			you both look at the sun or the
lightning together, then because
		
00:32:53 --> 00:32:56
			you can't see her, but at least
because you're both looking at the
		
00:32:56 --> 00:33:00
			same thing you feel satisfied.
Okay. Then, what is lining
		
00:33:01 --> 00:33:04
			according to the Arizona Jamara
Firstly, there's thunder and then
		
00:33:04 --> 00:33:09
			there's lightning. Now Thunder is
called right in Arabic. And Rod is
		
00:33:09 --> 00:33:14
			an angel. Riding is an angel. And
he they say he has a whip. Now I
		
00:33:14 --> 00:33:17
			know from a scientific
perspective, they'll give you the
		
00:33:17 --> 00:33:20
			you know, we have a description of
how lightning and thunder works.
		
00:33:21 --> 00:33:24
			But according to what the Hadith
mentions in the background, this
		
00:33:24 --> 00:33:28
			is what it is that right is an
angel and he has a whip and it's
		
00:33:28 --> 00:33:33
			the cracking of his whip which is
the thunder and the lightning. It
		
00:33:33 --> 00:33:38
			says that according to arrow
Sunova jemar The lightning is a
		
00:33:38 --> 00:33:43
			jihad to Malak Yasuko B has sahab
it's the wings of the angel by
		
00:33:43 --> 00:33:49
			which it drives the clouds Wakita,
DECA for its laughter. That's why
		
00:33:49 --> 00:33:55
			Imam Shafi is related in his own
from Abuja hit the derby. The rod
		
00:33:55 --> 00:34:02
			is the angel. And the lightning is
it's the lightning is its wings.
		
00:34:03 --> 00:34:07
			That that's what it is in the
Thunder is the crack of its whip.
		
00:34:08 --> 00:34:11
			Right now, after he's asked those
three questions, he doesn't get a
		
00:34:11 --> 00:34:15
			response. There's still denial of
the love. So then he's he gets
		
00:34:15 --> 00:34:19
			more specific and more personal
and he says, Okay, what's wrong
		
00:34:19 --> 00:34:23
			with your eyes? How come your eyes
they keep? How come your eyes they
		
00:34:23 --> 00:34:27
			keep watering from early and eager
in cooltech fufa hamata Why is it
		
00:34:28 --> 00:34:30
			what's wrong with your eyes that
if you tell them to stop, they
		
00:34:30 --> 00:34:33
			continue to flow. What's wrong
with your heart that when you tell
		
00:34:33 --> 00:34:39
			it to stop it, it wanders even
more. So this is really like
		
00:34:39 --> 00:34:42
			putting this is again
metaphorically putting them in
		
00:34:42 --> 00:34:47
			their position and really like
aggressively trying to ask them
		
00:34:47 --> 00:34:51
			why is it Why are you denying this
love for if it's not for love? And
		
00:34:51 --> 00:34:54
			if you're right in your denial
that it's not love Then why is
		
00:34:54 --> 00:34:58
			your Why are your eyes crying like
this and why is your heart beating
		
00:34:58 --> 00:34:59
			like this? And then he and
		
00:35:00 --> 00:35:03
			Then he says is sub sub. And again
I mentioned to you what sub means
		
00:35:03 --> 00:35:09
			the person who's in love that does
the person who's in love. Think
		
00:35:09 --> 00:35:14
			that he can hide his love that
love is hidden. So then he says
		
00:35:14 --> 00:35:19
			lol how're know? He's saying how
can you hide you as a sub one and
		
00:35:19 --> 00:35:22
			hook them on Kutiman does the
		
00:35:23 --> 00:35:28
			love loan reckon reckons the love
loan man that his love may be
		
00:35:28 --> 00:35:32
			concealed when a torrent is in one
part of him, and there's a
		
00:35:32 --> 00:35:33
			conflagration
		
00:35:34 --> 00:35:38
			in another part of him. What does
that mean? So what he's saying
		
00:35:38 --> 00:35:43
			here is, yep, so he's saying that
on the one hand, you've got all of
		
00:35:43 --> 00:35:46
			these tears pouring down on you.
And on the other hand, you've got
		
00:35:46 --> 00:35:51
			this fire in your heart. So how
can you hide it? So the this love
		
00:35:51 --> 00:35:55
			lone person should not think that
his his love is hidden among
		
00:35:55 --> 00:36:00
			people? Because he's got this
these tears that are pouring down
		
00:36:00 --> 00:36:06
			and he's got this heart which is
filled with fire. And if if those
		
00:36:06 --> 00:36:10
			were the only two signs they are
the closest they are, they are the
		
00:36:10 --> 00:36:14
			they are the biggest signs for
love. So how can you deny your
		
00:36:14 --> 00:36:19
			love? And then he says lol Hawala,
today Kodama and Allah Tala Lin
		
00:36:19 --> 00:36:24
			wala Eric Televic real Bernie will
allow me if it wasn't for your
		
00:36:24 --> 00:36:29
			love, that is existent. lol haha
love today kendama and Allah Tala
		
00:36:29 --> 00:36:34
			and then you would not shed a
tear. You would not shed a single
		
00:36:34 --> 00:36:39
			tear on things that have been lost
on areas that have been lost. Like
		
00:36:39 --> 00:36:42
			that's what he says here that if
it wasn't for your passion, you
		
00:36:42 --> 00:36:46
			wouldn't be weeping at an
abandoned camp. Why would you is
		
00:36:46 --> 00:36:51
			that the reason why you're weeping
or you would not stay awake while
		
00:36:51 --> 00:36:55
			Rector director means Sahara,
which means you would not stay
		
00:36:55 --> 00:36:59
			awake you wouldn't have these
sleepless nights
		
00:37:00 --> 00:37:05
			because of remembering the willow
and the mount, the willow and the
		
00:37:05 --> 00:37:10
			mount. Why is he saying that for
so the willow is in the is from
		
00:37:10 --> 00:37:13
			the place where your beloved lives
so you remembering the willows
		
00:37:13 --> 00:37:18
			now? And the mount again the
mountain and then finally he says
		
00:37:18 --> 00:37:21
			in this section forgave a donkey
who have been buried the Masha he
		
00:37:21 --> 00:37:26
			that he Alagiah? I do to them. He
was circling me. How can you deny
		
00:37:26 --> 00:37:30
			love? How can you deny your love
when witnesses of tears and
		
00:37:30 --> 00:37:33
			sickness have testified to it
against you? So that's what
		
00:37:33 --> 00:37:37
			forgave a Twinkie Ruben. dama
Shaheed Bialik. I do with them. He
		
00:37:37 --> 00:37:40
			was suckered me, and the way he
says it, he says in kind of legal
		
00:37:40 --> 00:37:44
			language, I do. Because you don't
take Hadith from anybody. The
		
00:37:44 --> 00:37:49
			person you take from is a duel.
Right? They say a Sahaba Kulu. All
		
00:37:49 --> 00:37:53
			the Sahaba are upright and
reliable. So he's using that kind
		
00:37:53 --> 00:37:59
			of academic term here. That your
your would you call it your your
		
00:37:59 --> 00:38:04
			disease, your sickness, and your
blood as your your tears? They are
		
00:38:04 --> 00:38:06
			more reliable witnesses than
anything else. I mean, they're
		
00:38:06 --> 00:38:09
			like, you know, they're so
reliable, and then you're still
		
00:38:09 --> 00:38:12
			rejecting your love. And then
after that he carries on which
		
00:38:12 --> 00:38:17
			we'll be looking at next week.
What he says, just so that you
		
00:38:17 --> 00:38:20
			understand what he's getting into
here. He says,
		
00:38:21 --> 00:38:27
			na sala de from an hour for a rock
oni well, who Booya 3030 Bill
		
00:38:27 --> 00:38:32
			elemi Yes, my loved one Spirit
wanted me. So he starts confessing
		
00:38:32 --> 00:38:37
			Yes, my loved one spirit haunted
me and denied me my sleep. For
		
00:38:37 --> 00:38:40
			love ever obstructs pleasures with
pain. So now finally he's got
		
00:38:40 --> 00:38:44
			through to so now he's gonna start
responding. And then he says yeah
		
00:38:44 --> 00:38:49
			hola me Phil. How're ya hola me,
Phil. Hello three year mark zero
		
00:38:49 --> 00:38:54
			Tim mini la Coelho and softer
lambda Lumi This is beautiful. He
		
00:38:54 --> 00:38:58
			says you blame me for this chase
love. Right? Again. He's just
		
00:38:58 --> 00:39:02
			talking to himself but as the
another person now. So you who
		
00:39:02 --> 00:39:07
			blame me for this chase love? I
seek Your pardon. Yet had you
		
00:39:07 --> 00:39:12
			judged fairly? You would not have
blamed me at all. It starts
		
00:39:12 --> 00:39:17
			getting a bit easier now. Then he
says I did kaha de la sillery
		
00:39:17 --> 00:39:23
			people studied in Andalusia at
Walla ebmm hassy. Me may you be
		
00:39:23 --> 00:39:28
			spared my state? May you not be
have to go through what I have to
		
00:39:28 --> 00:39:32
			go through. I cannot hide my
secret from my detractors. My
		
00:39:32 --> 00:39:35
			sickness will not leave me now he
is getting busy. He's talking
		
00:39:35 --> 00:39:38
			about his sickness. My sickness
will not leave me. So he's
		
00:39:38 --> 00:39:41
			actually now coding onto
Rasulullah sallallahu in a sense,
		
00:39:41 --> 00:39:44
			like he's talking to Rasulullah
sallallahu Sallam in a sense that
		
00:39:44 --> 00:39:47
			my sickness won't leave me. He's
talking to Allah subhanaw taala.
		
00:39:48 --> 00:39:52
			And then he says Mahadevan in
Noosa. Lurking less to a smarter
		
00:39:52 --> 00:39:58
			who, in the Banila 33 summary. He
says, you offer me sincere advice,
		
00:39:59 --> 00:40:00
			but I hear it not
		
00:40:00 --> 00:40:04
			Not a lover is deaf to all his
reproaches a lover is deaf to all
		
00:40:04 --> 00:40:09
			of his reproaches and then he says
in the ham in the ham do not see
		
00:40:09 --> 00:40:13
			her che beefy utterly was shameful
about our goofiness in and it to
		
00:40:13 --> 00:40:18
			her me. I suspect the council even
have my own gray hairs. My hairs
		
00:40:18 --> 00:40:22
			are becoming gray. They are
reminding me they are advising me
		
00:40:22 --> 00:40:26
			they're giving me no see how
you're getting old. I even suspect
		
00:40:26 --> 00:40:30
			them right I don't even believe
them. That's how doubtful I am
		
00:40:30 --> 00:40:34
			because of my state. Although the
advice is far indeed from
		
00:40:34 --> 00:40:40
			deception. And then he says for in
Amara TV su Mata has been
		
00:40:40 --> 00:40:44
			generally has been a really shady
well Harami thanks to its
		
00:40:44 --> 00:40:49
			foolishness, my ill urging knifes
and ego has paid no heed to the
		
00:40:49 --> 00:40:53
			Warner white hair and distributed
decrepitude. So essentially now
		
00:40:53 --> 00:40:57
			he's complaining about the sins
he's committed or the wrongful
		
00:40:57 --> 00:41:01
			deeds or the weakness of himself
and so on. And this is where it
		
00:41:01 --> 00:41:06
			gets really interesting. And he
says, well, that middle fit lil
		
00:41:06 --> 00:41:11
			Jimmy de tierra de fin, Tierra de
fin Allama beraksi era Marta Shin
		
00:41:11 --> 00:41:15
			Marta shimmy, neither hasn't
prepared fair deeds in hospitable
		
00:41:15 --> 00:41:19
			welcome for a guest who has taken
up residence on my head.
		
00:41:20 --> 00:41:23
			He's talking about the whiteness
of his hair. Right? This is a
		
00:41:23 --> 00:41:26
			guest it's the I'm not preparing
for my old age yet. That's what
		
00:41:26 --> 00:41:31
			you're saying. Local to our animal
and Nima or Kira who get them to
		
00:41:31 --> 00:41:35
			certain brotherly mean who will
catch me had I understood I would
		
00:41:35 --> 00:41:40
			not have honored it. I would have
used custom die to Hide it. Hide
		
00:41:40 --> 00:41:43
			what it disclosed. Right. I would
have dyed my hair
		
00:41:45 --> 00:41:50
			anyway, mainly buret Decima him in
Hawaii at hakama Euro do Gemma
		
00:41:50 --> 00:41:54
			hula Haley Bill legitime who will
help me now curb a bolting rebels
		
00:41:54 --> 00:41:58
			willfulness in the way that the
rebel stallion may be curbed with
		
00:41:58 --> 00:42:01
			rains. So he's saying my knifes
and I'm all over the place now I'm
		
00:42:01 --> 00:42:04
			wild. Who's going to help me?
Who's going to help to curb me
		
00:42:04 --> 00:42:09
			just like they would help to curb
and you know a wild horse. Right?
		
00:42:09 --> 00:42:13
			It's amazing. It's amazing. Fala
Toro milma RC Castro chahatein.
		
00:42:13 --> 00:42:16
			Now he starts giving advice.
Right? So although he's talking to
		
00:42:16 --> 00:42:19
			himself, he's actually giving the
reader advice. He says follow
		
00:42:19 --> 00:42:23
			through and build my RC consortia
who at her in Natoma Yuko, we
		
00:42:23 --> 00:42:28
			shall with the near me or this is
really very close to us think not
		
00:42:28 --> 00:42:32
			to break unlawful whims by
satisfying them. Food only
		
00:42:32 --> 00:42:35
			increases gluttons desire. So now
this is when he's not sitting now
		
00:42:35 --> 00:42:38
			see how this coming out? When not
to and this is I think one of the
		
00:42:38 --> 00:42:43
			best lines that I like from here.
He says when Neph suka stiffly in
		
00:42:43 --> 00:42:47
			Tamil who Shabana hub the Rodolphe
were in tough team who were in two
		
00:42:47 --> 00:42:52
			of them who yearn for to me, the
ego the knifes is like a child
		
00:42:52 --> 00:42:57
			neglected and they will grow still
suckling. But if you win it, it
		
00:42:57 --> 00:43:01
			will be weaned. So inshallah we'll
look at those in a bit more detail
		
00:43:01 --> 00:43:03
			next week in sha Allah.
		
00:43:04 --> 00:43:07
			Allah manda Salam, Salam tomorrow
theoriginal anybody calm Hello,
		
00:43:07 --> 00:43:11
			how many are here? The younger
ethical study Allah on the Ohana,
		
00:43:11 --> 00:43:15
			Yamuna, you know, he learned the
Subhanak Nocona let me just Allah
		
00:43:15 --> 00:43:16
			one now Mohammed the MO
		
00:43:17 --> 00:43:20
			a lot of them are filled in our in
our Athena, what have you noticed?
		
00:43:21 --> 00:43:25
			Oh Allah, Oh Allah, accept our
coming together to hear your
		
00:43:25 --> 00:43:28
			praise of your messenger
sallallahu alayhi wa salam. O
		
00:43:28 --> 00:43:33
			Allah give us the tool for you to
understand this and to also
		
00:43:34 --> 00:43:38
			develop ways for our own ways that
we can praise our messenger
		
00:43:38 --> 00:43:41
			sallallahu alayhi wa sallam, and
also be included in those who have
		
00:43:41 --> 00:43:44
			praised your messenger Salallahu
Alaihe Salam, O Allah, you've set
		
00:43:44 --> 00:43:47
			yourself for a finer Allah
Catholic rock that we have
		
00:43:47 --> 00:43:50
			elevated your mentioned meaning
for the Rasulullah sallallahu
		
00:43:50 --> 00:43:55
			alayhi wasallam. If you praise
him, and he becomes Muhammad, then
		
00:43:55 --> 00:43:59
			Oh Allah, why should we not praise
him of Allah so allow this to
		
00:43:59 --> 00:44:02
			teach us some ways of praising him
in the correct way and in eloquent
		
00:44:02 --> 00:44:06
			way, in an eloquent way of Allah
give us the baraka that others
		
00:44:06 --> 00:44:10
			have had from this, the reading of
this poem, poem of Allah give us
		
00:44:10 --> 00:44:14
			the same Baraka that others have
also acquired from reading this
		
00:44:14 --> 00:44:20
			poem of Allah give us the ability
to love You and to grant us your
		
00:44:20 --> 00:44:23
			love and the love of those who
love you. Or Allah grant us the
		
00:44:23 --> 00:44:27
			ability to speak clearly and allow
us to become good dairies to the
		
00:44:27 --> 00:44:30
			way of your messenger sallallahu
alayhi wa sallam, both as role
		
00:44:30 --> 00:44:35
			models both as people who embody
his son and a sunnah in their
		
00:44:35 --> 00:44:39
			lives and those who are able to
attract others to his beautiful
		
00:44:39 --> 00:44:43
			way. Oh Allah make us true,
sincere representatives of our
		
00:44:43 --> 00:44:47
			messenger sallallahu alayhi wa
sallam, and do not make us do not
		
00:44:47 --> 00:44:52
			make us a do not make us a means
of bringing his name down in any
		
00:44:52 --> 00:44:56
			way, shape or form of Allah
protect us and preserve us in all
		
00:44:56 --> 00:44:59
			in all ways that that people have
failed.
		
00:45:00 --> 00:45:03
			In a world in all ways that people
have failed Oh Allah protect us
		
00:45:03 --> 00:45:07
			from those and Allah grant us all
the successful ways. Oh Allah
		
00:45:07 --> 00:45:10
			accept our Diaz Subhana rhombic
robola Is that your million
		
00:45:10 --> 00:45:12
			seafood masala managament Salim
		
00:45:13 --> 00:45:17
			Jazak Allah here for listening May
Allah subhanho wa Taala bless you.
		
00:45:18 --> 00:45:20
			And if you're finding this useful,
you know
		
00:45:22 --> 00:45:26
			as they say to that like button
and subscribe button and forwarded
		
00:45:26 --> 00:45:29
			on to others, just like hello here
and as Salaam Alaikum
		
00:45:29 --> 00:45:31
			Warahmatullahi Wabarakatuh