Abdal Hakim Murad – Winter Reading List 2 (2)

Abdal Hakim Murad
AI: Summary ©
The transcript discusses the history and significance of the black community in America, including Jefferson's actions and their use of media to inform people about their history. It also includes a recap of the five winter texts for reading, including the use of black literature in media and the Bible and "has been missing."
AI: Transcript ©
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Bismillah Alhamdulillah wa salatu salam ala Rasulillah, where early

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he was happy woman well,

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so this is, I believe the second in our winter reading list

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sessions, where we look at publications recent and

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occasionally not quite so recent that we might be curling up with

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during the long winter evenings, some of which may actually be

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appropriate as stocking fillers for our non Muslim friends. So

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we're not really looking at detailed Fichte texts here. Nor

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yet at masterworks of Islamic philosophy, but rather a books

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that are a little bit more middlebrow, more general for an

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ordinary reader that nonetheless draw on important issues, but also

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on some of the more recent scholarship that's been happening.

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So we've got quite a bouquet to offer you in this little session.

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And I wanted to start first of all, with something that well is

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100 years old, morbid you pick tools novel the early hours. So

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why am I choosing this? Well, it has many virtues picked all we

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know as probably the best known translated into English of the

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Holy Quran. But in his day, he was a best selling and hugely revered

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novelist. That was how he earned his living. But he was also a

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campaigner for Indian independence. He was the editor of

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the Bombay Chronicle, which was deemed to be anti Raj. And so he

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was fired from that. Close friends with Ghandi, the Phil Avitus,

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movement and so forth. Interesting. And the introduction

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to the book has a potted history. If you're interested in Indian

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Muslim heritage pictoral, there's actually quite a quite an

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interesting figure, but a novelist. So he converted to Islam

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about halfway through his novel writing in Korea. And it's

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interesting to see how the Islamic preoccupations and deepening of

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his sort of soul work unfold in this literary genre. So this is

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generally regarded as his best novel, and also as his great

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Islamic novel. In fact, I would say it's the great Islamic novel

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in the English language, the early hours. And it's named after the

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word Doha

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the famous verse from the Quran, which indicates that there will

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always be a new dawn, never despair. And what's it about?

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Well, it's about the Balkan wars of 1912. And the years leading up

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to that final collapse of Muslim power in Europe. So we think about

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the Inquisition, the record is due in Spain, but that's five

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centuries ago. There's something very similar is happening in the

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east of Europe in the Balkan Peninsula, more or less within

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living memory.

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So Pictou Pandit publishes this novel in order to give people not

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just a sense of what the politics were, he himself was sympathetic

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to the Committee of Union and Progress and not very keen on

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Abdulhamid autocratic rule quite unlike Abdullah Quilliam, and some

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other British Muslims are active at the time, and he uses his novel

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to present a sympathetic case to the Committee of Union and

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Progress through the eyes of a simple ordinary Balkan, Turkish

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Muslim soldier, camera Dean.

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I won't summarize the novel nor yet provide any spoilers. But for

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me, it's a very interesting indication of an earlier set of

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crises which afflicted the OMA and certainly hurt the conscience of

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British Muslims at the time. pictoral went on to create an

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Anglo Ottoman society which campaigned for the integrity of

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the Ottoman Empire when some Whitehall were thinking that it

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should be broken up. And we can see what a catastrophe that has

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led to with new states like Bosnia and Lebanon and Iraq, really not

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working very well after the Ottoman colorful umbrella is

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withdrawn. So he kind of prophetically anticipated the

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disasters of the Middle East in the Balkans in the 20th century,

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after the Pax automatica was withdrawn, but what's most

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interesting for me in the book is the way in which he depicts very

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ordinary life and interesting individual events against the

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backdrop of late Turkish rule in the Balkans. So here is just an

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example of that. And all of the book is well written em Forster

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thought that he was one of the great novelists of the day. But

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here's a passage camera Dean has fallen into

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a espionage or counter espionage

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ring in the Balkans and is sent on a secret mission on the train,

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which the Ottomans have built up into the hinterland. So this is

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from chapter 13. I'm readin in the intervals of conversation looked

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out at the ever changing landscape.

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As the train meandered up into the hills with his dark green of

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forest, here the blue of some deep lake under a cloudless sky. It was

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not the first time he had traveled by the iron road, but it was the

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first time he had been sufficiently at ease in traveling

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to look around him with such keen enjoyment. This compartment where

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he lounged was vastly different from the trucks into which they

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packed for soldier men. And this was but it Kinji second class,

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there was built in Jim first class also on the train compartments,

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like a casket need for holding jewels, and some compartments

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closely curtains were reserved for women, the shrill voices the

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inmates being herded every halt. Everything had been arranged with

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nice convenience and propriety. The train possessed a cheery,

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whistling voice, the guard watched over all like a proud father. The

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spice of danger in the expedition was a source of energy to come

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over a dean, making his mind alert to notice trifles and filling him

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with a sense of joyous life. He felt quite sorry when the train

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stopped at the station short of Monastir, at which he had been

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ordered to alight that guards book for him to talk to a soldier who

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was on the platform with the result that he passed out without

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the slightest difficulty.

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And then he walks on to his destination in this remote

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Macedonian town. Out of the open country, he passed suddenly into a

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labyrinth of narrow markets with scraps of awning hanging back like

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overhead crowded with all sorts of people, men in turbans, high crown

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fizzes, CALPADS, multifarious raiment, and women in stripe veils

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of diverse us. Arriving at a mosque he had a mind to enter and

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make up his areas of prayer before proceeding further. But as he was

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on the point of doing so he saw a face well known to him within the

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gateway and quickly turned away.

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It was the spy Khalil last unit Salonika, the men who had so

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nearly brought him to destruction on a lying charge. What was he

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doing in this country turn far from the seat of government, the

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source of pay for such as he praying that the rogue might not

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have seen him come readin hastened to the barracks, the sight of his

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old enemy had made him anxious to bear the letter to its destination

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instantly. So it's a kind of thriller as well, but kind of John

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McCurry in the Ottoman Balkans, it has a romantic interest.

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Inevitably, it's set against the backdrop of the majesty of the

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horrifying spectacle of the collapse of the old empire. I

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think it's a really good read. It's only a little paperback,

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perfect stocking filler. So we must move on to my pick, number

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two, German MagMod, the leaf of the neem tree, the leaf of the

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neem tree famous Indian tree used in various medicinal and tea

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making activities. And this is by a member of the younger generation

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of British Islam, a Londoner somebody whose literary gifts have

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already made Him known on the BBC, and as a filmmaker, and as a poet,

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somebody who insha Allah has much to look forward to. And here we

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have a very different British Muslim voice, which is not the

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voice of the British Muslim going out to try and sort things out in

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the Islamic world. But the descendant of those who have

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migrated under very difficult circumstances from the Islamic

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world, to the imperial capital of London, dealing with its

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materialism, the racism, the Islamophobia, the risks of

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assimilation, and I think it's one of the most reliable and

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accessible places to go to if you're interested in that

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particular aspect of the British Muslim experience. So this is a

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book which is mostly poetry, but also contains certain short

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stories and prose, anecdotes.

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So walking through mer 11 breeds a love of money. This is apparent.

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The higher the ceiling, the sweeter the fruit. If you look too

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long at this place, and it's brothers, you will wake in the

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mornings with a mouthful of copper and steel, a lack of saliva and

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ears shorn of hair. Free to hear all the nothings you need. behind

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your eyes, you'll keep the names of horses and the floor plans of

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strangers homes.

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Back home, we say is it your dad's house, Baker Street doesn't live

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under the feet of your aging mother, even if we build a mosque

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them. The curvature of a lip or the long mile of an eye do not

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need capital to burn, but it's difficult to see with an eyeful of

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ashes.

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And then another representative poem takes a village.

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The only place I know like the back of my hand is the back of my

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hand and sometimes he could be driving to in my head. They know

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me in mirror poor and Gillingham. On some nights they mentioned my

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name in Karachi.

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and perhaps once a decade, it's uttered in Rajouri. But I doubt

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many can put a face to it that

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they still ask about me at the mosque at home, my only claim to

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community, no other place smells like elders before they died. I

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can visit home for a few hours every week to feel like a guest or

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a friend of my father. How long you allowed to claim a place

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before you were accused of lying

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before they stopped listening, and the food you left out is no longer

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edible, like spoiled fruit of a whole town's labor.

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She wants to do a third of these thick, I receive a lot of poetry,

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some good, some

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disappointing, no, but this is certainly one of the best

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specimens of that emerging discipline of British Muslim

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poetry that I've received recently.

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get worse or trouble goes the first line of the month manager.

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I'm not as brave as Imam Ibn Natalie. But my therapist said not

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to respond with fear. She uses the metaphor of a clock that I can't

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take down that will be in the other room if I try to go that

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tells me I have to drown it out that poetry is abstract, and I

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need to target the senses.

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I respond apprehensively listen to her medicine. I think of cooking

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more being outside and touching the soft Life of Plants. Even

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touching a pet she says it all sounds so simple.

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I'm no messenger. But I think of the Arab Prophet asking his wife

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to cover him. I think of trembling, of being a strange

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father.

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If my body temperature and neglecting responsibility, I think

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of the skin on my hands prematurely turning to rubber. I

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wonder what happens when you mix blood and obsession. If lineage

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pulls from that well, or if that's water only I use over and over.

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They're quite atmospheric, always short.

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reminding me of certain other

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British poets Danny absi, perhaps comes to mind. But here we are

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published in the United Kingdom in 2021. By Hotjar press, no doubt

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available on Amazon and at your local Islamic bookshop with any

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luck. So moving on, we come to one of my all time favorites by the

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Danish Muslim journalists Kanade holmboe Does it encounter does it

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encounter which has subtitles and adventurous journey through

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Italian Africa.

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Again, this is old, like the Pick tool book came out in the 1930s.

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But it's been reprinted. And I think again, it's an example of

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people in the early 20th century pioneering arts that have

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subsequently been explored by many others. This is one of the first

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works of travel writing by a European Muslim hobo was from

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Denmark, and had already published a book about the French

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suppression of the reef rebellion in northern Morocco in the 1920s,

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and worked quite regularly for some of the major newspapers in

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Copenhagen.

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One of the few Muslims in the whole country at the time, he

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thought quite a pioneer are very dedicated. And this is his very

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hair raising trip almost unbelievable at times, in a really

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beat up old, falling to pieces Chevrolet with a very eccentric

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American traveling companion. There is people that they pick up

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here and there as they drive across the Sahara Desert, from

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west to east from Morocco trying to go to Egypt. Again,

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I don't want to offer any spoilers. But in each one of these

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countries, you get not just vignettes of the traditional life

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of the populations.

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The poverty, superstition, unshakable faith, heroism, you

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also get a sense of the absolute apartheid style distinction

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between the rulers and the ruled the French racism in North Africa,

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the Italian racism in siren Erica and in Tripolitania.

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And the story becomes more and more kind of nerve wracking until

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he gets to Mussolini's Libya.

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Mussolini, Mussolini bared his teeth most effectively in his

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African conquest in the invasion of Abyssinia which was one of the

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low points of the whole European imperial story but also in the way

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in which he occupied Tripolitania and particularly siren Erica,

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which had been quite happy and loyal under the Ottoman Empire

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until the same year 1912 When the Balkan provinces were amputated

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from the Ottomans. The Sultan's God traditionally was made up of

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of Libyans, they had been,

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it'd been a very good relationship. So he

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kind of commutes between the world of dandified, Italian military

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officers, officers, and then at various points as you drive to

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learn, almost dying of thirst in various places as this terrible

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car breaks down again and again. He starts to get to know as he

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moves into the heartland of the rebellion and siren, Erica is on

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there and Mortara revolt, what exactly the Italians are doing the

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genocide, the herding of half the population into concentration

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camps, where they're basically left to

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starve to death unless they convert to Catholicism, and they

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get baptized, in which case, it's a different story. It's a very

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kind of religionist tale.

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So here's an example of one story that he encounters in siren airco

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when he's talking to one of the dissidents who are struggling

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against the Italians. So this is what this is. The story here is

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a score of our men led by myself at attended a Greek Festival in a

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neighboring oasis. It lasted three days, and we returned to our

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oasis. It seemed quiet enough. But the first person I met was my

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wife. She came running to me horror in her eyes, her hair

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streaming down her back, her clothes torn off her body. Oh, do

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not come home do not come home, she wailed. Allah forgive me for

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having to tell you what has happened. She sobbed and wailed,

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and I could not get another word out of her. I got off my camel and

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then my brother appeared. He came up to me kiss my cheeks and said,

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Brother, you know as well as I do that Allah alone beats out justice

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to man. Muhammad is dead. Dead, I said, but he was not ill. No, he

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replied, our brother was shot. The Italians have been here. They shot

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every fifth man.

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I was so shaken that I was speechless. But my brother

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continued. You must place your trust in Allah, whatever happens.

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Aisha is gone.

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I chose my daughter and I could not control myself any longer.

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Tell me I cried. Is she dead? He shook his head. No, he said, an

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Italian Sergeant with some Eritrean troops arrived. They

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drove the camels away and when they left with the animals, they

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took Aisha with them too.

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Oh, my brother, could you not have spared my house, that shame in my

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heart that sorrow? You knew how I loved her. But you might rather

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have killed her than that that disgrace should fall upon my name.

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I knew nothing until it was too late. Eritrean soldiers kept guard

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everywhere you were applied.

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For a long time, I did not answer him. Then I said, You must take

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care of my wife and son of man who is only nine years old stood

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beside his mother. I'm going to look for Aisha

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I left the oasis on my only remaining camel. I did not know

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that I was never to see it again. I searched for many months in many

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towns, and at last I found her. She had been put in a public

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brothel in Derna house where everyone could commit literally

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for payment. The chief clenched his hand around his rifle. She

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knew me and I asked her to come with me. But she shook her head

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and wept. Her father, she said, I believe that I am ill. And if I've

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got that illness, I shall never be well again.

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Aisha I forgiven you, as Allah will pardon us all. How did you

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get here?

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The Italian carried me away when they took the camels and

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afterwards I was brought here to this house. She sobbed. Only Allah

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the merciful knows what I suffered at that moment.

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Kill me father, she asked, I shall never escape from this place, and

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death will be a favor when it comes from your hands.

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So I killed her, kissed her forehead and fled, fled to the

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mountains.

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Everyone was silent. I could not answer him. I was too deeply

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moved.

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That's just one of the stories that he hears. And he's got the

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ear of a journalist. He's looking for these human interest stores,

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stories that put a kind of flesh of reality on the bare bones of

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what the historians record of what colonial rule in those places was

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actually like colonialism plus Mussolini plus Catholicism plus

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race theory.

00:19:19 --> 00:19:24

A dreadful story. Moving on now to my pick, number four. This is

00:19:24 --> 00:19:29

called Saracen chivalry, councils on valor, generosity and the

00:19:29 --> 00:19:33

mystical quest by Pierre Xia, Inayat, Han,

00:19:34 --> 00:19:39

this is a different kind of narrative. It's a sort of

00:19:39 --> 00:19:44

historical novel, but taking the form of insight into the principle

00:19:45 --> 00:19:49

of what Islam calls fatawa. That is to say the chivalry that

00:19:49 --> 00:19:54

connects the need to act ethically, outwardly, even on the

00:19:54 --> 00:19:58

field of battle, with the need to act correctly and heroically

00:19:58 --> 00:20:00

against the demons and the enemies within

00:20:00 --> 00:20:04

And these things have to be united as with the twin pointed sword of

00:20:04 --> 00:20:09

Imam Ali, who was regarded as the great hero of the warriors of

00:20:09 --> 00:20:11

fatawa. So, this book

00:20:13 --> 00:20:16

designed in many ways for a non Muslim readership, I think in

00:20:16 --> 00:20:20

order to present these, these virtues to them

00:20:22 --> 00:20:27

is a kind of imagination of a book that spun off from the great

00:20:27 --> 00:20:31

pacifier legend poster for the Knights of the Round Table. King

00:20:31 --> 00:20:35

Arthur, the holy grail that kind of heart of European mythmaking,

00:20:35 --> 00:20:36

sacred symbolism.

00:20:38 --> 00:20:40

Some of you will know the story

00:20:41 --> 00:20:45

that according to Volf, hyung von Eschenbach, who was the German

00:20:45 --> 00:20:48

13th century author of The Great Parsifal story, one of the

00:20:48 --> 00:20:51

monuments of medieval literature really

00:20:54 --> 00:21:00

the king of Anjou Gomorrah that goes off as a night to offer his

00:21:00 --> 00:21:04

services wherever chivalry is understood, and he enters the

00:21:04 --> 00:21:06

service of the Khalifa of Baghdad,

00:21:08 --> 00:21:13

for whom he performs many deeds of heroism. story says he's a

00:21:13 --> 00:21:17

Christian, but the Khalifa is Muslim. And that world of chivalry

00:21:17 --> 00:21:20

salad in Richard the Lionheart often brings together in a kind of

00:21:20 --> 00:21:24

mutual respect in a strange way, the two rival civilizations.

00:21:25 --> 00:21:30

He goes off to a mythical kingdom in Africa where he falls in love,

00:21:30 --> 00:21:32

of course with Queen Bella cane.

00:21:34 --> 00:21:41

He marries her, he is white and she is black as ebony, and leaves

00:21:41 --> 00:21:45

her pregnant and then goes on to continue his night. arrogancy.

00:21:45 --> 00:21:50

According to the story, she dies of grief. He marries again how to

00:21:50 --> 00:21:54

Lloyd up in Europe and has another son.

00:21:55 --> 00:22:01

So the first son is Farah fees, who emerges as a kind of mottled

00:22:01 --> 00:22:05

half white half black strangeness. And the second son the half

00:22:05 --> 00:22:09

brother is policy file becomes cost the hero of bargainous

00:22:09 --> 00:22:13

greatest opera and a major figure in the Grail legends.

00:22:14 --> 00:22:17

The Grail is not very big in this particular book, and the book

00:22:17 --> 00:22:20

takes the form of Queen Bella canes.

00:22:22 --> 00:22:28

Advice to her not yet born son, Pharaoh fees, urging him to uphold

00:22:28 --> 00:22:33

the honor of the house of Andhra but also the honor of the

00:22:33 --> 00:22:38

Shuttleworth tradition in Islam. So this is a kind of photo Vietnam

00:22:38 --> 00:22:41

as medieval Muslims sort of calling it goes through the basic

00:22:41 --> 00:22:45

practices of religion, and the basic virtue. So here's a couple

00:22:45 --> 00:22:46

of examples.

00:22:47 --> 00:22:53

This is Queen Bella Cain, writing to her unborn son fees to her

00:22:53 --> 00:22:57

Gomorrah, it pains me more than I can say that I will not see you

00:22:57 --> 00:23:01

grow to manhood. I will not see your form, hear your voice or feel

00:23:01 --> 00:23:06

your touch. Even still, I will turn toward you that your face may

00:23:06 --> 00:23:09

be veiled to me. I pray and trust that I will be given the sight to

00:23:09 --> 00:23:14

see what is in your heart. With eyes of fire I will watch over you

00:23:14 --> 00:23:16

delighting in your happiness and mourning your grief.

00:23:17 --> 00:23:21

Before long you will be a young man. The lengthening of your limbs

00:23:21 --> 00:23:25

needs only time. If a boy merely eats he will grow. But to become a

00:23:25 --> 00:23:29

young man in the true meaning of the word to become a fetter a

00:23:29 --> 00:23:33

chivalrous youth, something more is wanted. Your nourishment must

00:23:33 --> 00:23:37

be virtue, generosity, courage, courtesy and wisdom must be your

00:23:37 --> 00:23:41

constant practice. In garments. You must aspire to the knighthood

00:23:41 --> 00:23:43

of purity and you must attain it.

00:23:45 --> 00:23:48

For as long as men and women have risen towards the good in thought,

00:23:48 --> 00:23:51

word and deed, so long has chivalry graced the Earth.

00:23:52 --> 00:23:55

Whenever revelation has come down, the order of chivalry has rallied

00:23:55 --> 00:23:58

to the prophets call, renewing its fealty to the ancient covenant

00:23:59 --> 00:24:02

time and again with the sweat and blood of its worth is it has

00:24:02 --> 00:24:03

redeemed its vow.

00:24:06 --> 00:24:08

One of the earliest sections of the book goes through the five

00:24:08 --> 00:24:13

pillars in which the queen is explaining to her unborn son, the

00:24:13 --> 00:24:16

enormous importance of the five pillars and their spiritual value.

00:24:17 --> 00:24:19

So this is the section on proud

00:24:21 --> 00:24:26

fees to Volga muret prayer is ascension. When you bow down,

00:24:26 --> 00:24:30

prayer lift you up. As your head descends to the earth, your heart

00:24:30 --> 00:24:31

ascends to the sky.

00:24:32 --> 00:24:36

A Chevelle yet needs a Shavon porphyries and camels are

00:24:36 --> 00:24:40

commonplace. patter Lamont streets are overcrowded with them. A real

00:24:40 --> 00:24:46

Ghazi requires a mound of Brock's noble breed. And what is that? The

00:24:46 --> 00:24:49

Holy Breath of prayer the side that rises beyond time and space.

00:24:49 --> 00:24:51

Spirit rides the wind.

00:24:53 --> 00:24:57

I trust you will perform your prayer steadfastly. Prayer is both

00:24:57 --> 00:25:00

a solemn duty and a delicate pleasure. We

00:25:00 --> 00:25:02

When you step onto your prayer rug you step from the world of

00:25:02 --> 00:25:06

becoming to the world of being. When you lift your arms in praise

00:25:06 --> 00:25:09

the burden of the past and future falls from your back. And your

00:25:09 --> 00:25:12

heart expands to greet the presence of the present, which is

00:25:12 --> 00:25:14

another name for the eternal.

00:25:15 --> 00:25:17

They you stand on Earth, you bow and rise in the temple of

00:25:17 --> 00:25:18

eternity.

00:25:20 --> 00:25:23

To pray five times each day with gesture, thought and feeling is to

00:25:23 --> 00:25:26

put in motion the tides have a rhythm that will elevate your

00:25:26 --> 00:25:29

soul. Deepen your peace, see you through danger and guide you

00:25:29 --> 00:25:33

towards the fulfillment of your life's purpose. Hold on to this

00:25:33 --> 00:25:37

rhythm. When all else crumbles around, you let dust return to

00:25:37 --> 00:25:40

dust, but prayer is heavens portion.

00:25:42 --> 00:25:46

And the sections on the cat and the Hajj and Ramadan are also

00:25:47 --> 00:25:50

simple to understand. It's not an academic book, but there's

00:25:50 --> 00:25:54

considerable depth here. And then the second portion of the book

00:25:54 --> 00:25:57

goes through the traditional virtues of fatawa.

00:25:59 --> 00:26:02

On wisdom, on courage, on temperance, on generosity, on

00:26:02 --> 00:26:06

justice, on nobility, and so forth. So this is

00:26:07 --> 00:26:08

definitely

00:26:09 --> 00:26:14

worth giving to non Muslim friends, because it's about

00:26:14 --> 00:26:17

fellowship, it's about that use chivalric things held in common,

00:26:17 --> 00:26:21

but within it within the book is A Vindication of the basic spiritual

00:26:21 --> 00:26:27

principles of Queen Bella cane, the mythical Muslim queen. So this

00:26:27 --> 00:26:30

one is published by omega publications of New York.

00:26:32 --> 00:26:36

Strongly recommend it. So we come to the last of my five picks for

00:26:36 --> 00:26:41

this year. This is by Jeffrey iron Bowden, who is an academic in

00:26:41 --> 00:26:44

America has already published a number of interesting things,

00:26:44 --> 00:26:48

particularly on Islam and American literature, Islam and the

00:26:48 --> 00:26:48

enlightenment.

00:26:50 --> 00:26:55

This is his most recent offering Jefferson's Muslim fugitives, the

00:26:55 --> 00:26:59

last story of enslaved Africans, the Arabic letters and an American

00:26:59 --> 00:27:00

president.

00:27:01 --> 00:27:06

Well, you can already see that this is a book by an academic

00:27:06 --> 00:27:10

that's aiming for a larger public. And there's been a certain amount

00:27:10 --> 00:27:10

of interest

00:27:13 --> 00:27:18

in Jefferson and his relationship to Islam, ever since, of course,

00:27:18 --> 00:27:23

the famous episode in 2007, I think it was when Congressman

00:27:23 --> 00:27:28

Keith Ellison of Minnesota, when he took his vow of office to enter

00:27:28 --> 00:27:33

the Congress did so. Not in the Bible, but on Thomas Jefferson's

00:27:34 --> 00:27:36

own copy of the Koran, which I think was probably sales

00:27:36 --> 00:27:41

translation. And in that era of war on terror, mad Islamophobia,

00:27:41 --> 00:27:44

of course, that gave the journalists something to chew on.

00:27:45 --> 00:27:48

And then Denise Spellman has written a book about Jefferson's

00:27:48 --> 00:27:51

grant Jefferson's relationship to deism certain trends in the

00:27:51 --> 00:27:55

enlightenment that were influenced by certain Islamic texts and

00:27:55 --> 00:28:00

traditions, a certain sort of Unitarianism a certain sort of

00:28:00 --> 00:28:04

insistence that the personality of Jesus is enormous ly impressive,

00:28:04 --> 00:28:07

but only if you consider him to be really a human being rather than

00:28:07 --> 00:28:11

divine. That's another story. But in in Jeffrey's book, what we have

00:28:11 --> 00:28:14

is something that looks at some documents.

00:28:16 --> 00:28:19

And these documents originate and he begins the book rather

00:28:19 --> 00:28:22

dramatically, with a stormy evening at the White House in

00:28:22 --> 00:28:27

1807. And Jefferson's already had a hard day traveling his horse

00:28:27 --> 00:28:29

almost drowned, there were floods.

00:28:30 --> 00:28:34

And so he's sitting in the White House when a mysterious person

00:28:34 --> 00:28:39

sends a message saying, I have something a vast importance to

00:28:39 --> 00:28:39

tell you

00:28:40 --> 00:28:43

guys admitted, I guess it's a bit more difficult these days.

00:28:45 --> 00:28:49

And it turns out that the man comes with two mysterious

00:28:49 --> 00:28:54

documents, which nobody can read from two fugitives who had been

00:28:54 --> 00:28:55

arrested in Kentucky.

00:28:57 --> 00:29:00

What's the significance of this? Well, again, there's spoilers. The

00:29:00 --> 00:29:05

book weaves in and out of larger questions of Jefferson's and early

00:29:05 --> 00:29:07

America's relationship with

00:29:09 --> 00:29:12

the Muslim world. But this is specifically about literature

00:29:12 --> 00:29:17

generated by slaves. So here you have these two fugitives who are

00:29:17 --> 00:29:22

sending letters it seems to the president in the White House, when

00:29:22 --> 00:29:26

they are Muslims who've been enslaved and are in chains and it

00:29:26 --> 00:29:29

seems to have escaped several times from various forms of

00:29:30 --> 00:29:34

incarceration, including the famous Christian prison and in

00:29:34 --> 00:29:37

Kentucky, make it over state lines into Tennessee that on its own

00:29:37 --> 00:29:42

would make it a great movie. So they send letters complaining of

00:29:42 --> 00:29:44

their treatment, but the letters were in Arabic,

00:29:46 --> 00:29:48

in a kind of West African mother B type script.

00:29:50 --> 00:29:52

And they say

00:29:54 --> 00:29:57

in the who Allah Delica Shaheed god is their witness. They're

00:29:57 --> 00:29:59

doing it partly to alert you

00:30:00 --> 00:30:02

One who's at the top of the American pyramid, that massively

00:30:02 --> 00:30:06

unequal society, to the reality of what's happening right at the

00:30:06 --> 00:30:09

bottom and people who aren't even kind of Christianized Africans,

00:30:10 --> 00:30:14

but Ishmaelites. So, from the bottom, unlettered to the top.

00:30:16 --> 00:30:21

So, I'm burden goes through these documents, which is found, it

00:30:21 --> 00:30:24

seems, I think it's the Massachusetts Historical

00:30:24 --> 00:30:27

Institute, he actually discovered them and they're reproduced here

00:30:27 --> 00:30:31

for the first time. And then he uses this as his cue to talk about

00:30:31 --> 00:30:35

the neglected story of these people who are at the bottom that

00:30:35 --> 00:30:41

Ishmaelites that the rejected ones of American society, who not only

00:30:41 --> 00:30:46

have the wrong race, but also have the wrong religion. Because there

00:30:47 --> 00:30:51

is Muslims and therefore, mores, Saracens, the parodic metric

00:30:51 --> 00:30:52

others Ishmaelites.

00:30:54 --> 00:30:57

So that weaving together of a Muslim identity with an African

00:30:57 --> 00:31:02

American identity is something that has been significant for the

00:31:02 --> 00:31:05

kind of Malcolm X Muhammad Ali phenomenon later on, for Keith

00:31:05 --> 00:31:10

Ellison as well. But what has not been really brought to the surface

00:31:10 --> 00:31:14

recently is the fact that these African slaves, they often were

00:31:14 --> 00:31:18

highly literate, and could produce books when given a chance, in

00:31:18 --> 00:31:24

Arabic, on flip on doctrine, and they could quote the Quran. The

00:31:24 --> 00:31:28

first of these actually is not the documents that Jeffrey is

00:31:28 --> 00:31:34

disinterred, but a document that goes back to 1750 or so. And there

00:31:34 --> 00:31:35

are others.

00:31:36 --> 00:31:40

Very moving tiny little fragments scribbled down sometimes in

00:31:40 --> 00:31:44

prison, sometimes on plantation sometimes in extremely difficult

00:31:44 --> 00:31:47

circumstances, that hardly anybody in America could read. Jefferson

00:31:47 --> 00:31:50

certainly didn't know what these things said, it took a long time

00:31:50 --> 00:31:52

before anybody could start to

00:31:53 --> 00:31:56

start to decode these documents.

00:31:58 --> 00:32:03

And so this is work in progress. There's so much sort of Black

00:32:03 --> 00:32:08

Lives Matter, preoccupation, generally legitimate about the

00:32:08 --> 00:32:15

American caste system. But the aspect of the enslaved that shows

00:32:15 --> 00:32:19

that actually, many of them were princes, many of them were highly

00:32:19 --> 00:32:23

literate, many of them were deeply devout and religious and saintly

00:32:23 --> 00:32:26

men and women who could, right that's not part of the narrative,

00:32:26 --> 00:32:30

because generally, the kind of Black Lives Matter world comes out

00:32:30 --> 00:32:34

of a entirely European enlightenment, Marxist idea, and

00:32:34 --> 00:32:37

doesn't really like to acknowledge other tributaries and other

00:32:37 --> 00:32:40

cultures. It's certainly not multicultural, although sometimes

00:32:40 --> 00:32:45

will claim to be so the liberation that they propose is based

00:32:45 --> 00:32:49

entirely on European intellectual genealogy. So this other story,

00:32:49 --> 00:32:52

this other America, this truly

00:32:54 --> 00:32:55

exiled and Israelite

00:32:57 --> 00:33:00

principle, maybe there's other documents to be found, maybe

00:33:00 --> 00:33:07

movies to be made, may be an awareness of the Islamic identity

00:33:07 --> 00:33:12

and the literate Islamic identity of many of those early African

00:33:12 --> 00:33:16

Muslim slaves in really desperate circumstances. They describe how

00:33:17 --> 00:33:21

horrific it was plantation slavery really was no joke

00:33:22 --> 00:33:25

will come to the surface and we'll start to see the natural

00:33:25 --> 00:33:29

connection that exists between sort of America white Protestant

00:33:29 --> 00:33:32

Christian power gun lobby Christianity, on the one hand,

00:33:33 --> 00:33:35

that's not the only way of being a Christian in America, but in the

00:33:35 --> 00:33:39

kind of Bush era, the Trump era, it seemed to be dominant. And on

00:33:39 --> 00:33:44

the other hand, the rejected eldest son, Ishmael Hotjar, the

00:33:44 --> 00:33:49

ones who are cast out for being half African, that really the only

00:33:49 --> 00:33:50

religion in the world.

00:33:51 --> 00:33:55

That is the that is founded by somebody who has some African

00:33:55 --> 00:33:58

blood because of course, the Israelite story is precisely that.

00:33:59 --> 00:34:05

So there's a lot more to be done on this. Jeffrey has given a wider

00:34:05 --> 00:34:09

story about Arabic literature in early American Republican culture

00:34:09 --> 00:34:13

and much of that is interesting as well but certainly a something

00:34:13 --> 00:34:17

that indicates how very ancient apparently obscure texts can

00:34:17 --> 00:34:21

really break surface and become sensations nowadays and and shed

00:34:21 --> 00:34:26

light on the actual meaning of injustices and headline issues

00:34:26 --> 00:34:30

today. I think this is definitely a very interesting text and it's

00:34:30 --> 00:34:32

Oxford University Press.

00:34:33 --> 00:34:37

In New York, they're generally not too expensive. 2020 Yeah, so it is

00:34:37 --> 00:34:42

new, the reviews have still not quite digested it but yep.

00:34:43 --> 00:34:48

An excellent piece of scholarship that also contributes directly to

00:34:48 --> 00:34:53

the culture wars in modern America, strongly recommended. So

00:34:53 --> 00:34:59

that brings us to the end of my five winter texts for reading as

00:34:59 --> 00:34:59

we go through the

00:35:00 --> 00:35:05

is dark and soggy month, but it is encouraging to see how much is

00:35:05 --> 00:35:10

being published now, often by kind of piratical small publishers

00:35:10 --> 00:35:15

these voices very often from the margins, but then that tends to be

00:35:15 --> 00:35:18

where truth is the story of religions is all about God being

00:35:18 --> 00:35:21

with the margins being with the dispossessed being with the

00:35:21 --> 00:35:25

discriminated against with the Worcester Dauphine with the monka

00:35:25 --> 00:35:30

theoretical Lobo home so hopefully as we internalize this, and gain

00:35:30 --> 00:35:34

what is really the message of all of these texts, which is Allah,

00:35:34 --> 00:35:38

Allah cliche in Shaheed, he is the witness of everything. The elites

00:35:38 --> 00:35:41

may not see it, but God sees it and sees the real shape of

00:35:41 --> 00:35:46

history. And it is the most that I've seen, who will ultimately be

00:35:46 --> 00:35:49

the worry theme as the Quran insists they're the ones who

00:35:49 --> 00:35:54

inherit in the next world if not always in this. barnacle. Alfie

00:35:54 --> 00:35:57

Kohn salam o aleikum wa rahmatullah Cambridge Muslim

00:35:57 --> 00:36:01

College, training the next generation of Muslim thinkers

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