Abdal Hakim Murad – Winter Reading List 2

Abdal Hakim Murad
AI: Summary ©
The transcript discusses various aspects of the history and significance of the black community in America, including Jefferson's actions and their use of media to alert people about their religious beliefs. The segment also touches on the use of media to achieve political goals, including the history of black people being blacked out and the use of media to highlight their religious beliefs. The transcript provides recommendations for books and a book by an academic, and also mentions a book by an American teacher.
AI: Transcript ©
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Bismillah Alhamdulillah wa salatu salam ala Rasulillah, where early

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he was happy woman well,

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so this is, I believe the second in our winter reading list

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sessions, where we look at publications recent and

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occasionally not quite so recent that we might be curling up with

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during the long winter evenings, some of which may actually be

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appropriate as stocking fillers for our non Muslim friends. So

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we're not really looking at detailed Fichte texts here. Nor

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yet at masterworks of Islamic philosophy, but rather a books

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that are a little bit more middlebrow, more general for an

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ordinary reader that nonetheless draw on important issues, but also

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on some of the more recent scholarship that's been happening.

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So we've got quite a bouquet to offer you in this little session.

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And I wanted to start first of all, with something that well is

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100 years old, morbid you pick tools novel the early hours. So

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why am I choosing this? Well, it has many virtues picked all we

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know as probably the best known translated into English of the

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Holy Quran. But in his day, he was a best selling and hugely revered

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novelist. That was how he earned his living. But he was also a

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campaigner for Indian independence. He was the editor of

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the Bombay Chronicle, which was deemed to be anti Raj. And so he

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was fired from that. Close friends with Ghandi, the Phil Avitus,

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movement and so forth. Interesting. And the introduction

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to the book has a potted history. If you're interested in Indian

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Muslim heritage pictoral, there's actually quite a quite an

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interesting figure, but a novelist. So he converted to Islam

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about halfway through his novel writing in Korea. And it's

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interesting to see how the Islamic preoccupations and deepening of

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his sort of soul work unfold in this literary genre. So this is

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generally regarded as his best novel, and also as his great

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Islamic novel. In fact, I would say it's the great Islamic novel

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in the English language, the early hours. And it's named after the

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word Doha

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the famous verse from the Quran, which indicates that there will

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always be a new dawn, never despair. And what's it about?

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Well, it's about the Balkan wars of 1912. And the years leading up

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to that final collapse of Muslim power in Europe. So we think about

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the Inquisition, the record is due in Spain, but that's five

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centuries ago. There's something very similar is happening in the

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east of Europe in the Balkan Peninsula, more or less within

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living memory.

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So Pictou Pandit publishes this novel in order to give people not

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just a sense of what the politics were, he himself was sympathetic

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to the Committee of Union and Progress and not very keen on

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Abdulhamid autocratic rule quite unlike Abdullah Quilliam, and some

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other British Muslims are active at the time, and he uses his novel

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to present a sympathetic case to the Committee of Union and

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Progress through the eyes of a simple ordinary Balkan, Turkish

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Muslim soldier, camera Dean.

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I won't summarize the novel nor yet provide any spoilers. But for

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me, it's a very interesting indication of an earlier set of

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crises which afflicted the OMA and certainly hurt the conscience of

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British Muslims at the time. pictoral went on to create an

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Anglo Ottoman society which campaigned for the integrity of

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the Ottoman Empire when some Whitehall were thinking that it

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should be broken up. And we can see what a catastrophe that has

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led to with new states like Bosnia and Lebanon and Iraq, really not

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working very well after the Ottoman colorful umbrella is

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withdrawn. So he kind of prophetically anticipated the

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disasters of the Middle East in the Balkans in the 20th century,

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after the Pax automatica was withdrawn, but what's most

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interesting for me in the book is the way in which he depicts very

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ordinary life and interesting individual events against the

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backdrop of late Turkish rule in the Balkans. So here is just an

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example of that. And all of the book is well written em Forster

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thought that he was one of the great novelists of the day. But

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here's a passage camera Dean has fallen into

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a espionage or counter espionage

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ring in the Balkans and is sent on a secret mission on the train,

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which the Ottomans have built up into the hinterland. So this is

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from chapter 13. I'm readin in the intervals of conversation looked

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out at the ever changing landscape.

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As the train meandered up into the hills with his dark green of

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forest, here the blue of some deep lake under a cloudless sky. It was

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not the first time he had traveled by the iron road, but it was the

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first time he had been sufficiently at ease in traveling

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to look around him with such keen enjoyment. This compartment where

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he lounged was vastly different from the trucks into which they

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packed for soldier men. And this was but it Kinji second class,

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there was built in Jim first class also on the train compartments,

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like a casket need for holding jewels, and some compartments

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closely curtains were reserved for women, the shrill voices the

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inmates being herded every halt. Everything had been arranged with

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nice convenience and propriety. The train possessed a cheery,

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whistling voice, the guard watched over all like a proud father. The

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spice of danger in the expedition was a source of energy to come

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over a dean, making his mind alert to notice trifles and filling him

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with a sense of joyous life. He felt quite sorry when the train

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stopped at the station short of Monastir, at which he had been

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ordered to alight that guards book for him to talk to a soldier who

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was on the platform with the result that he passed out without

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the slightest difficulty.

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And then he walks on to his destination in this remote

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Macedonian town. Out of the open country, he passed suddenly into a

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labyrinth of narrow markets with scraps of awning hanging back like

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overhead crowded with all sorts of people, men in turbans, high crown

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fizzes, CALPADS, multifarious raiment, and women in stripe veils

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of diverse us. Arriving at a mosque he had a mind to enter and

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make up his areas of prayer before proceeding further. But as he was

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on the point of doing so he saw a face well known to him within the

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gateway and quickly turned away.

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It was the spy Khalil last unit Salonika, the men who had so

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nearly brought him to destruction on a lying charge. What was he

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doing in this country turn far from the seat of government, the

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source of pay for such as he praying that the rogue might not

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have seen him come readin hastened to the barracks, the sight of his

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old enemy had made him anxious to bear the letter to its destination

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instantly. So it's a kind of thriller as well, but kind of John

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McCurry in the Ottoman Balkans, it has a romantic interest.

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Inevitably, it's set against the backdrop of the majesty of the

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horrifying spectacle of the collapse of the old empire. I

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think it's a really good read. It's only a little paperback,

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perfect stocking filler. So we must move on to my pick, number

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two, German MagMod, the leaf of the neem tree, the leaf of the

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neem tree famous Indian tree used in various medicinal and tea

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making activities. And this is by a member of the younger generation

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of British Islam, a Londoner somebody whose literary gifts have

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already made Him known on the BBC, and as a filmmaker, and as a poet,

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somebody who insha Allah has much to look forward to. And here we

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have a very different British Muslim voice, which is not the

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voice of the British Muslim going out to try and sort things out in

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the Islamic world. But the descendant of those who have

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migrated under very difficult circumstances from the Islamic

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world, to the imperial capital of London, dealing with its

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materialism, the racism, the Islamophobia, the risks of

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assimilation, and I think it's one of the most reliable and

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accessible places to go to if you're interested in that

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particular aspect of the British Muslim experience. So this is a

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book which is mostly poetry, but also contains certain short

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stories and prose, anecdotes.

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So walking through mer 11 breeds a love of money. This is apparent.

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The higher the ceiling, the sweeter the fruit. If you look too

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long at this place, and it's brothers, you will wake in the

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mornings with a mouthful of copper and steel, a lack of saliva and

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ears shorn of hair. Free to hear all the nothings you need. behind

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your eyes, you'll keep the names of horses and the floor plans of

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strangers homes.

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Back home, we say is it your dad's house, Baker Street doesn't live

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under the feet of your aging mother, even if we build a mosque

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them. The curvature of a lip or the long mile of an eye do not

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need capital to burn, but it's difficult to see with an eyeful of

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ashes.

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And then another representative poem takes a village.

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The only place I know like the back of my hand is the back of my

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hand and sometimes he could be driving to in my head. They know

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me in mirror poor and Gillingham. On some nights they mentioned my

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name in Karachi.

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and perhaps once a decade, it's uttered in Rajouri. But I doubt

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many can put a face to it that

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they still ask about me at the mosque at home, my only claim to

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community, no other place smells like elders before they died. I

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can visit home for a few hours every week to feel like a guest or

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a friend of my father. How long you allowed to claim a place

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before you were accused of lying

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before they stopped listening, and the food you left out is no longer

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edible, like spoiled fruit of a whole town's labor.

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She wants to do a third of these thick, I receive a lot of poetry,

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some good, some

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disappointing, no, but this is certainly one of the best

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specimens of that emerging discipline of British Muslim

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poetry that I've received recently.

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get worse or trouble goes the first line of the month manager.

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I'm not as brave as Imam Ibn Natalie. But my therapist said not

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to respond with fear. She uses the metaphor of a clock that I can't

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take down that will be in the other room if I try to go that

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tells me I have to drown it out that poetry is abstract, and I

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need to target the senses.

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I respond apprehensively listen to her medicine. I think of cooking

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more being outside and touching the soft Life of Plants. Even

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touching a pet she says it all sounds so simple.

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I'm no messenger. But I think of the Arab Prophet asking his wife

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to cover him. I think of trembling, of being a strange

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father.

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If my body temperature and neglecting responsibility, I think

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of the skin on my hands prematurely turning to rubber. I

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wonder what happens when you mix blood and obsession. If lineage

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pulls from that well, or if that's water only I use over and over.

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They're quite atmospheric, always short.

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reminding me of certain other

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British poets Danny absi, perhaps comes to mind. But here we are

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published in the United Kingdom in 2021. By Hotjar press, no doubt

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available on Amazon and at your local Islamic bookshop with any

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luck. So moving on, we come to one of my all time favorites by the

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Danish Muslim journalists Kanade holmboe Does it encounter does it

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encounter which has subtitles and adventurous journey through

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Italian Africa.

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Again, this is old, like the Pick tool book came out in the 1930s.

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But it's been reprinted. And I think again, it's an example of

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people in the early 20th century pioneering arts that have

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subsequently been explored by many others. This is one of the first

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works of travel writing by a European Muslim hobo was from

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Denmark, and had already published a book about the French

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suppression of the reef rebellion in northern Morocco in the 1920s,

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and worked quite regularly for some of the major newspapers in

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Copenhagen.

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One of the few Muslims in the whole country at the time, he

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thought quite a pioneer are very dedicated. And this is his very

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hair raising trip almost unbelievable at times, in a really

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beat up old, falling to pieces Chevrolet with a very eccentric

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American traveling companion. There is people that they pick up

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here and there as they drive across the Sahara Desert, from

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west to east from Morocco trying to go to Egypt. Again,

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I don't want to offer any spoilers. But in each one of these

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countries, you get not just vignettes of the traditional life

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of the populations.

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The poverty, superstition, unshakable faith, heroism, you

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also get a sense of the absolute apartheid style distinction

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between the rulers and the ruled the French racism in North Africa,

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the Italian racism in siren Erica and in Tripolitania.

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And the story becomes more and more kind of nerve wracking until

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he gets to Mussolini's Libya.

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Mussolini, Mussolini bared his teeth most effectively in his

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African conquest in the invasion of Abyssinia which was one of the

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low points of the whole European imperial story but also in the way

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in which he occupied Tripolitania and particularly siren Erica,

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which had been quite happy and loyal under the Ottoman Empire

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until the same year 1912 When the Balkan provinces were amputated

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from the Ottomans. The Sultan's God traditionally was made up of

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of Libyans, they had been,

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it'd been a very good relationship. So he

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kind of commutes between the world of dandified, Italian military

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officers, officers, and then at various points as you drive to

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learn, almost dying of thirst in various places as this terrible

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car breaks down again and again. He starts to get to know as he

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moves into the heartland of the rebellion and siren, Erica is on

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there and Mortara revolt, what exactly the Italians are doing the

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genocide, the herding of half the population into concentration

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camps, where they're basically left to

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starve to death unless they convert to Catholicism, and they

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get baptized, in which case, it's a different story. It's a very

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kind of religionist tale.

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So here's an example of one story that he encounters in siren airco

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when he's talking to one of the dissidents who are struggling

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against the Italians. So this is what this is. The story here is

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a score of our men led by myself at attended a Greek Festival in a

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neighboring oasis. It lasted three days, and we returned to our

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oasis. It seemed quiet enough. But the first person I met was my

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wife. She came running to me horror in her eyes, her hair

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streaming down her back, her clothes torn off her body. Oh, do

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not come home do not come home, she wailed. Allah forgive me for

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having to tell you what has happened. She sobbed and wailed,

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and I could not get another word out of her. I got off my camel and

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then my brother appeared. He came up to me kiss my cheeks and said,

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Brother, you know as well as I do that Allah alone beats out justice

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to man. Muhammad is dead. Dead, I said, but he was not ill. No, he

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replied, our brother was shot. The Italians have been here. They shot

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every fifth man.

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I was so shaken that I was speechless. But my brother

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continued. You must place your trust in Allah, whatever happens.

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Aisha is gone.

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I chose my daughter and I could not control myself any longer.

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Tell me I cried. Is she dead? He shook his head. No, he said, an

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Italian Sergeant with some Eritrean troops arrived. They

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drove the camels away and when they left with the animals, they

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took Aisha with them too.

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Oh, my brother, could you not have spared my house, that shame in my

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heart that sorrow? You knew how I loved her. But you might rather

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have killed her than that that disgrace should fall upon my name.

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I knew nothing until it was too late. Eritrean soldiers kept guard

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everywhere you were applied.

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For a long time, I did not answer him. Then I said, You must take

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care of my wife and son of man who is only nine years old stood

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beside his mother. I'm going to look for Aisha

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I left the oasis on my only remaining camel. I did not know

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that I was never to see it again. I searched for many months in many

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towns, and at last I found her. She had been put in a public

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brothel in Derna house where everyone could commit literally

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for payment. The chief clenched his hand around his rifle. She

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knew me and I asked her to come with me. But she shook her head

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and wept. Her father, she said, I believe that I am ill. And if I've

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got that illness, I shall never be well again.

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Aisha I forgiven you, as Allah will pardon us all. How did you

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get here?

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The Italian carried me away when they took the camels and

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afterwards I was brought here to this house. She sobbed. Only Allah

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the merciful knows what I suffered at that moment.

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Kill me father, she asked, I shall never escape from this place, and

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death will be a favor when it comes from your hands.

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So I killed her, kissed her forehead and fled, fled to the

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mountains.

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Everyone was silent. I could not answer him. I was too deeply

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moved.

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That's just one of the stories that he hears. And he's got the

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ear of a journalist. He's looking for these human interest stores,

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stories that put a kind of flesh of reality on the bare bones of

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what the historians record of what colonial rule in those places was

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actually like colonialism plus Mussolini plus Catholicism plus

00:19:16 --> 00:19:17

race theory.

00:19:19 --> 00:19:24

A dreadful story. Moving on now to my pick, number four. This is

00:19:24 --> 00:19:29

called Saracen chivalry, councils on valor, generosity and the

00:19:29 --> 00:19:33

mystical quest by Pierre Xia, Inayat, Han,

00:19:34 --> 00:19:39

this is a different kind of narrative. It's a sort of

00:19:39 --> 00:19:44

historical novel, but taking the form of insight into the principle

00:19:45 --> 00:19:49

of what Islam calls fatawa. That is to say the chivalry that

00:19:49 --> 00:19:54

connects the need to act ethically, outwardly, even on the

00:19:54 --> 00:19:58

field of battle, with the need to act correctly and heroically

00:19:58 --> 00:20:00

against the demons and the enemies within

00:20:00 --> 00:20:04

And these things have to be united as with the twin pointed sword of

00:20:04 --> 00:20:09

Imam Ali, who was regarded as the great hero of the warriors of

00:20:09 --> 00:20:11

fatawa. So, this book

00:20:13 --> 00:20:16

designed in many ways for a non Muslim readership, I think in

00:20:16 --> 00:20:20

order to present these, these virtues to them

00:20:22 --> 00:20:27

is a kind of imagination of a book that spun off from the great

00:20:27 --> 00:20:31

pacifier legend poster for the Knights of the Round Table. King

00:20:31 --> 00:20:35

Arthur, the holy grail that kind of heart of European mythmaking,

00:20:35 --> 00:20:36

sacred symbolism.

00:20:38 --> 00:20:40

Some of you will know the story

00:20:41 --> 00:20:45

that according to Volf, hyung von Eschenbach, who was the German

00:20:45 --> 00:20:48

13th century author of The Great Parsifal story, one of the

00:20:48 --> 00:20:51

monuments of medieval literature really

00:20:54 --> 00:21:00

the king of Anjou Gomorrah that goes off as a night to offer his

00:21:00 --> 00:21:04

services wherever chivalry is understood, and he enters the

00:21:04 --> 00:21:06

service of the Khalifa of Baghdad,

00:21:08 --> 00:21:13

for whom he performs many deeds of heroism. story says he's a

00:21:13 --> 00:21:17

Christian, but the Khalifa is Muslim. And that world of chivalry

00:21:17 --> 00:21:20

salad in Richard the Lionheart often brings together in a kind of

00:21:20 --> 00:21:24

mutual respect in a strange way, the two rival civilizations.

00:21:25 --> 00:21:30

He goes off to a mythical kingdom in Africa where he falls in love,

00:21:30 --> 00:21:32

of course with Queen Bella cane.

00:21:34 --> 00:21:41

He marries her, he is white and she is black as ebony, and leaves

00:21:41 --> 00:21:45

her pregnant and then goes on to continue his night. arrogancy.

00:21:45 --> 00:21:50

According to the story, she dies of grief. He marries again how to

00:21:50 --> 00:21:54

Lloyd up in Europe and has another son.

00:21:55 --> 00:22:01

So the first son is Farah fees, who emerges as a kind of mottled

00:22:01 --> 00:22:05

half white half black strangeness. And the second son the half

00:22:05 --> 00:22:09

brother is policy file becomes cost the hero of bargainous

00:22:09 --> 00:22:13

greatest opera and a major figure in the Grail legends.

00:22:14 --> 00:22:17

The Grail is not very big in this particular book, and the book

00:22:17 --> 00:22:20

takes the form of Queen Bella canes.

00:22:22 --> 00:22:28

Advice to her not yet born son, Pharaoh fees, urging him to uphold

00:22:28 --> 00:22:33

the honor of the house of Andhra but also the honor of the

00:22:33 --> 00:22:38

Shuttleworth tradition in Islam. So this is a kind of photo Vietnam

00:22:38 --> 00:22:41

as medieval Muslims sort of calling it goes through the basic

00:22:41 --> 00:22:45

practices of religion, and the basic virtue. So here's a couple

00:22:45 --> 00:22:46

of examples.

00:22:47 --> 00:22:53

This is Queen Bella Cain, writing to her unborn son fees to her

00:22:53 --> 00:22:57

Gomorrah, it pains me more than I can say that I will not see you

00:22:57 --> 00:23:01

grow to manhood. I will not see your form, hear your voice or feel

00:23:01 --> 00:23:06

your touch. Even still, I will turn toward you that your face may

00:23:06 --> 00:23:09

be veiled to me. I pray and trust that I will be given the sight to

00:23:09 --> 00:23:14

see what is in your heart. With eyes of fire I will watch over you

00:23:14 --> 00:23:16

delighting in your happiness and mourning your grief.

00:23:17 --> 00:23:21

Before long you will be a young man. The lengthening of your limbs

00:23:21 --> 00:23:25

needs only time. If a boy merely eats he will grow. But to become a

00:23:25 --> 00:23:29

young man in the true meaning of the word to become a fetter a

00:23:29 --> 00:23:33

chivalrous youth, something more is wanted. Your nourishment must

00:23:33 --> 00:23:37

be virtue, generosity, courage, courtesy and wisdom must be your

00:23:37 --> 00:23:41

constant practice. In garments. You must aspire to the knighthood

00:23:41 --> 00:23:43

of purity and you must attain it.

00:23:45 --> 00:23:48

For as long as men and women have risen towards the good in thought,

00:23:48 --> 00:23:51

word and deed, so long has chivalry graced the Earth.

00:23:52 --> 00:23:55

Whenever revelation has come down, the order of chivalry has rallied

00:23:55 --> 00:23:58

to the prophets call, renewing its fealty to the ancient covenant

00:23:59 --> 00:24:02

time and again with the sweat and blood of its worth is it has

00:24:02 --> 00:24:03

redeemed its vow.

00:24:06 --> 00:24:08

One of the earliest sections of the book goes through the five

00:24:08 --> 00:24:13

pillars in which the queen is explaining to her unborn son, the

00:24:13 --> 00:24:16

enormous importance of the five pillars and their spiritual value.

00:24:17 --> 00:24:19

So this is the section on proud

00:24:21 --> 00:24:26

fees to Volga muret prayer is ascension. When you bow down,

00:24:26 --> 00:24:30

prayer lift you up. As your head descends to the earth, your heart

00:24:30 --> 00:24:31

ascends to the sky.

00:24:32 --> 00:24:36

A Chevelle yet needs a Shavon porphyries and camels are

00:24:36 --> 00:24:40

commonplace. patter Lamont streets are overcrowded with them. A real

00:24:40 --> 00:24:46

Ghazi requires a mound of Brock's noble breed. And what is that? The

00:24:46 --> 00:24:49

Holy Breath of prayer the side that rises beyond time and space.

00:24:49 --> 00:24:51

Spirit rides the wind.

00:24:53 --> 00:24:57

I trust you will perform your prayer steadfastly. Prayer is both

00:24:57 --> 00:25:00

a solemn duty and a delicate pleasure. We

00:25:00 --> 00:25:02

When you step onto your prayer rug you step from the world of

00:25:02 --> 00:25:06

becoming to the world of being. When you lift your arms in praise

00:25:06 --> 00:25:09

the burden of the past and future falls from your back. And your

00:25:09 --> 00:25:12

heart expands to greet the presence of the present, which is

00:25:12 --> 00:25:14

another name for the eternal.

00:25:15 --> 00:25:17

They you stand on Earth, you bow and rise in the temple of

00:25:17 --> 00:25:18

eternity.

00:25:20 --> 00:25:23

To pray five times each day with gesture, thought and feeling is to

00:25:23 --> 00:25:26

put in motion the tides have a rhythm that will elevate your

00:25:26 --> 00:25:29

soul. Deepen your peace, see you through danger and guide you

00:25:29 --> 00:25:33

towards the fulfillment of your life's purpose. Hold on to this

00:25:33 --> 00:25:37

rhythm. When all else crumbles around, you let dust return to

00:25:37 --> 00:25:40

dust, but prayer is heavens portion.

00:25:42 --> 00:25:46

And the sections on the cat and the Hajj and Ramadan are also

00:25:47 --> 00:25:50

simple to understand. It's not an academic book, but there's

00:25:50 --> 00:25:54

considerable depth here. And then the second portion of the book

00:25:54 --> 00:25:57

goes through the traditional virtues of fatawa.

00:25:59 --> 00:26:02

On wisdom, on courage, on temperance, on generosity, on

00:26:02 --> 00:26:06

justice, on nobility, and so forth. So this is

00:26:07 --> 00:26:08

definitely

00:26:09 --> 00:26:14

worth giving to non Muslim friends, because it's about

00:26:14 --> 00:26:17

fellowship, it's about that use chivalric things held in common,

00:26:17 --> 00:26:21

but within it within the book is A Vindication of the basic spiritual

00:26:21 --> 00:26:27

principles of Queen Bella cane, the mythical Muslim queen. So this

00:26:27 --> 00:26:30

one is published by omega publications of New York.

00:26:32 --> 00:26:36

Strongly recommend it. So we come to the last of my five picks for

00:26:36 --> 00:26:41

this year. This is by Jeffrey iron Bowden, who is an academic in

00:26:41 --> 00:26:44

America has already published a number of interesting things,

00:26:44 --> 00:26:48

particularly on Islam and American literature, Islam and the

00:26:48 --> 00:26:48

enlightenment.

00:26:50 --> 00:26:55

This is his most recent offering Jefferson's Muslim fugitives, the

00:26:55 --> 00:26:59

last story of enslaved Africans, the Arabic letters and an American

00:26:59 --> 00:27:00

president.

00:27:01 --> 00:27:06

Well, you can already see that this is a book by an academic

00:27:06 --> 00:27:10

that's aiming for a larger public. And there's been a certain amount

00:27:10 --> 00:27:10

of interest

00:27:13 --> 00:27:18

in Jefferson and his relationship to Islam, ever since, of course,

00:27:18 --> 00:27:23

the famous episode in 2007, I think it was when Congressman

00:27:23 --> 00:27:28

Keith Ellison of Minnesota, when he took his vow of office to enter

00:27:28 --> 00:27:33

the Congress did so. Not in the Bible, but on Thomas Jefferson's

00:27:34 --> 00:27:36

own copy of the Koran, which I think was probably sales

00:27:36 --> 00:27:41

translation. And in that era of war on terror, mad Islamophobia,

00:27:41 --> 00:27:44

of course, that gave the journalists something to chew on.

00:27:45 --> 00:27:48

And then Denise Spellman has written a book about Jefferson's

00:27:48 --> 00:27:51

grant Jefferson's relationship to deism certain trends in the

00:27:51 --> 00:27:55

enlightenment that were influenced by certain Islamic texts and

00:27:55 --> 00:28:00

traditions, a certain sort of Unitarianism a certain sort of

00:28:00 --> 00:28:04

insistence that the personality of Jesus is enormous ly impressive,

00:28:04 --> 00:28:07

but only if you consider him to be really a human being rather than

00:28:07 --> 00:28:11

divine. That's another story. But in in Jeffrey's book, what we have

00:28:11 --> 00:28:14

is something that looks at some documents.

00:28:16 --> 00:28:19

And these documents originate and he begins the book rather

00:28:19 --> 00:28:22

dramatically, with a stormy evening at the White House in

00:28:22 --> 00:28:27

1807. And Jefferson's already had a hard day traveling his horse

00:28:27 --> 00:28:29

almost drowned, there were floods.

00:28:30 --> 00:28:34

And so he's sitting in the White House when a mysterious person

00:28:34 --> 00:28:39

sends a message saying, I have something a vast importance to

00:28:39 --> 00:28:39

tell you

00:28:40 --> 00:28:43

guys admitted, I guess it's a bit more difficult these days.

00:28:45 --> 00:28:49

And it turns out that the man comes with two mysterious

00:28:49 --> 00:28:54

documents, which nobody can read from two fugitives who had been

00:28:54 --> 00:28:55

arrested in Kentucky.

00:28:57 --> 00:29:00

What's the significance of this? Well, again, there's spoilers. The

00:29:00 --> 00:29:05

book weaves in and out of larger questions of Jefferson's and early

00:29:05 --> 00:29:07

America's relationship with

00:29:09 --> 00:29:12

the Muslim world. But this is specifically about literature

00:29:12 --> 00:29:17

generated by slaves. So here you have these two fugitives who are

00:29:17 --> 00:29:22

sending letters it seems to the president in the White House, when

00:29:22 --> 00:29:26

they are Muslims who've been enslaved and are in chains and it

00:29:26 --> 00:29:29

seems to have escaped several times from various forms of

00:29:30 --> 00:29:34

incarceration, including the famous Christian prison and in

00:29:34 --> 00:29:37

Kentucky, make it over state lines into Tennessee that on its own

00:29:37 --> 00:29:42

would make it a great movie. So they send letters complaining of

00:29:42 --> 00:29:44

their treatment, but the letters were in Arabic,

00:29:46 --> 00:29:48

in a kind of West African mother B type script.

00:29:50 --> 00:29:52

And they say

00:29:54 --> 00:29:57

in the who Allah Delica Shaheed god is their witness. They're

00:29:57 --> 00:29:59

doing it partly to alert you

00:30:00 --> 00:30:02

One who's at the top of the American pyramid, that massively

00:30:02 --> 00:30:06

unequal society, to the reality of what's happening right at the

00:30:06 --> 00:30:09

bottom and people who aren't even kind of Christianized Africans,

00:30:10 --> 00:30:14

but Ishmaelites. So, from the bottom, unlettered to the top.

00:30:16 --> 00:30:21

So, I'm burden goes through these documents, which is found, it

00:30:21 --> 00:30:24

seems, I think it's the Massachusetts Historical

00:30:24 --> 00:30:27

Institute, he actually discovered them and they're reproduced here

00:30:27 --> 00:30:31

for the first time. And then he uses this as his cue to talk about

00:30:31 --> 00:30:35

the neglected story of these people who are at the bottom that

00:30:35 --> 00:30:41

Ishmaelites that the rejected ones of American society, who not only

00:30:41 --> 00:30:46

have the wrong race, but also have the wrong religion. Because there

00:30:47 --> 00:30:51

is Muslims and therefore, mores, Saracens, the parodic metric

00:30:51 --> 00:30:52

others Ishmaelites.

00:30:54 --> 00:30:57

So that weaving together of a Muslim identity with an African

00:30:57 --> 00:31:02

American identity is something that has been significant for the

00:31:02 --> 00:31:05

kind of Malcolm X Muhammad Ali phenomenon later on, for Keith

00:31:05 --> 00:31:10

Ellison as well. But what has not been really brought to the surface

00:31:10 --> 00:31:14

recently is the fact that these African slaves, they often were

00:31:14 --> 00:31:18

highly literate, and could produce books when given a chance, in

00:31:18 --> 00:31:24

Arabic, on flip on doctrine, and they could quote the Quran. The

00:31:24 --> 00:31:28

first of these actually is not the documents that Jeffrey is

00:31:28 --> 00:31:34

disinterred, but a document that goes back to 1750 or so. And there

00:31:34 --> 00:31:35

are others.

00:31:36 --> 00:31:40

Very moving tiny little fragments scribbled down sometimes in

00:31:40 --> 00:31:44

prison, sometimes on plantation sometimes in extremely difficult

00:31:44 --> 00:31:47

circumstances, that hardly anybody in America could read. Jefferson

00:31:47 --> 00:31:50

certainly didn't know what these things said, it took a long time

00:31:50 --> 00:31:52

before anybody could start to

00:31:53 --> 00:31:56

start to decode these documents.

00:31:58 --> 00:32:03

And so this is work in progress. There's so much sort of Black

00:32:03 --> 00:32:08

Lives Matter, preoccupation, generally legitimate about the

00:32:08 --> 00:32:15

American caste system. But the aspect of the enslaved that shows

00:32:15 --> 00:32:19

that actually, many of them were princes, many of them were highly

00:32:19 --> 00:32:23

literate, many of them were deeply devout and religious and saintly

00:32:23 --> 00:32:26

men and women who could, right that's not part of the narrative,

00:32:26 --> 00:32:30

because generally, the kind of Black Lives Matter world comes out

00:32:30 --> 00:32:34

of a entirely European enlightenment, Marxist idea, and

00:32:34 --> 00:32:37

doesn't really like to acknowledge other tributaries and other

00:32:37 --> 00:32:40

cultures. It's certainly not multicultural, although sometimes

00:32:40 --> 00:32:45

will claim to be so the liberation that they propose is based

00:32:45 --> 00:32:49

entirely on European intellectual genealogy. So this other story,

00:32:49 --> 00:32:52

this other America, this truly

00:32:54 --> 00:32:55

exiled and Israelite

00:32:57 --> 00:33:00

principle, maybe there's other documents to be found, maybe

00:33:00 --> 00:33:07

movies to be made, may be an awareness of the Islamic identity

00:33:07 --> 00:33:12

and the literate Islamic identity of many of those early African

00:33:12 --> 00:33:16

Muslim slaves in really desperate circumstances. They describe how

00:33:17 --> 00:33:21

horrific it was plantation slavery really was no joke

00:33:22 --> 00:33:25

will come to the surface and we'll start to see the natural

00:33:25 --> 00:33:29

connection that exists between sort of America white Protestant

00:33:29 --> 00:33:32

Christian power gun lobby Christianity, on the one hand,

00:33:33 --> 00:33:35

that's not the only way of being a Christian in America, but in the

00:33:35 --> 00:33:39

kind of Bush era, the Trump era, it seemed to be dominant. And on

00:33:39 --> 00:33:44

the other hand, the rejected eldest son, Ishmael Hotjar, the

00:33:44 --> 00:33:49

ones who are cast out for being half African, that really the only

00:33:49 --> 00:33:50

religion in the world.

00:33:51 --> 00:33:55

That is the that is founded by somebody who has some African

00:33:55 --> 00:33:58

blood because of course, the Israelite story is precisely that.

00:33:59 --> 00:34:05

So there's a lot more to be done on this. Jeffrey has given a wider

00:34:05 --> 00:34:09

story about Arabic literature in early American Republican culture

00:34:09 --> 00:34:13

and much of that is interesting as well but certainly a something

00:34:13 --> 00:34:17

that indicates how very ancient apparently obscure texts can

00:34:17 --> 00:34:21

really break surface and become sensations nowadays and and shed

00:34:21 --> 00:34:26

light on the actual meaning of injustices and headline issues

00:34:26 --> 00:34:30

today. I think this is definitely a very interesting text and it's

00:34:30 --> 00:34:32

Oxford University Press.

00:34:33 --> 00:34:37

In New York, they're generally not too expensive. 2020 Yeah, so it is

00:34:37 --> 00:34:42

new, the reviews have still not quite digested it but yep.

00:34:43 --> 00:34:48

An excellent piece of scholarship that also contributes directly to

00:34:48 --> 00:34:53

the culture wars in modern America, strongly recommended. So

00:34:53 --> 00:34:59

that brings us to the end of my five winter texts for reading as

00:34:59 --> 00:34:59

we go through the

00:35:00 --> 00:35:05

is dark and soggy month, but it is encouraging to see how much is

00:35:05 --> 00:35:10

being published now, often by kind of piratical small publishers

00:35:10 --> 00:35:15

these voices very often from the margins, but then that tends to be

00:35:15 --> 00:35:18

where truth is the story of religions is all about God being

00:35:18 --> 00:35:21

with the margins being with the dispossessed being with the

00:35:21 --> 00:35:25

discriminated against with the Worcester Dauphine with the monka

00:35:25 --> 00:35:30

theoretical Lobo home so hopefully as we internalize this, and gain

00:35:30 --> 00:35:34

what is really the message of all of these texts, which is Allah,

00:35:34 --> 00:35:38

Allah cliche in Shaheed, he is the witness of everything. The elites

00:35:38 --> 00:35:41

may not see it, but God sees it and sees the real shape of

00:35:41 --> 00:35:46

history. And it is the most that I've seen, who will ultimately be

00:35:46 --> 00:35:49

the worry theme as the Quran insists they're the ones who

00:35:49 --> 00:35:54

inherit in the next world if not always in this. barnacle. Alfie

00:35:54 --> 00:35:57

Kohn salam o aleikum wa rahmatullah Cambridge Muslim

00:35:57 --> 00:36:01

College, training the next generation of Muslim thinkers

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