Abdal Hakim Murad – Winter Reading List 1

Abdal Hakim Murad
Share Page

AI: Summary ©

The transcript describes a range of books and pieces of art made by Theodore Dalrymple, a doctor for women's haircutting. The collections include a series of art from the early 90s, including a series of collections of art from the early 90s, including a series of collections of art from the early 90s, including a series of collections of art from the early 90s, including a series of collections of art from the early 90s, including a series of collections of art from the early 90s, including a series of collections of art from the early 90s, including a series of collections of art from the early 90s, including a series of collections of art from the early 90s, including a series of collections of art from the early 90s, including a series of collections of art from the early 90s, including a series of collections of art from the early 90s, including a series of collections of art from the early 90s, including a series of

AI: Summary ©

00:00:00 --> 00:00:04
			Cambridge Muslim college training
the next generation of Muslim
		
00:00:04 --> 00:00:09
			thinkers Smilla hamdu lillah wa
salatu salam, ala Rasulillah. Were
		
00:00:09 --> 00:00:14
			early he was happy women were
alert. So what we're going to do
		
00:00:14 --> 00:00:18
			is just give a brief overview of
these five books that not quite at
		
00:00:18 --> 00:00:22
			random we've picked for winter
reading. These are not necessarily
		
00:00:23 --> 00:00:26
			endorsements, but at least the
opportunity to reflect on some of
		
00:00:26 --> 00:00:29
			the stuff that is being published
at the moment. And that is out
		
00:00:29 --> 00:00:34
			there. There's a lot about Islam
and the interests of Islam in the
		
00:00:34 --> 00:00:38
			wider intellectual conversation of
our culture, and we need to have a
		
00:00:38 --> 00:00:44
			window onto that. So what I want
to start with, perhaps, going in
		
00:00:44 --> 00:00:50
			at the soft end is the poetic
anthology of Paul Abriola. Dude
		
00:00:50 --> 00:00:51
			Sutherland.
		
00:00:52 --> 00:00:59
			Sutherland is very mature,
established Canadian poet with
		
00:00:59 --> 00:01:04
			about 10 collections of poems
already, to his credit, many of
		
00:01:04 --> 00:01:08
			them dating from before his
conversion. But recently during
		
00:01:08 --> 00:01:14
			Ramadan, he wrote a poem on every
day of the fasting month plus
		
00:01:14 --> 00:01:19
			another 10, from the month
following. So you have here poems
		
00:01:19 --> 00:01:21
			on the life of the prophet
Muhammad.
		
00:01:22 --> 00:01:26
			Each of the poems considers one
aspect of the Holy Prophet in
		
00:01:26 --> 00:01:27
			terms of his
		
00:01:28 --> 00:01:35
			human reality in seventh century
Arabia. So it's a kind of poetic
		
00:01:35 --> 00:01:39
			Sierra, but looking more at Shama
issues and what kind of person he
		
00:01:39 --> 00:01:44
			was. So, here is something that he
imagines say that art is just
		
00:01:44 --> 00:01:45
			saying,
		
00:01:46 --> 00:01:50
			when the love of my life died, I
was 17 had founded an Islamic
		
00:01:50 --> 00:01:54
			nation shattered, the weapons of
the aggressive tribes made the
		
00:01:54 --> 00:01:58
			high palms bow to kiss the sandals
of Wayfarer, transformed thieves
		
00:01:58 --> 00:02:02
			into scholars given us the right
manners for every action, had
		
00:02:02 --> 00:02:05
			conquered Mecca, and made it
possible for us to visit our
		
00:02:05 --> 00:02:10
			families there, and so on. It's a
very good way of getting into some
		
00:02:10 --> 00:02:13
			of the depths of the Sierra, very
often we focus on battles and
		
00:02:13 --> 00:02:16
			marriages and events. And this
gives you more of a sense of the
		
00:02:16 --> 00:02:20
			spiritual story. So that I think
is definitely a recommendation.
		
00:02:21 --> 00:02:24
			And then from the sublime does
something Well, not quite
		
00:02:24 --> 00:02:28
			ridiculous. I thought that we
could dip our toes into the choppy
		
00:02:28 --> 00:02:32
			waters of that essay writing of
Theodore Dalrymple, and this is
		
00:02:32 --> 00:02:35
			one of his recent collections,
anything goes the death of
		
00:02:35 --> 00:02:40
			honesty. Now, he's not somebody
who is immediately directed by any
		
00:02:41 --> 00:02:45
			religious worldview, but
nonetheless, has contributed for
		
00:02:45 --> 00:02:49
			years to the times Times Literary
Supplement spectator and so forth,
		
00:02:49 --> 00:02:54
			in a kind of not quite blimp ish
curmudgeonly way decrying the
		
00:02:54 --> 00:02:58
			times. So an enemy of political
correctness, an opponent of many
		
00:02:58 --> 00:03:03
			of the Wilder views associated
with say, some of the transgender
		
00:03:03 --> 00:03:07
			rhetoric or some of the feminist
rhetoric. And he does this not
		
00:03:07 --> 00:03:11
			from an elite perspective, but as
somebody who has really worked at
		
00:03:11 --> 00:03:15
			the frontline of the Northern
cultural wars, but the the
		
00:03:15 --> 00:03:19
			inequality wars of our culture,
even though he's right of center.
		
00:03:19 --> 00:03:24
			As a doctor, he basically spends
his life as a GP, in this country
		
00:03:24 --> 00:03:28
			and abroad, he's dealt with some
of the rougher edges of the human
		
00:03:28 --> 00:03:32
			experience. He's been an expert
witness in murder trials, he deals
		
00:03:32 --> 00:03:36
			with drug deaths, he deals with
battered wives and so forth, and
		
00:03:36 --> 00:03:37
			has this
		
00:03:38 --> 00:03:43
			series of collections of essays in
which he politicizes about the way
		
00:03:43 --> 00:03:47
			in which the country is going and
in many cases, our own concerns as
		
00:03:47 --> 00:03:51
			Muslim believers are quite
startlingly mirrored in this
		
00:03:51 --> 00:03:55
			collection. And it's interesting
to reflect as we move through this
		
00:03:55 --> 00:03:55
			the extent to which
		
00:03:57 --> 00:04:00
			Muslim concerns are often
reflected to the right rather than
		
00:04:00 --> 00:04:03
			the left of the political
spectrum. Somebody like Jonathan
		
00:04:03 --> 00:04:06
			Bowden, for instance, who died
recently who was with a British
		
00:04:06 --> 00:04:09
			National Party, which certainly
will not normally touch with a
		
00:04:09 --> 00:04:14
			bargepole had some interesting
things to say about Islam as a
		
00:04:14 --> 00:04:20
			counterweight to the the negative
spirit of consumer modernity. So
		
00:04:20 --> 00:04:24
			that's Theodore Dalrymple,
anything goes rather than what
		
00:04:24 --> 00:04:28
			academic but actually quite
accessible is a book by young
		
00:04:28 --> 00:04:31
			scholar called Raymond Farrin
structure and Quranic
		
00:04:31 --> 00:04:35
			interpretation. Quranic studies
going through a kind of golden age
		
00:04:35 --> 00:04:39
			at the moment, and here it's some
of it looks rather terrifying with
		
00:04:39 --> 00:04:42
			lots of numbers and structures and
graphs of how the sewers
		
00:04:42 --> 00:04:46
			interlock, but his basic point
which I think you can benefit from
		
00:04:46 --> 00:04:52
			without knowing the Arcana of
Quranic studies, is a support for
		
00:04:52 --> 00:04:56
			the claim that ring composition
gives us the key to understanding
		
00:04:56 --> 00:05:00
			the structure of the Quranic text
he shows with detailed example
		
00:05:00 --> 00:05:03
			is how serious begins say with
topic a move on to topic B,
		
00:05:04 --> 00:05:08
			perhaps topic C, and then back to
topic B and back to a again. And
		
00:05:08 --> 00:05:12
			he also even more ambitiously
proposes that you can see groups
		
00:05:12 --> 00:05:16
			of sewers in the Quran, in which
this structure is observable. So
		
00:05:17 --> 00:05:20
			it's a little bit left field and
it's as it were throwing the cat
		
00:05:20 --> 00:05:25
			among the orientalist pigeons. But
it's a bold work. And I think for
		
00:05:25 --> 00:05:29
			those who are trying to understand
the depths, and the compositional
		
00:05:29 --> 00:05:32
			beauty of the Quran, definitely
something worth having on one
		
00:05:32 --> 00:05:39
			shelf. And there's also Jeff Iein.
Bowden, and his book on Islam and
		
00:05:39 --> 00:05:41
			romanticism which is,
		
00:05:43 --> 00:05:47
			again, ostensibly an academic
text, but in fact very interesting
		
00:05:47 --> 00:05:50
			to us because when we speak about
Islamic Europe, Islam of the west
		
00:05:50 --> 00:05:54
			so often our adversaries think in
terms of opposition's it's them in
		
00:05:54 --> 00:05:58
			us like light and dark, the
Semitic in the area in the
		
00:05:58 --> 00:06:02
			European and the Asian it's, it's
dichotomizing What he's pointing
		
00:06:02 --> 00:06:06
			out through his quite forensic
literary trawl through mainly
		
00:06:06 --> 00:06:10
			German literature of the 17th and
18th century enlightenment
		
00:06:10 --> 00:06:13
			literature, and romanticism but
also looking at the English
		
00:06:13 --> 00:06:17
			experience. So Lord Byron, who
says he almost became a Muslim,
		
00:06:17 --> 00:06:22
			and of course his child Harold is
full of Islamic references, and
		
00:06:22 --> 00:06:25
			then Byron through Shelley with
his book the revolt of Islam, and
		
00:06:25 --> 00:06:28
			then shall his wife Mary Shelley,
author of Frankenstein, and we
		
00:06:28 --> 00:06:32
			recall how Frankenstein first
learns to speak because of a
		
00:06:32 --> 00:06:35
			Muslim girl called Sofia who is
reciting certain things and
		
00:06:35 --> 00:06:39
			there's resonance is there very
much Islam as part of that pre
		
00:06:39 --> 00:06:43
			modern European world rather than
something that as it were, fell
		
00:06:43 --> 00:06:43
			off about
		
00:06:44 --> 00:06:48
			50 or 60 years ago and reminding
us of this interlocking narrative.
		
00:06:49 --> 00:06:55
			At the last of the five is Henrik
Ibsen, Emperor and Galilean which
		
00:06:55 --> 00:06:59
			is an important monument because
Epson probably Europe's best ever
		
00:06:59 --> 00:07:00
			playwright.
		
00:07:01 --> 00:07:06
			The Doll's House, Rasmus home, and
so many other monuments of 19th
		
00:07:06 --> 00:07:07
			century second rising
		
00:07:08 --> 00:07:12
			sensibility. Ibsen himself
considered this to be his best
		
00:07:12 --> 00:07:17
			play. And yet, it's really
difficult to stage. The first time
		
00:07:17 --> 00:07:21
			it was ever staged in the UK was
in 2011, at the National Theatre.
		
00:07:21 --> 00:07:25
			And unfortunately, what they did
was to shorten it and to modernize
		
00:07:25 --> 00:07:29
			it. So here we have the one you
shouldn't buy in the new version
		
00:07:29 --> 00:07:33
			by Ben power, who was a Cambridge
trained kind of theater person,
		
00:07:34 --> 00:07:37
			who I think didn't really believe
that a national theater audience
		
00:07:37 --> 00:07:42
			would understand the references of
the 19th century, agonizing over
		
00:07:42 --> 00:07:44
			faith. What should we do with the
body and its cravings?
		
00:07:44 --> 00:07:47
			Christianity no longer speaks to
us? We can't be pagans any longer
		
00:07:47 --> 00:07:51
			the Wagnerian thing is, obviously,
an absurdity. And out of the
		
00:07:51 --> 00:07:55
			question, where do we go? This is
where Ibsen our greatest
		
00:07:55 --> 00:07:59
			playwright explores this. And at
the end is the Emperor.
		
00:08:00 --> 00:08:06
			And input comes to grief, having
invaded Iraq. Sounds familiar,
		
00:08:06 --> 00:08:08
			didn't work too. Well, that was
the end of the Roman attempt to
		
00:08:08 --> 00:08:14
			expand empirically to to the east.
As he dies, he predicts, in a
		
00:08:14 --> 00:08:18
			veiled but unmistakable way, the
arrival later on of what he calls
		
00:08:18 --> 00:08:23
			the third Empire, which is the one
that we will unite body and flesh,
		
00:08:23 --> 00:08:26
			which is obviously a reference to
the imminence of Islam that comes
		
00:08:26 --> 00:08:30
			out of this book, because, of
course, that's too, too strong.
		
00:08:31 --> 00:08:35
			Meet for modern liberal audiences
at the National Theatre, but get
		
00:08:35 --> 00:08:39
			older ones and you can see how
Epson himself like many of those
		
00:08:39 --> 00:08:44
			18th century romantics that I'm
speaking about, clearly sees a
		
00:08:44 --> 00:08:48
			resolution to be found in the
third Empire and the harmonizing
		
00:08:48 --> 00:08:52
			body spirit dialectic of the final
revelation. So those are my
		
00:08:52 --> 00:08:55
			choices, not endorsing anything
that's in them particularly, but I
		
00:08:55 --> 00:08:58
			think it helps to remind us of the
liveliness of the current public
		
00:08:58 --> 00:09:03
			conversation and insha Allah will
benefit from at least dipping into
		
00:09:03 --> 00:09:06
			the pages of these amazing
writings. Cambridge Muslim
		
00:09:06 --> 00:09:10
			College, training the next
generation of Muslim thinkers