Suhaib Webb – Reading Warsh (Lesson Fourteen) Practice Four

Alhamdulillahi

rabbilalamin

Assalamu Alaikum

Welcome back now to

the 14th lesson

on the rules for reading. Wash

back to Sayna

Imam Nafi radiAllahu anhumah.

InshaAllah,

practice makes perfect as they say, and

one of the keys to having a better

recitation of the Quran and a familiarity

with something like a new

kiraa, if you will, like new rules,

is the more exposure you have. Right? You

wanna think about exposure as being a key

ingredient to you learning to read this correctly.

So

with that in mind, I put together these

practice sessions and I ask Allah Subhanahu Wa

Ta'ala to bless us inshaAllah and put higher.

So let's get started.

And of course we're gonna start with Istiadah

which is wajib.

All of the

Quran agree that outside of salah you have

to start it,

with.

And and also when you start reciting the

Quran,

you have to observe the best

So here we see 2 muds, right? This

is mud munfarsil,

right? Which is going to be red wisita

haraket.

And of course this is mad badal, how

do we know it's mad badal? Well it's

red which is the easy way out of

course and then it's great, Use these colors

until you're able to habituate things.

But more importantly

that when you see the hams

in front of the badal in front of

the mad, excuse me.

So Badal,

as we've talked about,

right, that we're observing

Allah

So everything here Masha'Allah is pretty easy. You

want to pay attention of course to the

noon with

Shaddah, oftentimes people neglect it.

Right?

Says when you see

or with

you have to hold it with Shadda you

have to hold it one second with I

know

means like sin but in Arbi

is the is the baseball sound you're making

you know. Right

so

don't go

don't go in Allah, in Allah, also smile.

In Allah

and of course,

Inaloha.

Inaloha Semi Aunarim.

And of course these rules I'm talking about

now apply to everything not just wash.

The next verse you really want to take

a deep breath it's quite long.

So it's a lot happening here in this

verse. Some of these things we already know.

Here is the

And here again is Mud Mun fossil. How

do we know it's Mun fossil?

If you look at it it's

the Hamza after the mud is always on

a stick.

It's

a Quran hack for you.

And if I don't see the Hamza sitting

on a stick for example

here

then I know that's

here

and

both of those are

Why are they

They are part of that word

and how do you recognize them that the

hamz

is not sitting on a stick?

Unlike

Mad Mun Fassil, here the Khamz is sitting

on a stick.

Here the hums is sitting on a stick.

Quest mud battle is its own its own

issue, right? What makes it unique is of

course the hums is coming in front of

the mud.

But I'm sure you're asking why did I

read Nabi?

Because we know that in in haves, right?

Let me see if I can type over

here.

It's

na

Right? So you're probably asking like what happened?

Why

is Nefer reading

instead of nabi.

It's very simple.

That in the narration

of Nafeh,

his authentic

this Yeah, which is right here,

becomes second.

And then the hamza

comes out to end the word because naba'ah,

right,

This is part of the part of the

word.

So what happens now that this Yeah has

sukun

and in front of it is a ba

with kesra

and after it is a hams,

then this is Madi,

and this is Madmut Tasil. How do you

know it's Madmut Tasil? I already told

you, but this is my first question for

you

in the

comments I want to see.

Why

is a nabi

how do you know it is madmutalsil

sitha harakat?

How do you know that?

So what happened again it was Nabi'i,

then

the Yeah was given sukun,

the hamza is put at the end of

the word, it's

and what you have now is a ba

with kesra followed by a yes, akena followed

by a hamza. So this is going to

be madmotasil.

But how do I know it's madmotasil?

That's my question.

What about that hamza It's letting me know

that that is

That's the first question that I want to

see you answer in the box below.

Here also, and we haven't studied this yet

but if you pay attention now you're going

to catch it.

This is called Nakal.

Nakal means to transport. We call

a moving truck in Arabic

Arabata

nakal.

Right? Because it moves things, it transport things.

Right? So what happens here is we know

that in Hafs,

what was initially there was this,

and I'll be able to move that shortly.

Right? That's that's what was there in

and this becomes Ikhfa, right?

But in the narration of Nafi RadiAllahu Anhu

back to Sayna Rasulillahi Salallahu Wari Wasallam

We understand that

the hamza

is gone.

But its vow

transfers

to this nunasakina.

Right? Because nunasakina meaning tanween. Right? Tanween.

Bibaob Din

is actually nunasakina.

So I used to teach myself to remember

it this way, right, and this is just

to help you. As I used to imagine

there was a nun here,

and that

So

So the Naqal

of the vowel from the hamza

to

the letter in front of it if that

letter is sekin.

We're gonna talk about this more, I'm not

gonna open up everything now but just have

an idea that if there is a letter

in sukun that's followed by a hamza toqatta,

there's going to be a transfer of the

vow to that letter.

More or less. Right? Without without making it

big explanation now, I just want you to

kinda be familiar with what's going on.

Be careful.

Don't make this heavy because of ta. We

know ta is a heavy letter.

Right, those 7 letters

Those are the heavy letters.

And what happens sometimes is people overcompensate

for the Taw by affecting the ba. So

they go,

but it's

Don't say

heavy.

Something else and this applies to all of

Masha'Allah the way that we read the Quran

and of course Abi Ja'far who actually makes

Ihfa with which is very interesting and ghayn

unlike others.

A very, very interesting

way

for example, Abi Ja'far al Madani.

But

for us, we're reading with the Shaa'a Taviya,

alhamdulillah here and

oftentimes I've noticed that people tend to make

ikhfeh zhunna always heavy.

So they go like

And this is a big mistake.

Imam Samanuri

Shaykh

Samanuri

Rahim mentions this very beautifully

that

if the letter

afternoon

sekhina,

if the ichtha letter

afternoon

sakinah,

is not from the heavy letters,

Hoson

bah tunukil,

then the Hone is light. So I'm not

gonna

go

I'm gonna go for the

like the word ant.

But

if the Ikhfa letter is from,

so we'll talk about later on, then I'm

going to make that one that sound robust.

Let's continue Insha'Allah.

Hear that

not

Is it

It's of course.

Here.

Taqleel.

And I said one of the greatest signs

that someone has not studied wash with the

masheikh

is they think that everything is Imara.

That tells you right there the person hasn't

set with the shuh

Because there's only one place

that we make Imelda and that's pohi

everything else is taklir. What I mean by

taklir? We have

then we have

and then in the middle we have what's

called a little lean into the fata. So

it's, You

can barely hear it.

Man, the best person I've ever heard do

this is Sheikh Abdul Basit,

Abdul Samad,

Rahim Muhullah Wa Ta'ala in his

and also a Sheikh Mahmoud Khalil Alhusari

Rahim

barely

barely. You barely hear it. And the best

way to learn this is

The best way to learn this is read

it to someone.

And here listen to the Ra, we know

in Hefs

But pay attention, you start to see a

pattern when the letter has a kesra in

front of the ra,

then the rah is maraqqaka

even if it is mad mum

or maftu. So listen,

Here also this applies to all

different ways of reading the Quran, Alhamdulillah authentic

ways. At the highest level of takhim

is when you have one of the heavy

letters and raw

is one of those letters that can be

heavy and can be soft like lam, like

arif, layina, right. So that's why you don't

hear it because

it's is disagreed on. Some people say the

is tarqiq,

others they say the Asl of Ra is

Tafhim.

Okay, but here we know that when Ra

has Fatha and is followed by an Alif

Mad,

this is going to be the highest

most intense level of tafheem.

Along with any letter from

If any of those letters are and

after them is

then it is going to be the highest

level of tafkeem.

So

make sure you pronounce this Dhamma sometimes I

don't do it. There's

a

I think. So

The key to all of this really

is to read slow enough that you control

the letters

and the letters

do not control you.

I can't emphasize how important that is. I'll

say that most of the mistakes my students

make with me is because they start reading

too fast.

So let's read this page one more time

slowly together

Insha'Allah Hu Ta'ala and then Insha'Allah we'll stop.

Bismillahirrahmanirrahim

Masha'Allah.

It certainly is a pulmonary examination but it

is such a beautiful riwaya. I hope that

you can really feel

the beauty of it.

And later on we'll start to read faster

and faster, right? But right now my goal

is is that you're reading correctly.

So remember there was one question,

for this practice that I'd like to see

below,

and that is the question I asked earlier

about

the natal

and what happened

to

Nabi,

right? Why do you know that that is

Mad Mu'tasir? How do you know that?