Suhaib Webb – Reading Warsh (Lesson Fourteen) Practice Four

Suhaib Webb
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The speaker discusses practice sessions for reading the Quran and practicing reciting the Quran, highlighting the rules for holding a mud with a shaddah and the use of colors to identify the hamza. They also explain the meaning of "na" in the narration of N commissioner's name and how to recognize the meaning of "na" in the narration of N commissioner's name. The speaker stresses the importance of slow learning for proper reading and the transfer of vow transfers from a letter to a letter in a certain region due to the use of "na moving." They also discuss the use of "hams" in Arabic and how it can be confusing. Additionally, the speaker talks about the transfer of vow transfers from a letter to a letter in a certain region due to the use of "na moving" in the article, and stress the importance of slow learning for proper reading.

AI: Summary ©

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			Alhamdulillahi
		
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			rabbilalamin
		
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			Assalamu Alaikum
		
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			Welcome back now to
		
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			the 14th lesson
		
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			on the rules for reading. Wash
		
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			back to Sayna
		
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			Imam Nafi radiAllahu anhumah.
		
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			InshaAllah,
		
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			practice makes perfect as they say, and
		
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			one of the keys to having a better
		
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			recitation of the Quran and a familiarity
		
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			with something like a new
		
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			kiraa, if you will, like new rules,
		
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			is the more exposure you have. Right? You
		
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			wanna think about exposure as being a key
		
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			ingredient to you learning to read this correctly.
		
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			So
		
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			with that in mind, I put together these
		
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			practice sessions and I ask Allah Subhanahu Wa
		
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			Ta'ala to bless us inshaAllah and put higher.
		
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			So let's get started.
		
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			And of course we're gonna start with Istiadah
		
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			which is wajib.
		
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			All of the
		
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			Quran agree that outside of salah you have
		
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			to start it,
		
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			with.
		
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			And and also when you start reciting the
		
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			Quran,
		
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			you have to observe the best
		
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			So here we see 2 muds, right? This
		
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			is mud munfarsil,
		
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			right? Which is going to be red wisita
		
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			haraket.
		
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			And of course this is mad badal, how
		
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			do we know it's mad badal? Well it's
		
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			red which is the easy way out of
		
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			course and then it's great, Use these colors
		
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			until you're able to habituate things.
		
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			But more importantly
		
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			that when you see the hams
		
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			in front of the badal in front of
		
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			the mad, excuse me.
		
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			So Badal,
		
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			as we've talked about,
		
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			right, that we're observing
		
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			Allah
		
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			So everything here Masha'Allah is pretty easy. You
		
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			want to pay attention of course to the
		
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			noon with
		
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			Shaddah, oftentimes people neglect it.
		
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			Right?
		
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			Says when you see
		
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			or with
		
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			you have to hold it with Shadda you
		
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			have to hold it one second with I
		
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			know
		
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			means like sin but in Arbi
		
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			is the is the baseball sound you're making
		
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			you know. Right
		
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			so
		
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			don't go
		
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			don't go in Allah, in Allah, also smile.
		
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			In Allah
		
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			and of course,
		
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			Inaloha.
		
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			Inaloha Semi Aunarim.
		
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			And of course these rules I'm talking about
		
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			now apply to everything not just wash.
		
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			The next verse you really want to take
		
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			a deep breath it's quite long.
		
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			So it's a lot happening here in this
		
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			verse. Some of these things we already know.
		
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			Here is the
		
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			And here again is Mud Mun fossil. How
		
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			do we know it's Mun fossil?
		
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			If you look at it it's
		
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			the Hamza after the mud is always on
		
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			a stick.
		
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			It's
		
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			a Quran hack for you.
		
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			And if I don't see the Hamza sitting
		
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			on a stick for example
		
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			here
		
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			then I know that's
		
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			here
		
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			and
		
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			both of those are
		
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			Why are they
		
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			They are part of that word
		
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			and how do you recognize them that the
		
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			hamz
		
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			is not sitting on a stick?
		
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			Unlike
		
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			Mad Mun Fassil, here the Khamz is sitting
		
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			on a stick.
		
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			Here the hums is sitting on a stick.
		
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			Quest mud battle is its own its own
		
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			issue, right? What makes it unique is of
		
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			course the hums is coming in front of
		
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			the mud.
		
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			But I'm sure you're asking why did I
		
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			read Nabi?
		
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			Because we know that in in haves, right?
		
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			Let me see if I can type over
		
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			here.
		
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			It's
		
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			na
		
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			Right? So you're probably asking like what happened?
		
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			Why
		
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			is Nefer reading
		
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			instead of nabi.
		
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			It's very simple.
		
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			That in the narration
		
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			of Nafeh,
		
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			his authentic
		
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			this Yeah, which is right here,
		
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			becomes second.
		
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			And then the hamza
		
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			comes out to end the word because naba'ah,
		
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			right,
		
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			This is part of the part of the
		
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			word.
		
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			So what happens now that this Yeah has
		
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			sukun
		
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			and in front of it is a ba
		
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			with kesra
		
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			and after it is a hams,
		
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			then this is Madi,
		
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			and this is Madmut Tasil. How do you
		
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			know it's Madmut Tasil? I already told
		
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			you, but this is my first question for
		
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			you
		
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			in the
		
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			comments I want to see.
		
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			Why
		
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			is a nabi
		
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			how do you know it is madmutalsil
		
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			sitha harakat?
		
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			How do you know that?
		
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			So what happened again it was Nabi'i,
		
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			then
		
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			the Yeah was given sukun,
		
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			the hamza is put at the end of
		
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			the word, it's
		
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			and what you have now is a ba
		
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			with kesra followed by a yes, akena followed
		
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			by a hamza. So this is going to
		
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			be madmotasil.
		
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			But how do I know it's madmotasil?
		
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			That's my question.
		
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			What about that hamza It's letting me know
		
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			that that is
		
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			That's the first question that I want to
		
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			see you answer in the box below.
		
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			Here also, and we haven't studied this yet
		
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			but if you pay attention now you're going
		
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			to catch it.
		
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			This is called Nakal.
		
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			Nakal means to transport. We call
		
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			a moving truck in Arabic
		
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			Arabata
		
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			nakal.
		
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			Right? Because it moves things, it transport things.
		
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			Right? So what happens here is we know
		
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			that in Hafs,
		
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			what was initially there was this,
		
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			and I'll be able to move that shortly.
		
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			Right? That's that's what was there in
		
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			and this becomes Ikhfa, right?
		
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			But in the narration of Nafi RadiAllahu Anhu
		
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			back to Sayna Rasulillahi Salallahu Wari Wasallam
		
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			We understand that
		
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			the hamza
		
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			is gone.
		
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			But its vow
		
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			transfers
		
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			to this nunasakina.
		
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			Right? Because nunasakina meaning tanween. Right? Tanween.
		
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			Bibaob Din
		
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			is actually nunasakina.
		
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			So I used to teach myself to remember
		
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			it this way, right, and this is just
		
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			to help you. As I used to imagine
		
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			there was a nun here,
		
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			and that
		
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			So
		
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			So the Naqal
		
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			of the vowel from the hamza
		
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			to
		
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			the letter in front of it if that
		
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			letter is sekin.
		
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			We're gonna talk about this more, I'm not
		
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			gonna open up everything now but just have
		
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			an idea that if there is a letter
		
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			in sukun that's followed by a hamza toqatta,
		
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			there's going to be a transfer of the
		
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			vow to that letter.
		
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			More or less. Right? Without without making it
		
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			big explanation now, I just want you to
		
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			kinda be familiar with what's going on.
		
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			Be careful.
		
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			Don't make this heavy because of ta. We
		
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			know ta is a heavy letter.
		
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			Right, those 7 letters
		
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			Those are the heavy letters.
		
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			And what happens sometimes is people overcompensate
		
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			for the Taw by affecting the ba. So
		
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			they go,
		
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			but it's
		
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			Don't say
		
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			heavy.
		
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			Something else and this applies to all of
		
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			Masha'Allah the way that we read the Quran
		
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			and of course Abi Ja'far who actually makes
		
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			Ihfa with which is very interesting and ghayn
		
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			unlike others.
		
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			A very, very interesting
		
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			way
		
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			for example, Abi Ja'far al Madani.
		
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			But
		
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			for us, we're reading with the Shaa'a Taviya,
		
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			alhamdulillah here and
		
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			oftentimes I've noticed that people tend to make
		
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			ikhfeh zhunna always heavy.
		
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			So they go like
		
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			And this is a big mistake.
		
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			Imam Samanuri
		
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			Shaykh
		
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			Samanuri
		
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			Rahim mentions this very beautifully
		
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			that
		
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			if the letter
		
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			afternoon
		
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			sekhina,
		
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			if the ichtha letter
		
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			afternoon
		
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			sakinah,
		
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			is not from the heavy letters,
		
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			Hoson
		
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			bah tunukil,
		
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			then the Hone is light. So I'm not
		
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			gonna
		
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			go
		
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			I'm gonna go for the
		
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			like the word ant.
		
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			But
		
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			if the Ikhfa letter is from,
		
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			so we'll talk about later on, then I'm
		
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			going to make that one that sound robust.
		
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			Let's continue Insha'Allah.
		
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			Hear that
		
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			not
		
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			Is it
		
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			It's of course.
		
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			Here.
		
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			Taqleel.
		
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			And I said one of the greatest signs
		
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			that someone has not studied wash with the
		
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			masheikh
		
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			is they think that everything is Imara.
		
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			That tells you right there the person hasn't
		
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			set with the shuh
		
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			Because there's only one place
		
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			that we make Imelda and that's pohi
		
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			everything else is taklir. What I mean by
		
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			taklir? We have
		
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			then we have
		
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			and then in the middle we have what's
		
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			called a little lean into the fata. So
		
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			it's, You
		
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			can barely hear it.
		
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			Man, the best person I've ever heard do
		
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			this is Sheikh Abdul Basit,
		
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			Abdul Samad,
		
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			Rahim Muhullah Wa Ta'ala in his
		
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			and also a Sheikh Mahmoud Khalil Alhusari
		
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			Rahim
		
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			barely
		
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			barely. You barely hear it. And the best
		
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			way to learn this is
		
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			The best way to learn this is read
		
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			it to someone.
		
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			And here listen to the Ra, we know
		
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			in Hefs
		
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			But pay attention, you start to see a
		
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			pattern when the letter has a kesra in
		
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			front of the ra,
		
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			then the rah is maraqqaka
		
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			even if it is mad mum
		
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			or maftu. So listen,
		
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			Here also this applies to all
		
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			different ways of reading the Quran, Alhamdulillah authentic
		
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			ways. At the highest level of takhim
		
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			is when you have one of the heavy
		
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			letters and raw
		
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			is one of those letters that can be
		
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			heavy and can be soft like lam, like
		
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			arif, layina, right. So that's why you don't
		
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			hear it because
		
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			it's is disagreed on. Some people say the
		
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			is tarqiq,
		
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			others they say the Asl of Ra is
		
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			Tafhim.
		
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			Okay, but here we know that when Ra
		
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			has Fatha and is followed by an Alif
		
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			Mad,
		
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			this is going to be the highest
		
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			most intense level of tafheem.
		
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			Along with any letter from
		
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			If any of those letters are and
		
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			after them is
		
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			then it is going to be the highest
		
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			level of tafkeem.
		
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			So
		
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			make sure you pronounce this Dhamma sometimes I
		
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			don't do it. There's
		
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			a
		
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			I think. So
		
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			The key to all of this really
		
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			is to read slow enough that you control
		
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			the letters
		
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			and the letters
		
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			do not control you.
		
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			I can't emphasize how important that is. I'll
		
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			say that most of the mistakes my students
		
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			make with me is because they start reading
		
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			too fast.
		
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			So let's read this page one more time
		
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			slowly together
		
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			Insha'Allah Hu Ta'ala and then Insha'Allah we'll stop.
		
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			Bismillahirrahmanirrahim
		
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			Masha'Allah.
		
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			It certainly is a pulmonary examination but it
		
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			is such a beautiful riwaya. I hope that
		
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			you can really feel
		
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			the beauty of it.
		
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			And later on we'll start to read faster
		
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			and faster, right? But right now my goal
		
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			is is that you're reading correctly.
		
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			So remember there was one question,
		
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			for this practice that I'd like to see
		
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			below,
		
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			and that is the question I asked earlier
		
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			about
		
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			the natal
		
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			and what happened
		
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			to
		
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			Nabi,
		
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			right? Why do you know that that is
		
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			Mad Mu'tasir? How do you know that?