Naima B. Robert – Learn How to Write a Children’s Book Na’ima B. Robert Mistakes to Avoid #1

Naima B. Robert
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The speaker discusses mistakes made by sisters when writing children, including too much detail and unnecessary details. They advise writing in small details and not overwritten to avoid clunkin errors. The speaker also suggests being mindful of what words and expressions to use when writing and offers feedback on their website for their book.

AI: Summary ©

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			Is your sister Naeema B. Robert here back
		
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			again with another video on how to write
		
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			for children.
		
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			Alhamdulillah, we've been helping sisters to write for
		
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			children since 2018 now, Masha'Allah. And along the
		
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			way, we have come across
		
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			some mistakes that sisters make again and again
		
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			and again when they are writing for children.
		
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			And I've shared a couple of these before
		
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			and I would like to share one today.
		
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			And that is
		
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			unnecessary
		
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			detail.
		
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			Unnecessary
		
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			detail.
		
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			Many of us, when we're writing, even though
		
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			we're writing picture books,
		
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			we want to describe
		
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			everything, right? And I see this happening with
		
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			picture books and with chapter books.
		
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			We are compelled to describe
		
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			what kind of a day it was,
		
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			what people were having for breakfast,
		
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			Many authors
		
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			get stuck in with describing the characters
		
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			in great detail, hair color, eye color, what
		
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			they were wearing,
		
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			you know, what they what they ate in
		
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			their lunchbox, etcetera.
		
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			So much detail.
		
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			And I would like to tell you
		
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			that
		
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			looking at the picture books specifically, then we're
		
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			going to talk about chapter books.
		
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			With picture books,
		
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			one of the reasons they are actually more
		
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			challenging than you would expect
		
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			is because every
		
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			word
		
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			matters.
		
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			You only have a 1,000 words, so you
		
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			have to be very careful with which words
		
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			you use and how.
		
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			Remember that with a picture book, the illustrations
		
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			will help you to put the story in
		
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			context.
		
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			So you don't have to
		
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			describe the day unless it's significant to the
		
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			story.
		
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			You don't have to say it was a
		
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			windy day or a sunny day unless that
		
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			is significant to the story. You do not
		
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			have to describe what the character is wearing
		
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			unless it's significant to the story. Because guess
		
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			what, when the book is actually done,
		
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			if there was a reason why she was
		
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			wearing a red coat, you can always have
		
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			the illustrator make sure that they illustrate it
		
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			where the character is wearing a red coat.
		
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			But again,
		
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			only significant
		
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			details should be included
		
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			in your text, in the actual text.
		
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			Superfluous
		
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			dialogue,
		
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			there's no need for
		
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			it. Every time a character comes in, assalamu
		
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			alaikum, warahmatullahi wa barakatuh, warahkum, salaam warahmatullahi wa
		
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			barakatuh, how are you doing? Alhamdulillah.
		
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			I've seen I've seen authors
		
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			use up precious words
		
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			on relaying dialogue that does not move the
		
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			story forward, that does not teach us more
		
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			about the characters and ultimately
		
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			needs to be cut.
		
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			So if you're writing a picture book, please,
		
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			if you've written 1, read through it and
		
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			make sure that every word that you've used
		
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			is necessary,
		
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			that it
		
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			makes the sentence more readable,
		
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			that it makes the sentence richer
		
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			and not the other way around, that it
		
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			doesn't make it less readable and sort of
		
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			overburden the sentences,
		
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			that it takes us forward in the story
		
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			in a way that makes sense, that is
		
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			logical,
		
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			be elegant and beautiful
		
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			and flow with imagery. It doesn't mean that.
		
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			But it means that you should be very
		
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			selective
		
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			about what words you use and what expressions
		
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			you decide to employ.
		
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			Otherwise, your picture book text will be clunky,
		
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			it will feel like it's been overwritten,
		
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			and you will waste precious words talking about
		
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			things that have no bearing on the story
		
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			itself.
		
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			Focus your attention on the details that matter.
		
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			Where you need to draw your readers' attention
		
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			to something, that's when you go into detail.
		
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			When there is a significant
		
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			conversation,
		
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			that's when you tell us exactly what was
		
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			said. And all of this applies to chapter
		
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			books and novels as well.
		
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			Again,
		
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			very, very common mistake, rookie mistake really is
		
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			to go into a lot of detail about
		
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			the way that characters look. She had blue
		
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			eyes or she had musharif. She was wearing
		
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			a hijab that matched her bag and matched
		
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			her shoes.
		
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			The only reason that you would want to
		
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			go into that kind of detail
		
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			is if this tells us something significant
		
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			about the character.
		
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			In the case of the the girl who
		
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			has a hijab that matches her bag and
		
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			matches her shoe, if this character is particularly
		
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			meticulous
		
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			or very fashion oriented and that is a
		
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			significant part of her character which is going
		
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			to come up and be important later, by
		
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			all means,
		
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			let the reader know that that's what she's
		
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			like. And by contrast, if she's not, you
		
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			know, that type of person, if she's very
		
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			sloppy, if she doesn't care about her appearance,
		
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			if she's a lot more laid back, then
		
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			you may want to talk about how her
		
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			hijab was flung carelessly around her head. There,
		
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			you're telling us something significant about the character.
		
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			But as for describing every character in detail,
		
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			every room that they go into telling us
		
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			what's in the room, every road that they
		
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			go down telling us exactly what's on the
		
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			road,
		
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			I would advise you to be aware of
		
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			this, be careful of this, and know that
		
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			sometimes
		
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			that can be a bit of a comfort
		
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			zone where maybe you enjoy describing things, And
		
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			so you end up just doing a lot
		
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			of describing
		
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			and not enough
		
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			moving the plot forward, not enough developing the
		
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			characters, not enough
		
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			editor's
		
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			gonna have something to say about that. Editor's
		
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			gonna be putting lines through, the editor's going
		
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			to have something to say about that. Editor's
		
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			going to be putting lines through, and if
		
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			you send it to a publisher,
		
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			even worse. So
		
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			don't make that rookie mistake.
		
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			Don't go overboard with description and dialogue that
		
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			is not
		
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			necessary, that does not move the story forward,
		
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			that does not actually add to the quality
		
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			of your text. So, I hope that that
		
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			has been helpful.
		
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			Maybe it'll give you something to think about
		
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			as you're writing,
		
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			or even when you go back in for
		
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			your editing period. But it's certainly something that
		
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			we've had to say
		
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			time and time again to our clients and
		
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			our students. So I'm giving this to you
		
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			and I hope that it's useful to you
		
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			insha Allah. And if you would like to
		
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			work with my team and I and if
		
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			you'd like us to look over your manuscript
		
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			and give you this feedback, this kind of
		
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			feedback,
		
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			simply go to my website naimarobert.com/
		
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			services. Send us information about your book. We
		
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			would love to help you become one of
		
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			the 222 Muslimah authors that we support this
		
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			year, insha'Allah.
		
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			Until the next video, take care and remember,
		
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			be economical.
		
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			Be economical with your words. Trust me. It's
		
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			way, way better in the end, Insha'Allah.