Ismail Londt – Prep and Pace. For those leading Tarwh. Suggestions reminders advice.

Bismillah. Assalamu. Alaikum, Asmaa, Allah,

preparation and pace

where preparation is concerned. You as an individual reciter and

Hafiz, you know which sections of your allocated work of the Quran

needs attention? You know what you need to spend more time with. Sort

out any mutasha Bihar, the resembling verses, make a note in

the margin or in a separate document, if you need to, but be

clear as to what is part of your rendition of the evening and what

is elsewhere.

And then advice, especially where tarawih is concerned. Divide your

allocated work into Raqqa into units of pre tell yourself this is

my first raka from year to day. Second raka from day to day, etc.

Because, you know, if it's not clear in your mind and you're just

deciding as you go along, you know, the worst thing I can happen

to a half it is when he comes up to the next Rakha, recites vatiha

And then forgets where he's supposed to recommend from. So

divide it in your mind and make it more manageable.

And with that, when you are reciting during the day, in

preparation, do not recite too loudly. Maintain or retain some of

your vocal energy for the evening and practice your pace important.

You do not want to recite in a moderate pace, like in general

salah, especially for our non Arabic speaking.

Musalli behind us

could be very distracting. But your pace is important, you can

speed up the pace. So where pace is concerned, there are three

acknowledged paces in the field of Kara at in Tajweed, tahtiq is the

slowest pace, where you find

she Abu as others, their renditions fall under Taqi, the

slower space. Then you have tadweir, which is the moderate

pace, generally, sometimes referred to as tartil by the

masses,

the pace you apply in your maghribsha, your Fajr, when you

recite it to your teacher, there's tadweer. And then you have an

acknowledged faster pace, which is supposed to be for revision or for

Tarawa hadou, the problem with HADR is there's no clear gage as

to how fast is fast. So two things to remember, try to be as clear as

possible with your letters and the vowels, the quality of the sounds

of the letters, there must be no doubt in your listener's ear, and

the quality of your vowels, fat Rakas, cetera.

And number two, the rules of Tajweed still have to exist, still

have to be prevalent, still have to be highlighted. Your Runa must

be there. Your mad Farah must be there. Mutil Mun fasilas,

even though they may be a bit shorter because your base is

faster, but they have to exist. They have to be there. You have

they have to be applied. So prepare as best possible and pace

yourself,

watching your pace, trying to enhance it clearly with all the

applied rules, making it light on the ear of those who are following

you and the musalis amid Almighty makers worthy of His pleasure, may

the Tara we a means through which we throw closer to his word, and

with the intention of drawing joy or bringing joy to the heart of

the musalias, may the Almighty reward us for that as well. Ameen

masala walaykum, Muhammad Allah.