Ismail Londt – Prep and Pace. For those leading Tarwh. Suggestions reminders advice.

			Bismillah. Assalamu. Alaikum,
Asmaa, Allah,
		

			preparation and pace
		

			where preparation is concerned.
You as an individual reciter and
		

			Hafiz, you know which sections of
your allocated work of the Quran
		

			needs attention? You know what you
need to spend more time with. Sort
		

			out any mutasha Bihar, the
resembling verses, make a note in
		

			the margin or in a separate
document, if you need to, but be
		

			clear as to what is part of your
rendition of the evening and what
		

			is elsewhere.
		

			And then advice, especially where
tarawih is concerned. Divide your
		

			allocated work into Raqqa into
units of pre tell yourself this is
		

			my first raka from year to day.
Second raka from day to day, etc.
		

			Because, you know, if it's not
clear in your mind and you're just
		

			deciding as you go along, you
know, the worst thing I can happen
		

			to a half it is when he comes up
to the next Rakha, recites vatiha
		

			And then forgets where he's
supposed to recommend from. So
		

			divide it in your mind and make it
more manageable.
		

			And with that, when you are
reciting during the day, in
		

			preparation, do not recite too
loudly. Maintain or retain some of
		

			your vocal energy for the evening
and practice your pace important.
		

			You do not want to recite in a
moderate pace, like in general
		

			salah, especially for our non
Arabic speaking.
		

			Musalli behind us
		

			could be very distracting. But
your pace is important, you can
		

			speed up the pace. So where pace
is concerned, there are three
		

			acknowledged paces in the field of
Kara at in Tajweed, tahtiq is the
		

			slowest pace, where you find
		

			she Abu as others, their
renditions fall under Taqi, the
		

			slower space. Then you have
tadweir, which is the moderate
		

			pace, generally, sometimes
referred to as tartil by the
		

			masses,
		

			the pace you apply in your
maghribsha, your Fajr, when you
		

			recite it to your teacher, there's
tadweer. And then you have an
		

			acknowledged faster pace, which is
supposed to be for revision or for
		

			Tarawa hadou, the problem with
HADR is there's no clear gage as
		

			to how fast is fast. So two things
to remember, try to be as clear as
		

			possible with your letters and the
vowels, the quality of the sounds
		

			of the letters, there must be no
doubt in your listener's ear, and
		

			the quality of your vowels, fat
Rakas, cetera.
		

			And number two, the rules of
Tajweed still have to exist, still
		

			have to be prevalent, still have
to be highlighted. Your Runa must
		

			be there. Your mad Farah must be
there. Mutil Mun fasilas,
		

			even though they may be a bit
shorter because your base is
		

			faster, but they have to exist.
They have to be there. You have
		

			they have to be applied. So
prepare as best possible and pace
		

			yourself,
		

			watching your pace, trying to
enhance it clearly with all the
		

			applied rules, making it light on
the ear of those who are following
		

			you and the musalis amid Almighty
makers worthy of His pleasure, may
		

			the Tara we a means through which
we throw closer to his word, and
		

			with the intention of drawing joy
or bringing joy to the heart of
		

			the musalias, may the Almighty
reward us for that as well. Ameen
		

			masala walaykum, Muhammad Allah.