Ismail Londt – Bayyt Asl Tahqq Mujawwad
AI: Summary ©
The speaker discusses various structures and techniques for entering and dropping a bayati Asli. They give examples of structures for entry, entry and drop, and structure options for starting a bayati Asli. The speaker also emphasizes the importance of practice and understanding the structure of the entry.
AI: Summary ©
The Yati Asli. Asli, the original primary Aidi Foundation, the entry
into bayati.
I'm going to present a few structures, two common structures,
ways of presenting bayati ausli. And then two not so common, but
easily applicable, Inshallah, so the first common structure of
bayati Asli is to enter and slowly descend. So example, after your
isti AADA In your basmala Abu as
see
us.
The room or
shorter piece, so you can hear it better, enter and descend clearly
in clean steps.
Why?
So it's a good entry, nothing too
creative. Rather, you're entering
respectfully and you're calming your nerves as you go along
way.
Another
example was serve another
example was summer. Was summer
either
a nice, neat, respectful entry,
the second structure, structure option in starting the Yati is
where they push
way. Lo little Mont of Fifi, a bit longer
way.
Lola,
okay.
You
have your options there, so the first one is enter and then drop,
wail, little
more.
Second is enter and push way low.
Little Sama, either till
see the
difference.
Can
you hear the difference? And entering pushing but a bit longer
was summer.
Woman should and that would be a common ending for that option. You
could also do both. You could do either of them, or you could do
both. You start with the the one that descends, and you do your
next piece with the one that pushes. For example, way low,
little amount of Fifi. Need respectful start, and then you
push
to
still fool good. So you have two basic structures. And then, as far
as options are concerned, as to what you do after you've entered,
what you do after you've gone down your steps, or what you do after
you've pushed, that comes.
A time that comes practice, but at least know your two options, then
you have two other options,
where, say the third one. First is where you you enter a bit lower,
you enter a bit more shy, you enter a bit more nervous. But as
you're reading, you feel your voice by the end, you have a nice,
neat push and checkman Shave was known for this manner. So you have
your Bismillah, your Rahman, you Rahim, instead of wailu,
you start wailu.
Moton
is a
so
this middle here, rahmanir, Rahim, your first option will you wailu,
see the key. Where's this one? Bismillah, you? Rahmani, Rahim,
wai
lupa. Financie
wala,
Nazi, while it's a
bit more reserved, then near the end, you feeling your voice
with the other Sura Bismillah, your Rahman, your Rahim. First
option was summer,
either,
where's this one? Smell your Rahman, your Rahim, was summer
either till Guruji or yo me
or Shay. Start is very plain, very reserved. You're feeling the
quality of your voice at the time of recitation, and at the end, you
gain a bit more confidence. And like I say, the the endings are
optional. There are other things you can do, but it's about your
initial structure, how you enter and start the maqam. So that's
your third way. The fourth way is done by Sheik Mustafa. Is Maril at
times, it's a bit and Sheik Rahi Mustafa, ravash also does it
beautifully at times. Is where you enter, also a bit nervous, unsure,
but near the end as well, you you push up. So, for example, there's
a bit more steps in the beginning.
So she must rise. Man does it in Surah Maryam. So he says, Mila,
you Rahman? You rohim? Yeah, yeah.
Who
did you know?
So Bismillah, Rahmani,
Rahim, wai
Luton,
Island, way. Loli moonton, Fifi, so this steps and up and down.
Wailu moonton, fifina,
him, ya Mataji, dunk, Luna,
Simon,
Rahmanir Rahim was summer.
So listen
to
that. Think about that. Some might say that this fourth way is a bit
more confident because you're playing around more, and the play
helps warm up the voice for the for the stages and levels to come.
So think about that, and see it as structures identify with your ear
practice, and then we'll meet inshaAllah as.