Ismail Londt – Amending Endings Maqmt Basics

Ismail Londt
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The speaker discusses reciting and practicing Maqam to improve expression and expression in a way that is not stuck on the initial structure. They also discuss making modifications to sound out of the box and encourage creativity and exploration in the mind. The speaker provides examples of how to make sound out of the box and offers guidance on how to access the best guide for May Allah.
AI: Transcript ©
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Bismillah, assalamu, Alaikum.

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After learning and familiarizing your ear with the basic structure

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of any maqam, the encouragement is then to practice to the level

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where you are able to express yourself within the Maqam and not

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to be stuck on the initial structure and sound, more than

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that, expressing yourself based on what you understand of the ayah

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that you recite. So understanding the ayah is extremely important.

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That's ultimately why we are reciting and while we are

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attempting to beautify our rendition, to attract the listener

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to the meaning of what is being recited. Anyway, if we are not at

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the level of expression within the Maqam yet, because we lack

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understanding, or we lack courage to go beyond what if what we've

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initially lint of the structure. Then there is something else that

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we can start with to

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encourage creativity and to ignite creativity within our minds and

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our ears, and that is to amend the endings you you memorize and you

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practice and you're perfect the way certain reciters in a

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particular ayah end a particular sound. So what you do is you

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slightly amend it to make it your own. And Quran been doing this if

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we take one turn that we managed to do in this in the series of

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bayati now in the jawab Asli, with the push you end, for example,

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if we take a simple ending,

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Maliki Omid, Deen, for example,

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Maliki umidin, that's

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the comment sound at the end, you take a simple change, a simple

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amendment by Doctor Naina, where the last set of jumps you wouldn't

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do it as fast as Sheik Mustafa Marin would have done it, or as

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fast as Sheik Abdul Basit would have done it. He does them slowly

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and clearly. Maliki, he

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clears them and makes them slower, and then you find shehrab, Mustafa

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rawash, it would not go as low in this end as others. It would

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merely drop two or three steps and then have his jumps. Maliki, to

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them, and you hear they are different. And then you obviously

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have the Shahad family, the father and the two sons, they have the

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same start to that end, and they drop as others would drop, but

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they end it with a higher push and turn my link in so there's room

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for more to

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explore. The idea is to make the sound your own and to come out of

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the realm or the framework of imitation, and this is one way

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through which you can slowly and subtly make the sound your own,

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even if it is merely by amending the endings. There are more

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examples of these, and I may share more down the line Inshallah, but

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that's merely a seed that I wish to plant in your mind and on your

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ear and encourage exploration and creativity inshaAllah, all of the

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best May Allah guide. All Salawat, Allah, a.

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