Ahmad Saleem – In-depth Tafseer of Surah Kahf Understanding Quranic Lessons Part 8

Ahmad Saleem
AI: Summary ©
The transcript describes various misunderstandings and misunderstandings during a video on the origin of the book "was on the road" and a woman named Jannah. The segment discusses various cultural and political topics, including the importance of green plants in Islam, the clothing industry, and the language of Arabic. The segment also provides examples of fashion clothing and clothing clothing, including the use of "slime" and "by the way" in clothing. The importance of science and the art of reciting in understanding everything is emphasized.
AI: Transcript ©
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Bismillah ar-Rahman ar-Raheem.

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As-salamu alaykum wa rahmatullahi wa barakatuhu.

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Bismillah wa alhamdulillah.

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Wa salatu wa salamu ala rasulillahi wa ba'd.

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Rabbi sharah li sadri wa yassir li amri

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wa ahlul ukhtatan min al-lisani yabrahu qawli.

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Rabbana zidna ilman ya kareem.

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A'udhu billahi minash shaytanir rajim.

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Bismillah ar-Rahman ar-Raheem.

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Wa asbir nafsaka ma'a allatheena yaj'oona

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rabbahum bilghadati wal'ashiyi yureedoona wajhah.

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Wa la ta'adu aynaka anhum yureedu zeenata

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alhayati al-dunya.

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Wa la tuti' man aghfalna qalbahu an dhikrina.

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Wattaba'a hawahu wakana amruhu uruta.

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Wa quli al-haqqu min rabbikum.

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Faman sha'a fal yu'min.

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Waman sha'a fal yakfur.

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Inna a'tasu radikuha.

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Wa in yastaghithu yughatu bimai.

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Kalmuhi yashri al-hujoo.

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B'isash sharaabu wasa'at murtafaqaa.

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Inna allatheena amanu wa'amilu as-salihaati.

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Inna la nudhi'u ajra man ahsana amala.

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Ula'an tajli min tahqihimul-an.

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Yuhallouna feeha min asa'iramin.

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Khudram min sundusin wa istabarak.

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Muttaki'ina feeha alal-araih.

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Ni'mat tawabu wa hasunat murtafaqaa.

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Bismillah ar-Rahman ar-Rahim.

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Bismillah walhamdulillah.

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Wa salatu was-salamu ala rasulillahi wa ba'd.

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Rabbi sharah li sadri wa yassir li amri.

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Wahlu lughdatan min lisani yufqahu qawli.

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Rabbana zidna ilman ya kareem.

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So we're going to start where we left

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off last week.

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But just to be able to create a

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continuation, we're going to start with Wasbir Nafsaka,

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a quick running translation, and then further on

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come to the ayah that we stopped at.

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Allah Subh'anaHu Wa Ta-A'la says,

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in verse number 28, Wasbir Nafsaka ma'al

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ladheena yad'oona rabbahum bilghadati wal-ashiqi yureedhoona

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wajhaha.

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That patiently hold yourself with those people who

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are engaged in the practice of what?

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Yad'oona rabbahum, they call upon their Rabb.

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Bilghadati wal-ashiqi, in the morning and the

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evening.

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Yureedhoona wajhaha, the only thing they desire from

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this engagement is Allah's pleasure.

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Wa la ta'du aynaka anhum turidu zeenata al

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-hayati al-dunya.

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O Prophet of Allah, don't turn away from

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them in hopes of desiring the luxuries of

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this world.

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Wa la tuti'man aghfalna qalbahu an dhikreena.

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And don't follow the one whom we have

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aghfalna, i.e. we have made heedless, qalbahu,

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his heart.

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An dhikreena, from our remembrance.

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Wa tab'a hawa.

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And this person is following or he follows

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or he only follows hawahu, his desires.

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Wakana amruhu furuta.

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And his entire affair, his entire life, everything

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is a total utter loss.

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Wakana amruhu furuta.

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Then Allah says, Qul, O Prophet of Allah,

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say, al-haqqu min rabbikum.

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The truth is from Allah Subhanahu wa ta

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'ala.

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Faman sha'a fal yu'min, waman sha'a

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fal yakthub.

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The choice is, whoever wants to believe, fal

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yu'min, let him believe.

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Waman sha'a fal yakthub.

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And whoever wishes, then they can disbelieve.

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Inna a'tadna lil-dhalimina naran ahata bihim suradiquha.

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And we have created for the disbelievers, for

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the transgressors, naran ahata bihim suradiquha.

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Fire which is surrounded, completely surrounded by walls

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of fires.

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Wa in yastaghithu, and when they're placed in

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it and they seek in it, in yastaghithu,

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they aid for water, they ask for water.

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Yughathu, they will be given water.

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But the water is going to be, mima

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in kal-muhli.

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It is going to be water that is

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going to be molten metal.

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Yashwil wujuh.

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It would burn their faces.

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B'isash sharaab.

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And how wretched is this drink.

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Wasa'at murtafaqa.

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And what a terrible place to rest.

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Then Allah says, inna allatheena aamanu waAAamilus salihat.

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Now, as for those, indeed those who believed,

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waAAamilus salihat, and they did pious deeds.

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Amal salih.

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We have talked about the definition of amal

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salih and the three conditions of it.

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Inna la nudhi'u ajra man ahsana amala.

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That if you have done an ounce of

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good, rest assured that Allah will not let

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it waste.

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You will get it.

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And for those, i.e. the one in

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this category, ayah number 30, Wula'ika lahum

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jannatu adnin.

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These are the people, for them Allah has

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created jannat, gardens, adnin of eternity.

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So, jannah itself is eternal.

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Then why the gardens of eternity?

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I don't want to do all the talking.

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Jannah itself is eternal.

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Then why jannat, gardens of eternity?

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Come on guys, think about it.

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Where did the ayah start from?

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Wula'ika lahum jannatu adnin, tajree min tahtihim

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ul-anhar.

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Isn't jannah eternal?

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Yeah, but jannah is eternal.

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Then why eternal gardens?

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If you're going to enter jannah, everything is

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eternal in it.

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Then why specify out of it?

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Everyone's going to get their own.

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You're right, inshallah.

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We hope we get our own jannahs, inshallah.

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Okay, so think about it.

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Sometimes Allah does give us a specific sifah,

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an attribute of something we already know.

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For example, we know it's a car.

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It drives and stuff, but then you will

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specify a specific attribute of that car.

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We know it's embedded in it, but we

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want to emphasize on that.

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But we know that jannat tahtihal, we know

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it has nahr.

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But then in one ayah Allah says, anharum

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min labanin.

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It is anhar, there are four different types

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of anhar, with water and honey and laban

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and sharaab.

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All of that specific, but we all know

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that jannat has anhar.

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But these specifications come in to give us

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illusions, but also emphasize.

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So don't forget, it's not any jannah.

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It's a jannah once you enter, adnin, you

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will live in it for eternity.

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The second thing is, it is probably referring

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to one particular jannah, i.e. a garden

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within jannah, which its state will be eternal.

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So it is referring to a highest level,

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like a very crown jewel within jannah, which

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is going to have an eternal, i.e.

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bounty or something, that something in it is

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not going to change.

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Like jannatul firdaus.

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It's a specific rank in jannah.

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So it could be one of the ranks

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in jannah.

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All the different aqwal have been said.

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But sometimes when Allah gives us these subtleties,

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they are there to remind us that there

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are other attributes in it, and sometimes He

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wants to just emphasize that attribute over here.

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More importantly over here, He says, من تحتهم

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الأنهار تجري من تحتهم الأنهار That there are

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rivers that flow underneath.

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Now we all know that if you can

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somehow occupy a house, and if that house

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happens to have, from within your house, you'd

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never see today, a house from within your

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house, a river flows.

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So your house is built on, and then

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there is a river that is flowing in

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your house.

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It doesn't happen.

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Now if it does happen, it is super

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expensive.

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And it's generally not a river.

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It's usually a small stream or a small

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creek, and it runs through, maybe in your

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backyard, but it doesn't run through the main

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structure of your house.

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It doesn't happen.

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The slab, and then there's a river running

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through that.

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So this is referring to the miraculous nature

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of the houses over there.

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You can't think about it.

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But in dunya, if you were to look

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at the strongest river you have, you would

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not be able to build a house on

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it because the water will keep eroding the

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foundation.

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It's not possible for you to think.

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And it's structurally not possible for us to

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build, unless it's floating.

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Unless it's floating and it's pegged to something

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in the ground.

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But a structure that is built, a river

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flowing underneath, we haven't reached there yet.

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There are small streams, and I've seen some

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videos of where there's a small stream, I

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think it was in LA or somewhere, where

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some guy was able to turn one of

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the streams, and then he created a semi

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-arch or a bridge or something, and then

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there's a stream running.

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But, you know, they can do that.

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Now, the beauty in Jannah is you're able

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to actually see the stream too.

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So it's not just any stream, you're able

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to actually see the stream that is running

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in your house.

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So Jannah, تَجَرِي مِن تَحْتِهِمُ الْأَنْهَارِ i.e.

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it is running from, the rivers are running

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in the foundations of the houses, which is

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not fathomable for us.

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يُحَلَّوْنَ فِيهَا مِنْ أَسَاوِرٍ You will be given

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in Jannah bracelets of gold, for men and

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women, bracelets of gold.

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يَلْبَسُونَ ثِيَابًا خُضْرٌ And they will be given

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clothes that are green in color.

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There is something to do with color green

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in Islam.

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Something to do with color green.

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Tell me another place where we know something

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sacred about green color.

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It was one of his favorite colors.

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His favorite color was white.

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أَكْثَرُ لِبَاسِ النَّبِي ﷺ كانَ أَبْيَضًا It was

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white, and the shawls that he would wear,

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his favorite shawl was a black colored shawl,

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or a dark colored shawl.

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And that is why many times Aisha radiAllahu

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anha, she would look at the shawl, it

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was dark in color, and what would she

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say?

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يَا رَسُولَ اللَّهِ مَا أَجْمَلَ سَوَادُهَا عَلَى بَيَضِكِ

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How beautiful contrast is that black shawl making

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with your white skin.

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So that was his favorite color when it

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came to the shawls and stuff like that.

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But coming back to the question.

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I also forgot the question.

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I asked the question.

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What was the question?

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Green.

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What is the significance of color green?

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Yeah, what are some other sacred texts that

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talk about green colors?

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Tell me.

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يَلْبَسُونَ ثِيَابًا خُضْرًا Okay, great.

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What else?

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The greenery of Jannah.

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Okay.

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The greenery of Jannah.

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In a hadith we have numerous examples of

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the greenery of Jannah.

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What else?

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Different colors of green, shades of green.

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What else?

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What is the colors of the birds underneath

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the throne of Allah Subh'anaHu Wa Ta

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-A'la?

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Green.

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Green birds.

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Those are the birds in which?

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The Ruh of the Shuhada.

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So there are Asafirun Khudr, green color birds

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that have their nests in the Arsh of

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Allah Subh'anaHu Wa Ta-A'la.

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And when a Shaheed dies, his Ruh goes

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and is placed into that bird.

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And that bird flies in and out of

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Jannah until Yawmul Qiyamah.

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اللهم جعلنا منهم Yes.

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قناديل So there are these things that are

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hanging and then these birds have houses in

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them.

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Green.

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So green has significance.

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The ulama, they have said, ثلاث مذهب للحزن

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There are three things if you are depressed.

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You have sorrow, sadness, anxiety.

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Three things will take care of it.

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Number one, الماء So exposure to water.

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That's why you're going to see that, you

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know, when Muslims, we used to build these

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things called مارستان From مارستان is the word

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بيمار and بيمارستان in Urdu.

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مارستان And then from there, the place where

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the بيمار would be brought, it was called

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بيمارستان.

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It was like a hospital, but it was

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mostly a mental health hospital.

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And these mental health hospitals, one of the

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interesting things, if you go to some of

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the مارستان's old buildings that exist in Turkey

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today, one of the fundamental things that they

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used to have is they used to have

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flowing, running fountains all across the area.

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So a person would come with this disease,

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something to do with mental disease, and they

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were trying to figure him out.

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They will put him in this environment that

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would be filled with greenery.

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And you would be able to hear the

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sound of water and stuff.

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And today, like the other day, we turned.

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Who was I driving with where we saw

00:16:34 --> 00:16:36

a weird structure looked like a church?

00:16:36 --> 00:16:37

I was driving with you, right?

00:16:38 --> 00:16:39

And then we looked at it, and it

00:16:39 --> 00:16:44

looked so calming with shaded trees and shades

00:16:44 --> 00:16:45

of green in the building.

00:16:45 --> 00:16:47

And me and my daughter were driving, and

00:16:47 --> 00:16:48

then it said what?

00:16:48 --> 00:16:49

What was the center?

00:16:50 --> 00:16:51

Recovery center.

00:16:52 --> 00:16:54

Like it was a center that allows people.

00:16:54 --> 00:16:56

And it had a right off the stream,

00:16:56 --> 00:16:57

and the water was running in it.

00:16:57 --> 00:16:59

So there are three things that the ulema,

00:16:59 --> 00:17:01

way before they figured this out, you know,

00:17:01 --> 00:17:02

this is in our books.

00:17:02 --> 00:17:03

It is in tafsir books.

00:17:03 --> 00:17:06

It says three things get rid of sadness

00:17:06 --> 00:17:06

and sorrow.

00:17:06 --> 00:17:07

Number one is water.

00:17:07 --> 00:17:09

Number two is green color.

00:17:10 --> 00:17:12

Number two is green color.

00:17:13 --> 00:17:18

And number three is wajhul hasan, a beautiful

00:17:18 --> 00:17:18

face.

00:17:19 --> 00:17:22

Nobody can be happy when you have a

00:17:22 --> 00:17:22

baby.

00:17:23 --> 00:17:25

If a baby is smiling, you can have

00:17:25 --> 00:17:26

all the sadness in the world.

00:17:26 --> 00:17:28

When you see the sadness of the smile

00:17:28 --> 00:17:32

of the baby, you'll eventually feel happy, right?

00:17:32 --> 00:17:35

A beautiful face that is beautiful, and it's

00:17:35 --> 00:17:35

hasan.

00:17:36 --> 00:17:36

It's pure.

00:17:38 --> 00:17:42

So why they wear, you know, Allah says

00:17:42 --> 00:17:47

that they will be given these clothes that

00:17:47 --> 00:17:49

are going to be green in color.

00:17:49 --> 00:17:52

Now, they're going to be made out of

00:17:52 --> 00:17:58

fine silk, and istabrak is rich brocade.

00:17:58 --> 00:18:01

Now, for you to understand that, the ghilaf

00:18:01 --> 00:18:04

of the Kaaba, okay, if you've ever been

00:18:04 --> 00:18:07

to the Kaaba, the ghilaf of the Kaaba,

00:18:07 --> 00:18:10

the black section, not where they have the

00:18:10 --> 00:18:14

ayat written, the black section also has embroidery

00:18:14 --> 00:18:14

on it.

00:18:16 --> 00:18:17

Do you guys know what I'm talking about?

00:18:17 --> 00:18:20

It's very fine embroidery.

00:18:21 --> 00:18:22

It's not protruding.

00:18:23 --> 00:18:26

It's fine, and there's ayat and different things

00:18:26 --> 00:18:28

written on it, and that's also from silk,

00:18:28 --> 00:18:30

but it's super fine.

00:18:30 --> 00:18:31

That is brocade.

00:18:33 --> 00:18:37

So silk, on that, it's not like, you

00:18:37 --> 00:18:40

know, embroidery that is protruding, but it's part

00:18:40 --> 00:18:43

of a design on the fabric, right?

00:18:43 --> 00:18:45

And it's in the nasj.

00:18:45 --> 00:18:49

It is how the cloth was made, right?

00:18:49 --> 00:18:51

So it was silk, and it was interlaced

00:18:51 --> 00:18:53

with that embroidery in it, so it's part

00:18:53 --> 00:18:53

of the cloth.

00:18:54 --> 00:18:56

It doesn't come out, right?

00:18:56 --> 00:18:58

So if you go home, check out, like,

00:18:58 --> 00:18:59

the ghilaf of Kaaba, and you'll see what

00:18:59 --> 00:19:00

I'm talking about.

00:19:00 --> 00:19:01

That is called brocade.

00:19:01 --> 00:19:06

So silk, and this fine, expensive cloth, and

00:19:06 --> 00:19:08

this was the cloth of royalty.

00:19:10 --> 00:19:15

Inside of the Kaaba, inside of the Rawdah

00:19:15 --> 00:19:17

of Rasulullah ﷺ, right?

00:19:18 --> 00:19:21

All of those cloths are made from silk

00:19:21 --> 00:19:24

and brocade, right?

00:19:24 --> 00:19:26

Out of the sunnah of that.

00:19:26 --> 00:19:28

Back in the day when the Indians used

00:19:28 --> 00:19:30

to take care of that, now the Saudi

00:19:30 --> 00:19:32

government has taken care of it.

00:19:33 --> 00:19:38

But when the Indian Nizam of Hyderabad was

00:19:38 --> 00:19:41

the one that was responsible for it, and

00:19:41 --> 00:19:43

they were different, you know, but he was

00:19:43 --> 00:19:44

primarily the one who was funding from his

00:19:44 --> 00:19:47

own nafaka, they used to be which color

00:19:47 --> 00:19:48

inside?

00:19:52 --> 00:19:53

Green is now white.

00:19:53 --> 00:19:54

Purple?

00:19:54 --> 00:19:54

No.

00:19:55 --> 00:19:56

Blue?

00:19:56 --> 00:19:57

No.

00:19:57 --> 00:19:57

Black?

00:19:58 --> 00:19:58

No.

00:19:58 --> 00:19:59

Brown?

00:19:59 --> 00:20:00

No.

00:20:00 --> 00:20:01

Red.

00:20:02 --> 00:20:03

Red.

00:20:03 --> 00:20:05

They used to be red in color.

00:20:06 --> 00:20:06

Right?

00:20:06 --> 00:20:07

They used to be red in color.

00:20:08 --> 00:20:10

Because red silk in India was something considered

00:20:10 --> 00:20:13

very, red shadi dresses and stuff, so it

00:20:13 --> 00:20:14

was considered royalty.

00:20:15 --> 00:20:18

So their culture was all about red, so

00:20:18 --> 00:20:19

they had it all red.

00:20:19 --> 00:20:25

But then when the Malik Abdullah's dynasty took

00:20:25 --> 00:20:27

over, then they switched the color to green

00:20:27 --> 00:20:29

out of the sunnah of Jannah and all

00:20:29 --> 00:20:29

of that.

00:20:30 --> 00:20:32

Jannah is going to be in green.

00:20:35 --> 00:20:40

It is mentioned, Ibn Abi Hatim, he says,

00:20:40 --> 00:20:45

And Ibn Hatim and Sulaim and Ibn Amir,

00:20:45 --> 00:20:53

a person is going to be, a person

00:20:53 --> 00:20:59

will be given in one hour, 70 dresses

00:20:59 --> 00:21:00

for you to wear.

00:21:01 --> 00:21:03

In one hour you will have choices of

00:21:03 --> 00:21:04

seven different dresses.

00:21:04 --> 00:21:09

Every hour, 70 new dresses that you would

00:21:09 --> 00:21:10

like to choose from, and you will choose,

00:21:10 --> 00:21:11

and you're like, I don't like this one.

00:21:11 --> 00:21:12

Give me the other one.

00:21:13 --> 00:21:13

I don't like this one.

00:21:13 --> 00:21:14

Give me the other one.

00:21:14 --> 00:21:18

But every hour, 70 choices given.

00:21:19 --> 00:21:25

And it says, And the lowest quality of

00:21:25 --> 00:21:35

that is The lowest quality of

00:21:35 --> 00:21:40

that in Jannah is the highest quality or

00:21:40 --> 00:21:42

similar to the highest quality.

00:21:42 --> 00:21:45

Shaqeeq al-Nu'man was the highest quality of

00:21:45 --> 00:21:45

silk in the world.

00:21:48 --> 00:22:02

Inna adnaaha Now,

00:22:02 --> 00:22:04

the person may say, Ben, but I'm going

00:22:04 --> 00:22:05

to get bored of green.

00:22:06 --> 00:22:07

Why just green?

00:22:08 --> 00:22:09

I'm going to get bored of green.

00:22:09 --> 00:22:12

And Allah is like, this is the pinnacle

00:22:12 --> 00:22:14

of your taladdus, pinnacle of your enjoyment.

00:22:16 --> 00:22:18

And in it, whatever you desire, you don't

00:22:18 --> 00:22:20

want the green, you'll get any other color.

00:22:20 --> 00:22:23

But since Allah has chosen that color, nobody

00:22:23 --> 00:22:25

else would desire anything other than green anyway.

00:22:25 --> 00:22:27

Because it would be the most beautiful of

00:22:27 --> 00:22:28

the colors.

00:22:29 --> 00:22:30

And you know when you have the best

00:22:30 --> 00:22:31

car, you're not going to know, yeah, it's

00:22:31 --> 00:22:33

a nice car, but I need better than

00:22:33 --> 00:22:33

that.

00:22:33 --> 00:22:34

Or this is the best car in the

00:22:34 --> 00:22:36

world, now I need something better than this.

00:22:37 --> 00:22:39

And every time you would want to enhance

00:22:39 --> 00:22:44

that, you will get enhancements within that color.

00:22:45 --> 00:22:47

As many enhancements as you want.

00:22:48 --> 00:22:48

Okay?

00:22:51 --> 00:22:52

May Allah Subhanahu wa ta'ala enter in

00:22:52 --> 00:22:53

Jannah.

00:22:56 --> 00:22:59

Now, Ibn Hatim, he also says, that he

00:22:59 --> 00:23:01

heard Ka'b, one of the Tabi'een,

00:23:01 --> 00:23:10

Qal, If one cloth, like a piece of

00:23:10 --> 00:23:14

cloth, one dress, thawb, or one piece of

00:23:14 --> 00:23:24

cloth, If that

00:23:24 --> 00:23:27

one dress was to be brought, and it

00:23:27 --> 00:23:29

was supposed it would be exposed, and it

00:23:29 --> 00:23:31

would be spread in the world, i.e.

00:23:31 --> 00:23:33

people would be able to see that dress,

00:23:40 --> 00:23:45

That people would faint, they would literally faint

00:23:45 --> 00:23:49

by looking at that dress, because they would

00:23:49 --> 00:23:51

not be able to withstand the beauty of

00:23:51 --> 00:23:54

that dress, their minds, they would lose their

00:23:54 --> 00:23:54

minds and just faint.

00:23:55 --> 00:23:57

It would be something of so much beauty.

00:23:58 --> 00:24:02

And something similar is said about also, the

00:24:02 --> 00:24:05

Hur of the Jannah, where it is mentioned

00:24:05 --> 00:24:08

that if one of them, she just takes

00:24:08 --> 00:24:13

this portion of her finger, and she just,

00:24:13 --> 00:24:16

in our realm, she comes into our realm,

00:24:16 --> 00:24:20

and she just exposes that portion of her

00:24:20 --> 00:24:24

finger, that the light of the sun would

00:24:24 --> 00:24:28

fade, in front of the light that would

00:24:28 --> 00:24:30

emanate from just this portion, the Noor that

00:24:30 --> 00:24:32

would be emanating from just this portion of

00:24:32 --> 00:24:32

her finger.

00:24:34 --> 00:24:37

So it's a life, that's why Prophet ﷺ

00:24:37 --> 00:24:40

said, that your brain cannot even comprehend.

00:24:41 --> 00:24:43

All of these examples are there for us

00:24:43 --> 00:24:45

to just get some glimpse of, like it

00:24:45 --> 00:24:46

is going to be a realm that we

00:24:46 --> 00:24:47

cannot understand.

00:24:51 --> 00:24:53

In it is that which no eyes have

00:24:53 --> 00:24:54

seen.

00:24:55 --> 00:24:55

Right?

00:24:55 --> 00:24:57

No ears have heard.

00:25:01 --> 00:25:04

And human beings cannot even begin to understand.

00:25:04 --> 00:25:06

So then what are all of these examples?

00:25:07 --> 00:25:09

All of these examples in the Qur'an,

00:25:09 --> 00:25:11

the Mufassirun, they say, they are Takreebi.

00:25:12 --> 00:25:17

They are there as the closest approximation of

00:25:17 --> 00:25:18

what possibly could be.

00:25:18 --> 00:25:21

For your existing brain of this dunya to

00:25:21 --> 00:25:21

understand.

00:25:23 --> 00:25:23

Okay?

00:25:28 --> 00:25:32

Jannatu Adnin Tajreebin Tahtihimul Anhaar Yuhallawna Feeha Min

00:25:32 --> 00:25:36

Asawira Min Dhahab Wa Yalbasuna Fiyaban Khudr And

00:25:36 --> 00:25:38

they will be given dresses, they will be

00:25:38 --> 00:25:42

adorned with dresses, in green, Min Sundus Silkh,

00:25:42 --> 00:25:45

Istabraqin, Wa Istabraqin, and rich brocade.

00:25:46 --> 00:25:51

Muttaki'ina Feeha Alal Ara'ik Their natural

00:25:51 --> 00:25:54

disposition, Allah says, Muttaki'ina, they will be

00:25:54 --> 00:25:55

reclining.

00:25:55 --> 00:25:58

So if you were to come into an

00:25:58 --> 00:26:00

office, if you were to come in an

00:26:00 --> 00:26:02

environment, and if you were to see an

00:26:02 --> 00:26:04

individual, a group of people, and all they're

00:26:04 --> 00:26:08

doing is just like, just loitering, chilling.

00:26:10 --> 00:26:10

Right?

00:26:10 --> 00:26:13

You come in to Anhaar Institute, and you

00:26:13 --> 00:26:16

see, you know, Brother Asad just chilling on

00:26:16 --> 00:26:16

the sofa there.

00:26:17 --> 00:26:19

And all his friends are just sitting there.

00:26:19 --> 00:26:21

They're all just like sitting there, drinking, I

00:26:21 --> 00:26:23

don't know what, chai or coffee.

00:26:23 --> 00:26:23

Right?

00:26:23 --> 00:26:25

And that's the state you see him every

00:26:25 --> 00:26:26

single time.

00:26:27 --> 00:26:27

What would you think?

00:26:30 --> 00:26:31

Right?

00:26:31 --> 00:26:32

He's got nothing to do in life.

00:26:32 --> 00:26:34

He's just chilling all the time.

00:26:34 --> 00:26:36

You know, he's got no work, nothing, mashallah.

00:26:37 --> 00:26:37

Right?

00:26:37 --> 00:26:40

So, the imagery is that over there, you

00:26:40 --> 00:26:42

will not have anything to do.

00:26:43 --> 00:26:46

Your natural disposition is going to be, Muttaki

00:26:46 --> 00:26:46

'in.

00:26:47 --> 00:26:49

i.e. you'll have like a cushion pillow,

00:26:49 --> 00:26:50

and you'll be just sitting there on the

00:26:50 --> 00:26:52

pillow, Chalo ji, let's go, help me.

00:26:53 --> 00:26:54

You're done, whatever we had to do, we

00:26:54 --> 00:26:55

have done in this dunya.

00:26:56 --> 00:26:57

Muttaki'in.

00:26:57 --> 00:26:58

That's the first part.

00:27:01 --> 00:27:03

Feeha in the Jannah, alal araa'ik.

00:27:04 --> 00:27:07

Now here is where I want to elaborate

00:27:07 --> 00:27:08

a little bit about the beauty of the

00:27:08 --> 00:27:09

Arabic language.

00:27:11 --> 00:27:13

So, I'll get to Areeqa, what it means.

00:27:13 --> 00:27:17

It says reclining, you know, on canopied couches.

00:27:17 --> 00:27:23

So, when you have something that has four

00:27:23 --> 00:27:25

legs and a flat top.

00:27:27 --> 00:27:28

Four legs and a flat top.

00:27:30 --> 00:27:35

Four legs and a flat top, if it

00:27:35 --> 00:27:40

doesn't have anything on it, any add-ons

00:27:40 --> 00:27:42

to it, it's just four legs, flat top,

00:27:43 --> 00:27:45

and maybe like a small cushion on it.

00:27:45 --> 00:27:45

What is it called?

00:27:47 --> 00:27:47

Sareer.

00:27:48 --> 00:27:48

Who said that?

00:27:49 --> 00:27:49

You did.

00:27:49 --> 00:27:50

Okay, good.

00:27:50 --> 00:27:51

It's called Sareer.

00:27:51 --> 00:27:52

What is a Sareer?

00:27:53 --> 00:27:54

It's a bed.

00:27:54 --> 00:27:56

And what is the root word of Sareer?

00:27:57 --> 00:27:59

Seen raa raa.

00:27:59 --> 00:27:59

Suroor.

00:27:59 --> 00:28:00

What does a bed do?

00:28:02 --> 00:28:04

It gives you rest.

00:28:04 --> 00:28:05

Suroor.

00:28:05 --> 00:28:07

It gives you raaha.

00:28:08 --> 00:28:10

That's called Suroor or Sareer.

00:28:10 --> 00:28:13

Now that same bed, if a dead body

00:28:13 --> 00:28:15

is placed on it, then what is it

00:28:15 --> 00:28:15

called?

00:28:16 --> 00:28:17

Death bed.

00:28:22 --> 00:28:24

That's the best example.

00:28:24 --> 00:28:26

Who said that?

00:28:28 --> 00:28:31

Well, technically, yes, it's a death bed.

00:28:32 --> 00:28:34

But it's called a Naash.

00:28:34 --> 00:28:36

It's called a Naash.

00:28:36 --> 00:28:39

Naash is the same four-legged flat top

00:28:39 --> 00:28:41

in which dead bodies are placed.

00:28:43 --> 00:28:46

Now, if that same four-legged flat top

00:28:46 --> 00:28:49

with the cushion, and instead of a dead

00:28:49 --> 00:28:51

body, you place a king on it, what

00:28:51 --> 00:28:51

does it become?

00:28:53 --> 00:28:54

Becomes a Arsh.

00:28:55 --> 00:28:56

Becomes a throne.

00:28:57 --> 00:28:58

Kursi is a footstool.

00:28:59 --> 00:29:00

Right?

00:29:00 --> 00:29:01

It becomes the Arsh.

00:29:02 --> 00:29:06

Now, instead of the Arsh, if you put

00:29:08 --> 00:29:12

a bride on it, what does it become?

00:29:14 --> 00:29:15

Bride bed.

00:29:15 --> 00:29:16

Okay, mashallah.

00:29:16 --> 00:29:18

We're on a tangent.

00:29:18 --> 00:29:19

What does it become?

00:29:23 --> 00:29:23

Huh?

00:29:25 --> 00:29:26

Still a bed?

00:29:27 --> 00:29:28

It becomes Hijal.

00:29:29 --> 00:29:30

Right?

00:29:30 --> 00:29:31

It becomes Hijal.

00:29:32 --> 00:29:32

Or Hawdaj.

00:29:33 --> 00:29:33

Okay?

00:29:34 --> 00:29:37

Now, if you take that same bed or

00:29:37 --> 00:29:39

same flat top, four legs, and you put

00:29:39 --> 00:29:43

four posts on the end, and then you

00:29:43 --> 00:29:47

put a canopy on top, okay, that becomes

00:29:47 --> 00:29:48

Arika.

00:29:50 --> 00:29:51

That becomes Arika.

00:29:52 --> 00:29:55

Now, Ara'ik is the Jama', the plural

00:29:55 --> 00:29:57

of, Arika is one, Ala'l Ara'ik,

00:29:57 --> 00:30:02

plural, like multiple canopied couches.

00:30:03 --> 00:30:03

Right?

00:30:03 --> 00:30:05

When they would say the word canopied couches,

00:30:05 --> 00:30:08

you can imagine what I'm talking about, right?

00:30:08 --> 00:30:10

You've probably seen, like, sometimes, now you can

00:30:10 --> 00:30:11

put a king on it, too.

00:30:12 --> 00:30:13

Right?

00:30:13 --> 00:30:15

It will still be an Arsh, but it'll

00:30:15 --> 00:30:17

be an Arika, which is a canopied Arsh.

00:30:17 --> 00:30:17

Okay?

00:30:18 --> 00:30:20

You can put a bride on it, it

00:30:20 --> 00:30:21

becomes a Hawdaj.

00:30:21 --> 00:30:23

And this is the beauty of Arabic language,

00:30:24 --> 00:30:26

that a particular item could be the exact

00:30:26 --> 00:30:27

same thing.

00:30:28 --> 00:30:29

Depending on the use, the name of the

00:30:29 --> 00:30:30

item can change.

00:30:31 --> 00:30:31

Right?

00:30:31 --> 00:30:33

And this is only in the Arabic language.

00:30:34 --> 00:30:34

Right?

00:30:34 --> 00:30:36

A table will be a table.

00:30:37 --> 00:30:37

A chair will be a chair.

00:30:38 --> 00:30:38

Right?

00:30:39 --> 00:30:41

The maximum we'll have is, like, task chair

00:30:41 --> 00:30:42

and executive chair.

00:30:43 --> 00:30:45

And that's only in terms of comfort, not

00:30:45 --> 00:30:46

in terms of use.

00:30:47 --> 00:30:49

For us, it will still, yeah, that's still,

00:30:49 --> 00:30:52

so in terms of usage, the entire name

00:30:52 --> 00:30:53

will change based on what is it being

00:30:53 --> 00:30:54

used for.

00:30:54 --> 00:30:55

And I just wanted to allude to that,

00:30:56 --> 00:30:58

because sometimes, we don't, like, when Arika is

00:30:58 --> 00:31:00

being used, we must understand, there are many

00:31:00 --> 00:31:03

words of the similar origin, but this particular

00:31:03 --> 00:31:05

thing can switch into all of these names

00:31:05 --> 00:31:08

based on different uses, and that's the beauty

00:31:08 --> 00:31:09

of Arabic language.

00:31:11 --> 00:31:14

And I hope these tangents are not too

00:31:14 --> 00:31:14

much.

00:31:14 --> 00:31:16

They're, like, supposed to give you guys just

00:31:16 --> 00:31:17

a little bit of the glimpse of what

00:31:17 --> 00:31:19

we may be missing in the Arabic language.

00:31:19 --> 00:31:19

Okay?

00:31:20 --> 00:31:26

Then Allah says, نعم الثواب This entire scene,

00:31:26 --> 00:31:30

Allah is like, what a fabulous or what

00:31:30 --> 00:31:34

a marvelous نعم الثواب What a great reward.

00:31:34 --> 00:31:35

What a marvelous reward.

00:31:37 --> 00:31:42

وَحَسُونَتْ مُرْتَفَقًا And what a great resting place.

00:31:42 --> 00:31:44

What did Allah say to the people who

00:31:44 --> 00:31:46

had an evil end?

00:31:46 --> 00:31:51

وَسَأَتْ مُرْتَفَقًا What a wretched resting place.

00:31:51 --> 00:31:53

What a horrible resting place.

00:31:53 --> 00:31:56

And this is, what an amazing resting place.

00:31:57 --> 00:32:02

وَسَأَتْ مُرْتَفَقًا وَحَسُونَتْ مُرْتَفَقًا So, with this, we

00:32:02 --> 00:32:04

come to an end of this, and now

00:32:04 --> 00:32:05

we begin our next story.

00:32:06 --> 00:32:08

وَضْرِبْ لَهُمْ We may not be able to

00:32:08 --> 00:32:10

get into the story, but I will get

00:32:10 --> 00:32:13

into the introduction of the concept.

00:32:13 --> 00:32:15

This is a new concept that we are

00:32:15 --> 00:32:17

getting exposed to in the Qur'an, and

00:32:17 --> 00:32:19

it is important for us to understand the

00:32:19 --> 00:32:20

high-level concept.

00:32:21 --> 00:32:24

And I'll probably do a correlation between why

00:32:24 --> 00:32:26

this story is relevant in comparison to what

00:32:26 --> 00:32:28

we have covered, and hopefully we can get

00:32:28 --> 00:32:30

into the story if we have time, but

00:32:30 --> 00:32:31

don't look like we're going to be able

00:32:31 --> 00:32:32

to get into the story anyways.

00:32:32 --> 00:32:35

Now, now from here, Allah Subh'anaHu Wa

00:32:35 --> 00:32:40

Ta-A'la, He says, وَضْرِبْ لَهُمْ مَثَلًا

00:32:41 --> 00:32:44

Strike for them, i.e., O Prophet of

00:32:44 --> 00:32:49

Allah, explain to the people of Quraysh, مَثَل

00:32:49 --> 00:32:52

Give them a مثَل, give them an example.

00:32:53 --> 00:32:53

Okay?

00:32:54 --> 00:32:57

Now, مثَل, in the Arabic language, is مثَل,

00:32:58 --> 00:33:00

but in English, what is it called?

00:33:00 --> 00:33:01

A parable.

00:33:02 --> 00:33:03

Okay?

00:33:03 --> 00:33:04

A parable.

00:33:05 --> 00:33:05

Okay?

00:33:05 --> 00:33:06

Strike a parable.

00:33:06 --> 00:33:06

Yep.

00:33:07 --> 00:33:07

Strike a parable.

00:33:08 --> 00:33:10

Now, what is the purpose of a parable?

00:33:11 --> 00:33:13

What is the purpose of a parable?

00:33:13 --> 00:33:19

A parable is a timeless example, i.e.,

00:33:19 --> 00:33:24

it's an example that transcends time and space.

00:33:25 --> 00:33:27

Like, it doesn't matter when it takes place,

00:33:27 --> 00:33:29

it doesn't matter in which context it takes

00:33:29 --> 00:33:29

place.

00:33:29 --> 00:33:33

It has become timeless, and for it to

00:33:33 --> 00:33:39

become timeless, the names of the individuals have

00:33:39 --> 00:33:43

been completely removed from it so that it

00:33:43 --> 00:33:47

can become applicable to every single day and

00:33:47 --> 00:33:50

age, every single time, every single moment.

00:33:50 --> 00:33:52

You can all find examples in it.

00:33:53 --> 00:33:54

Now, question for you guys.

00:33:55 --> 00:33:57

How many...

00:33:57 --> 00:34:00

Before I get to this question, somebody asked...

00:34:00 --> 00:34:02

I just remembered this because I had it

00:34:02 --> 00:34:02

in my notes here.

00:34:03 --> 00:34:05

Somebody asked me this last time, and I

00:34:05 --> 00:34:07

wanted to clarify this.

00:34:07 --> 00:34:11

So they said, why do you recite and

00:34:11 --> 00:34:13

sometimes take five, seven minutes in the beginning

00:34:14 --> 00:34:16

because this way we can get more of

00:34:16 --> 00:34:18

the tafseer and we lose time.

00:34:18 --> 00:34:19

And we can all listen to the Qur

00:34:19 --> 00:34:19

'an later.

00:34:21 --> 00:34:23

And again, so it's a very valid question.

00:34:24 --> 00:34:26

And I want to just clarify the intention

00:34:26 --> 00:34:26

of that.

00:34:27 --> 00:34:28

And this is what we learned from our

00:34:28 --> 00:34:28

teachers.

00:34:29 --> 00:34:30

And I'm just going to present that.

00:34:31 --> 00:34:34

Remember the hadith of Prophet ﷺ where he

00:34:34 --> 00:34:39

said, مَا إِن نِجْتَمَعَ الْقَوْمُ فِي بَيْتٍ مِّن

00:34:39 --> 00:34:42

بُيُوتِ اللَّهِ That if a group of people...

00:34:43 --> 00:34:45

It never happens except when a group of

00:34:45 --> 00:34:48

people gather in a house from the houses

00:34:48 --> 00:34:49

of Allah ﷻ.

00:34:50 --> 00:34:50

Right?

00:34:51 --> 00:34:52

That, number one.

00:34:53 --> 00:34:57

يَتْلُونَا كِتَابَ اللَّهِ They gather and they're reciting

00:34:57 --> 00:34:58

the Book of Allah.

00:34:58 --> 00:35:00

That's the first part of the hadith.

00:35:00 --> 00:35:04

The second part of the hadith is وَيَتَدَارَسُونَهُ

00:35:05 --> 00:35:07

And then they study it amongst themselves.

00:35:08 --> 00:35:10

i.e. tafseer and all of this that

00:35:10 --> 00:35:12

we're doing, we're collectively studying it together.

00:35:14 --> 00:35:16

وَيَتَدَارَسُونَهُ بَيْنَهُمْ Amongst them.

00:35:18 --> 00:35:19

إِلَّا Except what happens?

00:35:20 --> 00:35:20

Who knows the hadith?

00:35:22 --> 00:35:29

اَيْوَا إِلَّا نَزَلَتَ عَلَيْهِمُ السَّكِينَةَ Except Allah ﷻ's

00:35:30 --> 00:35:36

سُكُون سَكِينَة Tranquility descends on us.

00:35:38 --> 00:35:44

وَغَشِيَتْهُمُ الرَّحْمَةَ And Allah's rahmah surrounds us.

00:35:46 --> 00:35:49

Which one of us can enter Jannah without

00:35:49 --> 00:35:49

Allah's rahmah?

00:35:50 --> 00:35:50

No one.

00:35:51 --> 00:35:53

So when we recite the Qur'an and

00:35:53 --> 00:35:56

we initiate that, the intention is that hopefully

00:35:56 --> 00:35:58

the sakinah descends on us.

00:35:58 --> 00:36:01

Hopefully Allah's rahmah inshaAllah surrounds us.

00:36:06 --> 00:36:09

وَهَفَّتْهُمُ الْمَلَائِكَةَ And angels come and they take

00:36:09 --> 00:36:13

their wings and like this is happening now.

00:36:13 --> 00:36:14

Just imagine this.

00:36:14 --> 00:36:17

There's angels of Allah that are surrounding with

00:36:17 --> 00:36:18

their wings.

00:36:25 --> 00:36:31

وَذَكَرَهُمُ اللَّهُ فِي مَنْ عِنْدَهِ And Allah is

00:36:31 --> 00:36:34

going to He is going to talk to

00:36:34 --> 00:36:35

all the angels.

00:36:35 --> 00:36:37

It's like look at the group of those

00:36:37 --> 00:36:38

people that are sitting.

00:36:39 --> 00:36:41

Look at those people that come every Wednesday.

00:36:41 --> 00:36:43

The only reason they come from all far

00:36:43 --> 00:36:46

and wide and travel from work and many

00:36:46 --> 00:36:49

of them sleepy and tired but we all

00:36:49 --> 00:36:49

come here.

00:36:50 --> 00:36:51

We come here for one purpose that we

00:36:51 --> 00:36:53

want to be gathered with this mercy.

00:36:53 --> 00:36:55

That's the hadith.

00:36:56 --> 00:36:57

Now I have two reasons for that too.

00:36:58 --> 00:37:04

Number one, any ilm that we learn, knowledge,

00:37:04 --> 00:37:07

if it is not connected to a sanad,

00:37:07 --> 00:37:09

if it is not connected to a chain,

00:37:10 --> 00:37:13

i.e. my understanding of the deen was

00:37:13 --> 00:37:15

given to me by my teacher.

00:37:15 --> 00:37:17

His understanding was given to him by his

00:37:17 --> 00:37:18

teacher.

00:37:18 --> 00:37:21

And this way we can trace our understanding

00:37:21 --> 00:37:25

of aqeedah issues, our understanding of fiqh issues,

00:37:25 --> 00:37:29

our understanding of the concepts that are necessary

00:37:29 --> 00:37:30

for us to understand.

00:37:30 --> 00:37:33

We can trace our roots back to the

00:37:33 --> 00:37:36

authors of the books and when it comes

00:37:36 --> 00:37:38

to the Qur'an, we can trace our

00:37:38 --> 00:37:42

recitations back to Prophet ﷺ and from Prophet

00:37:42 --> 00:37:47

ﷺ to Jibreel ﷺ and from Jibreel ﷺ

00:37:47 --> 00:37:48

to Allah ﷻ.

00:37:49 --> 00:37:52

So when I recite something, we all benefit

00:37:52 --> 00:37:54

from the barakah of that sanad.

00:37:54 --> 00:37:57

And it is something that our teachers used

00:37:57 --> 00:38:00

to emphasize that if you learnt your knowledge

00:38:00 --> 00:38:02

from just random, you picked up a book

00:38:02 --> 00:38:04

and you read it and now you understand

00:38:04 --> 00:38:06

seerah, there will be a knowledge but you

00:38:06 --> 00:38:07

won't have barakah.

00:38:09 --> 00:38:13

Barakah comes when my knowledge is directly attached

00:38:13 --> 00:38:17

to a chain of scholars or scholarship that

00:38:17 --> 00:38:19

I can trace my knowledge back to.

00:38:20 --> 00:38:23

That my understanding is the understanding of somebody

00:38:23 --> 00:38:24

700 years ago.

00:38:24 --> 00:38:26

And I get that same understanding now.

00:38:27 --> 00:38:29

So when we recite that together, that happens.

00:38:30 --> 00:38:33

Last niyyah that sometimes I have when I

00:38:33 --> 00:38:36

recite is that if you notice the style

00:38:36 --> 00:38:39

that I'm reciting is a very tajweed style.

00:38:40 --> 00:38:43

It is not, you know, like melodious and

00:38:43 --> 00:38:45

we're not reciting in the salah.

00:38:46 --> 00:38:46

Right?

00:38:46 --> 00:38:47

It is very slow.

00:38:49 --> 00:38:55

I intentionally try to enunciate every single harakah,

00:38:55 --> 00:39:04

slowdown Like I'm intentionally slowing it down So

00:39:04 --> 00:39:06

if those of you that want to follow

00:39:06 --> 00:39:08

along then you can also benefit from a

00:39:08 --> 00:39:10

little bit of tajweed and this is a

00:39:10 --> 00:39:12

seerah that we recite enough times.

00:39:12 --> 00:39:14

Sometimes you will realize, oh, I've been reading

00:39:14 --> 00:39:14

it wrong.

00:39:15 --> 00:39:16

I heard it the right way.

00:39:17 --> 00:39:18

And you can hopefully correct some of those

00:39:18 --> 00:39:19

mistakes.

00:39:20 --> 00:39:22

So that was just a tangent.

00:39:22 --> 00:39:23

I had a note over here.

00:39:23 --> 00:39:24

So I do address that.

00:39:25 --> 00:39:26

How many parables do we have in the

00:39:26 --> 00:39:26

Quran?

00:39:29 --> 00:39:30

How many methods do we have in the

00:39:30 --> 00:39:30

Quran?

00:39:32 --> 00:39:34

Hassan says four.

00:39:36 --> 00:39:37

Wah, wah, wah.

00:39:39 --> 00:39:39

137.

00:39:40 --> 00:39:41

No.

00:39:47 --> 00:39:48

How many parables?

00:39:50 --> 00:39:53

Like big parables that, you know, ayat, four,

00:39:53 --> 00:39:56

five, six lines, parables that Allah says.

00:40:00 --> 00:40:00

43.

00:40:00 --> 00:40:04

There are 43 parables in the Quran.

00:40:06 --> 00:40:08

43 parables in the Quran.

00:40:08 --> 00:40:10

How many parables are there in this seerah?

00:40:12 --> 00:40:12

Three.

00:40:13 --> 00:40:14

Three.

00:40:14 --> 00:40:15

Three parables.

00:40:16 --> 00:40:16

Okay?

00:40:16 --> 00:40:17

Three.

00:40:17 --> 00:40:18

This is the first one.

00:40:18 --> 00:40:20

And we're going to come across the other

00:40:20 --> 00:40:20

ones.

00:40:20 --> 00:40:21

Aside from the story.

00:40:24 --> 00:40:24

Mathal.

00:40:25 --> 00:40:26

Mathal.

00:40:26 --> 00:40:26

An example.

00:40:27 --> 00:40:29

So your teacher will give you a formula

00:40:29 --> 00:40:31

and then he'll give you an example.

00:40:31 --> 00:40:32

Imagine if you were to water.

00:40:33 --> 00:40:35

So there's a concept that has been given

00:40:35 --> 00:40:36

to you.

00:40:36 --> 00:40:39

And now the mathal, this parable is coming

00:40:39 --> 00:40:42

to explain and elaborate a concept that has

00:40:42 --> 00:40:42

already been addressed.

00:40:43 --> 00:40:44

Okay?

00:40:44 --> 00:40:46

The concept has been addressed.

00:40:47 --> 00:40:48

We just studied that concept.

00:40:49 --> 00:40:49

Okay?

00:40:50 --> 00:40:51

So we all know the story of the

00:40:51 --> 00:40:52

jannatayn.

00:40:52 --> 00:40:54

We all know the story.

00:40:54 --> 00:40:55

There are two gardens, right?

00:40:55 --> 00:40:55

We all know the story.

00:40:56 --> 00:41:00

What is the connection of this story of

00:41:00 --> 00:41:03

the people, of two individuals with garden, you

00:41:03 --> 00:41:04

know, two gardens, one garden.

00:41:04 --> 00:41:08

What is the connection between this story and

00:41:08 --> 00:41:12

the set of verses that we recited today?

00:41:17 --> 00:41:21

Starting from wasbir nafsaka.

00:41:32 --> 00:41:33

Temporary.

00:41:33 --> 00:41:35

No, start from wasbir nafsaka.

00:41:35 --> 00:41:36

What was the complaint?

00:41:37 --> 00:41:38

Why did the ayah come down?

00:41:38 --> 00:41:39

Wasbir nafsaka.

00:41:40 --> 00:41:41

Why did it come down?

00:41:42 --> 00:41:43

Who remembers?

00:41:45 --> 00:41:47

What did the people say?

00:41:51 --> 00:41:54

So he said, Ya Rasool Allah, law abAAatta

00:41:54 --> 00:41:58

AAanna If you take away these poor people,

00:41:59 --> 00:42:06

lianna riAAah jibAAabahum tuAAzeena The smell of their

00:42:06 --> 00:42:08

jubba, these clothes that they wear, it's very

00:42:08 --> 00:42:08

stinky.

00:42:08 --> 00:42:09

We can't be with them.

00:42:11 --> 00:42:13

Rich people.

00:42:14 --> 00:42:15

Poor people.

00:42:16 --> 00:42:17

What did the rich people have?

00:42:18 --> 00:42:20

Dunya, dunya, dunya.

00:42:20 --> 00:42:21

And they were Muslims.

00:42:22 --> 00:42:23

They had accepted Islam.

00:42:23 --> 00:42:24

This was after Fath Makkah.

00:42:25 --> 00:42:26

They had accepted Islam.

00:42:27 --> 00:42:31

But, they were like all into dunya.

00:42:32 --> 00:42:33

Haifa Allah.

00:42:33 --> 00:42:34

Yeah, we're Muslim.

00:42:34 --> 00:42:35

La ilaha illallah Muhammadur Rasool Allah.

00:42:35 --> 00:42:38

But, you know, we're like the upper class.

00:42:39 --> 00:42:41

We don't want to mingle with the lower

00:42:41 --> 00:42:41

class.

00:42:41 --> 00:42:43

What was the quality of the lower class?

00:42:46 --> 00:42:56

Then, Allah says, That choice was given in

00:42:56 --> 00:42:56

the ayah.

00:42:59 --> 00:43:00

Believe or don't believe.

00:43:01 --> 00:43:04

If you don't believe, you're going to have

00:43:04 --> 00:43:05

a horrible end.

00:43:06 --> 00:43:08

If you believe, right?

00:43:09 --> 00:43:10

If you believe, what was the end?

00:43:12 --> 00:43:14

You will have a beautiful end.

00:43:15 --> 00:43:17

Then, Allah is like, now let me show

00:43:17 --> 00:43:18

you.

00:43:18 --> 00:43:19

No.

00:43:21 --> 00:43:26

Let me show you in this world what

00:43:26 --> 00:43:31

that, the entire exchange, i.e. poor rich

00:43:31 --> 00:43:32

people don't want to mingle.

00:43:33 --> 00:43:34

Jannah, Jahannam.

00:43:35 --> 00:43:36

Choose dunya, choose akhirah.

00:43:36 --> 00:43:39

What does it really look like on day

00:43:39 --> 00:43:41

-to-day basis in our lives?

00:43:41 --> 00:43:42

This is what the example is going to

00:43:42 --> 00:43:43

clarify for us.

00:43:45 --> 00:43:45

That's the masal.

00:43:46 --> 00:43:49

That now you've understood the concept that don't

00:43:49 --> 00:43:50

give preference to dunya.

00:43:50 --> 00:43:54

Don't run after dunya at the expense of

00:43:54 --> 00:43:55

the deen.

00:43:57 --> 00:43:59

Now, how does that look like?

00:44:00 --> 00:44:02

Where would I be able to see this

00:44:02 --> 00:44:03

in my life?

00:44:03 --> 00:44:04

In this dunya?

00:44:08 --> 00:44:11

Strike for them the example of two people.

00:44:14 --> 00:44:16

One of them, he had two gardens.

00:44:16 --> 00:44:17

More dunya.

00:44:17 --> 00:44:18

Two houses.

00:44:19 --> 00:44:20

Right?

00:44:20 --> 00:44:21

Two big backyards.

00:44:22 --> 00:44:24

Whatever you want to relate to that.

00:44:24 --> 00:44:27

Because the masal is, you add your contemporary

00:44:27 --> 00:44:28

example to this.

00:44:29 --> 00:44:32

Jannatayni Min a'naab.

00:44:33 --> 00:44:36

i.e. one of, even today, if anybody

00:44:36 --> 00:44:39

has you know, vineyards.

00:44:40 --> 00:44:41

That's very expensive.

00:44:41 --> 00:44:42

It's not cheap.

00:44:43 --> 00:44:44

Nobody's like, yeah, you know what?

00:44:44 --> 00:44:46

Yeah, I just happen to have like an

00:44:46 --> 00:44:47

acre of vineyards.

00:44:49 --> 00:44:50

Oh, wow, mashallah.

00:44:50 --> 00:44:51

Like, what do you do for a living

00:44:51 --> 00:44:52

other than making alcohol?

00:44:53 --> 00:44:53

Right?

00:44:54 --> 00:44:57

So, just having vineyards itself is an expensive

00:44:57 --> 00:44:57

thing today.

00:44:58 --> 00:44:59

Maintenance of that.

00:45:00 --> 00:45:01

Harvesting, creating.

00:45:01 --> 00:45:02

Who's going to take care of that?

00:45:02 --> 00:45:04

All of that is very expensive today.

00:45:04 --> 00:45:05

Even today.

00:45:06 --> 00:45:09

So, he had two min a'naab.

00:45:09 --> 00:45:11

Wa hafafnahuma binakhl.

00:45:13 --> 00:45:13

Right?

00:45:14 --> 00:45:17

And what had happened was he had this

00:45:17 --> 00:45:21

beautiful vineyards and they were surrounded by palm

00:45:21 --> 00:45:21

trees.

00:45:23 --> 00:45:26

Now, if you ever go to a five

00:45:26 --> 00:45:28

-star resort you remember when we went to

00:45:28 --> 00:45:30

like Sri Lanka or these places?

00:45:31 --> 00:45:33

If you ever go to these resorts or

00:45:33 --> 00:45:34

if you're ever traveling by these resorts if

00:45:34 --> 00:45:37

you're driving on Florida you see on the

00:45:37 --> 00:45:39

beach what do those resorts have?

00:45:41 --> 00:45:42

Palm trees.

00:45:42 --> 00:45:45

Even in areas where palm trees have no

00:45:45 --> 00:45:46

business.

00:45:48 --> 00:45:49

In Augusta.

00:45:49 --> 00:45:50

Right?

00:45:51 --> 00:45:54

In, in Macon.

00:45:55 --> 00:45:55

Right?

00:45:55 --> 00:45:57

If you're going by and you come across

00:45:57 --> 00:46:00

that like the the intercontinental resort like when

00:46:00 --> 00:46:03

you're driving you come across that it's gate.

00:46:03 --> 00:46:05

But then it's got like these giant like

00:46:05 --> 00:46:08

giant palm trees that have been brought in

00:46:08 --> 00:46:11

specially for that.

00:46:11 --> 00:46:13

If you look at Riyadh's Ritz Carlton.

00:46:13 --> 00:46:14

Right?

00:46:14 --> 00:46:17

There is no greenery in Riyadh.

00:46:17 --> 00:46:19

It's all cement and concrete.

00:46:20 --> 00:46:20

Right?

00:46:20 --> 00:46:25

But in that particular Ritz Carlton filled with

00:46:25 --> 00:46:26

palm trees.

00:46:26 --> 00:46:30

Palm trees is a symbolism or you know

00:46:30 --> 00:46:34

even till today California, LA Santa Monica all

00:46:34 --> 00:46:35

of these places palm trees.

00:46:36 --> 00:46:37

Right?

00:46:37 --> 00:46:39

So palm trees so Allah is like this

00:46:39 --> 00:46:41

person had two gardens and the beauty is

00:46:41 --> 00:46:43

his fence was palm trees.

00:46:44 --> 00:46:49

وَحَفَفْنَاهُمَا We covered his house surrounded his house

00:46:49 --> 00:46:50

with palm trees.

00:46:52 --> 00:46:55

وَبَيْنَهُمَا زَرْعَا And then he also had a

00:46:55 --> 00:46:57

farm in between.

00:46:57 --> 00:47:00

A farm that he benefited for various types

00:47:00 --> 00:47:00

of crops.

00:47:01 --> 00:47:03

InshaAllah in the next class what I'll do

00:47:03 --> 00:47:04

is I'll explain to you how this imagery

00:47:04 --> 00:47:05

is first.

00:47:06 --> 00:47:07

So that we can actually visualize what this

00:47:07 --> 00:47:08

looks like.

00:47:08 --> 00:47:10

Because then Allah SWT in the next ayah

00:47:10 --> 00:47:10

He says what?

00:47:11 --> 00:47:14

And then there was like وَفَجَّرْنَا خِلَالَهُمَا نَهَرًا

00:47:14 --> 00:47:15

Right?

00:47:15 --> 00:47:18

So what is this وَفَجَرْنَا خِلَالَهُمَا Is it

00:47:18 --> 00:47:19

Jannatayni?

00:47:19 --> 00:47:20

Is it Mazdar?

00:47:20 --> 00:47:22

So all of that we will cover that.

00:47:22 --> 00:47:24

You know how is the imagery looking like.

00:47:24 --> 00:47:25

And then there is a way to actually

00:47:25 --> 00:47:28

understand all of this InshaAllah So we'll initiate

00:47:28 --> 00:47:30

that next week.

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