Abdur Rahman ibn Yusuf Mangera – Shamail al Tirmidhi The Prophet () Statements on Poetry Part 41

Abdur Rahman ibn Yusuf Mangera
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The history and meaning behind the use of Arabic language in writing is discussed, including its cultural fit and the importance of finding heavy objects to be careful with. The speakers also touch on the use of grammar in writing and its use to prove things like sadness and blameworthiness, including famous artists and women named Mohammed and Jana Allah. The prophecy is about Jana Allah's death in distress and when she was killed by a speck, as well as Jana Allah's death in distress and was killed by a speck.

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			hamdu Lillahi Rabbil Alameen wa
salatu salam ala UD Mursaleen.
		
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			While early he was like me he
albaraka was seldom at the Sleeman
		
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			Cathy Ron Ely on 18 Mobarak This
is the 37th Chapter of Imam
		
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			Timothy Shama Al.
		
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			It's Babu CIFA T Kalami Rasulullah
sallallahu alayhi wa sallam
		
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			Figshare chapter on describing
Rasulullah sallallahu alayhi wa
		
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			sallam.
		
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			statements about poetry, or poetic
statements I would say statements
		
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			about poetry, whatever the Rasul
Allah salAllahu, Alaihe, Salam
		
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			observed about poems, poetry, and
poets. That's what this chapter is
		
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			about. The word in Arabic is
Share, share, is what you call
		
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			poetry. It's used in the Quran,
number of places you have the word
		
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			sharara, we're sure Ira yet to be
Roman Haiwan. And those poets who
		
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			are followed by the deviant ones,
most likely referring to those
		
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			poets that are constantly in some
kind of state, where they've lost
		
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			themselves they just saying things
and so, the people who are going
		
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			to follow them in are going to be
an intoxicated state on ecstatic
		
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			state of some sort, but this word
the word share comes from Shara
		
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			Shara and from Shouta which means
a sub or an entire element Ducky,
		
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			can you realize something very
subtle, you discovered something
		
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			very refined, very fine, very
subtle and sophisticated, the word
		
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			shutter for the hair, hair is very
fine as well generally. So, poetry
		
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			is a refined form of speech. So,
the origin of this term, the basis
		
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			SHA, SHA arta, that you just
stumbled upon something, you
		
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			realize something, you
acknowledged and understood
		
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			something that was very subtle. So
when you say poem, when you say a
		
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			poem, then it means you are
producing a kind of a refined, and
		
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			sometimes pretentious statement,
Gollum and speech but eventually
		
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			this word became more famous when
you say share became more mostly
		
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			used for for speech that is
rhyming, or that is on a
		
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			particular form or meter that
falls according to a particular
		
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			pattern. That's what this word
eventually became useful. Now, it
		
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			normally refers to the thing which
has been purposely said in a
		
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			particular form. So if a poet who
understands different forms
		
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			different meters, he produces some
lines according to those meters.
		
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			So it's a purposeful statement.
It's not something that just comes
		
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			out, unless the person is a
generally a poet and he always
		
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			speaks like that. So because
poetry is something that you have
		
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			to do yourself consciously,
generally consciously, you know,
		
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			to produce a speech like that.
This means that when Rasul Allah
		
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			salAllahu alayhi wa sallam has
made certain statements that sound
		
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			poetic, they are just
coincidentally poetic. So the
		
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			whole idea here is that Allah
subhanho wa Taala mentions in the
		
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			Quran as the famous story of
Amara, the Allahu undead when he
		
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			although the famous story about
him about him becoming a muslim is
		
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			the one when he went to kill Rasul
Allah salAllahu Alaihe Salam
		
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			intended to kill him and then he
went to his sister's house and he
		
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			beat her up and then she was
bleeding. And then after that, he
		
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			felt bad and he embraced, but they
say that it was actually before
		
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			that when the seeds of Islam had
become planted in his heart. That
		
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			was on one occasion where he was
unable to spend his night at home.
		
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			And he went to the Kaaba to the
Haram this was in the early days.
		
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			So he went, and he saw a sort of
loss or loss and performing
		
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			solids. And in that he was making
he was reading the Quran, he had
		
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			started reading solid oil health,
and how auto ml how the raw camel
		
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			have got this word How comes from
the word Huck. It means the
		
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			inevitable event, the event that
will definitely come to pass the
		
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			real event, the reality, the thing
which will definitely occur, what
		
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			is that referring to? It's
referring to the Day of Judgment,
		
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			the armor, and Walker is the same
thing. And halka is the same
		
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			thing. It's just a different name
for the definite event, the
		
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			inevitable event that will take
place. So
		
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			Rasulullah sallallahu Sallam had
started that now the people in
		
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			Morocco who especially those who
understood poetry, they were
		
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			mesmerized by the Quran when it
came, absolutely mesmerized taken
		
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			aback, even if they hated the
message because it went against
		
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			what their forefathers used to
believe in and what their self
		
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			persuasions had been for so long.
It's very difficult to give up
		
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			your own beliefs, you know, all of
a sudden, but they used to go and
		
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			listen to Rasulullah sallallahu
alayhi wasallam. So Omar, the
		
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			Allah who want to listen to
Rasulullah sallallahu alayhi wa
		
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			sallam without being noticed he
hid behind the cloth of the Kaaba
		
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			and Rasulillah Salam is reading
this Quran in the Surah Surah
		
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			Tehelka and eventually Omar the
Allahu Anhu could not could not
		
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			keep himself silent. And he said
to himself, hello Allah He Sharia.
		
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			This man is a poet, this man by
Allah this man is a poet he swore
		
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			notice that this man has to be up
		
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			Oh it because the beautiful speech
that was coming for him, he just
		
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			first attributed to poetry and
then Allah subhanaw taala I mean
		
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			Rasulullah sallallahu alayhi wa
sallam hearing goes towards the
		
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			end of the surah he says in Hula,
hula Rasool in carry verily,
		
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			indeed these are the words of a
Noble Messenger and then Allah and
		
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			then in the Quran, the next verses
warmer, who will be our Risha. He
		
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			is not a poet. So that was a
direct response to Omar, the Allah
		
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			one I wanted to just that he just
said this to himself. This man is
		
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			by Allah, he's a poet and the
verses were, he is a Noble
		
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			Messenger, and he is not a poet.
So then on what are the Allahu
		
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			Akbar? Then he thought he was not
a poet fine. He's a Kahin Bell who
		
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			occur when he's a soothsayer. And
the next verses, well, after his
		
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			Collegium took me known so little
do you believe? Then he says, it's
		
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			a Sufi he's a soothsayer. So Allah
subhanaw taala says, And
		
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			Rasulullah sallallahu was reading
it. Warmer, Hua behold Lika hin
		
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			wala be kolayca him. Wala be Oh,
rica hint, curry Elam, karoun.
		
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			Neither is he a soothsayer. So
little do reflect, really ponder
		
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			over these words, they're not
poetry. They're not some form of
		
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			soothsaying. This is something
divine 10, zero Mirabal. I mean,
		
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			it is but something revealed, it
is the thing which is revealed
		
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			from the Lord of the Worlds. It
said, that's when Islam crept into
		
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			his heart, the seeds of it were
planted, it takes a while for you
		
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			to overcome your intellectual, and
your emotional, and other
		
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			persuasions that have been with
you for all of your life. Slowly,
		
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			slowly, it's very difficult to
change somebody immediately. So
		
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			although this made a way into his
heart, he had to deal with the
		
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			intellectual aspect of it, the
emotional aspect of it, that had
		
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			to be worked on and that later his
sister, he, she worked on the
		
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			emotional aspect of it without
realizing when he sold a blood,
		
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			that emotion he was, and then
intellectually he was won over as
		
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			well. So these kinds of
statements, they make it very
		
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			clear, but then sometimes the sort
of law some said, some statements
		
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			seem to rhyme that seem to be on
some form of poetry, but because
		
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			it was not, it was not purposeful.
It was not something he did
		
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			purposely it was coincidental.
That means it's not poetry,
		
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			because poetry is that which is
like, if you come up with
		
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			something and just suddenly seems
to rhyme doesn't mean you're a
		
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			poet. You just haven't, you know,
coincidentally say something that
		
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			just seemed to rhyme. So that
that's what this is speaking
		
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			about. Because Allah says He is
not a poet. So that means he's not
		
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			a poet. In fact, you as you will
see, later on, when he even quoted
		
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			some poetry, he made mistakes in
that poetry and Amara, the Allah
		
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			wanna say, he also likes not like
that is actually like this. So
		
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			that was a totally something that
Allah subhanaw taala established
		
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			for his messenger to make it very
different. Because, you know, for
		
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			us, it doesn't make a difference.
You know, we believe in the Quran
		
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			the way it is, we believe
Rasulullah sallallahu Sallam
		
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			because we don't really see a
distinction between anything. We
		
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			were not really refined in our
understanding of Arabic language,
		
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			but people who understood poetry,
if they just put him as another
		
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			poet, he was just another poet,
maybe it's better than the rest,
		
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			but he's just another poet. But
no, it had to be established that
		
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			this comes from beyond poetry,
this is beyond any human
		
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			imagination. This comes from Allah
subhanaw taala This is divine
		
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			speech. So this had to be well
established. So he had to be
		
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			proven not to be a poet, as such,
except something just came out
		
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			coincidentally, spontaneously,
just something came from a sort of
		
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			loss of Allah, why do you have
symptoms, mouth? Then we have,
		
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			then you have in the Quran, for
example, you have some verses that
		
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			seem to be on a meter. Like it
says Londoner will be Rahat on
		
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			FICO, Mima to a boon, then there's
Nostrum min Allah, He will fatten
		
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			Corrib now obviously Allah
subhanaw taala for Allah subhanaw
		
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			taala we can't say something
happens coincidentally, Allah with
		
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			Allah, everything is purposeful,
these verses of the Quran, but
		
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			it's not there to produce poetry
for people. It's just it's there
		
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			for another wisdom that it's
therefore because nothing happens
		
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			from Allah subhanho wa Taala just
like that without a will, for it
		
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			to be something. Now when it comes
to when it comes to whatever sort
		
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			of allah sallallahu sallam said,
with regards to poetry, there's
		
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			some conflict there. In some
cases, he seemed to have praised
		
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			it, or some forms of poetry and
other times he condemned poetry.
		
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			So you've got different types of
guidance from Rasulullah
		
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			sallallahu, some about poetry, so
we need to put that in some
		
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			perspective. For example, it's
related with a sound chain from
		
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			eyeshot of the Allahu anha. That
sort of allah sallallahu alayhi wa
		
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			salam ala Annie share, he was
asked about poetry. And he said
		
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			who are Kellerman has and who
hasn't? What Kirby who who could
		
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			be now that's a, that's a very
easy statement to understand. The
		
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			good of it is good, the bad of it
is bad. So it's good poetry, that
		
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			is for pious purpose, to inspire
piety to instigate somebody to do
		
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			good while is good, otherwise,
it's bad, the bad of it is bad,
		
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			just like anything else. So that
means the owner might explain that
		
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			poetry then is just
		
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			Like any other form of writing
some books, some writing inspires
		
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			good, some corruptive. So it just
depends. But the job would law who
		
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			will act the sorrow or the human
movement. However, because poetry
		
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			is something that you generally
don't just come up with naturally,
		
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			it's something you have to
compose, make sure it goes
		
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			according to a certain Wuzzle for
all and for all and for all on
		
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			right, it has to go through loan
for rule non for rule, and it has
		
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			to sound like that, or there's
15 1617 other ones. This is very
		
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			interesting, because just like
with Arabic, the at the time of
		
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			Rasulullah sallallahu, there was
no such thing as grammar.
		
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			Likewise, for poetry, there were
no rules, there was just as
		
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			inherited 16 or 17 forms that
everybody's poetry used to fall
		
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			under, or fall on. So whenever
some new poetry came up, it wasn't
		
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			like, oh, I need to fall on it
like this or like this, or, you
		
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			know, I can only go this way,
generally all the poetry that was
		
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			written for an upcoming vichara,
hobby even, and so on. It used to
		
00:11:02 --> 00:11:05
			always fall according to one of
these. So later on, there was a
		
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			big grammarian called Imam
		
00:11:07 --> 00:11:13
			Helene ignore Armadyl Farah Hedy,
right. He was the first one to
		
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			discover the sounds of these
forms, or put it in perspective,
		
00:11:17 --> 00:11:20
			because he looked at all of these
poem poems, and he noticed that
		
00:11:20 --> 00:11:24
			they all eventually are reduced to
these particular forms the Bahara,
		
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			and they've got names for
different ones, there's some
		
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			longer ones and some shorter ones,
but they all all of them fall on a
		
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			particular form. And sometimes
words are
		
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			words, what do you call it,
sometimes made shorter to fall
		
00:11:40 --> 00:11:42
			according to that form, but it was
quite something natural that they
		
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			used to do. So the, the whole
meters of poetry of Arabic poetry
		
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			was discovered later, after some
of the greatest poetry had already
		
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			been written, which is very
interesting. Likewise, if you've
		
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			if you've studied even a bit of
Arabic grammar, Arabic grammar was
		
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			something that came earlier, the
Allah on his time, says that he
		
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			was the first one or one of his
students, were the first one to
		
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			come up with the fact that every
file, every doer of the verb, is
		
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			going to have a have a, a dome on
it, which is the case that's how
		
00:12:13 --> 00:12:17
			people will be speaking anyway.
And anybody the object, right, the
		
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			object will always have a Fattah
on it, you know, it'd be harder to
		
00:12:20 --> 00:12:23
			Nussle. But those rules were only
written afterwards that this is a
		
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			Mukden. And then that's a Hubber.
That's a subject and that's a
		
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			predicate, a predicate, that's a
verb that's this that's this needs
		
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			to just speak like that.
		
00:12:32 --> 00:12:34
			You know, something like I mean, I
think it's like English for us
		
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			who's who studied English grammar
in depth. You know, like if we say
		
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			past participle, who knows what a
past participle is, right? One
		
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			person out of this whole crowd. So
now you see you've got somebody
		
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			who reckons he's good at writing,
but he doesn't know what an active
		
00:12:47 --> 00:12:51
			participle is. Right? Or a past
participle. Because who cares
		
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			about you know, for us, we don't
study English through grammar, but
		
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			yet, we can tell when somebody is
speaking well or somebody is not
		
00:12:57 --> 00:13:01
			speaking. Well, if somebody is
speaking in English, or pidgin
		
00:13:01 --> 00:13:05
			English, English is the official
term for Indian English for Indian
		
00:13:05 --> 00:13:09
			English. Right? It's the official
word for it. Because now we've got
		
00:13:09 --> 00:13:12
			many forms of English around the
world because the language has
		
00:13:12 --> 00:13:14
			been exported throughout. So
that's that's essentially the way
		
00:13:14 --> 00:13:17
			it was it was only later that they
developed even though Well at
		
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			least we know we've got a grammar
we've got some aspect of grammar,
		
00:13:20 --> 00:13:23
			but that's what it is even people
who speak or do I mean, how many
		
00:13:23 --> 00:13:25
			people who speak have actually
studied the grammar of it, but if
		
00:13:25 --> 00:13:31
			you do want to learn Urdu as a
language, you know, from not not
		
00:13:31 --> 00:13:34
			not just through conversation, but
as a language, then I would
		
00:13:34 --> 00:13:36
			definitely suggest you learn the
grammar of it because it is
		
00:13:36 --> 00:13:40
			complicated otherwise to work the
masculine and feminine ins right
		
00:13:40 --> 00:13:43
			unless you live among Urdu
speaking people and you can just
		
00:13:43 --> 00:13:46
			get it like that. Don't try to
learn it just like that from
		
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			conversation or to try to learn it
through grammar makes it a lot
		
00:13:49 --> 00:13:55
			easier. It tells you where to use
here and sorry, it K and Ka and Ko
		
00:13:55 --> 00:13:58
			and COO you know and all the rest
of it. So it makes it a bit
		
00:13:58 --> 00:14:01
			easier. So you don't make some
funny mistakes. But with the
		
00:14:01 --> 00:14:04
			Prophet sallallahu alayhi wa
sallam this is it is conflicting
		
00:14:04 --> 00:14:07
			reports about what he thought
about poetry and what poetry how
		
00:14:07 --> 00:14:10
			poetry should be dealt with. So he
said, look at the good of it is
		
00:14:10 --> 00:14:13
			good, the bad of it is bad. We see
as opposed to normal writing.
		
00:14:13 --> 00:14:19
			Poetry is a level beyond that.
It's, it's, it's less needed than
		
00:14:19 --> 00:14:24
			writing in general, which means
that there's generally it's for
		
00:14:24 --> 00:14:28
			people to just constrain
themselves on poems and just
		
00:14:28 --> 00:14:32
			always be writing poetry and
nothing else that is seen as not
		
00:14:32 --> 00:14:37
			very praiseworthy, unless it's for
a particular reason. That's why
		
00:14:37 --> 00:14:40
			the Prophet sallallahu sallam said
things like letting young Telly a
		
00:14:40 --> 00:14:44
			Joe for a honeycomb Kahan was
studied and how you run the home
		
00:14:44 --> 00:14:50
			in am 30 a chevron? That one of
your if one of your if you if the
		
00:14:50 --> 00:14:55
			stomach of your people is filled
with blood and pus is superior
		
00:14:55 --> 00:14:58
			than it's filled with poetry.
That's a very heavy statement to
		
00:14:58 --> 00:15:00
			say that you'd rather have your
stomach filled
		
00:15:00 --> 00:15:05
			with blood and pasta and have you
coming up with potent poetic
		
00:15:05 --> 00:15:08
			phrases, there's a reason for that
people get lost in poems. That's
		
00:15:08 --> 00:15:12
			what the issue is people get lost,
it's become such an addiction, an
		
00:15:12 --> 00:15:15
			obsession, that they become lost,
it's a, it's not a problem with an
		
00:15:15 --> 00:15:18
			activity, it's like your whole
mind gets engrossed. And if you
		
00:15:18 --> 00:15:22
			can't find the next poem, the word
that to match when you have a
		
00:15:22 --> 00:15:27
			writer's block, or a poet's block,
as such, for example, there's one
		
00:15:27 --> 00:15:31
			poem, when there's one poet, he
composed to two lines, you know,
		
00:15:31 --> 00:15:34
			the first two lines, or the one
line rather made of two b's, you
		
00:15:34 --> 00:15:40
			know, to two parts. He just
couldn't think of the next one, he
		
00:15:40 --> 00:15:44
			could, he could not just find and
compose to himself, the second
		
00:15:44 --> 00:15:47
			line, it just couldn't work it
out. It just wouldn't come to him,
		
00:15:47 --> 00:15:49
			it happens like that. So
eventually, he went out of his
		
00:15:49 --> 00:15:51
			house and his his vegetable
cellar, you know, selling
		
00:15:51 --> 00:15:56
			vegetables on a cut, as they do in
many countries. And he was singing
		
00:15:56 --> 00:16:00
			some poetry and the line that he
said, was a perfect match for
		
00:16:00 --> 00:16:03
			this, because great, that's it
inside his house, he just couldn't
		
00:16:03 --> 00:16:06
			find anything then he captures the
next phrase from this vegetable
		
00:16:06 --> 00:16:10
			seller. That's how poetry is very
interesting once you get into it,
		
00:16:10 --> 00:16:13
			but the obsession is the problem.
That's why the rocks are awesome
		
00:16:13 --> 00:16:15
			said you'd rather have your
stomach filled with blood than,
		
00:16:15 --> 00:16:20
			than have it's filled with. With
that. It said in one of the books
		
00:16:20 --> 00:16:22
			of jurisprudence, while our butts
have been shared to share with you
		
00:16:22 --> 00:16:25
			on a half, I'm going to share the
essence of what I embody and youth
		
00:16:25 --> 00:16:29
			admin who means sugared up.
There's nothing wrong with saying
		
00:16:29 --> 00:16:33
			poetry, but whatever the lighter
forms of poetry the better because
		
00:16:33 --> 00:16:36
			they're not too engrossing and so
obsessive, and it's not
		
00:16:36 --> 00:16:40
			appropriate to have too much of
it, and to occupy yourself with it
		
00:16:40 --> 00:16:44
			is the same as comedy. We learn
from our previous chapter about
		
00:16:44 --> 00:16:49
			joking that it's recommended to do
it once in a while to relax to
		
00:16:49 --> 00:16:54
			maybe have a break the ice to
socialize with someone to make
		
00:16:54 --> 00:16:56
			them feel better to make
somebody's heart, a bit more
		
00:16:56 --> 00:17:02
			content, but then to make it a not
an obsession, and an occupation.
		
00:17:02 --> 00:17:05
			That's another problem. Likewise,
to make this an occupation is
		
00:17:05 --> 00:17:08
			another problem. That's that's
what this is speaking about.
		
00:17:08 --> 00:17:12
			That's why there's another Hadith
when I shudder the Allah La Radi
		
00:17:12 --> 00:17:14
			Allahu Allah gonna share the
abadal Hadith ala Rasulillah
		
00:17:14 --> 00:17:17
			abadal Hadith de la sala
sallallahu alayhi wa sallam, she
		
00:17:17 --> 00:17:22
			says that poetry was the worst
type of speech for Rasulullah
		
00:17:22 --> 00:17:25
			sallallahu Sallam he used to
consider the worst type of speech.
		
00:17:25 --> 00:17:29
			Why? Because another problem with
poetry is poetry has a lot of
		
00:17:29 --> 00:17:33
			pretenses in there, it has a lot
of exaggeration in there. And it's
		
00:17:33 --> 00:17:37
			almost assumed that you can go
beyond the limits, because just
		
00:17:37 --> 00:17:41
			like it's permissible to go beyond
the limits of grammar, in poetry
		
00:17:41 --> 00:17:45
			to make something fit, according
to that meter, is also permissible
		
00:17:45 --> 00:17:48
			to really exaggerate the meaning.
For example, there's somebody
		
00:17:48 --> 00:17:52
			speaking about the loss of
somebody's love. And he talks
		
00:17:52 --> 00:17:56
			about the angels. And he said that
even the angels were crying so
		
00:17:56 --> 00:18:02
			much so much that even Gibreel was
up to his waist in in a in in
		
00:18:02 --> 00:18:06
			tears. Now, what is that kind of a
statement? It sounds, you know,
		
00:18:06 --> 00:18:08
			obviously, if you hear that,
		
00:18:09 --> 00:18:12
			as long as you can understand what
it's trying to say, and you can
		
00:18:12 --> 00:18:16
			understand the exaggeration limit,
and it does impact you. That means
		
00:18:16 --> 00:18:20
			they must have been really a loss.
It was such a loss that even the
		
00:18:20 --> 00:18:24
			angels were crying. And the angels
were crying so much that with
		
00:18:24 --> 00:18:27
			their tears, the tears had risen
to such an amount that it become
		
00:18:27 --> 00:18:30
			like a lake around them, and they
were swimming in it up to their
		
00:18:30 --> 00:18:32
			waist that even Gibreel Allah
Islam was like that. Now what kind
		
00:18:32 --> 00:18:35
			of an exaggeration is that? That's
what you call pretentious. That's
		
00:18:35 --> 00:18:37
			what you call going beyond the
limits? What kind of an
		
00:18:37 --> 00:18:39
			exaggeration is that? So the
Prophet salallahu alayhi salam was
		
00:18:39 --> 00:18:42
			not one for exaggeration. He
talked reality because everything
		
00:18:42 --> 00:18:46
			he said was from Allah subhanho wa
taala. So that's why he was, you
		
00:18:46 --> 00:18:49
			can say discouraged for that
reason that just had a lot of
		
00:18:49 --> 00:18:53
			these problems associated with it.
Once you get into poetry. That's
		
00:18:53 --> 00:18:56
			the way it works because you're
working on people's emotion.
		
00:18:56 --> 00:18:58
			You're working on people's
emotion. People can sit there and
		
00:18:58 --> 00:19:01
			just laugh and cry based on poetry
that you say because it gets them
		
00:19:01 --> 00:19:05
			to think Matina B, who's
considered one of the very famous
		
00:19:05 --> 00:19:09
			later classical poet poets is his
LA Taberna, Shara fatherland,
		
00:19:09 --> 00:19:14
			Birdie and Masha Allah hoogendoorn
Wahhabi will hubba loo el hijo
		
00:19:14 --> 00:19:19
			culled from wertha onea hatoon
well known while Medusa Aroo so
		
00:19:19 --> 00:19:21
			he's talking about the
blameworthiness of it, even though
		
00:19:21 --> 00:19:24
			he's a poet and he's actually
saying it in poetry as well. I'm
		
00:19:24 --> 00:19:27
			one of the Allahu Anhu said there
are a number share for in fee he
		
00:19:27 --> 00:19:31
			mahasin Tubbataha wa mercerie to
taka and what are the only thing
		
00:19:31 --> 00:19:37
			you should study study poetry, for
it is are the good points, the
		
00:19:37 --> 00:19:42
			praiseworthy points that should be
sought and in it are the bad
		
00:19:42 --> 00:19:46
			points the blameworthy aspects
that should be abstained from? So
		
00:19:46 --> 00:19:50
			if you study it, then you know,
what's the right way to do it and
		
00:19:50 --> 00:19:53
			what's the wrong way to do it?
Then Imam told me the Imam told me
		
00:19:53 --> 00:19:57
			he begins. The first hadith is
Hadith number 251. Let's just
		
00:19:57 --> 00:20:00
			read. This is a slightly longer
chapter
		
00:20:00 --> 00:20:02
			because it requires more detail
but so we'll just read some of the
		
00:20:02 --> 00:20:06
			Hadith today. So this is chapter
number 37 and the Hadith the first
		
00:20:06 --> 00:20:10
			hadith is Hadith number 251 or
Bill Isner, the mausoleum in Italy
		
00:20:10 --> 00:20:13
			momentarily your collarbone merger
of your synthetical army
		
00:20:13 --> 00:20:17
			Rasulullah sallallahu alayhi wa
sallam a share are being called
		
00:20:17 --> 00:20:20
			ahead with an early human origin
got ahead of the national economic
		
00:20:20 --> 00:20:25
			dominance theory and RB Abhi. Here
I shudder Radi Allahu anha call it
		
00:20:25 --> 00:20:28
			theta the Hulk and Rasulullah
sallallahu alayhi wa sallam a
		
00:20:28 --> 00:20:31
			Yetta Mytho Ruby che immaturely
call it Gunny Adama through
		
00:20:31 --> 00:20:34
			Sheridan Yarrabah, where the
method will be wholly here where
		
00:20:34 --> 00:20:38
			you can build a bird human limb to
the with the order he called I had
		
00:20:38 --> 00:20:41
			the name Mohammed Abu Bashar and
call this an Arab the Rama lindo
		
00:20:41 --> 00:20:43
			Madeon kala had that inner Sophia
and authority and Abdullah
		
00:20:43 --> 00:20:46
			Medicube Nero made called a hadith
and Abu Salah Mata and abhi
		
00:20:46 --> 00:20:50
			Herrera the Allahu anha and who
call it call it a call Rasulullah
		
00:20:50 --> 00:20:54
			sallallahu alayhi wa sallam in
Calumet, in kala Hashem it will
		
00:20:54 --> 00:20:58
			carry over to libido and other co
Lucia in Mahan, Allah her ability
		
00:20:58 --> 00:21:03
			to work the Omiya to be salty a
new cinema while being caught
		
00:21:03 --> 00:21:05
			ahead the thinner Mohamed doubloon
with a knucklehead, the thinner
		
00:21:05 --> 00:21:08
			Mohammed paraffinic Allah had the
the national avatar analysts were
		
00:21:08 --> 00:21:10
			the interface and gentlemen, Mr.
Fennell budget do you call it a
		
00:21:10 --> 00:21:13
			cyber hygiene? Or cyber hygiene?
SBR rasool Allah Allah allah
		
00:21:13 --> 00:21:16
			sallallahu alayhi wa sallam
referred them yet for call Hello
		
00:21:16 --> 00:21:21
			Aunty is Barone Demeter you have
isa Barilla Hema Allah PT when you
		
00:21:21 --> 00:21:24
			call I had this role model called
I had the thinness of urinary
		
00:21:24 --> 00:21:27
			annata analyst with the mutation
June June Daubney, Abdullah Al
		
00:21:27 --> 00:21:30
			bacilli Jana who are being called
Mohammed and Bashar in Cora had
		
00:21:30 --> 00:21:33
			this in your head no, sorry. In
Colorado business if you're an
		
00:21:33 --> 00:21:37
			authority you call a call is how I
ended up honestly being Radi
		
00:21:37 --> 00:21:41
			Allahu Anhu I'ma call call Allahu
Rajul on a Ferrara to man
		
00:21:41 --> 00:21:45
			Rasulullah sallallahu alayhi wa
sallam O'Meara for call Allah
		
00:21:45 --> 00:21:49
			Allah. Ma Ma Allah rasool Allah He
sallallahu alayhi wa sallam Walla
		
00:21:49 --> 00:21:54
			Walla Soran US dollar Khartoum
hovers in bin nibble Rasulullah
		
00:21:54 --> 00:21:58
			sallallahu alayhi wa sallam Allah
above 30 He was Abu Sofia terminal
		
00:21:58 --> 00:22:03
			Hadith Ibni Abdul Muttalib he will
be the Jamia Rasulullah sallallahu
		
00:22:03 --> 00:22:07
			alayhi wa salam Yeah, cool, and an
OB Yura Khatib and Ibnu
		
00:22:07 --> 00:22:10
			Abdulmutallab. So we're just going
to cover those. The first hadith
		
00:22:10 --> 00:22:15
			of this chapter 251 is related
from Arusha. The Allahu Ana, she
		
00:22:15 --> 00:22:19
			says that he was asked of her
somebody asked her a question Can
		
00:22:19 --> 00:22:21
			and abuse Allah Allahu Allahu
Salam yet Thermacell will be che
		
00:22:21 --> 00:22:25
			in mindshare did the Prophet
sallallahu alayhi wa sallam ever
		
00:22:25 --> 00:22:29
			use poetry use poetry as evidence
for something as a proof for
		
00:22:29 --> 00:22:33
			something? See, if you read many
of our classical Tafseer and
		
00:22:33 --> 00:22:36
			books, you will notice that
they'll mention some point. And
		
00:22:36 --> 00:22:40
			then they'll bring a poet a poem,
a famous poem, to prove that
		
00:22:40 --> 00:22:45
			point. To substantiate that point
to support that point. It's done
		
00:22:45 --> 00:22:48
			in Arabic quite a bit poetry is
just they quoted left right and
		
00:22:48 --> 00:22:51
			center to prove certain points and
look even a poet poem said that a
		
00:22:51 --> 00:22:55
			poet said that the the prophets of
Allah some evidence it was it
		
00:22:55 --> 00:22:58
			seemed to be it seemed to have
been accustomed during that time.
		
00:22:58 --> 00:23:03
			So now this Therby is asking Aisha
Radi Allahu Allah did rasool Allah
		
00:23:03 --> 00:23:06
			Salah some ever use poetry like
that? You know, maybe not his own
		
00:23:06 --> 00:23:08
			party, but did he ever quote
poetry? So that's what it means
		
00:23:08 --> 00:23:13
			yet the method which means yes,
the shed to use poetry as the
		
00:23:13 --> 00:23:16
			shahada as a witness to something
call it kerning at the method
		
00:23:16 --> 00:23:21
			okay, Shara Livni Raja he did
sometimes he used the poems of
		
00:23:21 --> 00:23:24
			ignore Allah this is Abdullah and
Raja sahabi, very much beloved
		
00:23:24 --> 00:23:26
			Rasulullah sallallahu alayhi wa
sallam he was an unsightly
		
00:23:26 --> 00:23:30
			Hazaragi and he was one of the
great leaders of the Muslims that
		
00:23:31 --> 00:23:36
			of the of the answer that came
during the Acaba, the pledgor
		
00:23:36 --> 00:23:40
			acaba in the beginning so is quite
earlier on he was in better as
		
00:23:40 --> 00:23:44
			well and are heard and hunt duck
and all of them except the
		
00:23:44 --> 00:23:48
			conquest of Makkah because he
passed away in he was martyred in
		
00:23:48 --> 00:23:52
			Mata in the husband to Mata he was
he was he was he passed away in
		
00:23:52 --> 00:23:55
			that one which was in the eighth
he he became the Emir he was one
		
00:23:55 --> 00:23:58
			of the three Jaffa or the hola
Juan Zaid and then Abdullah and
		
00:23:58 --> 00:24:02
			Raja, but he was one of the best
poets of the time. That's why one
		
00:24:02 --> 00:24:05
			of his very famous poems is were
fina rasool Allah He sallallahu
		
00:24:05 --> 00:24:10
			alayhi wa sallam Athena rasool
Allah He yet Luca who even Chaka
		
00:24:10 --> 00:24:14
			Maru for mineral February sell to
Oran, alHuda Burdell. Ama for Kulu
		
00:24:14 --> 00:24:20
			gonna be looking at and malerkotla
up to you Jaffe Jember who Anthea
		
00:24:20 --> 00:24:24
			Rashi either stuff collet will
care for renal mythology who is
		
00:24:24 --> 00:24:27
			among us is also Lasala lorrison,
who reads his book, and then he
		
00:24:27 --> 00:24:31
			speaks about the time of Fajr. And
then he says he gives us guidance
		
00:24:31 --> 00:24:35
			after us being blind. Our hearts
are now fully convinced about what
		
00:24:35 --> 00:24:40
			he says is going to definitely
occur. He's he spends his night
		
00:24:40 --> 00:24:46
			with his body away from his from
his bedding, when the bedding of
		
00:24:46 --> 00:24:50
			the kuffaar are heavy with their
bodies. So it's a different way of
		
00:24:50 --> 00:24:54
			saying it. See that this is what
I've been trying to say that, you
		
00:24:54 --> 00:24:58
			know, instead of it just being
just rhyming. There's a lot of
		
00:24:58 --> 00:24:59
			metaphor that's used
		
00:25:00 --> 00:25:04
			So what he's saying here, up to
you Jaffe Jumba who unfair Rashi
		
00:25:04 --> 00:25:08
			he spends his night you Jaffe
means to keep separate Jimbo who?
		
00:25:08 --> 00:25:11
			His side from his bedding? What is
that trying to say could have said
		
00:25:11 --> 00:25:14
			he doesn't sleep at night. That's
exactly what he's saying he
		
00:25:14 --> 00:25:19
			doesn't sleep at night. But it's
more forceful. It's more creative
		
00:25:19 --> 00:25:24
			to say he spends his nights with
his body, his side away from his
		
00:25:24 --> 00:25:27
			bed. Right? It's just gives you a
bit more of a picture to think
		
00:25:27 --> 00:25:30
			about, oh, he's not sleeping class
finish. But this is look, he's not
		
00:25:30 --> 00:25:32
			in his bed. People are supposed to
be in their bed at night. He's not
		
00:25:32 --> 00:25:35
			in his bed. Right? And then he
said and then the same kind of
		
00:25:35 --> 00:25:38
			point about the kuffaar is set
differently there. He says either
		
00:25:38 --> 00:25:42
			stuff called a tough call. It
means to find something heavy to
		
00:25:42 --> 00:25:47
			feel that it's heavy. Mataji means
the places that you sleep on,
		
00:25:47 --> 00:25:52
			right places. So the the sleeping
places, they're resting places are
		
00:25:52 --> 00:25:56
			finding heavy the kuffaar because
they're sleeping, and he's praying
		
00:25:56 --> 00:25:59
			Salat, right. So it's a different
ways in that's what you call
		
00:25:59 --> 00:26:01
			poetry. Poetry is not like when
you just tell a story and make it
		
00:26:01 --> 00:26:04
			rhyme. Right. The last words you
make crime, that's not what that's
		
00:26:04 --> 00:26:06
			what, you know, that's the
problem. That's when you could
		
00:26:06 --> 00:26:09
			really amateurish poetry. This is
what you call when you're able to
		
00:26:09 --> 00:26:13
			put in some imagery, some, you
know, a lot of metaphors, that's
		
00:26:13 --> 00:26:16
			very important. That's the beauty
of poetry. Really, it's related
		
00:26:16 --> 00:26:20
			from Rasulullah, sallAllahu,
alayhi, wasallam, that he used to
		
00:26:20 --> 00:26:24
			use, Abdullah, ignore our has
poetry. Now I'm gonna live in
		
00:26:24 --> 00:26:27
			Ottawa. It's related about him
that he had a slave girl and in
		
00:26:27 --> 00:26:30
			Islam with slave girls, it's
allowed to have intimacy with them
		
00:26:30 --> 00:26:34
			without marriage, right? That's
the only other possibility outside
		
00:26:34 --> 00:26:37
			of marriage where that's allowed.
His wife didn't he, his wife used
		
00:26:37 --> 00:26:41
			to dislike it a lot. So one day,
she caught him coming back back
		
00:26:41 --> 00:26:46
			from his, his slave girls chamber,
whatever it was, and she accused
		
00:26:46 --> 00:26:50
			him and he said, No, no, no, no,
no, no, no, no, whatever, you
		
00:26:50 --> 00:26:54
			know, no. And, and he's, she said,
No, no, you were with her. He
		
00:26:54 --> 00:26:58
			says, no, no, no, no, no. Look, I
can read Quran. I can read Quran
		
00:26:58 --> 00:27:02
			to you. So he made up poetry that
sounded like the Quran. It wasn't,
		
00:27:02 --> 00:27:06
			it was just poetry. And he said it
and she goes, okay, okay, I'll let
		
00:27:06 --> 00:27:08
			you off because she thought he was
reading the Quran and if he'd been
		
00:27:08 --> 00:27:10
			with her then he couldn't have
read the Quran, but he was
		
00:27:10 --> 00:27:12
			actually reading poetry, right it
was masterful poets in a very good
		
00:27:12 --> 00:27:16
			poets that will work with you
guys. So he used to use his
		
00:27:16 --> 00:27:19
			poetry, you know, this past year
the EB to Jaffe jumper who anfi
		
00:27:19 --> 00:27:22
			rashi. He, he spends his night
with the side away from his
		
00:27:22 --> 00:27:26
			resting place his bed his bed, so
he used to he has used his poem
		
00:27:26 --> 00:27:30
			poems, and there's Hassan
thermometers, the other one was
		
00:27:30 --> 00:27:33
			the famous one used to actually
defend you know, the, a lot of the
		
00:27:33 --> 00:27:37
			battles they will there was also
poetry in them or some archieved
		
00:27:37 --> 00:27:41
			stuff in the middle of the battle,
they will start singing poetry to
		
00:27:41 --> 00:27:45
			raise the morale I am this I am
that the prophets Allah some did
		
00:27:45 --> 00:27:49
			it in her name as well. Allah the
Allah Juan, who did it as well. I
		
00:27:49 --> 00:27:52
			am the one who my mom has called
me the Haider, the lions do you
		
00:27:52 --> 00:27:55
			think you need to do anything? You
know, it's to raise your own
		
00:27:55 --> 00:27:58
			morale with poetry is just an
amazing, it has an amazing effect
		
00:27:58 --> 00:28:01
			on you. So in the middle of the
better leaves to do that. That's
		
00:28:01 --> 00:28:05
			why there was one battle against
the Romans. It was such a it was a
		
00:28:05 --> 00:28:10
			very precarious battle. It said
and in that one, the narrator says
		
00:28:10 --> 00:28:15
			it was such a it was such a
terrifying moment that we even
		
00:28:15 --> 00:28:18
			forgot our poetry. So these would
normally say poetry. But that was
		
00:28:18 --> 00:28:21
			such a terrifying moment that we
even forgot our poetry. We
		
00:28:21 --> 00:28:24
			couldn't even say any poetry in
that time. So these these to do
		
00:28:24 --> 00:28:26
			these things. So are you shot at
the Allahu Ana says that? Yes, he
		
00:28:26 --> 00:28:31
			used to use the poetry of Abdullah
he murabaha where Timothy and he
		
00:28:31 --> 00:28:35
			used to use others as well. We are
cool. And he used to say so now
		
00:28:35 --> 00:28:41
			she says we were cool. And where
Timothy will be covering he will
		
00:28:41 --> 00:28:45
			decouple the manlam to the weedy
then she mentioned so she didn't
		
00:28:45 --> 00:28:49
			she did not mention which poem of
Abdullah he used. But then she
		
00:28:49 --> 00:28:54
			said and he used to also use this
other line of another poetry.
		
00:28:54 --> 00:28:58
			Another poem, which was thought of
as an ABS poet poem thought of
		
00:28:58 --> 00:29:01
			Abdullah Abdullah was another
famous poet of the time we
		
00:29:01 --> 00:29:07
			decouple Birdy manlam to the WiDi.
And he will bring you news
		
00:29:07 --> 00:29:11
			information, tidings, and he will
bring tidings to you, who will
		
00:29:11 --> 00:29:16
			bring tidings to you, the one whom
you have not given sustenance, the
		
00:29:16 --> 00:29:19
			one whom you've not given
provision. So even though you've
		
00:29:19 --> 00:29:22
			not given him provisions for his
journey, he will bring back
		
00:29:22 --> 00:29:26
			tidings for you where tea can be
Bill Akbar, human lamb to the
		
00:29:26 --> 00:29:29
			weedy so obviously, he was
referring to himself by that this
		
00:29:29 --> 00:29:32
			was a statement of a poet that you
know, people who will go out
		
00:29:32 --> 00:29:34
			sometimes some people will come
in, you didn't give them any
		
00:29:34 --> 00:29:37
			provisions, but they will give you
the news that you really want. So
		
00:29:37 --> 00:29:40
			he's trying to say here as well,
the same thing about himself, that
		
00:29:40 --> 00:29:43
			you haven't given me anything, I'm
not charging you anything. All the
		
00:29:43 --> 00:29:48
			prophets said that in Algeria.
Illa, Allah, Allah, my reward, my
		
00:29:48 --> 00:29:52
			compensation, my payment is upon
Allah subhanaw taala I'm not
		
00:29:52 --> 00:29:55
			asking you for anything. So just
like the one you didn't give any
		
00:29:55 --> 00:29:58
			sustenance and provision to
they're going to bring you
		
00:29:58 --> 00:30:00
			important news about your enemies
or some
		
00:30:00 --> 00:30:03
			thing that's happening, I'm doing
the same thing for you. So he used
		
00:30:03 --> 00:30:06
			to use that line of poetry which
was thought of as an ABS poet
		
00:30:06 --> 00:30:10
			poem. And he used to use it about
himself. So he has used it like
		
00:30:10 --> 00:30:13
			that. Now, this is according to
this narration. There's another
		
00:30:13 --> 00:30:17
			narration that summer candy has
related from Aisha Radi Allahu
		
00:30:17 --> 00:30:21
			anha, in that when he said where
Tikka manlam tuza with Bill
		
00:30:21 --> 00:30:24
			Akbari, it means the same thing
but he changed the wording instead
		
00:30:24 --> 00:30:29
			of wetiko. Bill arbery manlam to
the withy. That is the poem he
		
00:30:29 --> 00:30:32
			said, Where Tikka manlam tussah
with Bill Akbar, so he changed it
		
00:30:32 --> 00:30:35
			around for cada Abu Bakr, so
Bokhara the Allah and told him
		
00:30:35 --> 00:30:38
			Lisa, it's not like that, yes,
well, Allah. That's not how the
		
00:30:38 --> 00:30:41
			poem is for Carla. And Abby
showed, he said, Well, I'm not a
		
00:30:41 --> 00:30:45
			poet, many, I'm not a poet. So
it's okay, I'm not a poet. So the
		
00:30:45 --> 00:30:48
			whole reason that he's saying is
not to quote the poem, but it's to
		
00:30:48 --> 00:30:51
			quote, the meaning of the poem,
because that concept was
		
00:30:51 --> 00:30:55
			understood among people is a very
famous line. And so the meaning of
		
00:30:55 --> 00:30:58
			it is, somebody is going to give
you useful information for free,
		
00:30:58 --> 00:31:01
			and that I am one of those, I'm
giving extremely valuable
		
00:31:01 --> 00:31:04
			information for free, you don't
have to give me any provisions for
		
00:31:04 --> 00:31:07
			my way, as a traveler, you don't
have to give me supplies. So
		
00:31:07 --> 00:31:10
			that's why that's why he said it,
it was just trying to appeal to
		
00:31:10 --> 00:31:14
			what people knew already. So which
is permissible to do that means, I
		
00:31:14 --> 00:31:17
			guess somebody might say, if
everybody's watched a certain
		
00:31:17 --> 00:31:20
			movie, right, that it's so famous,
everybody knows about, and you
		
00:31:20 --> 00:31:23
			want to bring some kind of support
from there for something Islamic,
		
00:31:23 --> 00:31:26
			you can quote that poetry, you
know, you can call that film just
		
00:31:26 --> 00:31:30
			like this. Did you see what I'm
saying? Some common information
		
00:31:30 --> 00:31:32
			that somebody has, it's like
today, you know, I don't know,
		
00:31:33 --> 00:31:36
			I've heard some people quoting
that there's a movie that somebody
		
00:31:36 --> 00:31:37
			saw about
		
00:31:38 --> 00:31:43
			surrogates, I think it's called
where the people are, they have
		
00:31:43 --> 00:31:47
			these robots. And you can you just
sit at home and you control your
		
00:31:47 --> 00:31:49
			robot. It's something like
projected many, many years in the
		
00:31:49 --> 00:31:53
			future. So you just sit lay down
at home and put on something, and
		
00:31:53 --> 00:31:56
			you control these robots that look
human, like absolute human like
		
00:31:56 --> 00:31:59
			superpowers, and however you want
them put whatever face you want
		
00:31:59 --> 00:32:02
			them. And people are getting fat
and stupid. And, you know, because
		
00:32:02 --> 00:32:05
			he's sitting at home controlling
these robots or something like
		
00:32:05 --> 00:32:08
			that. So somebody quoted something
like that. So they might say that,
		
00:32:08 --> 00:32:11
			you know, you can prove it through
Hadith, like this Prophet
		
00:32:11 --> 00:32:13
			salallahu Alaihe Salam quote is
something that people generally
		
00:32:13 --> 00:32:16
			know about, you know, from their
school or from whatever,
		
00:32:16 --> 00:32:18
			especially if you're living in a
non Muslim community or something
		
00:32:18 --> 00:32:22
			like that, just to get people to
understand a concept that they
		
00:32:22 --> 00:32:24
			know and relate to, or you say
something about, you know, like,
		
00:32:24 --> 00:32:28
			win some games or something for
kids, right? So they already know
		
00:32:28 --> 00:32:31
			about this particular game. Doom,
there was Doom I think, is that
		
00:32:31 --> 00:32:34
			still around? It's finished is
gone, is it? There's old school,
		
00:32:34 --> 00:32:37
			it's all history. I see. A history
is like yesterday in this game. So
		
00:32:37 --> 00:32:40
			what's the new one call of duty
zombies on the internet?
		
00:32:42 --> 00:32:46
			So it seems to be like appealing
to some famous concept that people
		
00:32:46 --> 00:32:49
			had in their mind, a famous line,
famous idea. And then you're
		
00:32:49 --> 00:32:54
			trying to say, look, this is what
it is. So with a pious result to
		
00:32:54 --> 00:32:57
			it, I think that that's, that's
what this seems to be between
		
00:32:57 --> 00:33:00
			Wallah Harlem like if you don't
get it, look, look at this even
		
00:33:00 --> 00:33:02
			poem that you have. This is
exactly what he's saying. I'm like
		
00:33:02 --> 00:33:05
			that I'm like that kind of person.
I'm giving you valuable, rich
		
00:33:05 --> 00:33:08
			information. And I don't want
anything from you for it so
		
00:33:08 --> 00:33:11
			thermotherapy mad that he would
Joe Hurry Hurry up so he's just
		
00:33:11 --> 00:33:14
			focusing on its meaning and the
general meaning that's coming from
		
00:33:14 --> 00:33:17
			it he's not saying it for the poet
you know, he's not quoting his
		
00:33:17 --> 00:33:22
			poetry set up the local a jamoma,
Quinta Halen, and then the poet
		
00:33:22 --> 00:33:25
			says after it which is so
appropriate, this poet, he says
		
00:33:25 --> 00:33:30
			wetiko bit aquarium and limb two
is a windy setup the local a Yama
		
00:33:30 --> 00:33:35
			cartagia makhanda Halen, the days
will eventually show you will
		
00:33:35 --> 00:33:37
			eventually reveal to you those
things which you are you are
		
00:33:37 --> 00:33:41
			ignorant of. So eventually you
will realize the reality what do
		
00:33:41 --> 00:33:44
			you have what he's saying? That's
the second part of this poem. The
		
00:33:44 --> 00:33:48
			days will tell the days will tell
the next hadith is Hadith number
		
00:33:48 --> 00:33:53
			252, related by Abu Huraira the
hola Juan he says that Rasulullah
		
00:33:53 --> 00:33:57
			sallallahu alayhi wa sallam said
in US kaka Leamington called
		
00:33:57 --> 00:34:00
			Hashem, this means the Prophet
salallahu Alaihe Salam and
		
00:34:00 --> 00:34:03
			obviously heard these things. And
that's why he was able to comment
		
00:34:03 --> 00:34:08
			he said that the most truest
statement said by any poet, the
		
00:34:09 --> 00:34:15
			truest statement made by any poet
is that me by any point is the
		
00:34:15 --> 00:34:19
			poet is the poem of libido.
libido, IGNOU, Robbia, AlAmiri,
		
00:34:19 --> 00:34:23
			famous poet poet of the time, he
actually he actually became
		
00:34:23 --> 00:34:27
			Muslim, but it's a hobby, and he
was enjoy hadiah then he became
		
00:34:27 --> 00:34:31
			Muslim in a great Islam, his
Islam, he was a great Muslim, so
		
00:34:31 --> 00:34:35
			lobbied set a line of poetry, and
Rasulullah sallallahu said about
		
00:34:35 --> 00:34:38
			him, that he has said them any
poet to have said the truest
		
00:34:38 --> 00:34:42
			statement was him and what did he
say? What was his what was his
		
00:34:42 --> 00:34:47
			line of poetry? Allah Kulu che in
maha Allah Bottineau that know
		
00:34:47 --> 00:34:52
			that everything other than Allah
is in vain is inverted, it's in
		
00:34:52 --> 00:34:56
			vain, it's it's going to come to
nothing. Now the meaning when I
		
00:34:56 --> 00:34:59
			say it in English doesn't sound
all that great in the sense that
		
00:34:59 --> 00:34:59
			you know, it's not very
		
00:35:00 --> 00:35:05
			poetic, but this other co Lucia in
Halima Hala bout you know, other
		
00:35:05 --> 00:35:07
			than Allah subhanaw taala
everything is about him. Allah
		
00:35:07 --> 00:35:11
			says in the Quran coolamon Ali
have fun, everything will perish,
		
00:35:11 --> 00:35:15
			that is upon the earth everything
is to perish, or everything in in
		
00:35:15 --> 00:35:18
			the universe could Lucia in her
the Quran Illa wager everything is
		
00:35:18 --> 00:35:22
			to perish, except the Lord's
countenance to everything is to
		
00:35:22 --> 00:35:27
			perish about this about this poet,
he became a Muslim, and it said
		
00:35:27 --> 00:35:31
			that he stayed alive for a number
of years he had a very long life
		
00:35:31 --> 00:35:35
			and he was considered of social
Allah will assure Ahrar Al Arab,
		
00:35:35 --> 00:35:38
			among the Arab poets, he was
considered the most eloquent even
		
00:35:38 --> 00:35:41
			among the poets, he was the most
eloquent one or four, so he him in
		
00:35:41 --> 00:35:45
			eloquence, not just not just, you
know, in terms of manipulating
		
00:35:45 --> 00:35:49
			language to for its beauty, he was
the best at that. The thing is
		
00:35:49 --> 00:35:51
			that as soon as he became Muslim,
he never said another line of
		
00:35:51 --> 00:35:55
			poetry. After becoming Muslim. He
never said he never uttered
		
00:35:55 --> 00:35:59
			another line of poetry. So that
means this statement of his about
		
00:35:59 --> 00:36:03
			Allah subhanaw taala was before
his Islam. So this was after Islam
		
00:36:03 --> 00:36:07
			when he never said a single word
about poetry. He used to say Yuck,
		
00:36:07 --> 00:36:11
			Fini, Al Quran, the Quran is
sufficient for me, the Quran is
		
00:36:11 --> 00:36:16
			sufficient for me. And it is as
though he was embarrassed in front
		
00:36:16 --> 00:36:20
			of the Quran with the beauty, the
eloquence, the divine nature of
		
00:36:20 --> 00:36:23
			the Quran, and he realized what
his status was, even though he was
		
00:36:23 --> 00:36:28
			the most eloquent of the poets, he
realized that I can't say anything
		
00:36:28 --> 00:36:31
			in front of this Quran, I'll be
embarrassed to make up anything
		
00:36:31 --> 00:36:34
			and nothing can be as beautiful.
So he refused to make anything,
		
00:36:35 --> 00:36:40
			anything up afterwards afterwards.
And it says though, he went into
		
00:36:40 --> 00:36:43
			the depths of the words of the
Quran, because he's a poet, he,
		
00:36:43 --> 00:36:47
			you know, he could appreciate it,
maybe a bit more than others as
		
00:36:47 --> 00:36:51
			well, in some cases, and the room
that he found in the sciences and
		
00:36:51 --> 00:36:54
			the knowledge that he found in
there of the earlier people, and
		
00:36:54 --> 00:36:58
			of the of the things to come, it
just totally enriched him and made
		
00:36:58 --> 00:37:03
			him independence. It made him It
made him sufficient that he didn't
		
00:37:03 --> 00:37:06
			have to go and into poetry or
anything else. Allah subhanaw
		
00:37:06 --> 00:37:10
			taala says in the Quran, Allah
McPhee him an illegal kita. But
		
00:37:10 --> 00:37:13
			you'd look at him, isn't it
sufficient for them? That we have
		
00:37:13 --> 00:37:16
			revealed a book to them that is
recited to them? Isn't that
		
00:37:16 --> 00:37:19
			sufficient for them to find
anything that they want? If that's
		
00:37:19 --> 00:37:24
			a poet who stops then where does
it take us? Isn't the Quran
		
00:37:24 --> 00:37:27
			sufficient for us? That's why
ignore bacilli Allahu Anhu is a
		
00:37:27 --> 00:37:31
			true professor of the Quran he
said Jimmy will Rulu Jimmy or
		
00:37:31 --> 00:37:35
			enemy Phil Quran entire knowledge
is all found in the Quran Wallach
		
00:37:35 --> 00:37:39
			in Dakar, Surah, and who have irmo
ritual. But the problem is,
		
00:37:39 --> 00:37:43
			although everything is found in
the Quran, it's the understanding
		
00:37:43 --> 00:37:50
			the comprehension level of humans
is has shortcomings, it's too weak
		
00:37:50 --> 00:37:52
			to be able to grasp all of that
knowledge. That's why the Quran
		
00:37:52 --> 00:37:56
			will continue to reveal things
when Allah subhanaw taala opens it
		
00:37:56 --> 00:37:59
			up for people. And maybe the
reason why the Prophet salallahu
		
00:37:59 --> 00:38:03
			Alaihe Salam sometimes use these
kinds of poet poems was to come
		
00:38:03 --> 00:38:06
			down to the level of the pupil to
talk about something that they
		
00:38:06 --> 00:38:09
			also understood that they can
relate to. So he's coming down to
		
00:38:09 --> 00:38:13
			the level to speak about something
that they could relate to as well,
		
00:38:13 --> 00:38:17
			just so that it breaks the ice, he
can socialize with them in that
		
00:38:17 --> 00:38:20
			sense, but obviously, the things
he is quoting is only Halal
		
00:38:20 --> 00:38:23
			things, only the good things. So
it's like, if you are going to
		
00:38:23 --> 00:38:26
			speak to somebody at their level,
you know, we constantly say, you
		
00:38:26 --> 00:38:28
			know, you have to speak people's
language and you know, you have to
		
00:38:28 --> 00:38:31
			come down to their level, but it
must all be done in the UK, you
		
00:38:31 --> 00:38:34
			can't kind of go out and have a
few drugs with somebody just just
		
00:38:34 --> 00:38:37
			to be you know, just to bring them
closer to Islam. Because you make
		
00:38:37 --> 00:38:41
			you may get lost, right? But it's
to go to their level, but only say
		
00:38:41 --> 00:38:44
			the truth. That's what's
important. This is what the Sunnah
		
00:38:44 --> 00:38:47
			of Rasulullah sallallahu alayhi wa
sallam is telling us so sometimes
		
00:38:47 --> 00:38:50
			he said this, why, why did the
Prophet salallahu Salam have to
		
00:38:50 --> 00:38:53
			say a line of poetry, when he's
got the whole Quran to speak
		
00:38:53 --> 00:38:57
			about, it's because the Quran was
new. These other things people had
		
00:38:57 --> 00:39:00
			in their mind, you're probably
saying it, they're listening to it
		
00:39:00 --> 00:39:05
			all the time. So because the thing
that they know about, they can
		
00:39:05 --> 00:39:08
			relate to more, he's attracting
them by that. And once that
		
00:39:08 --> 00:39:11
			meaning is established in the
context, he wants it, then the
		
00:39:11 --> 00:39:14
			Quran will then open up to them.
So that's what it is. Sometimes
		
00:39:14 --> 00:39:19
			you just have to use these other
strategies to bring people closer
		
00:39:19 --> 00:39:22
			to say something that they that
they can relate to, but you must
		
00:39:22 --> 00:39:25
			realize you can't go into the
bottle. When doing that. Sometimes
		
00:39:25 --> 00:39:29
			it happens to people. There was
one great Sufi Sheikh one day he
		
00:39:29 --> 00:39:31
			read his portion of the Quran that
he reads every day, you know, one
		
00:39:31 --> 00:39:35
			Jews, Two Jews, whatever it was,
after the morning solid, he read,
		
00:39:35 --> 00:39:38
			he read his Quran, his Manziel,
whatever he used to read. And on
		
00:39:38 --> 00:39:41
			that day, he didn't find any
ecstasy in his heart. You know, he
		
00:39:41 --> 00:39:45
			didn't go into a state he didn't
get into it, that emotional state,
		
00:39:45 --> 00:39:49
			that ecstatic state somebody came
back it was going by and he was
		
00:39:49 --> 00:39:52
			seeing some poetry and that one
line of poetry gave him such an
		
00:39:52 --> 00:39:57
			extended stake state that he just
got lost in it when he came back.
		
00:39:57 --> 00:39:59
			Meaning when he came back to his
senses, he said that if
		
00:40:00 --> 00:40:02
			You know, I don't blame you people
if you're if you're going to call
		
00:40:02 --> 00:40:06
			me as indique fear if you're going
to call me a heretic and I've lost
		
00:40:06 --> 00:40:09
			my faith because I'm, I go into a
trance when I listen to the line
		
00:40:09 --> 00:40:11
			of poetry and it didn't happen to
me with the Quran today. I
		
00:40:11 --> 00:40:14
			wouldn't blame you for it today
but it's just happens a human
		
00:40:14 --> 00:40:17
			being we're very unpredictable
sometimes. But mostly it's with
		
00:40:17 --> 00:40:21
			the Quran. But sometimes it might
not happen sub to Allah subhanho
		
00:40:21 --> 00:40:24
			wa Taala that you can tie in with
this handle out of the Allah one
		
00:40:24 --> 00:40:26
			was Heidi Subhanallah he never
said a line of poetry again, you
		
00:40:26 --> 00:40:28
			know, you're a master of
something. People are looking
		
00:40:28 --> 00:40:33
			forward to hear you your poems,
your lines, they preserved it, and
		
00:40:33 --> 00:40:35
			then you just stop because you've
got a higher calling. That's
		
00:40:35 --> 00:40:38
			That's amazing. That's amazing.
And unfortunately nowadays what we
		
00:40:38 --> 00:40:41
			got people is people are going
back to back to haram the Quran
		
00:40:41 --> 00:40:44
			isn't sufficient for them they
stay away for so long. Abstain
		
00:40:44 --> 00:40:47
			from music, music music, which is
which is called causes hypocrisy
		
00:40:47 --> 00:40:51
			in the heart. The reason why music
causes hypocrisy in the hearts is
		
00:40:51 --> 00:40:54
			because once you get used to
music, then you no longer feel
		
00:40:54 --> 00:40:57
			good about listen to the Quran
because it's not as enjoyable
		
00:40:57 --> 00:41:00
			music pulls out the chords of your
heart music is supposed to be very
		
00:41:00 --> 00:41:05
			influential. So now, aside with
the example of this man, this
		
00:41:05 --> 00:41:08
			poet, he stops it completely
because he reckons the Quran is
		
00:41:08 --> 00:41:11
			sufficient, but other people they
go back to entertaining with the
		
00:41:11 --> 00:41:14
			guitar and so on. May Allah
preserve us all. So above this
		
00:41:14 --> 00:41:18
			line that the Prophet sallallahu
alayhi wa sallam spoke, said that
		
00:41:18 --> 00:41:22
			this is the truest line of poetry
that any poem poet has said in his
		
00:41:22 --> 00:41:27
			in his poem at Kulu. Che in
Mahalo, Allah balterio, which is
		
00:41:28 --> 00:41:31
			the same as the verses that I
quoted others before you. And
		
00:41:31 --> 00:41:34
			essentially what they're saying is
that the whole purpose of this
		
00:41:34 --> 00:41:38
			speech is to say that you must
realize that everything in this
		
00:41:38 --> 00:41:44
			world doesn't have its own
existence. It only exists because
		
00:41:44 --> 00:41:48
			of Allah Barton who means that
everything in this world, though
		
00:41:48 --> 00:41:51
			we see it today, but eventually it
will perish just like everything
		
00:41:51 --> 00:41:53
			small eventually. But as your
watch stops working, your phone
		
00:41:53 --> 00:41:56
			goes obsolete, it stops working,
it crashes your computer, you know
		
00:41:56 --> 00:41:59
			this, that and other you have to
get a new one. There's a lifecycle
		
00:41:59 --> 00:42:03
			to everything, including the world
in general, everything within the
		
00:42:03 --> 00:42:07
			world has a lifecycle like the
dunya itself, except Allah
		
00:42:07 --> 00:42:11
			subhanaw taala, which means that
if you compare the existence from
		
00:42:11 --> 00:42:14
			an existence point of view of
Allah, and of everything other
		
00:42:14 --> 00:42:19
			than Allah, you will notice that
the true existence, the necessary
		
00:42:19 --> 00:42:22
			existence is only Allah's, because
he will never perish, he doesn't
		
00:42:22 --> 00:42:26
			have a shelf life, right? He
doesn't have a timeframe, he is
		
00:42:26 --> 00:42:30
			just there, and he will always
remain, he is pretty eternally
		
00:42:30 --> 00:42:35
			been there from the past reaches
of eternity, and he will be in
		
00:42:35 --> 00:42:38
			post eternity whereas the human
beings we have, we have a time and
		
00:42:38 --> 00:42:42
			eventually we will die, then Allah
subhanaw taala will resurrect us,
		
00:42:42 --> 00:42:46
			and then eventually he will keep
us alive. So when we stay alive in
		
00:42:46 --> 00:42:50
			the Hereafter, it's not because of
who we are. But it's because of
		
00:42:50 --> 00:42:53
			Allah allowing us to stay alive,
right? Because we were not there
		
00:42:53 --> 00:42:58
			in the past. We are only in the
future as such, but Allah subhanaw
		
00:42:58 --> 00:43:03
			taala is from pre eternity to post
eternity intrinsically by himself.
		
00:43:03 --> 00:43:06
			He is the Samad self subsisting,
whereas everything else subsist
		
00:43:06 --> 00:43:09
			through others through Allah
subhanaw taala. So when you look
		
00:43:09 --> 00:43:13
			at the existence of Allah and the
existence of everything else, the
		
00:43:13 --> 00:43:16
			true existence is only of Allah
and everything else is Boulton
		
00:43:16 --> 00:43:19
			because eventually it will die
out, it will perish, it will
		
00:43:19 --> 00:43:22
			wither and it will become
obsolete. And that's what this is,
		
00:43:22 --> 00:43:23
			that's what this is speaking
about. So you look around in the
		
00:43:23 --> 00:43:26
			world, do not become attached to
those things which will wither
		
00:43:27 --> 00:43:30
			become attached to Allah subhanaw
taala if you lose anything else,
		
00:43:30 --> 00:43:32
			you will gain something else for
it. If you lose Allah subhanaw
		
00:43:32 --> 00:43:36
			taala you can't get a replacement.
That's what am said. That's why
		
00:43:36 --> 00:43:40
			anybody who realizes this, who
gets the newer light of this, they
		
00:43:40 --> 00:43:43
			will cut away from everything and
go towards Allah subhanaw taala
		
00:43:43 --> 00:43:46
			they will never feel and find
satisfaction in anything but Allah
		
00:43:46 --> 00:43:50
			subhanaw taala and the more we cut
away from it, the more we realize
		
00:43:50 --> 00:43:53
			that the more we can be closer to
Allah subhanaw taala. And you have
		
00:43:53 --> 00:43:55
			to start thinking about these
things to be able to get into that
		
00:43:55 --> 00:43:58
			state, you can't just become in
that state one day unless Allah
		
00:43:58 --> 00:44:02
			wills it. You have to start
pondering over this, all of these
		
00:44:02 --> 00:44:05
			things are set so that we stop
pondering, we start reflecting, we
		
00:44:05 --> 00:44:07
			start looking around all the
beauty we see around us. And
		
00:44:07 --> 00:44:10
			everything we take for granted at
the end of the day is all going to
		
00:44:10 --> 00:44:12
			perish. But when you start
realizing you will perish, I am
		
00:44:12 --> 00:44:15
			going to perish. I could perish
any time. I'm only being allowed
		
00:44:15 --> 00:44:19
			right now. And you start thinking
to ourselves, you know, my clock
		
00:44:19 --> 00:44:23
			is ticking inside, my blood is
going around, I could have a heart
		
00:44:23 --> 00:44:27
			attack any moment. Something could
fail at any time and organ could
		
00:44:27 --> 00:44:32
			fail and I could die. Am I ready?
And I think that kind of a maraca
		
00:44:32 --> 00:44:35
			is extremely important. That is
when life is really put in
		
00:44:35 --> 00:44:37
			perspective. Otherwise, we're just
like any other animal that's going
		
00:44:37 --> 00:44:41
			around doing its job fulfilling
its timeframe. That's exactly how
		
00:44:41 --> 00:44:45
			we are until we start not thinking
until we don't start thinking
		
00:44:46 --> 00:44:49
			about who we are and what can
happen to us in the next moment.
		
00:44:49 --> 00:44:52
			We're literally just carrying on
pursuit after the next one meal
		
00:44:52 --> 00:44:56
			after the next one activity after
next next goal next meeting next
		
00:44:56 --> 00:44:59
			point, next schedule. That's all
we're doing until
		
00:45:00 --> 00:45:02
			We don't stop doing that until we
don't, don't start thinking we
		
00:45:02 --> 00:45:05
			can't put this in perspective.
Once we start thinking, then
		
00:45:05 --> 00:45:07
			everything we do, even though
we're still going to be meetings,
		
00:45:07 --> 00:45:10
			we're still going to be pursuing
things. But it will be for a more
		
00:45:10 --> 00:45:14
			rightful purpose. Because we will
realize the fickleness of
		
00:45:14 --> 00:45:17
			ourselves, we will realize the
weakness and the weakness of
		
00:45:17 --> 00:45:21
			ourselves, we will realize how it
could just end, it could just all
		
00:45:21 --> 00:45:24
			of a sudden end. And you know, the
older you get, the more these
		
00:45:24 --> 00:45:28
			thoughts should come to you just
by nature, just by the thought
		
00:45:28 --> 00:45:30
			that you're that much closer to
death than you were last year than
		
00:45:30 --> 00:45:33
			you were five years ago. And if it
doesn't, then we've got a big
		
00:45:33 --> 00:45:36
			problem. If we're not thinking
about our mortality, that we could
		
00:45:36 --> 00:45:40
			die, that death is just so close,
we've seen it over and over and
		
00:45:40 --> 00:45:43
			over again. But the only reason we
don't think about ourselves is
		
00:45:43 --> 00:45:46
			generally the custom of Allah
subhanaw taala in this world is
		
00:45:46 --> 00:45:51
			that he allows people to live for
a while 60 7080. So we think we're
		
00:45:51 --> 00:45:55
			going to be one of them. So the
probability is what we go with, we
		
00:45:55 --> 00:45:59
			don't realize, we don't think that
we could be not one of those
		
00:45:59 --> 00:46:03
			probabilities, we could be one of
those exceptions that were you die
		
00:46:03 --> 00:46:08
			at the age of
2030 4020 520-416-1410. It could
		
00:46:08 --> 00:46:13
			be anything. That's what if we can
start realizing this, our life is
		
00:46:13 --> 00:46:16
			made, that's the most important
thing. That's why the maraca of
		
00:46:16 --> 00:46:19
			death is so, so powerful, because
it puts life in perspective,
		
00:46:19 --> 00:46:22
			because it's the end, when you
don't have a goal and you just
		
00:46:22 --> 00:46:25
			keep doing things, then you'll
waste a lot of time. When you
		
00:46:25 --> 00:46:28
			suddenly see the time what happens
in the daytime, you're doing
		
00:46:28 --> 00:46:31
			something you might get involved
in something you start, you know,
		
00:46:31 --> 00:46:34
			you may be researching something
online, typical example you
		
00:46:34 --> 00:46:38
			researching something online for
an article or for, for some, for
		
00:46:38 --> 00:46:41
			some, maybe something, you want to
buy something else, and you just
		
00:46:41 --> 00:46:44
			go from one place. And that's,
that's the fitna of YouTube, you
		
00:46:44 --> 00:46:46
			got something very pious that
you're watching. But on the side,
		
00:46:46 --> 00:46:49
			you've always got one something
wrong wonder in all of those side
		
00:46:49 --> 00:46:52
			options, right? And there needs to
be a campaign against this, you
		
00:46:52 --> 00:46:54
			know, you should only have one
line, you should just have one one
		
00:46:54 --> 00:46:59
			once one box, because the side is
where there's going to be related
		
00:46:59 --> 00:47:02
			aspects, but then it's also going
to be some air related, just
		
00:47:02 --> 00:47:06
			totally the opposite. Right. And
that's the fitna, and you just go
		
00:47:06 --> 00:47:09
			from Go Go, go, go. And then
eventually you look at a time Hey,
		
00:47:09 --> 00:47:13
			man, I've got half an hour left,
then you will get back to you get
		
00:47:13 --> 00:47:15
			back on track. Let me finish off
this thing that I needed to do.
		
00:47:15 --> 00:47:18
			Let me finish on my paper I'm
writing or whatever you're doing
		
00:47:18 --> 00:47:21
			on this email, or this story, or
whatever you're doing life is just
		
00:47:21 --> 00:47:24
			like that. But the problem is that
we're never thinking about how
		
00:47:24 --> 00:47:26
			much time we got left. Who thinks
how many times you gotta how many
		
00:47:26 --> 00:47:30
			of us think we've got 10 years
left and start really working
		
00:47:30 --> 00:47:33
			accordingly. Very few people are
like that. Then the Prophet
		
00:47:33 --> 00:47:37
			sallallahu alayhi wa sallam said
he made a statement he, he said,
		
00:47:37 --> 00:47:41
			This is the most truest poem that
any poet has said, the truest
		
00:47:41 --> 00:47:44
			statement any poet has made. Then
he said, he talked about another
		
00:47:44 --> 00:47:48
			poet. Again another one of the
great poets of the time, what can
		
00:47:48 --> 00:47:53
			or may not be salt, or may not be
salt was another poet very, very
		
00:47:53 --> 00:47:58
			famous one he said, what can or
may not be salt a useless Omiya
		
00:47:58 --> 00:48:03
			Abner be salt was very close to
becoming a muslim. He was that
		
00:48:03 --> 00:48:05
			close to becoming a muslim, but he
didn't. He was another famous
		
00:48:05 --> 00:48:10
			poet, a thug of yours from the
thick of it. Beneath the cliff, he
		
00:48:10 --> 00:48:15
			was very famous before Islam, but
he he was there when Islam came.
		
00:48:15 --> 00:48:18
			So after the prophets, Allah Islam
was made a messenger he was there
		
00:48:18 --> 00:48:22
			but he was not given the trophy,
as opposed to the other one. What
		
00:48:22 --> 00:48:26
			was his name lobbied ignore
Robbia. This man, great poet, he
		
00:48:26 --> 00:48:30
			was not given the Tofik In fact,
he was even better off than libido
		
00:48:30 --> 00:48:33
			ninja Heliade seemed because he
used to talk about pious things
		
00:48:33 --> 00:48:37
			he's he he used to worship in the
Joe Hillier times. He used to
		
00:48:37 --> 00:48:41
			believe in the hereafter during
that time. See, the people that
		
00:48:41 --> 00:48:44
			obviously Lawson was dealing with,
they didn't believe in the Meccans
		
00:48:44 --> 00:48:46
			they didn't believe in the
hereafter, you know, and they came
		
00:48:46 --> 00:48:49
			with the bones and they said,
Look, all of this is become dust,
		
00:48:49 --> 00:48:52
			you think we're going to be
resurrected. He used to believe in
		
00:48:52 --> 00:48:57
			the birth and in Allah had given
this truth on his tongue. That in
		
00:48:57 --> 00:49:00
			his poems, he used to say a lot of
realities, he used to voice a lot
		
00:49:00 --> 00:49:03
			of realities, he used to say a lot
of true things. And he used to go
		
00:49:03 --> 00:49:09
			into great, deep, profound points
of view and really hot rendering
		
00:49:09 --> 00:49:15
			points. He was very good, a very
good, very profound poet. And that
		
00:49:15 --> 00:49:18
			is why when the Prophet salallahu
alayhi wa sallam heard 100 lines
		
00:49:18 --> 00:49:22
			of his poem, there was a poem of
his with 100 lines Rasulullah
		
00:49:22 --> 00:49:26
			sallallahu Sallam heard it, he
said, Look at this person's
		
00:49:26 --> 00:49:30
			speech. It has so many realities,
so many Hakka, ik gather and use
		
00:49:30 --> 00:49:34
			them. He's so close to becoming
Muslim, because the things that he
		
00:49:34 --> 00:49:36
			was saying that it's very unusual
for people of that time to be
		
00:49:36 --> 00:49:39
			saying those things very close
that he will become a Muslim, but
		
00:49:39 --> 00:49:43
			unfortunately, he didn't. The
person was a gatherer, very close,
		
00:49:43 --> 00:49:45
			but he wasn't there. And then he
also said about him I'm gonna
		
00:49:45 --> 00:49:50
			share who who worked for Apple.
Boohoo his poetry embraced Islam
		
00:49:51 --> 00:49:55
			is with faith, but his heart is
Cofer. His heart has covered the
		
00:49:55 --> 00:49:58
			person he used to read the rotten
injeel in the times of Joe
		
00:49:58 --> 00:49:59
			Hillier, he was an Arab
		
00:50:00 --> 00:50:03
			He used to read the Torah and the
Injeel. He used to read, he's read
		
00:50:03 --> 00:50:06
			those books in jarhead here, and
he knew that there was a prophet
		
00:50:06 --> 00:50:09
			to come. Unlike the other Mexicans
who didn't know the Jews knew.
		
00:50:09 --> 00:50:12
			That's why they come to Medina. He
knew as well he was one of those
		
00:50:12 --> 00:50:15
			enlightened ones he knew. So he
knew about us what allah
		
00:50:15 --> 00:50:18
			sallallahu alayhi wa sallam, and
he used to hope that it was him
		
00:50:18 --> 00:50:21
			because, you know, he used to
speak so many wise things. So he
		
00:50:21 --> 00:50:24
			actually thought it might be him.
Because you know, in that last 100
		
00:50:24 --> 00:50:27
			years or last generation, people
knew there was going to come very
		
00:50:27 --> 00:50:30
			close. Some Arabs knew about this
as well. And that's why
		
00:50:30 --> 00:50:35
			Abdulmutallab Abdulmutallab, yes.
He and it was also known, some
		
00:50:35 --> 00:50:39
			prophecies had also been made,
that the name of the name of that
		
00:50:39 --> 00:50:42
			new prophet is going to be
Muhammad, and the prophets of
		
00:50:42 --> 00:50:44
			Allah and His name was Mohammed
and it was a few other people will
		
00:50:44 --> 00:50:48
			call Mohammed as well. But anyway,
he thought it might be him. But
		
00:50:48 --> 00:50:50
			when Rasul Allah salAllahu alayhi
wa sallam was the one that was
		
00:50:50 --> 00:50:54
			chosen for prophecy, and the
message has said, he became
		
00:50:54 --> 00:50:58
			envious and jealous. And that's
what led him to prefer. He stayed
		
00:50:58 --> 00:51:01
			alive until brother he stayed
until butter. And, you know, the
		
00:51:01 --> 00:51:05
			70 leaders that were of the kuffar
that were killed in butter, he
		
00:51:05 --> 00:51:10
			composed an elegy for them, he
composed poetry in about the loss
		
00:51:10 --> 00:51:16
			and so on. And then he died when
Bife was That was after the
		
00:51:16 --> 00:51:18
			conquest he died when I thought it
was
		
00:51:21 --> 00:51:26
			when you call it besieged, as a
Kaffir in the in the eight HD or
		
00:51:26 --> 00:51:29
			the 93, unfortunately, but the
price was insane look at his
		
00:51:29 --> 00:51:32
			portrait was so beautiful, that he
had so many realities, but he
		
00:51:32 --> 00:51:36
			didn't become a Muslim. So this
goes to prove that just because
		
00:51:36 --> 00:51:41
			you say a lot of ways things
doesn't mean that you have Eman or
		
00:51:41 --> 00:51:44
			that you're gonna have Iman or
that you're pious. It just goes to
		
00:51:44 --> 00:51:47
			show that despite him being one of
the you know, one of those that
		
00:51:47 --> 00:51:51
			said so many good things before he
died uh sorry, beer in time of
		
00:51:51 --> 00:51:54
			Gehenna when the crunch came you
didn't take it so you could be a
		
00:51:55 --> 00:51:58
			genius but that doesn't mean
anything. The genius is that who's
		
00:51:58 --> 00:52:00
			got the highest ranks in paradise
and we've got the pleasure of
		
00:52:00 --> 00:52:04
			Allah subhanaw taala and we'll do
just one more short Hadith The
		
00:52:04 --> 00:52:09
			next one is from Judah woodenness
Sophia Anna buddy. He said he
		
00:52:09 --> 00:52:12
			relates that once the prophets of
Allah isms finger was hurt by a
		
00:52:12 --> 00:52:16
			stone you scratched it somewhere
he was hurt by a crushed or
		
00:52:16 --> 00:52:20
			something by a stone started
bleeding for them yet it started
		
00:52:20 --> 00:52:24
			bleeding. It says that this
happened in the Battle of art. In
		
00:52:24 --> 00:52:27
			Sahih Muslim you mentioned that a
sort of Rasul Allah hardyston was
		
00:52:27 --> 00:52:31
			in a cave and that's when he hurt
his finger. There's other opinions
		
00:52:31 --> 00:52:34
			as well that this was when he was
actually one of the battles and
		
00:52:34 --> 00:52:37
			other versions that day was when
he went out for Salaat. So the
		
00:52:37 --> 00:52:39
			main thing about this the reason
why he wanted me depends this
		
00:52:39 --> 00:52:42
			hadith here is he looked at it, he
looked at his finger, and he said,
		
00:52:43 --> 00:52:49
			I'll enter in a spoon the meaty
hull enter in Ohle anti hull anti
		
00:52:49 --> 00:52:54
			ill is boron Dimity Wolfie subete
Allah Hema looked at you just put
		
00:52:54 --> 00:52:59
			a finger that is blood that has
got a bit of blood on it, but it's
		
00:52:59 --> 00:53:02
			in the path of Allah that this has
happened to you it's in the path
		
00:53:02 --> 00:53:04
			of Allah that whatever has
happened to you has happened to
		
00:53:04 --> 00:53:08
			you this was a line it sounds like
a line of poetry but it was just
		
00:53:08 --> 00:53:10
			something that spontaneous came
out of sort of Lhasa Lhasa he was
		
00:53:10 --> 00:53:13
			not a poet but this was on the
lines of poetry so that's why he
		
00:53:13 --> 00:53:17
			jumped in with the brings this
hadith here essentially he's
		
00:53:17 --> 00:53:20
			trying to comfort it could be a
march is that he's actually
		
00:53:20 --> 00:53:23
			speaking to the finger it's a
possibility it's a march is
		
00:53:23 --> 00:53:26
			because he's actually addressing
it and he's using the same
		
00:53:27 --> 00:53:31
			the same words for it, you know,
directly at it. Lucky T because
		
00:53:31 --> 00:53:36
			the word is in Arabic is feminine,
and to for feminists a lucky T
		
00:53:36 --> 00:53:40
			instead of Nikita, which is for
masculine. So he's actually saying
		
00:53:40 --> 00:53:45
			Hello Aunty Illa is burn Dimity
wifey Sabina la Hema la ke et so
		
00:53:45 --> 00:53:48
			you're saying look, it's It's for
the sake of Your Beloved ALLAH
		
00:53:48 --> 00:53:52
			SubhanA wa Taala in the path of
Allah. So when you start, when you
		
00:53:52 --> 00:53:55
			know that your pain has been
undertaken, because of Your
		
00:53:55 --> 00:53:59
			Beloved, then it becomes easy for
you to bear that pain. That's what
		
00:54:00 --> 00:54:03
			that's that's one of the things
even though hydro and Ashkelon he
		
00:54:03 --> 00:54:06
			says that it's possible that it's
a margin of Rasulullah sallallahu
		
00:54:06 --> 00:54:09
			alayhi salam that he's saying you
know he's speaking to his finger
		
00:54:09 --> 00:54:13
			like this. I love him when he says
that even this line was not
		
00:54:13 --> 00:54:15
			something that sort of LaSalle
awesome composed himself. This is
		
00:54:15 --> 00:54:20
			actually part of Abdullah Abdullah
has poetry it's what Abdullah Raja
		
00:54:20 --> 00:54:24
			has said during the First War of
Moto because what happened is
		
00:54:24 --> 00:54:29
			Jaffa the Allah one heat he was
the Emir he died he was martyred
		
00:54:29 --> 00:54:32
			Jaffa the Allah when he was
martyred then the people said yep,
		
00:54:32 --> 00:54:37
			not Allah. Oh ignore Allah, you
come forth. So he came, and he
		
00:54:37 --> 00:54:42
			started fighting and his finger
became wounded. So that's when he
		
00:54:42 --> 00:54:47
			said * and anti IL is boring or
US boring. The meaty what used to
		
00:54:47 --> 00:54:52
			be the law Hema la PT yeah knifes
Allah doctorly for Mutti How the
		
00:54:52 --> 00:54:57
			* multicoat seletti Amata
Minniti Faqad lucky at interleaver
		
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			for interfaith
		
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			It fit Allahumma had et so it's
it's part of this that Rasulullah
		
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			sallallahu alayhi wa sallam may
have remembered and said and
		
00:55:07 --> 00:55:10
			that's what you call poetry
anyway, poetry is very powerful
		
00:55:10 --> 00:55:13
			Allah Hemanta Salonika Salam dwara
the other jewelry from Melania
		
00:55:13 --> 00:55:17
			younger younger mythical Asami
Hello Mia and Jana Allah Allah
		
00:55:17 --> 00:55:21
			Allah, Allah can now condemning a
lot I mean, just Aloha no Mohammed
		
00:55:21 --> 00:55:25
			the MO Aloma field on our hand our
f you know you know or a llama you
		
00:55:25 --> 00:55:28
			know you know as your I know that
eliminated a low maintenance I
		
00:55:28 --> 00:55:31
			look at the moment if you're
though I'm unathi or chakra Allah,
		
00:55:31 --> 00:55:35
			Allah Who Mafalda no mineral Bella
he will effort you and Allah image
		
00:55:35 --> 00:55:37
			and Newman Federation motherhood
Amina and my button Allahumma
		
00:55:37 --> 00:55:41
			Hamner below Quran in all the
major and hola imam or who don't
		
00:55:41 --> 00:55:44
			know what Allahu Allah they kidnap
me no matter see now or eliminate
		
00:55:44 --> 00:55:48
			me who my Johanna Aloha Moroccan
at lower to earn a lady and her
		
00:55:48 --> 00:55:51
			Subhana robic rabita is it here my
LC former salaam animals and you
		
00:55:51 --> 00:55:52
			don't have to rely