Abdal Hakim Murad – Welcoming Dhul Hijjah

Abdal Hakim Murad
AI: Summary ©
The history and cultural significance of Islam is discussed, including the rise of the holy bus and its significance in bringing people back to spiritual experiences. The holy bus is a secret well in Lucker, a sacred well, and the holy row, which is a secret well. The history and culture of the sacred Well in Lucker, including the dressing of women, the symbol of the holy row, and the importance of men being present in political and political environments are also discussed.
AI: Transcript ©
00:00:00 --> 00:00:05

Bismillah R Rahman r Rahim Al hamdu Lillahi Rabbil Alameen wa

00:00:05 --> 00:00:11

salatu salam ala extrafill NBS even more serene CD now Mohammed

00:00:11 --> 00:00:14

in no other early he was happy ah mine.

00:00:16 --> 00:00:21

So we're beginning the season of these lectures on the fifth pillar

00:00:21 --> 00:00:26

which is the pillar of, of the homage at Cambridge Muslim college

00:00:26 --> 00:00:30

and over the next few days we've got a bouquet to offer you of

00:00:30 --> 00:00:36

various fragrant perfumes from the extraordinary Cornucopia that is

00:00:36 --> 00:00:39

what turns out to be not just the fifth, but in many ways an

00:00:39 --> 00:00:43

extraordinarily profound and complex pillar that raises so many

00:00:43 --> 00:00:49

questions not of fear alone but of Syrah and of Tafseer. And of

00:00:49 --> 00:00:53

theology as well and doctrine and in a sense, encapsulates the very

00:00:53 --> 00:00:58

meaning of Islam as a militant honey via that primordial

00:00:58 --> 00:01:03

Abrahamic religion. So what I'm going to do just to set the ball

00:01:03 --> 00:01:08

rolling today is to talk about some, some generic issues and to

00:01:08 --> 00:01:14

as it were producing mood music, just to put us in the zone.

00:01:15 --> 00:01:21

Because the hedge is to do first of all with a kind of magnetism.

00:01:21 --> 00:01:25

Emanuel has early rock metal light down the alley, when he talks

00:01:25 --> 00:01:29

about the throttle hedge the secrets of the hygiene, his ear

00:01:29 --> 00:01:33

here says that it all begins with an SDR called eel bait.

00:01:34 --> 00:01:39

The longing for the house, not even near but a kind of longing.

00:01:40 --> 00:01:44

It's even pre intentional, pre rational, it's a kind of desire of

00:01:44 --> 00:01:48

the part for the whole, a kind of magnetic impulse, a kind of

00:01:48 --> 00:01:53

gravitational force, but one that brings us to, to reality. And in

00:01:53 --> 00:01:56

order to get us back into that zone, we'll begin in sha Allah

00:01:56 --> 00:02:01

with the relevant or Anneke verses, because

00:02:03 --> 00:02:11

n is the last word, literally. And I just found today our CMC copy of

00:02:12 --> 00:02:15

the British must have under the law it's great that the most

00:02:15 --> 00:02:17

beautiful currents in the world more or less are being designed

00:02:17 --> 00:02:21

and created in this country notices by Donald Sutton and it's

00:02:21 --> 00:02:25

really a treasure if you can get it there's different versions. I

00:02:25 --> 00:02:27

remember how difficult it was in the Middle East when I first

00:02:27 --> 00:02:30

arrived there to find a really beautiful copy of the Quran I

00:02:30 --> 00:02:34

found that really strange but 100 Other things have moved on in 3040

00:02:34 --> 00:02:39

years and even we British Muslims are producing these these wonders

00:02:39 --> 00:02:43

very easy to read, as well.

00:02:45 --> 00:02:50

So this is the initial passage from from Bukhara how older

00:02:50 --> 00:02:54

bIllahi min ash shaytani R rajim Bismillahi Rahmani Raheem

00:02:55 --> 00:03:00

with Janelle beta method butterly Nursey. We're Amna we're toughie

00:03:00 --> 00:03:05

though me McCormick, Ibrahim and masala What are hidden Isla

00:03:05 --> 00:03:09

Ibrahima, what is SMA I ILA and thought here are BTLE thought if

00:03:09 --> 00:03:12

you know well RT fi in our Roca ISO road.

00:03:14 --> 00:03:18

And when we appointed the house as a place of resort for mankind and

00:03:18 --> 00:03:24

a place of sanctuary, and take as a place of worship, the standing

00:03:24 --> 00:03:30

place of Ibrahim only took a pledge from Ibrahim and Ismail to

00:03:30 --> 00:03:35

purify my house for those who go around it. And those who stand in

00:03:35 --> 00:03:39

worship, and those who bow down and those who prostrate.

00:03:40 --> 00:03:45

What if called the Ibrahim or a big ol head ballad, and Amina was

00:03:45 --> 00:03:50

also a hula hula minister, Marathi min M and Amin homebuilder he will

00:03:50 --> 00:03:55

yo mill Akkad Paula woman Katha Rafa Almighty oho kalila sama

00:03:55 --> 00:03:59

Atoll, Roho, Illa, orderBy, Na, Orbitz and mahseer.

00:04:01 --> 00:04:07

And when Ibrahim said, this is famous doc, oh my Lord, make this

00:04:08 --> 00:04:13

township or this place this land, safe

00:04:15 --> 00:04:20

and bestow upon its people fruits, whoever amongst them believes in

00:04:20 --> 00:04:22

Allah and the Last Day

00:04:23 --> 00:04:28

and he said, and whoever disbelieves I shall give him brief

00:04:28 --> 00:04:33

respite, and then certainly compel him to the punishment of the fire.

00:04:33 --> 00:04:36

An evil place of resort.

00:04:37 --> 00:04:40

What he the other fire or Ibrahim will cover item in Al Beatty where

00:04:40 --> 00:04:44

Isma I yield? Rob banner, Taka Balbina in the Qantas me Oh,

00:04:44 --> 00:04:45

Lolly.

00:04:46 --> 00:04:51

And when Ibrahim and a smile raised up the foundations of the

00:04:51 --> 00:04:58

house, our Lord accept this from us truly you are the hearing and

00:04:58 --> 00:04:59

the knowing

00:05:00 --> 00:05:05

Robina watch alna mostly mainly Leca Huaming Dori attina Alma Tim

00:05:05 --> 00:05:10

mostly meta Leck. Well Irina mana see can our tube Alena indica

00:05:10 --> 00:05:12

entered the wobbel Rahim

00:05:13 --> 00:05:18

our Lord and make us believers in you submitters to you and of our

00:05:18 --> 00:05:23

offspring of our descendants, a community that is submitted to you

00:05:24 --> 00:05:29

and show us our ways of devotion and relent towards us truly you

00:05:30 --> 00:05:34

are the web a Rahim the acceptor of repentance and the merciful

00:05:35 --> 00:05:40

Robina weboth fee him Rasul and min home yet slow Allah him a Tico

00:05:40 --> 00:05:45

you Ali Mohammed Al Kitab al Hikmah will use a key him in the

00:05:45 --> 00:05:46

kantele Aziz will of Hakeem

00:05:48 --> 00:05:52

our Lord and raise amongst them a messenger from amongst themselves

00:05:52 --> 00:05:56

who will recite your verses to them, and teach them the Book and

00:05:56 --> 00:05:58

the wisdom and purify them.

00:05:59 --> 00:06:02

Truly you are the mighty the wise

00:06:03 --> 00:06:07

woman Yakubu unmilled that he Ibrahima, Elam and Sofia, NAFSA

00:06:08 --> 00:06:12

Welaka. Justify now houfy Dunya what in the whole field of Irati,

00:06:12 --> 00:06:14

lamina Salatin

00:06:15 --> 00:06:20

and whoever turns away from the way of Ibrahim, he is one who has

00:06:20 --> 00:06:25

made a fool of himself and we have chose him in the world and in the

00:06:25 --> 00:06:28

next world, he shall be amongst the pure the righteous.

00:06:30 --> 00:06:36

So in these verses, we get a summary of what this is all about.

00:06:37 --> 00:06:41

It is a place of safety for mankind, a place of resort for

00:06:41 --> 00:06:45

mankind. It is Abrahamic, it is a place of dark.

00:06:46 --> 00:06:53

It is a sanctuary. The Haram is a sanctuary, that very powerful word

00:06:53 --> 00:06:59

haram linked to haram. In other words, that which is set aside as

00:06:59 --> 00:07:03

being beyond levels of permissibility and taboo.

00:07:05 --> 00:07:05

So

00:07:07 --> 00:07:10

this is where from the point of view of the armor of

00:07:11 --> 00:07:16

Islam, it begins. But one of the complexities of the Hajj is that

00:07:16 --> 00:07:21

it is not only Islamic in the specific sense, but it is archaic

00:07:21 --> 00:07:24

primordial, prehistoric. And one of the things we need to get our

00:07:24 --> 00:07:29

heads around as we begin our as it were, to offer on this subject is

00:07:29 --> 00:07:34

to try and see what it is that Islam is here Abrahamic, Klee

00:07:34 --> 00:07:38

restoring from that which is archaic, because after all, the

00:07:38 --> 00:07:43

Hajj doesn't seem to be biblical, doesn't seem to be associated with

00:07:43 --> 00:07:45

any of those Sunday School stories. This is something

00:07:45 --> 00:07:49

different, but as we'll see, it's something that is ultimately even

00:07:49 --> 00:07:54

pre biblical and Adamic. So if we look at the historians, and what I

00:07:54 --> 00:07:58

want to do, today, particularly is to,

00:07:59 --> 00:08:03

to do this by reading our texts so that we stay very close to the

00:08:03 --> 00:08:06

sources and particularly the early sources. The first great historian

00:08:06 --> 00:08:11

of Islam really is Imam Tabari. And this is the famous story.

00:08:12 --> 00:08:17

One of the pre stories as it were, of the Hajj, you think when does

00:08:17 --> 00:08:21

it begin? does it begin with the final pilgrimage? does it begin

00:08:21 --> 00:08:27

with per se? does it begin with Ismail and Hajra? does it begin

00:08:27 --> 00:08:33

with nor does it begin with Adam? does it begin before Adam there's

00:08:33 --> 00:08:36

different ways of going back in time in order to get a sense of

00:08:36 --> 00:08:40

where the story of the city and the rituals begin? So this is

00:08:40 --> 00:08:40

covering

00:08:41 --> 00:08:42

the famous

00:08:43 --> 00:08:47

story of the apparent contestation between Sartre and Heidegger, so

00:08:47 --> 00:08:53

this great Abrahamic bifurcation, which is to define in

00:08:53 --> 00:08:55

extraordinary ways that inshallah we'll get back to at the end of

00:08:55 --> 00:09:02

this talk, the, the nature of the economy of of Abrahamic salvation,

00:09:03 --> 00:09:08

Sara said she will not live in the same town with me. This is why God

00:09:08 --> 00:09:12

told Abraham to go to Mecca where there was no house at that time.

00:09:12 --> 00:09:15

He took her into Santa Monica and put them down.

00:09:17 --> 00:09:21

According to Mujahid, and other scholars. When God pointed out to

00:09:21 --> 00:09:24

Abraham the place of the house, and told him how to build the

00:09:24 --> 00:09:28

sanctuary, he set out to do the job and Gabriel went with him.

00:09:29 --> 00:09:32

It was said that whenever he passed a town he would ask is this

00:09:32 --> 00:09:36

the town which God's commandment or Gabriel, and Gabriel would say,

00:09:36 --> 00:09:37

pass it by?

00:09:38 --> 00:09:42

At last the rich Makkah, which at that time was nothing but acacia

00:09:42 --> 00:09:46

trees, mimosa, and thorn bushes, and those are people called

00:09:46 --> 00:09:50

Amalekites outside Mecca and its surroundings. The house at that

00:09:50 --> 00:09:52

time was about a hill of red claim.

00:09:53 --> 00:09:56

Abraham said to Gabriel was it here that I was ordered to leave

00:09:56 --> 00:09:57

them?

00:09:58 --> 00:09:59

Gabriel said yes.

00:10:00 --> 00:10:05

Abraham directed hodgen Ishmael, to go to El Hagar, and settle them

00:10:05 --> 00:10:09

down there. He commanded Hotjar mother of Israel to find shelter

00:10:09 --> 00:10:14

there. Then he said, My Lord, I have settled some of my posterity,

00:10:14 --> 00:10:19

in an uncomfortable valley near your holy house, that they may be

00:10:19 --> 00:10:23

thankful that he journeyed back to his family in Syria, leaving the

00:10:23 --> 00:10:28

two of them at the house. So we know this extraordinary as it were

00:10:28 --> 00:10:33

second sacrifice. We know the story of Sedna Ibrahim and his son

00:10:33 --> 00:10:37

and his commandment to sacrifice his son but this is like another

00:10:37 --> 00:10:41

commandment to sacrifice his son Ismail because he seems to be

00:10:41 --> 00:10:45

leaving them in this desert scrub land with his Amalekites prowling

00:10:45 --> 00:10:49

to what must have seemed like certain death. And then we know

00:10:49 --> 00:10:50

the story.

00:10:51 --> 00:10:54

Then Ismail became very thirsty. His mother looked for water for

00:10:54 --> 00:10:56

him but could not find any.

00:10:57 --> 00:11:01

She listened for sounds to help her find water for him. She heard

00:11:01 --> 00:11:05

a sound at a software and went there to look around, but found

00:11:05 --> 00:11:08

nothing. Then she heard a sound from the direction of a Mattawa.

00:11:09 --> 00:11:12

She went there and look around, looked around and saw nothing.

00:11:13 --> 00:11:16

Some also say that she stood on a sofa, praying to God for water for

00:11:16 --> 00:11:20

Ismail and then went to El Manoa to do the same.

00:11:22 --> 00:11:24

Then she heard the sounds of beasts in the valley where she had

00:11:24 --> 00:11:29

left his smile. She ran to him. She thinks to some animal

00:11:29 --> 00:11:33

attacking her child and found him scraping the water from a spring

00:11:33 --> 00:11:37

which had burst forth from beneath his hand and drinking from it.

00:11:38 --> 00:11:41

It smells mother came to it and made it swampy, she kind of

00:11:41 --> 00:11:45

stopped it and made it muddy, then she drew water from it into her

00:11:45 --> 00:11:48

water skin to keep it for his male. Had she not done that the

00:11:48 --> 00:11:52

waters of Zen Zen would have gone on flowing to the surface forever.

00:11:52 --> 00:11:55

We all know this sort of almost

00:11:56 --> 00:11:59

nursery story in a sense, one of the first things that we hear

00:11:59 --> 00:12:04

about Islam and this pre Foundation and the centrality of

00:12:04 --> 00:12:07

Hotjar in it, and it said that she is the only woman known to have

00:12:07 --> 00:12:11

instituted and obligatory practice in any world religion, because the

00:12:11 --> 00:12:15

Safa and Marwa is instantiated by herself and

00:12:17 --> 00:12:23

represents the high principle of maternal sacrifice. And so the

00:12:23 --> 00:12:26

Hajj from that prehistory then goes into

00:12:27 --> 00:12:31

the practice of Islam with the purification of the temple. And

00:12:31 --> 00:12:36

then, having been about the most obscure out of the way place on

00:12:36 --> 00:12:41

Earth, it becomes the world's leading pilgrimage center.

00:12:42 --> 00:12:47

A kind of spiritual Silk Road, connects it to everywhere, in the

00:12:47 --> 00:12:49

abode of Islam and beyond.

00:12:50 --> 00:12:55

You can see classical maps of the Islamic world with NACA at the

00:12:55 --> 00:12:58

center, and everybody's heart was connected to Mecca, because they

00:12:58 --> 00:13:03

were facing it five times a day, and they all yearned to see the

00:13:03 --> 00:13:07

caliber before they died. And it even affected the demography. So,

00:13:08 --> 00:13:11

in Sudan, for instance, along a kind of straight line, you can see

00:13:11 --> 00:13:15

it an ethnic map of Sudan, there's little communities of Hausa

00:13:15 --> 00:13:18

speakers, these are people who come from what's now Nigeria

00:13:18 --> 00:13:23

hundreds of years ago, walking sideways, east to west across the

00:13:23 --> 00:13:27

Sahara Desert, to get to Mecca, walking, and then on the way back

00:13:27 --> 00:13:32

there think, another 3000 miles of walking barefoot across Sandy, and

00:13:32 --> 00:13:35

I'm gonna stay here and so they formed these houses speaking

00:13:35 --> 00:13:39

communities, in the Sedona, they're still there. And that's

00:13:39 --> 00:13:42

the case with the demography of the people of Makkah, who has DNA

00:13:42 --> 00:13:48

has shown inconceivably diverse, every possible bit of the ALMA is

00:13:48 --> 00:13:51

there in their blood, and across the Islamic world, and it becomes

00:13:51 --> 00:13:55

kind of a heart. The ALMA comes to Makkah every year, and is

00:13:55 --> 00:13:58

dispersed again, and is this vital hub for the sharing of

00:13:58 --> 00:13:59

information.

00:14:00 --> 00:14:03

until very recent times, the harm in Morocco was like university and

00:14:03 --> 00:14:07

every scholar who got there early for the 100 be there teaching and

00:14:07 --> 00:14:11

sharing books. It had over 30 libraries, it was an astonishing

00:14:11 --> 00:14:15

place, the city of Mecca, and astonishing place. And

00:14:17 --> 00:14:20

that's the power of monotheism. That's the power of the heel of

00:14:20 --> 00:14:26

Ismail as it were zum zum comes and the miracle begins. And

00:14:28 --> 00:14:32

one of the genres that we have that hopefully will contribute to

00:14:32 --> 00:14:36

this mood that I wanted to start with this reverential longing for

00:14:36 --> 00:14:40

the house, this yearning that the believer has to see the car but to

00:14:40 --> 00:14:44

touch the car, but to go back to that place, a shell called ill

00:14:44 --> 00:14:49

bait. So many great travelers tales give us quite a good image

00:14:49 --> 00:14:55

of how things were in the classical Islamic world one I like

00:14:55 --> 00:15:00

is it Andrew Bayer, who was from Valencia 13th century

00:15:00 --> 00:15:04

Me, who has a famous wrestler which is a travel boxer. His his

00:15:04 --> 00:15:05

famous account of

00:15:07 --> 00:15:10

what it was like I witnessed account in the 13th century.

00:15:12 --> 00:15:15

This assemblage of people of Iraq, horison, and muscle as well as

00:15:15 --> 00:15:18

those of other countries who have joined them to accompany the Emir

00:15:18 --> 00:15:22

of the Hodge made up a crowd whose number is known to God alone.

00:15:23 --> 00:15:26

The vast plane at holy space was filled with them and the flat

00:15:26 --> 00:15:29

immensity of the desert was too narrow to encompass them.

00:15:30 --> 00:15:33

You could imagine the earth attempting to maintain its balance

00:15:33 --> 00:15:36

under the crowds heaving, and wave streaming from the force of its

00:15:36 --> 00:15:40

current you could picture in this crowd a sea swollen with waves

00:15:40 --> 00:15:43

whose waters with a Mirage is and who ships with the camels, their

00:15:43 --> 00:15:46

sails, and 50 litres and round tents. They all went forward,

00:15:46 --> 00:15:50

gliding in and out of a great rising of clouds of dust, their

00:15:50 --> 00:15:54

sides colliding as they passed. On the immense extent of the plane,

00:15:54 --> 00:15:57

you can see the thrust of a crowd filled with pain and frightened

00:15:57 --> 00:16:00

the knocking together of letters, who has not seen with his own eyes

00:16:00 --> 00:16:04

this Iraqi Caravan has not experienced one of the genuine

00:16:04 --> 00:16:07

marvels of the world, worth the effort of describing and who's

00:16:07 --> 00:16:11

telling can seduce the listener by its marvelous character and the

00:16:11 --> 00:16:16

physical spectacle of the Hajj having been the place just of the

00:16:16 --> 00:16:20

Falon Hydra and her son by God's power becomes the place that half

00:16:20 --> 00:16:25

the world wants to see and strives and spends their life's savings

00:16:25 --> 00:16:30

trying to see and these huge seas of humanity, and it is, to this

00:16:30 --> 00:16:33

day, the world's largest multicultural gathering the Hajj.

00:16:33 --> 00:16:37

There's larger pilgrimages in Hindu India, but they're mono

00:16:37 --> 00:16:41

ethnic, they're for Indians, whereas the Hodges the entire

00:16:41 --> 00:16:45

world seems to be there. So another one that I particularly

00:16:45 --> 00:16:50

like, one of my favorite books is a biography of the who was the

00:16:50 --> 00:16:54

first British Muslim who went to Hajj and left us with an account?

00:16:54 --> 00:16:58

Well, it seems that the first one who actually

00:17:00 --> 00:17:02

had their Hajj recorded subsequently is Abdullah

00:17:02 --> 00:17:07

Williamson, who when he was only, I guess, about 22, or 23.

00:17:09 --> 00:17:14

converted to Islam. He was from Bristol, and gave us an amazing

00:17:14 --> 00:17:17

description of the Hajj in the time.

00:17:19 --> 00:17:24

Before modernity, really so he's seeing the end of the world that

00:17:24 --> 00:17:28

Evan debayer has described. So his current he dies I think in about

00:17:28 --> 00:17:33

1960s. He was part of our identity, but he sees the hedge

00:17:33 --> 00:17:37

before the truck before the motorway before Burger King, he

00:17:37 --> 00:17:42

sees the spectacle of it. And I really liked his

00:17:43 --> 00:17:45

his his account of it.

00:17:46 --> 00:17:50

He is traveling, it takes 40 days on the famous darab Zubaydah,

00:17:50 --> 00:17:56

which is one of the hydro roads from Iraq where he's found work

00:17:58 --> 00:18:01

down this ancient road built by lubaina, who is the wife of Haroon

00:18:01 --> 00:18:05

Rashid, and you can still see the systems and the fortresses that

00:18:05 --> 00:18:06

she built

00:18:07 --> 00:18:11

along the road. So he's he's doing this medieval thing, but in the

00:18:11 --> 00:18:13

1890s.

00:18:14 --> 00:18:17

The camping area allotted to Williamson and his followers was

00:18:17 --> 00:18:21

close to the Amir's tent, there's always an Amir al Hajj, and each

00:18:21 --> 00:18:24

of these groups that comes and with each town they go through,

00:18:24 --> 00:18:27

the numbers grow. And there's always the Bayrock which is the

00:18:27 --> 00:18:31

famous flag. So if you get lost in the desert, the flag has held

00:18:31 --> 00:18:33

really high and it's white with a crescent and it has led you to

00:18:33 --> 00:18:37

hate Allah Muhammad Rasul Allah is about 10 feet long. And at night,

00:18:37 --> 00:18:40

there's a kind of globe lantern suspended from it. So if you're

00:18:40 --> 00:18:43

lost in the desert at night, you can find your way back to the

00:18:43 --> 00:18:48

caravan. So he's with me and his near to the Ameer this had special

00:18:48 --> 00:18:51

advantage for the young devotee, since it enabled him to join the

00:18:51 --> 00:18:54

concourse of elders after the evening meal, and to listen to

00:18:54 --> 00:18:57

whatever wisdom and law fell from their venerable lips.

00:18:57 --> 00:19:00

Occasionally, a Mullah would deliver a short sermon, or a

00:19:00 --> 00:19:04

singer chant verses from the Quran and praise of the Holy Prophet

00:19:04 --> 00:19:07

always share enjoyment to young Abdullah Williamson, whose

00:19:07 --> 00:19:10

knowledge of Arabic enabled him to follow most of the discourse

00:19:10 --> 00:19:14

without difficulty. And then he talks about because he's kind of

00:19:14 --> 00:19:20

younger, this is an amazing site. And so this caravan, which when it

00:19:20 --> 00:19:23

leaves the bear, which is where he's starting in Iraq, is already

00:19:23 --> 00:19:27

about 3000 camels long. And if you stop at the beginning, and you

00:19:27 --> 00:19:30

sit, it takes an hour for the whole caravan to go by. So he's

00:19:30 --> 00:19:33

always doing this. And then he's got a good camera, so it gets to

00:19:33 --> 00:19:37

the end, and he can ride up to the, to the front, so it took a

00:19:37 --> 00:19:40

full hour to pass and a rare spectacle was presented by that

00:19:40 --> 00:19:44

desert parade, upon which Williams and feasted his eyes with never

00:19:44 --> 00:19:48

failing interest. Following the standard bearer, drama and Amir's

00:19:48 --> 00:19:52

entourage came the main cavalcade of pilgrims, more than 3000 of

00:19:52 --> 00:19:54

them with their hundreds of riding and pack camels.

00:19:55 --> 00:19:59

Most of the company were men and for intermittent spells, many

00:19:59 --> 00:20:00

marched stolidly

00:20:00 --> 00:20:03

Beside the animals, among those who rode were heavily veiled women

00:20:03 --> 00:20:06

and the children, making this hallowed journey to the beloved

00:20:06 --> 00:20:07

city.

00:20:08 --> 00:20:11

Often the attitude of men perched Camelback on their belongings

00:20:11 --> 00:20:15

suggested easy sleep. Numbers of camels board the shelf door for

00:20:15 --> 00:20:18

kind of how they're draped over by a carpet or other covering or the

00:20:18 --> 00:20:22

more fanciful Chabrier curtain with Brocade and softly cushioned

00:20:22 --> 00:20:26

within here and there to animals carried between them a woven read

00:20:26 --> 00:20:29

litter, in which the fortunate owner repose peacefully to the

00:20:29 --> 00:20:30

swaying motion.

00:20:32 --> 00:20:35

At night under the white moon, and when the Southern Cross hung low

00:20:35 --> 00:20:38

in the sky, there was a mystical fascination about the shuffling

00:20:38 --> 00:20:41

progress of the great caravan. Another scene that became

00:20:41 --> 00:20:44

indelibly etched in young Williamson's mind was the

00:20:44 --> 00:20:48

nocturnal halt when hundreds of campfires illuminated the desert

00:20:48 --> 00:20:52

with an orange globe unforgettable days of purposeful travel,

00:20:52 --> 00:20:56

punctuated by the call to prayer and always the hope of the Muslims

00:20:56 --> 00:21:01

supreme spiritual experience but the journeys and they sense just

00:21:01 --> 00:21:05

the sheer bubbling up power of monotheism that from the well love

00:21:06 --> 00:21:10

of halogen Ismail this, one of the world's great institutions that's

00:21:10 --> 00:21:13

transforming so many lives is continuing and of course,

00:21:14 --> 00:21:16

continues to this day,

00:21:17 --> 00:21:20

this year, rather diminished but

00:21:21 --> 00:21:26

the Hydra is a permanent fixture of God's world. So yeah, there's

00:21:26 --> 00:21:29

other accounts it's interesting to reflect on how many British

00:21:29 --> 00:21:32

Muslims from our community have actually done this. A lot of

00:21:32 --> 00:21:33

people like

00:21:34 --> 00:21:37

the travelogue of Mubarak church word. And when I was in

00:21:37 --> 00:21:40

Johannesburg couple of years ago, I managed to find his grave he he

00:21:40 --> 00:21:45

was from London, but ended his life in South Africa. And he left

00:21:45 --> 00:21:49

us with a really beautiful account of life in that car and rituals

00:21:49 --> 00:21:54

during the Ottoman period that is booked from Drury Lane to Makkah,

00:21:54 --> 00:21:58

which is very charming. It's worth looking at leading evil in Cobalt

00:21:58 --> 00:22:02

is is another one, but nobody knows who was the first British

00:22:02 --> 00:22:07

Muslim to go to those places. We know that there was somebody

00:22:07 --> 00:22:11

called Thomas Keith, who was born in Edinburgh, who was one of those

00:22:11 --> 00:22:14

sort of very improbable adventurers. At the time of the

00:22:14 --> 00:22:18

Napoleonic Wars. He was with one of the Highland regiments that

00:22:18 --> 00:22:23

ended up joining the Ottoman army in Egypt, and fought a duel with

00:22:23 --> 00:22:26

another genocide of the Ottoman soldier who is of Sicilian origin,

00:22:26 --> 00:22:30

tend to forget how European the Ottoman Empire was. They find a

00:22:30 --> 00:22:34

deal which is not legal in the Ottoman world, they get into

00:22:34 --> 00:22:38

trouble. And somehow he manages to get a letter from the wife of the

00:22:38 --> 00:22:42

governor of Egypt, Muhammad Ali Pasha saying let him off but send

00:22:42 --> 00:22:46

them off on active duty. And so he joins us on pastures Egyptian

00:22:46 --> 00:22:51

expedition, which leaves the beginning of more or less, I

00:22:51 --> 00:22:56

guess, in 1814 1815, in order to crush the Wahhabi rebellion, first

00:22:56 --> 00:23:00

of all, heartbeat rebellion in Central Arabia, and they succeed

00:23:00 --> 00:23:04

in crushing it. And as a result of services rendered Thomas Keith,

00:23:04 --> 00:23:08

who by this time is Ibrahim Agha is actually appointed to be the

00:23:08 --> 00:23:11

governor, the Welly of the city of Medina. It's interesting you see

00:23:11 --> 00:23:15

the cosmopolitanism of that was also a globalized world if willing

00:23:15 --> 00:23:17

to travel and take risks.

00:23:18 --> 00:23:22

Anything could any door could open to you. So I'd like to think of

00:23:22 --> 00:23:26

the Scottish Muslim who was the governor of the Holy Prophet city

00:23:26 --> 00:23:30

and presumably he went to Makkah as well, we may assume that he

00:23:31 --> 00:23:35

did his Hajj and there's a book about him by the sort of rather

00:23:35 --> 00:23:41

popular novelist, Sutcliffe rhythm and rosemary Sutcliff Blood and

00:23:41 --> 00:23:45

Sand, which is kind of dramatized account of his sort of rags to

00:23:45 --> 00:23:48

riches story, in 1815. Unfortunately, he was assassinated

00:23:48 --> 00:23:51

by the Wahhabis who are carrying out a kind of terror campaign and

00:23:51 --> 00:23:55

killing scholars and Ottoman governor. So I guess he achieved

00:23:55 --> 00:23:57

Shahada. But what a great story.

00:23:58 --> 00:24:02

But the whole point of this is the centrality of the city, despite

00:24:02 --> 00:24:08

its remoteness, and its aridity and the fact that the hearts of

00:24:08 --> 00:24:13

the believers have been attached to it for so long. Now.

00:24:15 --> 00:24:19

Of course, we have in our libraries, a super abundance of

00:24:19 --> 00:24:24

writing about the hedge, not just the rules of the hedge, which are

00:24:24 --> 00:24:27

important because it's, it's ritualized, and if you don't get

00:24:27 --> 00:24:33

the rules, right, you miss rfl or something. You've basically you

00:24:33 --> 00:24:37

have to come back the next year, which in pre Modern Times was just

00:24:37 --> 00:24:41

meant you had to wait for a year in times before before the air

00:24:41 --> 00:24:44

bus. And the rules are very significant because one is

00:24:44 --> 00:24:47

approaching one of God's

00:24:48 --> 00:24:53

great sanctuaries and symbols so that will end urges us to have to

00:24:53 --> 00:24:54

Azeem shut out Ariella

00:24:56 --> 00:24:59

a reverence for Allah's rituals and visuals

00:25:00 --> 00:25:06

symbols and this is linked to the actual name for the Hajj itself.

00:25:07 --> 00:25:09

Everybody says when they start doing the hex they do sort of

00:25:10 --> 00:25:13

dress and the first and then a few surah is in the middle.

00:25:14 --> 00:25:19

Right and walk walk us in itself and then they go start from from a

00:25:19 --> 00:25:24

Bukhara so they get to this verse quite soon. Well Allah here Allah

00:25:24 --> 00:25:26

Nursey hedgesville bait and I think,

00:25:27 --> 00:25:31

a misprint in the Quran a hedgerow bait. I've never had anybody

00:25:31 --> 00:25:35

calling it hedge, but it's there. And in other places, it's hudge.

00:25:36 --> 00:25:40

Both of these are valid and you find the grim Aryans talking about

00:25:40 --> 00:25:43

the difference, the hedge is the essence and the hedge is the

00:25:43 --> 00:25:49

Nastar technically, which means something like the hedges the the

00:25:49 --> 00:25:54

fact the event itself, the hedges, the doing of the ceremony, it's

00:25:54 --> 00:26:00

more more active. But some in our tradition will also say that it

00:26:00 --> 00:26:05

has to do with the horizontal and vertical dimensions of the

00:26:05 --> 00:26:09

hydrogel the inward and the outward. And this is this is quite

00:26:09 --> 00:26:13

common amongst Ottoman writers on the Hajj in particular, we also

00:26:13 --> 00:26:18

find this route hat gene gene gives us other common words such

00:26:18 --> 00:26:23

as Hajah. Hajia, means an argument. So there is a sense

00:26:23 --> 00:26:27

semantically in which not only is this a journey, had you heard when

00:26:27 --> 00:26:30

Arabic originally mean, to travel to replace.

00:26:32 --> 00:26:36

But also an argument in other something has been proved as a

00:26:36 --> 00:26:42

result of this. So it's educational, and convincing. And

00:26:42 --> 00:26:48

what is the proof? Well, that's really what I want to try and get

00:26:48 --> 00:26:48

out.

00:26:50 --> 00:26:53

And what some of my colleagues will be talking about in the next

00:26:53 --> 00:26:58

few days. What deep down is going on in the hedge? What is the

00:26:58 --> 00:27:02

alchemy that it brings about? Why do we have this longing for it? Is

00:27:02 --> 00:27:04

it just oh, well, I've done my pillar.

00:27:05 --> 00:27:09

No, it's more than that. We know that there is something about the

00:27:09 --> 00:27:13

caliber, and about those rituals, that represents the fulfilling of

00:27:13 --> 00:27:17

a need that is not just ticking a box, but is some kind of rather

00:27:17 --> 00:27:22

deep need. What is that? Well, this is not a matter of Aikido,

00:27:22 --> 00:27:25

and it's not a matter of fact. But of course the Muslims have really

00:27:25 --> 00:27:28

tried to conceptualize this. And if you're explaining the

00:27:28 --> 00:27:30

importance of these things to non Muslims,

00:27:32 --> 00:27:35

it really helps to know what the Omer said about the meaning of

00:27:35 --> 00:27:38

these things. And these rituals, of course, are not meaningless.

00:27:39 --> 00:27:44

And the believer, as he does these things, is well aware that some

00:27:44 --> 00:27:48

kind of combination lock is being turned within his soul and

00:27:48 --> 00:27:52

something is going to open. And that's really what I want to look

00:27:52 --> 00:27:57

at. And some of our writers say that it is about the Quranic verse

00:27:57 --> 00:28:02

that says, Learn Melda mean Allah Illa II lay,

00:28:03 --> 00:28:08

there is no refuge from God, but to him.

00:28:11 --> 00:28:15

In other words, it's to do with the federal Elan love flee to God.

00:28:16 --> 00:28:23

So we are traveling from something false, to something true from the

00:28:23 --> 00:28:28

bad aspects of our lives and complexity and overwhelming back

00:28:28 --> 00:28:33

to something that represents primal simplicity. And nothing is

00:28:33 --> 00:28:36

more simple than the cabinet itself in all the history of art

00:28:36 --> 00:28:40

and music and sculpt nothing more simple than the black, almost

00:28:40 --> 00:28:45

invisible cube, its primordial ality itself.

00:28:46 --> 00:28:53

We crave the journey from the many to the one. So there's no refuge

00:28:53 --> 00:28:56

from God except in Him.

00:28:58 --> 00:29:02

In the complexity of his world, full of kufra multiplicity, we

00:29:02 --> 00:29:06

seek water, because multiplicity is is complicated even though our

00:29:06 --> 00:29:10

desires are multiple, but it's not deep down what we want.

00:29:12 --> 00:29:12

So

00:29:15 --> 00:29:19

clearly, the Hajj is about a human yearning,

00:29:20 --> 00:29:25

which is very deep, with sub rational, elemental. It's a kind

00:29:25 --> 00:29:28

of love in a sense, and very often the Kaaba is compared to the

00:29:29 --> 00:29:34

paradigmatic Arabic beloved Layla. In our literature, the black male

00:29:34 --> 00:29:37

and so forth as a kind of sense of the feminine beloved there with

00:29:37 --> 00:29:42

some of our poets were like a sense that we want to return. It's

00:29:42 --> 00:29:46

about nostalgia. We want to go from the edge to the center, from

00:29:46 --> 00:29:52

complexity to simplicity, and from the brokenness of our own and

00:29:52 --> 00:29:59

selves, back to the wholeness of the place of origin. So getting

00:29:59 --> 00:30:00

back to this idea of the heart

00:30:00 --> 00:30:03

is having a horizontal and a vertical dimension. The horizontal

00:30:03 --> 00:30:07

is the obligation and the filkin making sure that you follow the

00:30:07 --> 00:30:11

filter Exactly. And you have to be attentive because it's all new.

00:30:11 --> 00:30:15

And you don't want to come back next year, if you can help it,

00:30:16 --> 00:30:22

but the vertical dimension, we note that the Kaaba is clearly

00:30:22 --> 00:30:25

identified with certain metaphysical principles in a

00:30:25 --> 00:30:30

necessarily mysterious way because the unseen world is very hard for

00:30:30 --> 00:30:30

us.

00:30:32 --> 00:30:39

The conception of the Israa and the Niraj originating by the car

00:30:39 --> 00:30:42

but the Holy Prophet sallallahu alayhi wa sallam is sleeping next

00:30:42 --> 00:30:45

to the cat van that's where the spiritual combination of his

00:30:46 --> 00:30:51

career begins. Subhanallah the SRB AB de minimis studio haram ILAs

00:30:51 --> 00:30:55

messenger the Ark saw Allah the Baroque now how Allah holy Nordea

00:30:55 --> 00:31:00

who Minaya Tina bless it Glorified is here who took his slave by

00:31:00 --> 00:31:04

night from the sacrosanct sanctuary, to the further

00:31:04 --> 00:31:09

sanctuary, the environs of which we have blessed in order to show

00:31:09 --> 00:31:12

him of our signs. So here we have

00:31:13 --> 00:31:15

up there's a verticality here.

00:31:16 --> 00:31:21

It's a kind of, there's the but hot the plane, but when you're

00:31:21 --> 00:31:23

there, you really notice what's above.

00:31:25 --> 00:31:29

And one of the meanings of the Kaaba, which originally had no

00:31:29 --> 00:31:33

roof is that whereas other sacred spaces in Islam paradigmatically

00:31:33 --> 00:31:36

are a kind of cube with a dome on top the cube representing the

00:31:36 --> 00:31:40

world, the four points of the compass, speciality,

00:31:41 --> 00:31:48

the the dome representing that which is infinite, circular, but

00:31:48 --> 00:31:52

the car doesn't have a dome, it's had a roof in many periods of its

00:31:52 --> 00:31:57

history. Ibrahim's Cabot seems didn't have a roof. So as it were,

00:31:57 --> 00:32:01

its dome is Heaven itself. You look up or you looked up, there

00:32:01 --> 00:32:05

are the stars and before the floodlights and advertising, and

00:32:05 --> 00:32:08

the Hilton Hotel and all of that light pollution. It was

00:32:08 --> 00:32:12

extraordinary. And if you look at the older narratives of what the

00:32:12 --> 00:32:16

home was, like, when it was just oil lamps.

00:32:17 --> 00:32:21

At night, it was absolutely astounding, the most most

00:32:21 --> 00:32:25

staggeringly beautiful place on earth. It still is, but it's kind

00:32:25 --> 00:32:31

of artificial iced, in some ways, necessarily. In other words, in

00:32:31 --> 00:32:36

other ways, regrettably. But the presence of Heaven is very, is

00:32:36 --> 00:32:41

very palpable there as it is in Jerusalem at the sanctuary there.

00:32:41 --> 00:32:44

Those are the two places on Earth where the heart intuitively feels

00:32:44 --> 00:32:47

that heaven is as it were, just a little bit above our heads, you

00:32:47 --> 00:32:50

could always reach up and touch it. So

00:32:54 --> 00:32:57

if you look at this text, William Chittick recently published

00:32:58 --> 00:33:02

a translation of Cemani he's raffled Ottawa,

00:33:03 --> 00:33:08

rest for the spirits, which is a early Persian commentary, suddenly

00:33:08 --> 00:33:12

Commentary on the 99 names. So he has this to say, this is some

00:33:12 --> 00:33:13

irony.

00:33:15 --> 00:33:19

Know that in reality, most of us Mirage did not begin in Morocco,

00:33:19 --> 00:33:20

or Medina.

00:33:21 --> 00:33:24

Rather, it began when at the outset of his work, they called

00:33:24 --> 00:33:29

him Mohammed Al Amin, the Muhammad the trustworthy from being

00:33:29 --> 00:33:33

Muhammad the trustworthy he was pulled to prophethood and from

00:33:33 --> 00:33:36

prophet hood, he was pulled to messenger Hood. Then he advanced

00:33:36 --> 00:33:38

in Messenger heard until he reached poverty

00:33:39 --> 00:33:43

faqeer then he was made to advance further in poverty until he

00:33:43 --> 00:33:48

reached indigence miskeen poverty want to need an indulgence with

00:33:48 --> 00:33:51

the embroidery on the mystery of his prophethood.

00:33:52 --> 00:33:56

And there'd been a belt in the beginningless and endless house of

00:33:56 --> 00:33:59

good fortune more exalted than the belt of poverty and indulgence. It

00:33:59 --> 00:34:01

would have been sent to most of us so that he could bind it to the

00:34:01 --> 00:34:04

waste of the covenant of servanthood.

00:34:06 --> 00:34:10

It's, it's tragic read in other stripping away dunya, which is one

00:34:10 --> 00:34:14

of the features of the Hajj, or should be that it is an ascetic

00:34:14 --> 00:34:18

experience 40 days in which you basically have to walk from Iraq

00:34:18 --> 00:34:21

to Makkah, and there's wild animals and it's really basic.

00:34:23 --> 00:34:26

And you engage with nature and anywhere that haram which is not

00:34:26 --> 00:34:30

particularly comfortable, and certainly not stylish and all your

00:34:30 --> 00:34:34

dunya stuff has gone. You're in this MACOM of Taiji read of

00:34:34 --> 00:34:39

stripping away of poverty. And when dunya is not really around

00:34:39 --> 00:34:42

you that's when you can you can focus and this is one of the

00:34:42 --> 00:34:43

secrets of prophecy.

00:34:45 --> 00:34:48

When the substance of Allah's Messenger Muhammad rose up and

00:34:48 --> 00:34:51

advanced on the steps and ladders, one attraction took his person by

00:34:51 --> 00:34:55

were following from before the gate of the Kaaba to the place of

00:34:55 --> 00:34:57

Ibrahim's prostration

00:34:58 --> 00:35:00

from the furthest mosque he was

00:35:00 --> 00:35:03

Taken with one pole to two bows length, or Bacau seen.

00:35:04 --> 00:35:07

Then the Lord's jealousy let down the exalted curtain before the

00:35:07 --> 00:35:11

Virgin secrets and gave nothing out of the people save this. For

00:35:11 --> 00:35:16

our heart, you know Abdi Maha, he revealed his servant. What he

00:35:16 --> 00:35:19

revealed all the fluent and eloquent speakers stayed empty of

00:35:19 --> 00:35:24

the story. Only that paragon of the Empire knew the flavor of that

00:35:24 --> 00:35:24

wine.

00:35:25 --> 00:35:28

For 70,000 years, the folk of the heavens were waiting to see when

00:35:28 --> 00:35:32

this man would show his head from the hiding place of the secret.

00:35:32 --> 00:35:36

What gift would he bring to the exalted presence? When the night

00:35:36 --> 00:35:39

arrived, concerning which the splendid book says, Glory be to

00:35:39 --> 00:35:43

Him who took his servant by night, the proximate angels and the

00:35:43 --> 00:35:46

cherub him with the higher plenum stuck out their heads from the

00:35:46 --> 00:35:51

grazing, gazing pieces of glorification? hallowing how would

00:35:51 --> 00:35:54

that Paragon stall into the majestic presence? At the very

00:35:54 --> 00:35:58

first step he took at the threshold he said, I do not number

00:35:58 --> 00:36:02

thy laudation Subhanak Allah ox Ethan and Alec and to come up with

00:36:02 --> 00:36:06

Anita Lnf SIG. You are as you have praised yourself,

00:36:07 --> 00:36:11

inescapably, those who step into that Paragons road with a feat of

00:36:11 --> 00:36:14

following will have a mirage in the measure of their own present

00:36:14 --> 00:36:15

moments.

00:36:16 --> 00:36:19

We said concerning their mirage that they will reach aspiration by

00:36:19 --> 00:36:22

way of need, or that they will reach seeking by way of

00:36:22 --> 00:36:23

aspiration.

00:36:25 --> 00:36:25

So,

00:36:26 --> 00:36:30

this, again, very characteristic in our civilization, which reminds

00:36:30 --> 00:36:35

us that the prayer connects us to the Kaaba, in not one, but two

00:36:35 --> 00:36:40

ways. Firstly, it is our Kibler. And secondly, the prayer was

00:36:40 --> 00:36:44

initiated on the night of Ellis Rottweil Mirage, it is gifted

00:36:44 --> 00:36:51

through this vertical dimension of the Kaaba, and where could be more

00:36:51 --> 00:36:56

appropriate than that. So it is clearly a journey. And it is a

00:36:56 --> 00:37:00

spiritual journey. And it's very sad, those people who think I'm

00:37:00 --> 00:37:05

just following the book from the Ministry of Alkaff, and I've done

00:37:05 --> 00:37:10

my Hajj and I can put on my suit again. Allah's rituals are a good

00:37:10 --> 00:37:13

deal more profound and more interesting than that. And some

00:37:13 --> 00:37:16

people say, I just need to know what are the rules, and that's my

00:37:16 --> 00:37:17

Hajj. That's the Sunnah.

00:37:18 --> 00:37:22

The experience is that those who read about the meaning of the Hajj

00:37:22 --> 00:37:25

and tried to understand the greatness of it will have a much

00:37:25 --> 00:37:27

richer experience and will have much more reverence for those

00:37:27 --> 00:37:31

places because they get to see at least a drop from the ocean of the

00:37:31 --> 00:37:37

immense profundity of the, the place of the the syrup.

00:37:39 --> 00:37:42

And this is one meaning of the Hadith that says Alhaji Surah

00:37:42 --> 00:37:48

Barnea to have you on the Hajj is the monasticism of this ummah.

00:37:49 --> 00:37:52

There was a monk has to wear a rough hair shirt and takes all

00:37:52 --> 00:37:56

kinds of vows chastity, poverty, obedience, and can't really get

00:37:56 --> 00:38:01

into dunya. When you're in the state of haram, you're in that

00:38:01 --> 00:38:06

monastic state, basically, male or female, has very severe limits on

00:38:06 --> 00:38:11

what you can do. You can't kill animals, you can't. You can't comb

00:38:11 --> 00:38:16

your hair, and really without taking a risk of violation. It's

00:38:16 --> 00:38:16

it's strict.

00:38:18 --> 00:38:23

And this Iran is clearly part of the Hydras technique of snapping

00:38:23 --> 00:38:26

us out of our comfortable, worldly ways. And giving us the state of

00:38:26 --> 00:38:31

Taiji read, stripping away and directing us towards the real. So

00:38:32 --> 00:38:35

if we're looking for some way of putting into words, this thing

00:38:35 --> 00:38:40

that we feel, and in religion, we know this is important. Why is it

00:38:40 --> 00:38:45

when we finished the prayer, and it was a good prayer with a good

00:38:45 --> 00:38:49

Imam, and we come out and the sun has set and we feel different,

00:38:49 --> 00:38:53

something has happened. Can I put that into words? Is it just some

00:38:53 --> 00:38:56

kind of emotional high, something firing in the brain or something

00:38:56 --> 00:39:01

deeper going on? It's difficult, but we have 100 Allah in our

00:39:01 --> 00:39:08

tradition, rich ways of indicating by ishara why these things are so

00:39:08 --> 00:39:11

powerful. And one of the books about the Hydras that I

00:39:11 --> 00:39:12

particularly like is

00:39:14 --> 00:39:19

by shells on the Julius who is a French Muslim, who has

00:39:21 --> 00:39:23

this book published some years ago now.

00:39:26 --> 00:39:30

The doctrine in idiotic, so new in French, I think, do pillory

00:39:30 --> 00:39:33

knirsch and Amis on Tala in initiatic doctrine of the

00:39:33 --> 00:39:35

pilgrimage to the house of Allah.

00:39:37 --> 00:39:41

Paris 1982. They wrote it long time ago still going Hamdulillah.

00:39:41 --> 00:39:45

And if you've looked at my little book on Muslims in Europe, you'll

00:39:45 --> 00:39:49

see that I cite his book on Muslims and integration quite a

00:39:49 --> 00:39:53

bit. Here's a student of somebody called Mohammed Abdullah Aziz

00:39:53 --> 00:39:59

Michel vessel who was a very interesting Romanian diplomat who

00:39:59 --> 00:40:00

settled in Paris

00:40:00 --> 00:40:03

After the rise of communism and became

00:40:04 --> 00:40:09

a leader of tariqa, and wrote quite a bit, so Julius is one of

00:40:09 --> 00:40:13

his, his, I guess, last surviving active disciples and is written,

00:40:13 --> 00:40:18

written quite a bit and this whole book which is about the meaning of

00:40:18 --> 00:40:21

the head, what is the carpet what is the throw off what is artifact?

00:40:24 --> 00:40:29

Looking at our tradition, he says that basically is all summed up as

00:40:29 --> 00:40:33

being about realisation of the McConville or Bodia.

00:40:34 --> 00:40:40

The degree of servanthood, or slave hood is rich word Abbot. And

00:40:40 --> 00:40:45

it's in that verse from about the Surat, the abbot of the slave,

00:40:46 --> 00:40:52

that the meaning of the Hajj is to remind you of, and to urge you to

00:40:53 --> 00:40:57

be aware of the fact that you're Allah's slave. And that's the

00:40:57 --> 00:41:01

meaning of the Lubbock Allahu Allah bake Lubbock is what you say

00:41:01 --> 00:41:03

to your slave owner, when he's asking you for a cup of tea, a

00:41:03 --> 00:41:04

baker

00:41:06 --> 00:41:07

can't object.

00:41:08 --> 00:41:15

And so we come as slaves as I bed. And all of the rituals, according

00:41:15 --> 00:41:20

to Julie's are there in order to remind us that that's what we are.

00:41:21 --> 00:41:29

And also to help us to demonstrate in actions that this is what we

00:41:29 --> 00:41:32

are that we are hybrid on, everything is about slit

00:41:32 --> 00:41:34

servanthood, not to dunya.

00:41:35 --> 00:41:38

You do the top off and you forget which way is Burger King and which

00:41:38 --> 00:41:42

way is it who knows and dizzy. It's only the Kaaba, it takes us

00:41:42 --> 00:41:44

into a new, new space.

00:41:46 --> 00:41:51

And all of those practices are there in order to realign us

00:41:51 --> 00:41:55

according to this basic human reality of the mahkamah Obaldia of

00:41:55 --> 00:42:01

servitude of slave hood, to God and it is all about therefore,

00:42:02 --> 00:42:06

complete self Abnegation, this is the rap Ania monasticism dimension

00:42:06 --> 00:42:10

of it, the self is left behind. And to the extent that self is

00:42:10 --> 00:42:14

there, it's going to be grumbling, and people do grumble a lot on

00:42:14 --> 00:42:18

Hajj. And it's become a decadent thing with the comfort. People no

00:42:18 --> 00:42:21

longer have the the months of walking through the desert in

00:42:21 --> 00:42:23

order to kind of settle down.

00:42:24 --> 00:42:25

You can be in

00:42:27 --> 00:42:31

California, and then the next day you can be on artifact and we

00:42:31 --> 00:42:33

haven't had the chance to decompress spiritually and this,

00:42:34 --> 00:42:37

this has really trivialized a lot of people's experience of it. But

00:42:38 --> 00:42:42

this is the world that we're in. But nonetheless, the rituals if

00:42:42 --> 00:42:46

you're focusing will help to knock that stupid distraction and ego

00:42:46 --> 00:42:50

out of your head and remind you of what is important. So if we

00:42:55 --> 00:42:59

go great. Tafseer of Rashida Dean may body

00:43:02 --> 00:43:06

has this nice incident where he's talking about Ibrahim building the

00:43:06 --> 00:43:10

Kaaba, and he offices commentary Rabbana Taco Bell Mina, we had

00:43:10 --> 00:43:15

this is my Abraham appraising a warlord, accept this from us.

00:43:17 --> 00:43:18

A rebuke came,

00:43:19 --> 00:43:22

I commanded you to build the house, and then you lay a favor on

00:43:22 --> 00:43:27

me for doing so. I gave you the success to do it, or you're not

00:43:27 --> 00:43:30

ashamed to lay a favor on me and say accept it from us. You have

00:43:30 --> 00:43:34

forgotten my favor toward you and mentioned your own act and favor.

00:43:35 --> 00:43:37

In other words, there's a sense that they're kind of saying we've

00:43:37 --> 00:43:42

done this accept it from us, which is not full Obadiah according to

00:43:42 --> 00:43:43

this ishara

00:43:44 --> 00:43:48

because of the harshness of this rebuke, Ibrahim prayed, keep me

00:43:48 --> 00:43:51

and my sons away from worshipping idols.

00:43:52 --> 00:43:57

So this is the end of that passage and nabooda SNAM protect me and my

00:43:57 --> 00:44:01

family from worshipping idols. Lord God in the road of my bosom,

00:44:01 --> 00:44:04

friendship and my children's prophethood. Seeing our own

00:44:04 --> 00:44:08

activity and ascribing it to ourselves, our idols that line

00:44:08 --> 00:44:11

ambush for us by your gentleness, remove these idols from the road

00:44:11 --> 00:44:14

and remove our being from the Midwest. Keep on bestowing your

00:44:14 --> 00:44:17

favorite upon us. So from the point of view of this tafsir

00:44:20 --> 00:44:24

the Ahmadiyya the servanthood has to be so complete that you claim

00:44:24 --> 00:44:25

credit for nothing at all.

00:44:28 --> 00:44:32

And on the Hajj, a lot of people said I managed to throw all of my

00:44:32 --> 00:44:36

stones and then I lost my plastic sandal. As if it's some kind of

00:44:36 --> 00:44:42

endurance event like running a marathon and you kind of can tell

00:44:42 --> 00:44:46

people about how you've done things and I did my seven tawaf

00:44:46 --> 00:44:49

well it was really busy and it took me 10 hours and Masha Allah.

00:44:50 --> 00:44:54

People kind of boast a lot about their experiences

00:44:55 --> 00:44:57

that shows that they haven't had the experience of those things are

00:44:57 --> 00:44:59

there in order to break you and make you realize

00:45:00 --> 00:45:03

Is that you're a lost slave and they're not there to kind of test

00:45:03 --> 00:45:07

you as if you're breaking some kind of record. It's not like that

00:45:07 --> 00:45:11

at all. It's the opposite of that. So let's talk about Amina

00:45:13 --> 00:45:18

even Ibrahim is My Allah kind of reproached only Ahmadiyya, it's

00:45:18 --> 00:45:20

Simona wild partner.

00:45:21 --> 00:45:23

So that

00:45:24 --> 00:45:26

one of the things that we notice

00:45:28 --> 00:45:33

when the prophets Allah, him or Salam are described as Abd Allah

00:45:33 --> 00:45:38

slave is that the idea of return also comes into it.

00:45:39 --> 00:45:45

So for one profit now, I will add, in the whole aware but excellent a

00:45:45 --> 00:45:51

slave was he always a web Abba is to return constantly returning.

00:45:51 --> 00:45:55

The idea of Toba is like returning Tabea toolbar to turn around to

00:45:56 --> 00:45:56

return

00:45:58 --> 00:46:02

in coolamon, is similar where it will allow the ILA to Rahmani R

00:46:02 --> 00:46:07

but that everything in heavens, the heavens and the earth shall

00:46:07 --> 00:46:12

come to Allah as a slave. In other words, that's the mad as an ABD,

00:46:12 --> 00:46:13

we returned to him

00:46:14 --> 00:46:20

in Wadjet, Nerville sabe raw. Now I'm logged in now a web, we found

00:46:20 --> 00:46:26

him to be patient, an excellent slave, he is a web returning

00:46:27 --> 00:46:31

Taapsee return was dechra, decode the abdomen Muneeb

00:46:32 --> 00:46:38

as an illumination and Reminder for every ARB to his Muneeb. And

00:46:38 --> 00:46:42

again, it's an Abba has that sense of turnings. Turning means that we

00:46:42 --> 00:46:46

go from the periphery to look at the center again, like that

00:46:46 --> 00:46:50

spacecraft near Pluto, whatever it was called New Horizons, and they

00:46:50 --> 00:46:54

couldn't contact it and it was going to be a dead loss. And then

00:46:54 --> 00:46:57

they managed to get the thing to turn back towards the Sun which is

00:46:57 --> 00:47:01

really distant and face but it can charge itself up and it gets back

00:47:01 --> 00:47:05

into contact and that's how we should be not facing nothing.

00:47:05 --> 00:47:09

Because what is other than Allah and His power, His name is not

00:47:09 --> 00:47:13

real. We need to turn around and face face the reality of Tober

00:47:14 --> 00:47:19

over coming around and this kind of circularity is implied by this.

00:47:19 --> 00:47:24

So ABD, and in ABA, are closely connected as prophetic qualities

00:47:24 --> 00:47:30

prophetic names in honors book, which is why muhammad shah of

00:47:30 --> 00:47:35

history says in his Gulshan eras, that the Hajj basically is only

00:47:35 --> 00:47:36

two steps.

00:47:37 --> 00:47:43

One step away from yourself a one step towards the Lord. That's the

00:47:43 --> 00:47:49

essence of it, just two steps. And if you don't have either, that you

00:47:49 --> 00:47:52

spent a lot on your fivestar nonsense Minar.

00:47:53 --> 00:47:56

That's not a hedge, there has to be this step away from the self

00:47:58 --> 00:48:03

and as to be the step towards a white hawk. So the realization of

00:48:03 --> 00:48:08

servanthood when you realize that you are ABD, then you return to

00:48:08 --> 00:48:10

the center, because that realization is the return to the

00:48:10 --> 00:48:15

center. Because in reality, the center is what exists. So this is

00:48:15 --> 00:48:21

the meaning of ABD, more Neva, which is what we are supposed to

00:48:21 --> 00:48:22

be now.

00:48:24 --> 00:48:27

This idea of the Kaaba somehow being representative of the divine

00:48:27 --> 00:48:33

mystery, so that our journey from God and back to God is somehow

00:48:33 --> 00:48:38

represented sacramentally in the heart shall we go from the edges

00:48:38 --> 00:48:40

of the earth, to the center of the Earth

00:48:41 --> 00:48:46

is also very important in our literature. So we find the city of

00:48:46 --> 00:48:53

Makkah, sometimes described as soul rattle, or Surah, two, which

00:48:53 --> 00:48:58

means the navel of the Earth, nav L. What does that mean? Well, the

00:48:58 --> 00:49:03

navel, it's about birth, it's about maternity, it's about the

00:49:03 --> 00:49:08

point of origin. So Michelle valsartan. Remember I was talking

00:49:08 --> 00:49:09

about Tim

00:49:10 --> 00:49:13

muck and most of Abdullah says maca was the first terrestrial

00:49:13 --> 00:49:16

point to emerge from the primordial cosmic ocean we have a

00:49:16 --> 00:49:19

lot of material some of which isn't Tonberry about this, it is

00:49:19 --> 00:49:24

from here or underneath her that the remainder of the earth came to

00:49:24 --> 00:49:27

be just as a human being comes into being through the umbilical

00:49:27 --> 00:49:28

cord.

00:49:29 --> 00:49:33

So this is this what it means when you find in a lot of our poetry

00:49:33 --> 00:49:39

for instance, MCE as the navel of the earth. That which supports us

00:49:39 --> 00:49:44

is the Divine Will you seem to be disconnected because we're into

00:49:44 --> 00:49:48

our stuff? But we can be reconnected

00:49:49 --> 00:49:55

because of the Divine Generosity. So we find a lot of metronome on

00:49:55 --> 00:49:59

maternal language in the

00:50:00 --> 00:50:03

A conception of the Hajj and one of the things that one could do

00:50:03 --> 00:50:08

would be to talk about gender symbolism in the Hajj rituals,

00:50:08 --> 00:50:09

which is a big topic.

00:50:10 --> 00:50:15

Don't have time for it. But we note that Maca is described as a

00:50:15 --> 00:50:18

male Quran in the Quran, the mother of cities.

00:50:20 --> 00:50:26

And Abraham also described as Alma. And the city is, as it were

00:50:26 --> 00:50:32

kind of the Imam of all of the Muslims as they are praying, which

00:50:32 --> 00:50:36

leads all of the believers back to the source the point of the city

00:50:36 --> 00:50:39

and these rituals and the Kaaba is to give us an earthly

00:50:39 --> 00:50:42

representation of what is an inward journey, not ultimately a

00:50:42 --> 00:50:46

physical journey, but an outward enactment that helps us to move

00:50:46 --> 00:50:49

along in the spiritual journey within so

00:50:50 --> 00:50:54

we find therefore the lot of place names connected to the Hajj, our

00:50:54 --> 00:51:02

female place names, you think about them. Kaaba Naka Mina was

00:51:02 --> 00:51:07

Delhi for suffer Marwa Arafat all of the big places have kind of

00:51:07 --> 00:51:12

feminine resonances and there's a lot that can be said that about

00:51:12 --> 00:51:17

the source that kind of natural idea of returning back to the

00:51:17 --> 00:51:19

point of our our creation

00:51:23 --> 00:51:28

time we had to nother perm I think

00:51:31 --> 00:51:33

so is such a huge topic.

00:51:36 --> 00:51:39

Yeah, sorry, the Dean of thought.

00:51:41 --> 00:51:46

So this is an example of how one of our classical poets uses the

00:51:46 --> 00:51:50

language of moving from ritual to ritual and place to place in the

00:51:50 --> 00:51:56

Hajj as an indication of the inward journey back to the place

00:51:56 --> 00:51:59

of the raw, and the divine inspiration and the divine

00:51:59 --> 00:52:01

presence which is the heart.

00:52:03 --> 00:52:07

So sometimes we find in our literature the world described as

00:52:07 --> 00:52:11

kind of a body of which Mecca is the heart and the heart. There's

00:52:11 --> 00:52:16

nothing really the heart just like the the heart that pumps blood

00:52:16 --> 00:52:18

throughout the whole organism with the armor and it comes back again

00:52:18 --> 00:52:22

with Nicklin It beats every year. But there's also an inward meaning

00:52:22 --> 00:52:25

of that, which is that it's through the purification of the

00:52:25 --> 00:52:29

heart, and that inward journey that we make that inward SoloQ,

00:52:29 --> 00:52:31

that inward pilgrimage that we come to,

00:52:32 --> 00:52:37

to be purified and to discover reality. And

00:52:38 --> 00:52:41

the Holy Prophet sallallahu alayhi wa sallam in his Mirage, it was

00:52:41 --> 00:52:46

his heart that saw the great mystery Murca the bell foo. Mara,

00:52:46 --> 00:52:51

the heart did not deny what it sought. So here is our Torres

00:52:51 --> 00:52:52

Fitzgerald's translation.

00:52:54 --> 00:52:57

And first the veil of search and endless maze branching into

00:52:57 --> 00:53:01

innumerable ways, all quoting entrance, but one right and this

00:53:01 --> 00:53:05

beset with pitfall golf and precipice where dust is embers air

00:53:05 --> 00:53:10

a fiery sleet, through which with blinded eyes and bleeding feet,

00:53:10 --> 00:53:14

the Pilgrims stumbles with hyenas howl around and hissing snake and

00:53:14 --> 00:53:19

deadly Gall, whose prey he falls if tempted, but to droop. Or if to

00:53:19 --> 00:53:22

wonder famished from the truth for fruit that falls to ashes in the

00:53:22 --> 00:53:27

hand, water that reached recedes into the sand, the only word is

00:53:27 --> 00:53:32

forward, guidance sight after him swerving, swerving, neither left

00:53:32 --> 00:53:36

nor right, by cell for the final victory will by day, at night,

00:53:36 --> 00:53:41

thine own selves caravanserai, till suddenly perhaps when most

00:53:41 --> 00:53:45

subdued and desperate, the heart shall be renewed, when deep in

00:53:45 --> 00:53:50

utter darkness by one gleam of glory from the fall remote Hareem

00:53:50 --> 00:53:53

that with a scarcely conscious shock of change, so light the

00:53:53 --> 00:53:58

pilgrim towards the mountain range of Arafat of knowledge.

00:53:59 --> 00:54:02

The original Persian Of course, the terminology is more easily

00:54:02 --> 00:54:07

recognized as hedge language, but this idea of the journey to the

00:54:07 --> 00:54:10

Hydras being a kind of microcosm of life's journey back to the

00:54:10 --> 00:54:12

Divine Source, that mystery of the eternity

00:54:13 --> 00:54:18

of the Creator. And also the journey within to the heart is

00:54:18 --> 00:54:18

something that

00:54:20 --> 00:54:21

has always resonated with Muslims.

00:54:23 --> 00:54:27

Now, another thing also needs to be borne in mind, we've already

00:54:27 --> 00:54:33

mentioned the primordial ality of the Hajj. And the fact that

00:54:33 --> 00:54:40

Ibrahim alayhi salam, who with his son is credited with the creation

00:54:40 --> 00:54:41

of the Kaaba that we have today

00:54:43 --> 00:54:49

is somebody who is pre Christian, pre Jewish, and is honey Finn

00:54:49 --> 00:54:53

Muslim, Muslim, but Hanif in that kind of ancient primordial,

00:54:54 --> 00:54:55

monotheistic sense.

00:54:56 --> 00:54:57

And

00:54:58 --> 00:54:59

one of the effective things

00:55:00 --> 00:55:05

About the Hajj is that it takes us through certain symbols and

00:55:05 --> 00:55:07

certain geometries and certain experiences

00:55:08 --> 00:55:12

that in a way that we might struggle to define, reconnect us

00:55:12 --> 00:55:17

with truly ancient times and with some primordial need in human

00:55:17 --> 00:55:17

beings.

00:55:18 --> 00:55:22

And this is the case with all of our bad debt. And human beings

00:55:22 --> 00:55:25

have always had rituals that are timed.

00:55:26 --> 00:55:31

With the seasons and the rising setting of the sun, the phasing

00:55:31 --> 00:55:32

phases of the moon,

00:55:33 --> 00:55:38

a lunar calendar, we've always had forms of fasting and so forth.

00:55:38 --> 00:55:42

This is what we mean by Dino fitrah religion of the primordial

00:55:42 --> 00:55:46

natural disposition, even though these are enacted in this specific

00:55:46 --> 00:55:50

Muhammad and form, which is never to be tampered with. Still, the

00:55:50 --> 00:55:54

form that we have is something that recalls in us something that

00:55:54 --> 00:55:56

is truly archaic.

00:55:58 --> 00:56:01

And, of course, the belief is that the

00:56:02 --> 00:56:08

the Kaaba is on a site, which was established for worship by Adam

00:56:08 --> 00:56:13

Ali salaam, when it was just a rubber hammer up just a Red Hill

00:56:15 --> 00:56:15

hillock.

00:56:18 --> 00:56:22

So let's think about this primordial ality, and the effect

00:56:22 --> 00:56:27

that that has on us. And it clearly has something to do with

00:56:28 --> 00:56:31

the Deep Impact that HYDRA clearly has on people, this yearning that

00:56:31 --> 00:56:32

we have for the house.

00:56:33 --> 00:56:35

The sense of recognition that we have,

00:56:36 --> 00:56:38

when carrying out the rituals,

00:56:39 --> 00:56:43

and the sense of change that people experience after, after a

00:56:43 --> 00:56:44

good hedge.

00:56:47 --> 00:56:50

And let's try and get our heads around this. Well, human beings

00:56:50 --> 00:56:53

always just they've always had forms of worship, just that

00:56:53 --> 00:56:54

they've always had

00:56:55 --> 00:57:00

secret ways of getting married, secret ways of saying farewell to

00:57:00 --> 00:57:06

the dead, sacred ways of fasting for our species, which is old.

00:57:07 --> 00:57:09

This is normative to us. And there's something in us in our

00:57:09 --> 00:57:13

brain structure that that requires this and finds it finds it

00:57:13 --> 00:57:14

natural.

00:57:15 --> 00:57:21

The idea of a sanctuary attending us with liminal degrees, whereby

00:57:21 --> 00:57:26

you progress into an area where more things are forbidden, and

00:57:26 --> 00:57:30

there is a greater degree of sanctuary. Well, we have that, as

00:57:30 --> 00:57:34

you approached the city there is first of all, the me thought

00:57:36 --> 00:57:39

the place where you have to put on the Haram if you're heading

00:57:39 --> 00:57:44

straight for ombre, or for Hajj. That's the kind of outer boundary

00:57:44 --> 00:57:46

that indicates a transition between the profane and the

00:57:46 --> 00:57:50

sacred. And then as you approach the city maybe 10 miles from

00:57:51 --> 00:57:57

from the mosque, there is the Haram beyond which non Muslims

00:57:57 --> 00:58:02

cannot pass and where there are strict rules traditionally about

00:58:02 --> 00:58:04

that you can't hunt there and

00:58:06 --> 00:58:10

during the the Hajj season, and generally there's all kinds of

00:58:10 --> 00:58:13

rules like traditionally, you're not allowed to build in Mecca with

00:58:13 --> 00:58:17

material that isn't sourced inside the Haram area.

00:58:18 --> 00:58:22

I think that most of the modern hotels there perhaps have not been

00:58:22 --> 00:58:25

aware of this particular fatwah, but that that was to dritten out

00:58:25 --> 00:58:28

of respect that you didn't bring in matter from outside but the

00:58:28 --> 00:58:32

stone had to be from the mountains of Mecca and the wood whatever was

00:58:32 --> 00:58:35

available. And so that's one reason why the city was always

00:58:35 --> 00:58:38

quite simple. Historically, it wasn't an elaborate place like

00:58:39 --> 00:58:40

Damascus or Baghdad.

00:58:42 --> 00:58:46

So that is another degree of sanctity and then you step into

00:58:46 --> 00:58:49

the mosque itself and Masjid Al haram, where things are stricter

00:58:49 --> 00:58:53

still. And beyond that those the Kaaba and this is something that's

00:58:53 --> 00:58:57

pretty universal in ancient humans structuring for the sacred a three

00:58:57 --> 00:59:02

fold delineation of a sanctuary. This is something that is from the

00:59:02 --> 00:59:09

fitrah. And Ibrahim and his family are declared in the Quran as

00:59:09 --> 00:59:14

Chanukah de la vida emotionally, Kenobi, Hana, fat prime primordial

00:59:14 --> 00:59:16

monotheists, not

00:59:17 --> 00:59:21

attributing any partners to God. So

00:59:23 --> 00:59:27

isn't here's one example of this. And it's complex, because it's to

00:59:27 --> 00:59:31

do with aspects of human psychology that are ancient and

00:59:31 --> 00:59:35

inherited, and we don't really understand. And of course,

00:59:35 --> 00:59:38

modernity has taken us away from so many of these things, which

00:59:38 --> 00:59:42

were normative were quite damaged really. And as a result, we're

00:59:42 --> 00:59:45

anxious or depressed, because we're not living in ways that

00:59:45 --> 00:59:48

human beings are designed to live.

00:59:49 --> 00:59:51

But one of the beauties of the forms of Islam is that they

00:59:51 --> 00:59:55

haven't been tampered with. And if you go to Makkah, nobody has

00:59:55 --> 00:59:58

really had the temerity to interfere with any of those

00:59:58 --> 00:59:59

rituals, either

01:00:00 --> 01:00:03

And if there's escalators and floodlights, and God knows what,

01:00:03 --> 01:00:09

but the thing itself is still intact, then still accessible. And

01:00:09 --> 01:00:13

this is part of the the blessing of Islam. So as Rocky, the

01:00:13 --> 01:00:17

earliest historian of Makkah, who is quite early, he had said that

01:00:17 --> 01:00:21

his teachers knew that the turbine has this book called The stories

01:00:21 --> 01:00:23

of NACA Baraka

01:00:24 --> 01:00:25

attributes this

01:00:26 --> 01:00:31

as a divine saying, oh, Adam, this is my temple. This is God's speech

01:00:31 --> 01:00:35

to the first of mankind, I made it Descend onto Earth along with you.

01:00:36 --> 01:00:39

around it, men shall turn into off as the angels turn around my

01:00:39 --> 01:00:42

throne, and they shall pray towards it as the angels pray

01:00:42 --> 01:00:46

towards my throne. So again, this is the verticality of it. This is

01:00:46 --> 01:00:52

the idea of a beta more, that the hajis somehow mysteriously earthly

01:00:52 --> 01:00:56

representation of something that is not earthly are not subject to

01:00:56 --> 01:01:00

the four points of the compass. But as we make the tawaf, we are

01:01:00 --> 01:01:05

somehow enacting and in touch with in some symbolic and very

01:01:06 --> 01:01:10

unfamiliar way with the action of the angels who are completely in

01:01:10 --> 01:01:14

the state of Obaldia necessarily, as they go around the throne with

01:01:14 --> 01:01:21

to speak in the Tobia. So this is an idea from very early Islam, and

01:01:21 --> 01:01:26

we find that the throne is in the Quran. The throne of God is

01:01:26 --> 01:01:32

supported by eight angels or below Arusha. Rebecca Yama is in Felker

01:01:32 --> 01:01:37

home yoga is in the Manaea Angel support the throne of Ablon,

01:01:37 --> 01:01:39

because we're not going to literally interpret that it's

01:01:41 --> 01:01:43

known without how Villa cave,

01:01:44 --> 01:01:47

but we find that eightfold principle is also part of the

01:01:47 --> 01:01:49

architectonics of the Meccan sanctuary,

01:01:50 --> 01:01:55

the traditional eight minarets, the traditional eight paths that

01:01:55 --> 01:01:59

lead from the arcade to the cabinet itself, visible until

01:01:59 --> 01:02:02

quite recently, between which there was just just a gravel this

01:02:02 --> 01:02:07

eight this was something that were was understood. And you'll find

01:02:07 --> 01:02:11

this eight fold dimension in other sanctuaries as well.

01:02:13 --> 01:02:19

Other things we find it would be the idea of the circle, primordial

01:02:19 --> 01:02:25

humanity, recognize the circle as a symbol of endlessness and

01:02:25 --> 01:02:27

therefore of transcendence and if the sacred

01:02:29 --> 01:02:33

which is why the Sikh wears a bangle because circularity

01:02:33 --> 01:02:38

represents the eternity the endlessness of, of the Divine. So,

01:02:39 --> 01:02:42

in this country, you have all of those ancient Celtic stone

01:02:42 --> 01:02:47

circles, stone hinge, the seahenge thing that they found in North

01:02:47 --> 01:02:51

Norfolk, which is on the beach at Huntington, but was made of wood

01:02:51 --> 01:02:56

but was circular and has the progressive adjustment from the

01:02:56 --> 01:03:02

profane, to the sacred. And this is often juxtaposed with a square.

01:03:03 --> 01:03:07

So the square is a symbol of emplacement. In the world, the

01:03:07 --> 01:03:11

four points of the compass, and the circle is the symbol of

01:03:11 --> 01:03:16

transcendence of the square within a circle is all a circle within

01:03:16 --> 01:03:19

the square, classical forms of articulating the heaven Earth,

01:03:20 --> 01:03:24

juxtaposition, and and meeting. Tenderness is a term that

01:03:24 --> 01:03:31

sometimes used for a sacred space. In Union psychology. For instance,

01:03:31 --> 01:03:32

there's again the idea of

01:03:33 --> 01:03:38

a sanctuary within ourselves a circular space, which we have to

01:03:38 --> 01:03:44

clear which has a fountain in the middle, which can be received when

01:03:44 --> 01:03:47

the male and female principles are imbalanced, where spirit has

01:03:47 --> 01:03:51

triumphed over self, where there's a kind of resolution we enter this

01:03:51 --> 01:03:53

10 ministers the sanctuary within.

01:03:55 --> 01:03:56

So

01:03:57 --> 01:04:01

yeah, we have this idea of circularity indicating

01:04:03 --> 01:04:03

sanctuary.

01:04:05 --> 01:04:08

And again, you can see even at something like the Stonehenge and

01:04:08 --> 01:04:13

we didn't know what Stonehenge was, what its functionality was

01:04:13 --> 01:04:17

those people 5000 years ago. And there's a word circle though,

01:04:17 --> 01:04:21

which is from 8000 BCE. So that's like, really back in the middle

01:04:21 --> 01:04:25

Stone Age very ancient. We have no idea what those people were,

01:04:25 --> 01:04:29

whether they were even druids, it's all mythological. So all of

01:04:29 --> 01:04:35

those ravers who go on the summer solstice, and hum and meditate and

01:04:35 --> 01:04:39

do yoga and take ecstasy and so forth. It's just,

01:04:40 --> 01:04:44

it's sad. But in a sense, it's also a reminder that even in this

01:04:44 --> 01:04:49

profane work culture of ours, people have a sense that they need

01:04:49 --> 01:04:52

to recognize these ancient sacred things of the rising setting of

01:04:52 --> 01:04:56

the sun, the moon, the land, the circle, the sacred space, the

01:04:56 --> 01:05:00

terminus, yet we still know despite this

01:05:00 --> 01:05:03

Since from Scripture and organized religion, that there's something

01:05:03 --> 01:05:04

in this for us

01:05:06 --> 01:05:06

it's

01:05:08 --> 01:05:12

interesting an attempt 1000s of years after those people died to

01:05:12 --> 01:05:16

revive a sanctuary because the human desire for religion and for

01:05:16 --> 01:05:22

the sacred is, can't be killed. So the Octagon the eight points, the

01:05:22 --> 01:05:26

four points, the circle, the Dome of the Rock in Jerusalem, another

01:05:26 --> 01:05:30

classic example of that, and the dome of the rocks that puppet

01:05:30 --> 01:05:36

Asakura is the one of the other great sanctuaries of Islam. And we

01:05:36 --> 01:05:39

could say quite a bit about the Temple of Sedna Suleyman the mount

01:05:39 --> 01:05:43

about the Heiko in Jerusalem, which has resemblances with the

01:05:43 --> 01:05:46

Moroccan sanctuary, but different as well.

01:05:48 --> 01:05:51

What sort of differences are we looking at? Well, if you've been

01:05:51 --> 01:05:56

to Oak woods, and it's required in the Hadith, it's one of the places

01:05:56 --> 01:05:59

that holy prophet tells us we have to go to an handler, if you've got

01:05:59 --> 01:06:02

a Western passport, you can go there,

01:06:03 --> 01:06:07

that the foundation stone of the Crusaders thought that that was

01:06:07 --> 01:06:12

the Holy of Holies, the rabbi is really not sure whether that was

01:06:12 --> 01:06:15

the Holy of Holies, or whether it's some other site, maybe it was

01:06:15 --> 01:06:18

the place of the outer altar. They're not sure but they're still

01:06:18 --> 01:06:20

in the design of the temple in Jerusalem, a sense of this

01:06:20 --> 01:06:24

universal human desire to have concentric quartz

01:06:25 --> 01:06:30

leading towards something that is that is extraordinarily sacred, of

01:06:30 --> 01:06:32

course, the holy of holies in Jerusalem is also kind of

01:06:32 --> 01:06:38

rectangular or square like the Kaaba. So this is just something

01:06:38 --> 01:06:44

that came to my attention recently that indicates our awareness like

01:06:44 --> 01:06:47

these kids at Stonehenge that we are called, that we have this

01:06:47 --> 01:06:51

yearning for the sacred, and that we need intrinsically in our

01:06:51 --> 01:06:53

fitrah the sense of

01:06:54 --> 01:06:56

a ritual that returns us to the center. So this is a poem by

01:06:56 --> 01:07:00

somebody called Shabana Aliana. And it's in this nice collection

01:07:00 --> 01:07:03

of poems I found recently shadow of the one an anthology of

01:07:03 --> 01:07:06

inspirational poems from Xiao Jia Ibrahim.

01:07:07 --> 01:07:11

So it's called Answer the call. Come, is it fair to ignore what

01:07:11 --> 01:07:15

you've known but forgotten, and can no longer recall except in a

01:07:15 --> 01:07:20

dream? How does the secret reveal itself suddenly, without thought

01:07:20 --> 01:07:23

or effort or help that can be seen? Who is talking when you

01:07:23 --> 01:07:27

weep? Who is listening deeper than deep? What call is your heart

01:07:27 --> 01:07:31

yearning to answer that is beyond the symbols we use when we speak.

01:07:32 --> 01:07:36

answer this call, even if you think you can't hear it. This my

01:07:36 --> 01:07:39

friend is the problem that you think, answer this call in

01:07:39 --> 01:07:42

whatever way you know, kiss the ground with your forehead dance,

01:07:42 --> 01:07:47

madly sing loudly. Talk to trees. Don't silence your heart answered

01:07:47 --> 01:07:52

this call before it's too late. That's precisely the that when we

01:07:52 --> 01:07:57

say the Tobia, love bake, we are saying yes we need this we need to

01:07:57 --> 01:08:02

go through this, this earthly maze of rituals in order to enact

01:08:02 --> 01:08:05

within ourselves this recentering that will connect us once again to

01:08:05 --> 01:08:10

the vertical, fundamental ancient human yearning to engage with the

01:08:10 --> 01:08:15

axis mundi, this center of, of the world. So the Kaaba, symbolizing

01:08:15 --> 01:08:21

the heart, symbolizing this inward journey that is enacted by outward

01:08:21 --> 01:08:22

forms

01:08:27 --> 01:08:31

is another one. This is by my late friend Abdullah high more

01:08:33 --> 01:08:33

which

01:08:35 --> 01:08:39

Sparrow on the prophets to collection of poems and this is

01:08:39 --> 01:08:40

one about

01:08:42 --> 01:08:46

the city of MOCA. I've been to the center of the earth. Jules Verne

01:08:47 --> 01:08:50

didn't get it right. It's not down in cavernous bowels of igneous

01:08:50 --> 01:08:55

rocks waved in sulfurous fumes. The Serpents of the self and it's

01:08:55 --> 01:08:59

idolize distractions are the only monsters to come at you out of the

01:08:59 --> 01:08:59

rocks.

01:09:00 --> 01:09:04

I have been to the caliber at Makkah, as pure as a heartbeat, a

01:09:04 --> 01:09:08

stunning in time and space as a precious diamond decreed by God to

01:09:08 --> 01:09:11

be cut by the hand of man to mirror His glory.

01:09:13 --> 01:09:17

All his clarity there and concentration. The ears are filled

01:09:17 --> 01:09:21

with a joyous noise. The eyes behold God's plan in the masses of

01:09:21 --> 01:09:26

humanity that passed there that reduce in every case to one, one

01:09:26 --> 01:09:30

heart before one God in one moment in time, the most public place on

01:09:30 --> 01:09:34

earth, for the most private encounter with our Lord.

01:09:35 --> 01:09:39

I've sat among its people. I've stood in the first rows of prayer

01:09:39 --> 01:09:43

facing the house, black cloth covering stone. I've bowed and

01:09:43 --> 01:09:47

frustrated, a swallows wheel and a sky so saturated with light as to

01:09:47 --> 01:09:50

scintillate with a jagged, indelible brightness.

01:09:51 --> 01:09:54

This is still man's major crossroad.

01:09:55 --> 01:09:59

around the Kaaba, even the worst of men for a while regain their

01:09:59 --> 01:10:00

innocence and

01:10:00 --> 01:10:00

renewed,

01:10:01 --> 01:10:05

if they lost in all and tears flow, and they call an Allah with

01:10:05 --> 01:10:09

each heartbeat, they're in paradise. If they walk around the

01:10:09 --> 01:10:12

house of Allah chatting and distracted, they are still in

01:10:12 --> 01:10:15

God's garden. So powerful is the presence though.

01:10:17 --> 01:10:21

The Kaaba is of a blackness that is not black, of a dimension that

01:10:21 --> 01:10:25

has no size of a Cubanas that has no shape in space, that the size,

01:10:25 --> 01:10:30

shape nor color define it. Yet it is such and such a dimension, in

01:10:30 --> 01:10:34

roughly cube shape, with a golden door set in its side, and the

01:10:34 --> 01:10:38

golden rain spout over one edge at top, made of square blocks of gray

01:10:38 --> 01:10:41

stone caught with white and covered over with fine black

01:10:41 --> 01:10:44

brocade to the ground, embroidered top

01:10:46 --> 01:10:48

with golden calligraphy of God's Word.

01:10:54 --> 01:10:55

I'll skip a bit.

01:10:56 --> 01:11:00

This is the heart of the world, the self of the human, the spirit

01:11:00 --> 01:11:04

of our consciousness in life and death. Distinctions blurred and

01:11:04 --> 01:11:06

distinction sharpened at the same time.

01:11:08 --> 01:11:14

Heavens rolled up, seas, dried, Earth prints erased, no one's gone

01:11:14 --> 01:11:19

anywhere. No one's done anything. No one's taken a step. Even the

01:11:19 --> 01:11:22

minute is breathtaking space of separation,

01:11:23 --> 01:11:27

away from the house of Allah, at the center of the earth of

01:11:27 --> 01:11:27

mankind,

01:11:29 --> 01:11:34

in space in Mecca, in what is now Saudi Arabia, January the sixth

01:11:34 --> 01:11:36

1996.

01:11:39 --> 01:11:40

That's a recent example

01:11:42 --> 01:11:46

of this extraordinary outpouring of poems that the ALMA has

01:11:48 --> 01:11:52

produced that indicate that one is when one is there. One is in a

01:11:52 --> 01:11:56

different type of space, that there is a form of recognition, a

01:11:56 --> 01:12:00

kind of sharpening, that the unfamiliarity gives us a sense of

01:12:00 --> 01:12:01

Homecoming.

01:12:06 --> 01:12:06

So

01:12:08 --> 01:12:13

NACA has all of the classic features of a sacred sanctuary,

01:12:13 --> 01:12:18

that embedded somewhere in our human collective consciousness, we

01:12:18 --> 01:12:23

crave and also recognize, one of the things you see when you go on

01:12:23 --> 01:12:28

Hajj is that most people who you are a pilgrim with, I've never

01:12:28 --> 01:12:29

been there before.

01:12:30 --> 01:12:33

And the practices are more or less, all new,

01:12:34 --> 01:12:38

unfamiliar, really unlike anything else in Islam, going round

01:12:38 --> 01:12:43

something, throwing stones at pillars, standing on a plane,

01:12:44 --> 01:12:48

connecting stones, it's all new. And yet, there's an extraordinary

01:12:48 --> 01:12:52

sense that they know what this is, and that they are immediately

01:12:52 --> 01:12:55

relaxing into something that comes naturally to them.

01:12:56 --> 01:13:00

And what that natural thing is, is something deep down inaccessible

01:13:00 --> 01:13:05

to human reason, in the fitrah, that we are pilgrims naturally

01:13:05 --> 01:13:10

because our distant, unknown nameless ancestors did these

01:13:10 --> 01:13:12

things and knew that they were healing.

01:13:14 --> 01:13:18

So maca has all of the classic features. And you can, for

01:13:18 --> 01:13:22

instance, go to Glastonbury in this country, which is kind of new

01:13:22 --> 01:13:25

age pilgrimage place but has sacred significance, supposedly

01:13:25 --> 01:13:28

the oldest church in the world, Glastonbury tour and this

01:13:29 --> 01:13:33

Neolithic circles and things that a very resonant and spiritual kind

01:13:33 --> 01:13:37

of place, although it's only point 00 1% of anything you'll find in

01:13:38 --> 01:13:43

in the hijas. But still, there's something that there has been a

01:13:43 --> 01:13:47

Muslim presence there witnessing presence for several decades now

01:13:48 --> 01:13:52

that you find in these places that there are certain features that we

01:13:52 --> 01:13:56

do find in Macau, in a kind of purified and absolute sense.

01:13:57 --> 01:14:03

A sacred Well, maybe you could do a chalice Well, in Glastonbury,

01:14:03 --> 01:14:07

for instance, there's a secret well in Lucker, a sacred mountain

01:14:07 --> 01:14:11

Jebel and nor sacred geometry. So there are circles, straight lines,

01:14:11 --> 01:14:12

planes.

01:14:14 --> 01:14:15

There is

01:14:17 --> 01:14:19

circled squares rules of purification.

01:14:22 --> 01:14:26

So, you have all of these things that you will get even in small

01:14:26 --> 01:14:31

sanctuaries, and that human beings by their Fitri nature, recognized

01:14:31 --> 01:14:35

as good and healing unnecessary to us. But what's different

01:14:36 --> 01:14:42

is not something Oriental. Because the hygiene is universal. And

01:14:42 --> 01:14:44

there's something about it which is so ancient that it transcends

01:14:44 --> 01:14:48

cultures. If you're wearing the ROM, you don't really belong to

01:14:48 --> 01:14:53

any particular look or style. The Kaaba is pre architectural, it's

01:14:53 --> 01:14:57

just a cube. Everything there is, is really ancient and it doesn't

01:14:57 --> 01:14:59

belong to east or west. It's

01:15:00 --> 01:15:06

Everybody Muthiah bottlenose, a place of resort for mankind. And

01:15:06 --> 01:15:10

it has a universality as a result of this.

01:15:12 --> 01:15:17

Contrast it then with the sanctuary in Jerusalem, but the

01:15:17 --> 01:15:21

time of sadness totally man Alehissalaam, there is the holy of

01:15:21 --> 01:15:26

holies Oddish, her Oddish, which is kind of the Jerusalem cover.

01:15:27 --> 01:15:31

But it can't be approached by everybody. Or their Sharia was

01:15:31 --> 01:15:32

different to wash area.

01:15:34 --> 01:15:38

So, only the high priest can go inside their sanctuary,

01:15:39 --> 01:15:45

and only on the Day of Atonement, and he puts the blood of sacrifice

01:15:45 --> 01:15:47

on the place where the Ark of the Covenant used to be. And he liked

01:15:48 --> 01:15:52

incense, and he's the only one who's allowed and even if builders

01:15:52 --> 01:15:55

have to go they walk in, they have to be lowered in on ropes. And

01:15:55 --> 01:15:59

it's a whole thing. It's very exclusive. And then there are

01:16:04 --> 01:16:09

boundaries, which clearly limit the universality of it all.

01:16:12 --> 01:16:13

So

01:16:15 --> 01:16:16

one of the boundaries is that there is

01:16:18 --> 01:16:22

certainly Gentiles as it were not allowed into the Meccans

01:16:22 --> 01:16:27

sanctuary. Apart from a few exceptions, it's the city just for

01:16:27 --> 01:16:32

Muslims a Forbidden City. But in the temple in Jerusalem, women had

01:16:32 --> 01:16:34

their own cord, the cord of the women which is second quarter of

01:16:34 --> 01:16:38

the temple, they could not go any closer to the center of the

01:16:38 --> 01:16:42

sacred. Whereas in the Ishmaelites sanctuary which is hydro

01:16:42 --> 01:16:45

sanctuary, she's buried in the hedger after all,

01:16:46 --> 01:16:51

which is included in the area we do tawaf around. That is, as we

01:16:51 --> 01:16:55

indicated, there's a very feminine and maternal dimension to this and

01:16:55 --> 01:17:00

the women are there and in many ways less segregated in our most

01:17:00 --> 01:17:03

sacred place, than they are just about anywhere else in the

01:17:03 --> 01:17:07

traditional ummah. Because women have a kind of wedge that comes

01:17:07 --> 01:17:10

towards the cat, but then it's moved and they try to, but it's

01:17:10 --> 01:17:13

very difficult in the Toa, actually to enforce any kind of

01:17:13 --> 01:17:17

real gender segregation, especially if people with their

01:17:17 --> 01:17:23

families. So in our instantiation of the architecture of the sacred

01:17:23 --> 01:17:29

the women are certainly included. So Abrahamic but universal,

01:17:31 --> 01:17:33

because the Holy Prophet says sallallahu alayhi wa sallam other

01:17:33 --> 01:17:36

prophets were sent only to their own people were boys truly nursery

01:17:36 --> 01:17:42

care for I'm sent to all mankind. And our effect is the anticipation

01:17:42 --> 01:17:46

of the final judgment than the ad when everybody is together. Just

01:17:46 --> 01:17:52

as the stone and Hydra S word is the sign of the day of Elasto be

01:17:52 --> 01:17:57

Rob become Am I not your Lord and when we salute, may still have the

01:17:57 --> 01:18:02

stone we are reaffirming, that balharshah hidden, which we said

01:18:02 --> 01:18:05

to the Creator at the beginning, before the beginning of time, the

01:18:05 --> 01:18:10

map that is the beginning but also the end of artifact when

01:18:10 --> 01:18:13

everything is brought together again and we stand Yomi Akuma,

01:18:13 --> 01:18:17

Nestle Rob Bill Alameen, when all mankind stands to the Lord of the

01:18:17 --> 01:18:21

world, there was an anticipation of the piano of the walk off of

01:18:21 --> 01:18:26

out of fat, and that will be an inclusive time. We were all

01:18:26 --> 01:18:29

together at the beginning of sacred history altogether at the

01:18:29 --> 01:18:32

end of sacred history and the Hajj

01:18:33 --> 01:18:37

reminds us of both of those things. So it is not a

01:18:37 --> 01:18:40

particularist Sanctuary it is not the sanctuary of a particular

01:18:40 --> 01:18:42

people or tribe or place.

01:18:43 --> 01:18:47

One of the things that he does and Allahu alayhi wa sallam when he

01:18:47 --> 01:18:50

purifies the sanctuary, he is sitting on Nakazawa and pointing

01:18:50 --> 01:18:54

with his rod at each of the idols of the Arabs and he says general

01:18:54 --> 01:18:58

Harper was a heck of a battle in Alberta, Canada, hookah truth has

01:18:58 --> 01:19:02

come, full set has fled away, falsehood will always fall away,

01:19:02 --> 01:19:08

and they will fall down on their faces and they break. Now that is

01:19:08 --> 01:19:12

not only a purification of idolatry, but also purification of

01:19:12 --> 01:19:18

the tempo of tribal particularity. The Arab religions are at an end,

01:19:18 --> 01:19:22

tribal specifics and places are at an end and now the sanctuaries of

01:19:22 --> 01:19:27

Islam are to be for all nations, which is what happened when the

01:19:27 --> 01:19:30

temple was opened up again. I said no Omar ibn Al Khattab, the Third

01:19:30 --> 01:19:34

Temple, which is there to this day, which they Nisa says, shall

01:19:34 --> 01:19:38

be a house of prayer for all nations, which it never was the

01:19:38 --> 01:19:42

time of Solomon. So everybody, the whole almost together, and their

01:19:43 --> 01:19:45

ethnic specificity didn't matter.

01:19:47 --> 01:19:48

So, universalism,

01:19:49 --> 01:19:53

that the idolatry which was connected with tribalism, has been

01:19:53 --> 01:19:57

banished, and it's myth arbiter leanness, and when you go there

01:19:57 --> 01:19:59

you see us the most multicultural

01:20:00 --> 01:20:02

multi ethnic place on Earth.

01:20:03 --> 01:20:03

So

01:20:05 --> 01:20:09

we have this and the inclusion of women I found a very

01:20:10 --> 01:20:13

nice thing which I didn't want to leave out, which is that

01:20:14 --> 01:20:19

women Macker have always been, you know, they, they want wanted to be

01:20:19 --> 01:20:23

near to Allah's house and one of the, the old traditions of

01:20:24 --> 01:20:26

Makkah was the day of the women,

01:20:28 --> 01:20:32

which was the 29th of Raja Raja was always an important time of

01:20:32 --> 01:20:36

celebration in the city of Mecca. But even Jubeir on his trip from

01:20:36 --> 01:20:38

under Lucia reports this

01:20:40 --> 01:20:45

the 29th of Rajab, which was a Thursday, was reserved exclusively

01:20:45 --> 01:20:48

for the women that emerge from each of their lodgings after many

01:20:48 --> 01:20:52

days preparation, similar to the ones made before visit the noble

01:20:52 --> 01:20:56

tombs. There is not on that day a single woman in Makkah, who does

01:20:56 --> 01:21:00

not present herself at the Sacred Mosque, the manual shaper after

01:21:00 --> 01:21:03

they come to open the noble door, according to custom, hastened to

01:21:03 --> 01:21:08

leave the Kaaba and leave it empty for the women, men to leave the

01:21:08 --> 01:21:12

area of the tawaf and the hedger. There remains not a single man

01:21:12 --> 01:21:16

around the blessitt house. The women hastened so quickly to enter

01:21:16 --> 01:21:18

that the bento shea butter scarcely able to go down from the

01:21:18 --> 01:21:22

noble house, through the midst of them. The women form themselves in

01:21:22 --> 01:21:25

lines and then get all mixed and tangled as they try to get in all

01:21:25 --> 01:21:29

together. There are cries shouts to healers, tech beers, and the

01:21:29 --> 01:21:32

jostling repeats the spectacle of the Yemenite sorrow a Bedouin

01:21:32 --> 01:21:33

during their stay in Mecca.

01:21:35 --> 01:21:38

After continuing Thus, for half a day, they sort themselves out into

01:21:38 --> 01:21:42

circumambulating. tawaf visiting the hedger. They find peace and

01:21:42 --> 01:21:46

kissing the Blackstone touching the corners of the Kaaba. It is

01:21:46 --> 01:21:49

for them a great date, their day brilliant and radiant.

01:21:50 --> 01:21:53

Usually, when they're with the men they left apart, they look upon

01:21:53 --> 01:21:56

the noble house without being able to go in, they contemplate the

01:21:56 --> 01:22:00

Blackstone, but do not touch it at all. And all that which is their

01:22:00 --> 01:22:04

lot. It is only looking and shagger and confuses and shakes

01:22:04 --> 01:22:07

them. They're permitted only the circumambulation and that

01:22:07 --> 01:22:11

segregated. So this particular day, which comes around again,

01:22:11 --> 01:22:14

every year, they celebrate as the noblest of feast, and they make

01:22:14 --> 01:22:19

elaborate preparations. So it's a reminder that the harem maintain

01:22:19 --> 01:22:23

certain forms of decorum, but it is in principle, even the holy of

01:22:23 --> 01:22:28

holies itself, open to women, and this is part of the metabo tell

01:22:28 --> 01:22:34

the nurse that differences of race as Malcolm X on his Hajj and these

01:22:34 --> 01:22:39

other contingent human differentia become insignificant because

01:22:39 --> 01:22:43

everybody is in the state of OBO dia equivalent.

01:22:45 --> 01:22:51

And the hearts and the caliber have this relationship that pays

01:22:51 --> 01:22:57

no attention to gender, race or anything else. So I just wanted to

01:22:59 --> 01:23:01

end again with

01:23:04 --> 01:23:09

my last little text, lady, even Cobbold, another of the English

01:23:09 --> 01:23:15

hedges and the first British woman to have left a, an aeration she

01:23:15 --> 01:23:19

was there in the 1930s. And this is her first

01:23:21 --> 01:23:23

visit to the holy city and

01:23:24 --> 01:23:25

the meaning of the Blackstone.

01:23:27 --> 01:23:31

It stands for a symbol, the stone which the builders refused is

01:23:31 --> 01:23:36

become the headstone of the corner. This is in the Psalms. The

01:23:36 --> 01:23:39

stone which the builders refused, is become the headstone of the

01:23:39 --> 01:23:44

corner. Ishmael was looked upon as rejected, and the covenant made

01:23:44 --> 01:23:48

with the children of his half brother, Isaac, the Israelites.

01:23:48 --> 01:23:51

Yet it was that rejected stone, the black stone that became the

01:23:51 --> 01:23:55

headstone of the Kaaba, the place where Hydra and Ishmael were cast

01:23:55 --> 01:23:55

out.

01:23:56 --> 01:24:00

The Blackstone is unhewn, cut out of the mountains without hands,

01:24:00 --> 01:24:04

the book of Daniel, Christ made reference to it when he told the

01:24:04 --> 01:24:07

Israelites that the vineyard, the kingdom of God will be taken away

01:24:07 --> 01:24:11

from them, and given to other husband men, and again, did he

01:24:11 --> 01:24:15

never read in the Scriptures, the stone which the builders rejected,

01:24:15 --> 01:24:20

the same is become the head of the corner, Matthew 2142. And again,

01:24:21 --> 01:24:24

the kingdom of God shall be taken from you, and given to a nation

01:24:24 --> 01:24:29

which bringeth forth the fruit thereof, Matthew 2143 So this

01:24:29 --> 01:24:33

stone is kissed, not as an idol, but as that symbol of the

01:24:33 --> 01:24:38

rejection of a form, which eventually became the cornerstone

01:24:39 --> 01:24:42

in a symbol of the rejection of a nation which eventually became the

01:24:42 --> 01:24:45

cornerstone in the divine order of the universe. And that's the other

01:24:46 --> 01:24:50

aspect of that, the inclusivity of unless Judo haram,

01:24:51 --> 01:24:57

gender ethnicity, but also rich and poor, and it is the

01:24:57 --> 01:25:00

Ishmaelites sanctuary and as I've said before,

01:25:00 --> 01:25:04

For in today's age, that story of the bifurcation, The Parting of

01:25:04 --> 01:25:08

the Ways but in Isaac and Ishmael has turned out to be gigantically

01:25:08 --> 01:25:13

significant. Look at the walls in Palestine, who is on one side who

01:25:13 --> 01:25:18

is on the other, walls everywhere, rich and poor have never been more

01:25:18 --> 01:25:24

fiercely differentiated. The disparity between rich and poor,

01:25:24 --> 01:25:27

powerful and powerless in today's world, accentuated by technology

01:25:27 --> 01:25:32

and forms of control has never been more extreme, but we as

01:25:32 --> 01:25:34

Muslims are the bene Isma Ayala,

01:25:35 --> 01:25:40

and that one which, which is the tribe cast out by the dominant

01:25:40 --> 01:25:44

narrative, but which in the wisdom of Allah subhanaw taala, as the

01:25:44 --> 01:25:45

great kind of

01:25:47 --> 01:25:52

surprise, of sacred history becomes the one who are chosen who

01:25:52 --> 01:25:56

become the people who maintain these principles in a sanctuary

01:25:56 --> 01:26:01

when all the other sanctuaries have been desecrated or lost. So

01:26:01 --> 01:26:05

we are the bene Ismail. And as the outcast and the poor and the

01:26:05 --> 01:26:06

misunderstood.

01:26:07 --> 01:26:11

When you go on Hajj, you see most people are pretty poor, not

01:26:11 --> 01:26:16

particularly educated. They all love the house, and they all know

01:26:16 --> 01:26:21

what to do. But that is also not only is it the world's greatest

01:26:21 --> 01:26:26

gathering of races, but it is also the world's greatest place where

01:26:26 --> 01:26:29

rich and poor stand together. And when the poor of the world get

01:26:29 --> 01:26:33

together. There's nowhere else where they can be together, engage

01:26:33 --> 01:26:38

with each other. Equally. I bet Allahu Juana as slaves of Allah as

01:26:38 --> 01:26:43

brothers, united by this indispensable principle of Abu

01:26:43 --> 01:26:49

dia, which is really the only principle of a true humanism. So

01:26:50 --> 01:26:54

may Allah subhanaw taala, bring back the crowds to the harem, and

01:26:54 --> 01:26:58

they get the great place on earth that demonstrates Allah's special

01:26:58 --> 01:27:02

love for the poor, for the outcast for the refugees, people who are

01:27:02 --> 01:27:06

underestimated. And may He bring repentance to the hearts of the

01:27:07 --> 01:27:10

global elites, and he make it as it has been, for so many people

01:27:11 --> 01:27:16

down the centuries, a place of turning from the outward to the

01:27:16 --> 01:27:20

inward from the periphery to the center, from falsehood to truth,

01:27:20 --> 01:27:25

from idolatry to tell heed, from injustice to justice, and from

01:27:25 --> 01:27:31

illusion to the reality of the true God. Robber Alameen the lord

01:27:31 --> 01:27:37

of Ibrahim Ismail he'll and his Huck alayhi wa sallam at remain.

01:27:37 --> 01:27:41

So may Allah insha Allah give us a strong Nia now to make the Hajj

01:27:41 --> 01:27:46

and the Amara Amara is also required, and insha Allah to bring

01:27:46 --> 01:27:49

us together in those places and to give us a good hydrogen

01:27:49 --> 01:27:53

undistracted, Hydra Hydra fraternity that cleanses us and

01:27:53 --> 01:27:57

inshallah sets us up through these amazing, mysterious but purifying

01:27:57 --> 01:28:02

rituals, so that the rest of our lives are insha. Allah lived in

01:28:02 --> 01:28:05

the state of attachment to the Kaaba, unto the Lord of the Kaaba,

01:28:06 --> 01:28:09

medical or physical life form income was salam o aleikum wa

01:28:09 --> 01:28:13

rahmatullah. Support the next generation of Muslim thinkers by

01:28:13 --> 01:28:18

donating today at Cambridge Muslim college.ac.uk

Share Page